Rebecca | Mrs Danvers through the years
Why do I find the idea of UT sitting in a fancy carriage being all serious hilarious? He’s got his pointy (probably dirty) mortician boots on, having a great time being all professional… perhaps this is a kind of insight as to how he is when he’s alone, just kind of there. It is interesting that he’s not smiling, and we can’t see any of his lovely hair, even though we all know who it is in the carriage, and he’s basically known for his hair. And considering the glee with which he revealed to Stoker that he manipulated him the entire time.
I think this portrayal makes him look a lot more sinister than the usual cackling fool he makes himself out to be, even more so in comparison to Stoker’s obvious hope. I believe (to my knowledge) he’s laughing about it in the voice over, but it really sticks with me how cold he is in that glimpse we get of him. Perhaps the jovial undertaker is a bit of a act for a man that is very sad - I know, a very original idea that no one has ever suggested!
I am a bit sad that we’re getting more serious UT instead of silly now that he’s a proper villain ( I say knowing he’s been like that since the Luxury Liner Arc), but oh well. And we do get to see him tear up in the Emerald Witch arc, so I guess we’ll see. Early UT may have been a bit creepy, but he was so much fun! Bring back silly goth undertaker with his stupid props and scenery - his shop was beautiful (can you tell I miss it?)
UNDERTAKER IN HIS USUAL OUTFIT IN S4
Cowbell ghoul!?! I was literally joking this morning about brining them back! Success.
Monstrance clock, my beloved!
I’m so excited for the new album!!! And I can’t wait to see more videos and photos on the instagram. I can’t wait to see Perry smile more!🖤🖤🖤
Freaking out about the Skeletour show in Glasgow
Peacefield is a Banger
The new stage is phenomenal, it just keeps getting BIGGER. first the curtain with giant rips in then the new stage with stone plinths for the ghouls and lights everywhere including under the drum riser. Then the stony walls fell down to reveal the usual stained glass windows and then the stone archways fell down and nearly took out Mountain. Then it was revealed that it was actually a massive LED screen
I got so excited that they were playing Majesty that I didn't immediately notice he was FUCKING FLYING. My sister was like omg flying and I was like omg Majesty and then we were both like OMG HIS MAJESTY
I started noticing the double kick drum during Ritual and after. I don't know enough about drums to say what was different it just was more idk
We were in the gods so we couldn't fully appreciate the GIANT MOVING truss grucifix of moving lights but she's a work of art. We could see the labels in the trucks as we left and they had a whole truck just for floor lights (the under drum riser lights are gorgeous) and they had at least 3 more for lights. No idea how to pack a giant moving rus
Lost my shit when they started playing Umbra I've been waiting fucking months to hear more than the opening bars!! I cannot wait to hear it again properly (it's only 9 days not that I'm counting)
Fucking cowbell ghoul is back for Umbra did not see that coming
Monstrance Clock is back too I didn't see that coming either and I'm so happy!!!! And the little smirk he did when he got to say "conclusively, I give you Monstrance Clock" for the second time in years, knowing we were about to lose our collective shit, was yet another wonder of no mask papa
We got sad about it ending and he was "you can go out and tell everyone about the amazing time that you had. Or at least you can tell everyone about the amazing time that I had"
He got his I/we/they/him mixed up which is always funny like "back at the assembly where we, no they, well I suppose I'm part of it now so we, and I thought, no they thought-"
He name dropped The Cathouse but didn't know if it was still running and then was like "I know a lot about the past, but I don't know much about the future" and then straight into The Future is a Foreign Land. Musical theatre levels of speech into song and he said "this is a song my dad used to sing to me" and they changed it to 2034 (I had wondered if they were going to change it to 2025 and have a new rhyme but that works)
There was a delay letting people in and my theatre brain wants to know what technical issue stopped them opening the house?? Was he stuck in the air?? Was the moving grucifix of moving lights refusing to move?? Did the LED screen decide not today satan ??
Highly emotional about Skug's reaction to the empty world in Theatre Of Shadows.
Like. This is a man who has spent hundreds of years stripped bare like an exposed nerve to sensory input. He can't close his eyes. He can't put his fingers in his ears. He can't sleep. He's "learned to" sort-of sleep by meditating, but he has no way to fully turn off to the world around him.
He's also massively ADHD-coded, a condition associated with sensory processing issues - specifically, hypersensitivity to sensory stimuli, leading to sensory overload.
Add to that, that Necromancers all seem to have a heightened sort of sensory perception - they can all sense the echoes of negative emotions like fear, despair and misery. At a certain power level - which Melancholia reaches in DB - their entire way of processing sensory stimuli, the way they see the world, changes.
