Previous Poster Is Totally Straight

previous poster is totally straight

@snowfromfallenclouds @fr0ggy-ravenclaw @andy-the-depressed and any others

New REBLOG Game

Just fucking lie about the previous poster

More Posts from That-little-lychee and Others

1 month ago

when i realize i have to write the scenes in order to get to the scenes i want to write

When I Realize I Have To Write The Scenes In Order To Get To The Scenes I Want To Write
2 months ago

GIMME ONE I BEG OF YOU 🙏

i can assign a vibe to anything its so weird


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1 month ago

YES IT HELPS A LOT THANK YOU

Hi there

so in the book i'm writing the main character, Talli, gets stabbed and hits her head on a rock or smthing which damages her memory a bit

the book opens with her waking up in the hostpital, so I was how she might be treated for a stab wound or how long they would keep her in the hospital, etc etc

would you know anything about that kind of thing? I don't need it to be INSANELY specific, it's fiction, but I would like something that's pretty close to real life

tyyyy!!!

Hello hello, I hope this helps and good luck on your book!!

Alrighty! So, the treatment for the knife wound would entirely depend on where she was stabbed and how deep the stab wound was. If you wanna keep it safe and simple, I'd go with the arms, legs, or shoulders. You could also go for the abdomen, but it would have to be an incredibly shallow stab. Don't go for the chest area or back, that makes thing super complicated. If you wanna make it in any of those other areas, feel free to ask about them! In an emergency situation, we'd try to control the bleeding by applying direct pressure, packing the wound (if it's on an extremity), or applying a tourniquet (also of it's in an extremity). With extremities, there is always the possibility, if enough force and a big enough knife is used, that bones can fracture. I'm not too sure what they'd do in a hospital setting, but based on what I've learned, unless there are some weird underlying stuff going on, they'd stitch the wound and monitor for internal bleeding. Something both EMS and the hospital will be super worried about, especially if the bleeding at the stab wound has been controlled, is the head trauma. With head trauma there is always the possibility that there is some sort of brain bleed, which is life threatening and needs surgery to fix. They'd keep her in the hospital for a long time until they've ruled the head trauma okay enough to leave, though I'm not sure how long that would be. Also, just for funsies, the part of the brain that is in charge of memories is called your hippocampus, which is located in the temporal lobes of the brain, so she'd probably have hit the side of her head! :)

2 weeks ago

IM SORRY WHAT

im literally a woman and I didn't pick up half of these mannerisms n things omg

well new writing guide is here guys

Ways I Write a Woman...

➀ Who’s Tired of Being Talked Over

You ever watch someone hold in a scream behind their teeth? That’s her, constantly.

✧ She starts choosing her words like landmines. Each one is sharp, controlled, and timed like a threat. She’s learned that being polite won’t get her listened to, but sounding like you might flip a table will. ✧ She’s mastered the art of the silence that feels loud. Doesn’t fill awkward gaps. Just lets the discomfort sit in the air like smoke. ✧ She explains things with forced calm, the kind that sounds like a teacher asking a second-grade class why the hamster is missing. ✧  She notices interruptions like bruises. She doesn’t react to them anymore, not out loud. But you can bet she counts them. ✧ She repeats herself less. Not because they understood her the first time. Because they never listened anyway. ✧ She’s learned how to weaponize eye contact. Not in a sexy way. In a “I will set this boardroom on fire with my mind” way. ✧ Her voice only shakes when she’s deciding if it’s worth the explosion.

➀ Who’s Been Called ‘Too Much’ Her Whole Life

She isn’t too much. She’s just tired of shrinking for people who were never going to make room anyway.

✧ She says the thing you’re not supposed to say. Then stares at you to see what you’ll do with it. ✧ She’s loud with her laugh, loud with her grief, loud with her love, because if she’s going to be punished for being “extra,” she might as well be honest about it. ✧ She over-explains. Over-apologizes. Then catches herself and stops halfway through the sentence. ✧  She tries to “tone it down” and ends up sounding like a censored version of herself, bland, miserable, unfinished. ✧ She edits her texts four times, deletes the paragraph, sends “haha ok :)” instead. ✧ She keeps her hands busy because otherwise they’d be doing something reckless. ✧  She overcompensates with sarcasm and then goes home and wonders if everyone hates her. ✧  She’s loved fiercely. Regretted it more fiercely. ✧  She walks into a room like she owns it, and then spends the entire time wondering if she should have stayed home.

