ITS THAT TIME OF YEAR FOLKS

I love teru

doesnt everyone

favorite visual gags:

something drawn realistically to show an emotion

something drawn poorly to show an emotion

Emi’s short story — A translation

So, what was Emi’s story about in S2E1? I only got decipherable screenshots of the first page, and there’s about three words that were too obscured/blurry to decipher, but I’ve put together a translation of the first page of Emi’s short story, “Adventure”, for your reading pleasure.

Translation below the cut!

“Adventure” by Emi Takada

If an extremely honest acquaintance, with whom you normally don’t interact much, suddenly begins putting together words that sound insanely good, would it not feel like a last will and testament?

At the garbage dump behind the school, while carefully piecing together her words, the girl turned to me and began to speak discreetly. “Every day, I fill my diary bit by bit with lies like that. And then someday, when I’ve lost my memory, I will surely read the diary, and undoubtedly, from that moment on, I will start living a life that isn’t mine.” Because of her staring at her feet and stuttering out this story, I truly couldn’t imagine her in the classroom at all. When and how the incident of this deceitful daily life first occurred, and how she had so elaborately put it into words, I thought it sounded like a villain monologuing in a novel… I remembered lining up for school lunch with a full head, trying to decipher these things.

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It’s got some really interesting connotations for how Emi was feeling at the time of writing, specifically how Emi probably felt having to hide her true interests and nature around her “friends”. If she keeps hiding herself bit-by-bit, eventually she will be living a life that isn’t hers.

FMA has a conventionally attractive leading man and woman as bitter rivals and yet it’s absolutely clear that the only feelings they have for each other are pure spite. Immaculate.

That one Series of Unfortunate Events quote

[ID: A Mob Psycho 100 comic. Muraki gestures to Sakurai, who's glaring and surrounded by an ominous red-black aura while holding up a sword, and says, "You must understand-- he had a terrible childhood." Mob stares at him, dead-eyed, and replies, "Yes, I understand. I'm having a terrible childhood right now." Reigen is lying twisted behind him in the Family Guy Death pose. End ID]

This may have been said before, but Mob Psycho 100 is just full of golden reaction images.

For example:

And they’ve been on my computer for so long because I’ve been waiting for an opportunity to use them.

Ed is … a misandrist

Drawing details and background is actually pretty fun  _(:,3 」∠)_

Enami on pixiv

Spoilers for REIGEN spinoff.

so like basically in the REIGEN manga tome tries so desperately to throw herself into the center of this literal Superhuman world she sees and play the role of the eager young protagonist and its so endearing but in the end reigen has to come clean and she can’t keep using the spiritual premise as a crutch. not because she was wrong to have her whimsical interests, but because the fantasy of specialness can often be an escape from the isolation a person feels due to being unable to live up to societal ideals of normalcy, and yet in the end the fantasy can itself end up feeding directly into the isolation by obscuring your view of the other people in your life. you cannot prioritize the idea of being unique or special alone and that is the reason that the power structures in the story (as represented by roshuuto in REIGEN) so frequently fail short; because actually EVERYONE is a Pathetic Freak Weirdo Nerd Loser, from the handsome, popular rich boy, to the pretentious Dark!Reigen foil who takes himself too seriously, to all of the mundane teenage girls who the audience is initially tricked into dismissing as shallow, but also by the same token EVERYONE deserves to be loved and feel supported. 

because actually bonds with other people are the most important thing, and centrally this is also why REIGEN relies so heavily on bonds with others as something to create horror. the evil spirit mimics the voices of the ones you love and lures you in and when you’re at your most lost and scared and in need, that’s when you turn around and the face of the person you trust betrays you. tome only contracts the fatal curse in the first place because she cared about reigen and went back to make amends with him. because that’s the most horrifying, most terrifying thing, the thing that renders you absolutely helpless, isn’t it? it’s letting yourself rely on others and trust them to the point that it leaves you vulnerable, isn’t it? but you have to do it, if you want to achieve true connection then you can’t continue keeping up a veneer of Specialness and posturing as someone you’re not no matter how afraid you are of being seen as your true self. that’s the idea that really connects tome and reigen above all else. you have to be who you really are and you have to trust that you’ll be loved for it. and that’s horrifying! that’s an unimaginable, Forbidden terror! but it’s necessary. 

and also I think it’s so clever how REIGEN conveys this by only bringing in shigeo kageyama, the protagonist and most recognizable character who the reader has so many preconceived notions of, in at the last moment as a terrifying ghost who is impersonating him. I mean also it’s partially because shigeo can easily be made to look scary lol, because let’s be real, he can be pretty goddamn scary /hj BUT MOSTLY it’s to have him in his uniform, in his most recognizable and iconic form that the reader will cling to, and then have it be blown away by the post-canon shigeo, the real shigeo, the shigeo who has grown and changed and is no longer stuck in the role he once was. because to be vulnerable with others you have to grow and change and do away with old pretenses and dynamics that you’ve become dependent on. it can be scary to stop playing roles after you’ve grown use to them for so long, but you don’t need them - your most honest self will be the most loved. and also I love how just like tome could tell that it was the real reigen bcause he immediately ran into a spiderweb and yelled, you can tell that it’s the real shigeo because he’s immediately rude as fuck and he and reigen literally instantly go into their mean pithy little affectionate banter lol ok sorry anyway.

and also because you cannot really be any more or less special than anyone else and you need bonds with others, it’s true both that you have to rely on other people, but also that you owe it to them to be kind. reigen is literally a normal person working in the spirit business, so he has to rely on other people with the necessary abilities, such as dimple the spirit and serizawa the psychic, yes, but he also does his part to take care of the people who matter to him. roshuuto is so focused on appearances and power - as shown by how he goes on and on about connections - but when it comes down to it, he was not willing to save others (leaving hoshido in Reliance), and so nobody bothered trying to save him in turn. he only abandoned, and was abandoned. this is shown most acutely in the end by how roshuuto “has no other option” but to pass his curse on to someone else to save himself, while reigen “has no other option” to take on a curse to save someone else. reigen and serizawa accepting their responsibility as adults to protect the children around them is an extension of the idea that you are equal to everyone and are obligated to be kind to your loved ones and recieve kindness in turn. anyway mutual trust and communication is all that matters and tome kurata is The protagonist of all time Sorry,