Skug is a natural Necromancer. He developed his abilities long before he joined the Temple as Lord Vile, and Vile very quickly outpaced the most advanced teacher they had for him. So he's probably had very little - if any - training in how to deal with those added sensitivities or tune them out. As a dead person commanding death magic - and someone so powerful he can use highly unstable Necromancy without his channelling object - he's probably more sensitive to these things than your average Necromancer.
So in Vile, you have an immensely traumatised torture survivor who's lost all human ways to cope with his pain (he can't comfort eat, he can't get drunk, he can't lose himself in sex, he can't sleep, he's lost his loved ones, he has no way of recovering at all), who's also already hypersensitive to how bright and noisy and Too Much the world is, and now has no way of disconnecting from all that stress, while his senses have been dialled up to 11.
So? Those random, pointless little solo expeditions into dead universes? Were actually probably a desperate man's last resort in trying to decompress, to find somewhere he could get some fucking peace and quiet. Somewhere to just make all the lights and the noise and the emotions that aren't his go away, to make it stop. The only outlet he had, to escape a world that was still hurting him. The only place he could relax.
Anyway vile needs rainymood.com and a lie down in a nice dark room thanks for coming to my ted talk
Please Toblerone, let them be brothers, let them love each other. Don’t make them hate each other
Maybe we’re the same
I wasn’t going to reblog, but it was too cute to ignore. I love this film, and Frollo’s stupid hat.
Very cool. As a fan of Izuru - honestly mostly due to his cool hair - it always makes me sad that he just disappears post-game, especially since co-existing with Hajime in daily life is such an intriguing concept. What does Izuru look like in his twenties? Thirties? How do the others react to him? Do they know he’s still there? So many questions to explore!
ive always interpreted postgame hajime/izuru as for the most part separate entities but with a degree of fluidity too (some days they can communicate some days they cant, they can very distinctively tell who’s fronting some days and some days they can’t at all, some memories they share and some memories they don’t and some memories may get mixed up between the two etc etc) but ive always liked to think that komaeda, with his freakishly observant nature, teaches himself how to clock which one is which pretty accurately.
hajime doesn’t always tie his tie evenly, izuru always ties it perfect. izuru always sits with either the worst or best posture youve ever seen, hajime is always somewhere in between. only hajime seems to wear casual clothes. if the tie color is any different from the usual green, that’s izuru. izuru styles his hair a bit neater, and if they’re overdue for a trim, izuru’s probably been fronting for a while. hajime likes his coffee fairly dark, izuru likes it with 10 spoonfuls of sugar.
so using this he can also tell when one is masking as the other (usually it’s izuru masking as hajime because he doesn’t want to deal with everyone —save for komaeda —being an ass/generally weird to him unprompted. theyre still working on that. but hajime has his reasons sometimes too). hajime’s tie is a little too perfect today. he’s being slightly quieter than usual. he recoiled when kazuichi leaned in to clap him on the back — but only slightly. no one else would’ve noticed.
sometimes these conflicting tells don’t indicate one pretending to be the other, but a more merged state. distinguishing that tends to have a larger margin of error, but when one masks as the other, usually the tells are consistently towards one or the other, and when they’re more merged then the tells are mixed (wearing casual clothes but having neat hair but having hajime’s posture but having izuru’s sweet tooth for example).
a couple years postgame i think komaeda learns to tell when they’re talking in headspace too, based on the tiny little changes in expression when they zone out. to tell WHAT theyre talking about komaeda definitely needs situational context (ex: if hajime randomly zones out while youre talking to him, izuru’s probably commenting on something you or he said. given enough context, komaeda can even guess what izuru says too), but he can usually at least tell when theyre talking. hajime’s subconscious facial expressions are more obvious then izuru’s, but if izuru’s brows are a little furrowed while he’s zoned out then they’re talking, and if his face is completely neutral then he’s just zoned out.
of course komaeda is wrong sometimes, because things aren’t that simple. but he tends to be freakishly accurate. once he picks up on who’s who that day, he’ll walk up and refer to them by name and get it right first try and no one knows how. sometimes komaeda only needs to see the back of him for a second or two before he can tell (that’s already three things he can observe: hair, posture, and if the back of the tie is tucked under the shirt collar properly. hajime usually forgets to check that). or sometimes he’ll go “does izuru want to add something?” if he can tell they’re talking to each other and everyone is like how could you tell.
the freakish observation is returned on hajime and izuru’s part of course, but it’s different because komaeda is no Ultimate Analyst or anything. it’s just a gay tendency.
Same as last time. Gorgeous pictures.
(That seems to be my word of the week lately, I wonder how that happened? Maybe I’m just appreciating art more?)