➀ Who Wants to Be Soft but Doesn’t Feel Safe

She's gentle, but that gentleness lives under twenty layers of armor. And most people never even get past the first. ✧  She’s careful with her compliments, she knows how people weaponize kindness. ✧  She keeps her vulnerability behind locked doors and guards them with jokes, sarcasm, and “I’m just tired.” ✧ She’ll comfort others like she was born to do it, but flinch if someone offers her the same. ✧ She avoids mirrors on bad days. Eye contact on good ones. ✧ She cries where no one can see. Car bathrooms. Locked bedrooms. Grocery store parking lots at night. ✧ She doesn’t ask for help. Not because she doesn’t need it, but because the last time she did, it came with a price. ✧ She’s soft with animals, with children, with strangers, but not herself. Never herself. ✧ She daydreams about being taken care of, then immediately gets mad at herself for wanting something so “weak.” ✧ She wants love, but she’s terrified of being known. Because if someone really saw her? What if they didn’t stay?

And if you’re sitting there reading all of that thinking, “God, I don’t even know how to write women like this
” Please know: you’re not alone. Like, really not alone.

Writing female characters in a way that feels true, nuanced, and unapologetically real isn’t just about avoiding clichĂ©s. It’s about unlearning everything you were taught about what women are “supposed” to be on the page. It’s about getting underneath the polish. Past the performative strength. Past the “she’s not like other girls” and the “strong but broken” tropes. Past the idea that softness is weakness and rage is unlikable.

So many people struggle with this, not because they don’t care, but because no one ever really taught them how to see women as people first.

A lot of us grew up reading female characters written through a lens that flattened us. Made us background noise, love interests, plot devices, or emotionally bulletproof when we weren’t emotionally unstable. It’s no wonder we’re all trying to figure out how to do better now. I write a Book about How to Write Women that feel Alive... For you.

Ways I Write A Woman...
Ways I Write A Woman...

In the chapters ahead, we’re going to unravel that mess, together (Promise). We’ll talk about...

❄ Tropes — the ones worth reclaiming, and the ones you can toss into the fire. ❄ The psychology of a woman — how conditioning, survival, identity, and inner conflict shape her from the inside out. ❄ Female vs. male conflict — not in a “boys suck” way, but in a “our emotional battlegrounds are different and that matters” way. ❄ Expectations — society’s, her own, and how characters shrink or shatter under them. ❄ Emotions as strength — especially the ones she was taught to hide: fear, grief, longing, joy, rage. ❄ Female anger — what happens when she finally stops holding it in. ❄ Archetypes — and how to subvert them without erasing the truths they come from. ❄ Female friendships — no more cardboard “bestie” side characters. ❄ Romantic relationships — what it means when she’s finally seen. Chosen. Or rejected. ❄Mothers, daughters, and sisters — because female relationships deserve more than being backstory. ❄ Dialogue — how she speaks when she’s safe vs. when she’s scared. ❄ Inner conflict and development — her arc isn’t about fixing her. It’s about letting her evolve. ❄ Writing exercises — to help you get past the noise and write from a place that feels real. ❄ A full checklist for writing female OCs — layered, powerful, contradictory, alive.

📖 Get your Paperback now! (Here On Amazon!)

This isn’t a rulebook. It’s a guide. A toolbox. A comfort blanket. A callout. A reminder that writing women doesn’t have to feel impossible, you just have to be willing to look a little deeper.

So if you’ve ever felt stuck writing a female character
 If you’ve defaulted to tropes because you didn’t know how else to make her “interesting”
 If you’ve erased her emotions to make her “strong”
 Or if you’ve stared at the page wondering why she still doesn’t feel real...This book is for you.

And I promise, by the time you reach the last chapter? You’ll not only know how to write her. You’ll understand her. And maybe even see a little of yourself in the process.

Love u All!!đŸ–€


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1 month ago

@andy-the-depressed expain i don't get it-

Reblog and see if you get a color.

PURPLE: We near never speak, but I do enjoy your presence on my dashboard.

FUCHSIA: I wish I could become your best friend through the internet.

GREY: You leave me with jumbled words.

RED: I’m in love with you.

PINK: I have a crush on you.

TURQUOISE: You’re hot.

CHARTREUSE: I sincerely wish you would notice me.

TEAL: We have quite a lot in common.

BLUE: You are my Tumblr crush.

ORANGE: I dislike your page.

YELLOW: PLEASE FUCK ME.

WHITE: PLEASE MARRY ME.

GREEN: I find you cute.

BLACK: I would date you.

BROWN: I dislike you.

1 month ago

this is actually tori and michael and you can't tell me any different

This Is Actually Tori And Michael And You Can't Tell Me Any Different
1 week ago

that-little-bitch

replace one word of your url with bitch

1 month ago

favorit musical?

either Heathers or EPIC: The musical (its a concept album)


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bisexual teen writer, loves reading & music, extroverted theatre kid <3

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