Writing Is About Exploring Your Imagination. Writing Is About Self Expression. Writing Is About Having

20 Compelling Positive-Negative Trait Pairs

Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:

1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.

2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.

3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.

4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.

5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.

6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.

7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.

8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.

9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.

10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.

11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.

12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.

13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.

14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.

15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.

16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.

17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.

18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.

19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.

20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.

These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.

In honor of watching the last 4 episodes of Rings of Power S2 for the first time yesterday, I feel like commemorating this philosophy.

[src]

“You can examine a text closely as a doctor of letters, but you are utterly incapable of examining yourself. You, the zoologist, never the beast. You, the reader, never the text. What if you are both?”

— Viet Thanh Nguyen, A Man of Two Faces

What makes me love this even more is seeing this stay the same no matter what year you met it in, what series or medium you started with, or how old you were.

It feels like it is all made for all of us, and we get to love the whole franchise, and the whole fandom. And then it's impossible not to love the little Trekkie roots in ourselves.

i think star trek will stay with me forever.

it has injected me with a permanent joy and whimsy and helped me unlearn shame/cringe culture. most importantly, it makes me see the good in humanity.

star trek has affected me in ways i never knew media could affect me. it keeps me optimistic about humanity’s future, and inspires me to do what is right no matter what. star trek makes me unashamed to be myself, however nerdy or silly I may be.

star trek is so important to me and i have a feeling it always will be.

basic things you should know about your main characters

how is their relationship with their family

what are their beliefs, if they have any

what is their motivation (preferably something unrelated to their love interest/romantic feelings)

who were they raised to be vs. who they became/are becoming

what are their plans for the future, if they have any

how they feel about themselves and how it affects their behaviour

how do they feel about things they cannot control

and last but not least: Why is This Character the Protagonist??

Spock's World Inspired Holiday Card circa 1992

December 1992. Spock's World was among my favorite novels. I had just turned 19 years old that month. In keeping with the tradition of making holiday cards, that year I drew artwork inspired by a scene in Spock's World, the Star Trek novel by Diane Duane.

No computer. No printer. This was 1992. I drew it in pencil and darkened it with ink. The message was all hand lettered. My dad made copies of the artwork at his office. Each copy was colored by hand with colored pencils and crayons.

The image centers on the IDIC symbol, Infinite Diversity in Infinite Combination, a concept central to Vulcan philosophy. Diane Duane wrote the most beautiful passage in Spock's World that simply explained the meaning of IDIC. I copied the passage for the message inside the card. The IDIC symbol was surrounded by animals, plants, and other organisms representing the biodiversity of Earth.

The passage from Spock's World was from a scene where Surak was in the desert and saw the giant sandworm-like creature, referred to as the Underlier (called A'kweth or Tcha'besheh). Both beings paused and beheld one another, the Underlier and the Vulcan, in the vast desert under the light of T'Khut (called The Watcher), Vulcan's sister planet.

"How delightful to be so different from something. No need to understand them, particularly; that might come with time and would be an added delight. But it was enough to accept their difference, to celebrate just that without anything added. Creation, in itself, was joy, the difference was joy, the celebration of it was joy."

Front of card. Star Trek inspired greeting card artwork. Based on the novel Spock's World. Image features the Vulcan IDIC symbol and cartoon drawings of animals representing diversity. Created in 1992.

Inside of card. Star Trek inspired greeting card artwork. Based on the novel Spock's World. Image features a quotation from the novel representing diversity and the IDIC philosophy. Created in 1992.

Front and back of card. Star Trek inspired greeting card artwork. Based on the novel Spock's World. Image features the Vulcan IDIC symbol and cartoon drawings of animals representing diversity. Created in 1992. (Copyright Myers Cards 1992.)

The passage in the novel continued:

"There was nothing that could stand against that joy: sooner or later it would triumph. All evil, all death, was a tiny, fretting, posturing thing that knew its own defeat was coming, and it might rage and destroy as it liked. It was doomed. Celebration would win, was winning, had won now. Everything was one moment, and the moment was nothing but triumph and joy."

This resonated with my 18/19 year old self. This still resonates with me today. Oh, my heart! I cry for joy! Such beautiful ideas and words to live by!

Regretfully, I didn't credit the author on the card at the time. I assumed friends and family wouldn't care. It was yet another weird, cheap, homemade holiday card from their weirdo sister / niece / daughter / student / friend.

I hope you enjoy the amateur artwork and Diane Duane's message. Enjoy the diversity and differences. Embrace and embody IDIC.

Thank you, @dduane.

Peace and long life,

Amy

HE DID IT FOLKS, HE DID THE THING

my dream of learning a little of everything gets a lot easier when they're all related :D

So the other night during D&D, I had the sudden thoughts that:

1) Binary files are 1s and 0s

2) Knitting has knit stitches and purl stitches

You could represent binary data in knitting, as a pattern of knits and purls…

You can knit Doom.

However, after crunching some more numbers:

The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…

3322 square feet

Factoring it out…302 people, each knitting a relatively reasonable 11 square feet, could knit Doom.

Also: I think Aragorn gets a bad reputation now because so many lesser franchises have tried to imitate his archetype without understanding why he works. In the original movies he’s just a big gentle sad guy with a sword, who knows he’s not the real hero of the story and dedicates himself to supporting those gay little hobbits. The aragorn knockoffs are not his fault

Things I’ve noticed are essential in plotting and would probably have saved me a lot of time if I had considered it earlier

The START of your story - how fucked up flawed is your premise/character at the start? what do they have to change? why are they HERE?

The END of your story - How do you want your main character/theme/universe to change after your story? Does it get better or worse? THIS SETS UP THE TONE DRASTICALLY.

What you want to happen IN BETWEEN - the MEAT of it. What made you start writing this WIP in the first place. Don't be ashamed to indulge, it's where the BRAIN JUICE comes from. You want a deep dive into worldbuilding and complex systems? Then your start and end should be rooted in some fundamental, unique rule of your universe (what made you obsess over it?). Want to write unabashed ship content? Make sure your start and end are so compelling you'll never run out of smut scenarios to shove in between scenes (what relationship dynamics made you ship it in the first place?).

The ANTE - the GRAVITY of your story. How high are the stakes? Writing a blurb or interaction? start with a small day-in-the-life so you can focus on shorter timelines and hourly minutiae that can easily get overlooked in more complicated epics. Or you can go ham on it and plot out your whole universe's timeline from conception to demise. Remember: the larger the scale, the less attached your story may get. How quickly time flies in your story typically correlates with the ante (not a hard rule, ofc, but most epics span years of time within a few pages, while a romance novel usually charts out the events of a few months over a whole manuscript.)

Everything else follows….?