Malice Mizer Vicious Feb. 2001
[muttering feverishly] I need to chase that man around my gothic manor in a silk nightgown
this is my pre-gaming for watching this show. dipping a metaphorical toe into the fandom. i haven't read the books either.
there are 3 vampires: lestat, louis, and armand
armand's name may or may not be amadeo?
lestat and louis had a daughter named claudia
claudia was unhinged (which is fair. i would be too if i was stuck at age 15 forever)
claudia had a girlfriend named madeline
claudia and madeline died together (without even having kissed each other. true love? sapphic teenagerism? perhaps both)
claudia's death caused lestat and louis to break up after like a century of dating or something
armand killed claudia?
there was a play involved in claudia's death...? i am incredibly confused about this one
either it was a play or an execution
the love triangle seems convoluted
armand is in love with louis and lestat is also in love with louis and lestat & armand have definitely also fucked each other
louis should just get the hell out of there actually. free my boy louis !!!
the interview is being done by daniel molloy who is bi (?) and definitely into that kinky shit
daniel molloy fucked either louis or armand in his youth (during the 80s maybe?). possibly he fucked both. the human pet of the marriage
daniel's memories got messed with to... forget fucking the vampires? idk. p sure armand did it though
that seems to be the consensus for most things in this show
armand did it.
claudia died? armand did it. daniel's memory got wiped? armand did it. louis stubbed his toe? armand probably did it.
armand needs to be sent to vampire jail this guy's a menace
also lestat had a midlife crisis after louis left him for armand and became a rockstar. i hope they release his songs on spotify as marketing. i wanna hear it
BONUS: lestat's album flops? armand did it.
anyway now daniel is old and interviewing armand and louis in dubai?
armand eats suicidal ppl?
daniel causes armand and louis' marriage to fall through
that's louis' 2nd failed marriage
surprisingly not his fault either time i think
armand turns daniel into a vamp
this is signficiant because armand has never turned anyone into a vamp
armand is going to fuck that old man
that old man has kids apparently
and swore someone out on live tv
BONUS 2: daniel got turned into a vampire? armand did it.
seriously what the hell is armand's problem (said affectionately. i have a feeling he's gonna be my fav when i watch)
does lestat know daniel?
claudia may or may not return from the dead
if she does i'll blame that on armand too
is armand french or not? he lives in dubai. has a french accent (?) but also not.
lestat is french. louis and claudia are american.
surprisingly, the americans are the nicest of the bunch. rare american W
also can lestat fly? did he throw louis from like... a 4 story height? ppl on twitter were mad abt it like last year
are there any other characters in this show except the ones i've named. it's been 2 seasons. 6 characters cannot be all there is.
Today, August 30th, is Frankenstein Day and Mary Shelley’s Birthday! To celebrate the first horror novel, we decided to ask our contributors about their favorite queer horror novels and ended up with 28 titles for a very spooky end of summer. Contributors to this list are: Shadaras, D.V. Morse, Nova Mason, Terra P. Waters, Rhosyn Goodfellow, Nina Waters, Meera S., Shea Sullivan, Owl Outerbridge, Sanne, Tris Lawrence, boneturtle and an anonymous contributor.
The Luminous Dead by Caitlin Starling
Someone You Can Build a Nest In by John Wiswell
The Devourers by Indra Das
Into the Drowning Deep & Rolling in the Deep (Rolling in the Deep series) by Mira Grant
What Moves the Dead (Sworn Soldier series) by T. Kingfisher
Bury Your Gays by Chuck Tingle
Camp Damascus by Chuck Tingle
I Feed Her to the Beast and the Beast Is Me by Jamison Shea
Sixteen Souls by Rosie Talbot
The Honeys by Ryan La Sala
The Taking of Jake Livingston by Ryan Douglass
Kaleidoscope of Death by Xi Zi Xu
The Dead and the Dark by Courtney Gould
Alice Isn’t Dead by Joseph Fink
Squad by Maggie Tokuda-Hall
The Hills of Estrella Roja by Ashley Robin Franklin
The Vampire Lestat (The Vampire Chronicles series) by Anne Rice
The Picture of Dorian Gray by Oscar Wilde
The Summer Hikaru Died by Mokumokuren
Pet Shop of Horrors by Matsuri Akino
Your Shadow Half Remains by Sunny Moraine
The Deep Sky by Yume Kitasei
Make the Exorcist Fall in Love by Aruma Arima & Masuku Fukayama
Hell Followed With Us by Andrew Joseph White
Summer Sons by Lee Mandelo
Fate/Stay Night by Type-Moon
Umineko When They Cry by Ryukishi07
Case 00: The Cannibal Boy from Sounding Stone
Welcome to Night Vale
The Silt Verses
Want to chat your favorite reads with us? Join our Book Lover’s Discord server!
Update your Goodreads TBR with any of these books by visiting our queer horror shelf on Goodreads!! Or, jump onto Bookshop.org and browse these books on our queer horror list!