Ramblings About Separate Ways Arc

That one Series of Unfortunate Events quote

[ID: A Mob Psycho 100 comic. Muraki gestures to Sakurai, who's glaring and surrounded by an ominous red-black aura while holding up a sword, and says, "You must understand-- he had a terrible childhood." Mob stares at him, dead-eyed, and replies, "Yes, I understand. I'm having a terrible childhood right now." Reigen is lying twisted behind him in the Family Guy Death pose. End ID]

i'm down for giving reigen baggage but only in moderation and not in that really angsty fanon way. reigen has abusive parents -> reigen's parents are mid and have expectations that he doesn't fulfill leading to a bit of distance between them; reigen wants to kill himself -> reigen struggles with self-loathing but not overwhelmingly so and still tries his best to make something out of his life; reigen is tormented by his disciple's little brother look everyone look at this brat who hates his bro's savior for no reason -> lol this man is getting bullied by a middle schooler like the pathetic wet dog he is

Throughout the series, we see that Teru is hypersensitive to dangers and quick to resort to violence, not to mention the whole stuff about his favourite torture method.

Another intriguing thing about Teru is his incredible adaptability, how he turns other people's to his own, as if he wants to gain control of everything in his life, same with his idea about "hierarchy" in a particular earlier arc.

All of this can very be attributed to Teru's constant fear of being caught and used for his power.

(Despite not knowing about his true power, Teru's Black Vinegar fellows seem to be heavily reliant on him. This results in a paradox situation where Teru wants to gain control yet also be afraid of being used, probably explains his "shadow leader" status)

Teru can use psychic power to protect himself, but wasn't psychic power the thing that pushed him to this way? Because of it, he could not live a regular life, and was constantly afraid of being alienated, rejected and hurt. And then Mob - another esper like him - showed up and told him that psychic power doesn't make him any different. That he is just as much of a commoner as everybody else, while also able to pursue the charm within himself without relying on psychic abilities. Of course, the issue with psychic power runs deeper than this but it's another can of worms (and once again, a parallel to Mob). For the time being, those were words Teru had desperately wanted to hear. "Commoner" later on became the mantra, the belief he fights tooth and nail to adhere to, showing the strength of his inner desire to change, or more accurately, to convince himself that he can really be normal.

Teru's redemption is often joked about for being speedran over. Still, I really like the concept of it happening as a swift phase rather than a long and tedious journey because most of his problems had somewhat been solved during the fight with Mob.

People can change if you just push the right button.

last night i woke up at 4 am with the inexplicable need to write meta abt how what little we know of teru’s backstory parallels mob’s life in mogamiland and how depriving them both of a support system/familial relationships/friendships leads each of them down the path of violence and eventually even to the same action  (strangling someone) 

- “Thank you,  I guess .. I’ll finally be able to sleep at night”

out of the 90 or so panels that ONE devotes to the mental fight between shigeo and mob in mob psycho 100's confession arc -- from mob's conscious awareness of shigeo's presence to shigeo's eventual dissolution and assimilation of mob -- just seven show us that the child can actually be heard arguing with himself from the outside.

since the anime concluded its run last year, i've had those panels on my mind. studio bones only animated the largest one and relegated shigeo's speech on it to internal dialogue (much more on that decision here). they're so compelling that i decided to redraw them in my own style.

this is the seventh and last of them. it occurs just before shigeo smacks reigen in the head with a chunk of fallen city in hopes of scaring him off (it doesn't work).

its text reads:

｢他人が”僕”を飼い慣らすことはできない。モブの本当の姿を知ればあの人は僕を開放するよ。」 tanin ga boku wo kainarasu koto wa dekinai. mobu no hontou no sugata wo shireba ano hito wa boku wo kaihou suru yo. 'no one else will be able to tame me. now that he knows mob's true form, that man will set me free.'

[image ID: amidst swirling teal winds, hair wild and eyes aglow, a teenaged japanese boy wearing a gakuran and an eerily neutral expression muses 'tanin ga boku wo kainarasu koto wa dekinai. mobu no hontou no sugata wo shireba ano hito wa boku wo kaihou suru yo.' storm clouds are gathering around his eyes as he speaks, partially obscuring his face.]

ONE's original panel:

この一連の他の絵 kono ichiren no hoka no e other drawings in this series panel 2｜panel 3｜panel 5｜panel 6

Reigen Arataka’s Character Song - Thank You, Espers (超能力者にありがとう）

Reigen Arataka is given a character song as part of the 99 Album, titled Thank You, Espers (chounouryokusha ni arigatou). Translation and link to song given below read more! ;

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Idea: Takenaka is using his powers in this scene. He notices Reigen staring at him, and decides to listen to Reigen’s thoughts to see what’s up. But what Takenaka realizes in that process is that the man is also reading him like an open book – this telepath can hear Reigen breaking down every miniscule aspect of his current presentation, and the conclusions he’s drawing are so uncannily accurate that he might as well be a telepath himself. Being read like this is a new experience for Takenaka since he’s always been on the other side up to now, and this is honestly really unnerving for him.

Every character in Mob Psycho is so lonely at the beginning of the series, but they all express it in different ways so they don’t realize they’re all dealing with the same problem!

Mob makes himself small and quiet and blends in and does his best to never make a scene and never ask for anything and never think about what he wants. Reigen makes himself big and loud boisterous and takes up as much space as possible–but it’s all show, it’s all slight-of-hand, it’s a magic trick so everyone looks where he wants them to and he doesn’t have to risk anyone seeing through him. Ritsu makes himself perfect and dutiful and studious and pours himself into the mold of A Good Son, A Good Student, A Good Brother, and thinks that if he buries himself deep enough no one can touch him. Teru makes himself sharp and brilliant and frightening and puts himself at the top of the pyramid and convinces himself that it’s a feature that no one can get close to him. Dimple does the same thing–makes himself into a god and a monster, someone who only sees humans as pawns. Never equals. Never friends.

Everyone has walled themselves off from genuine connection, convinced themselves that there’s an important reason they’re alone that isn’t just that they’re afraid, and the series is about all of those walls being torn down, bit by bit. There are a million ways to be lonely, but the solution to all of them, every time, is vulnerability and kindness.