Stomach Pains

hey spongebob i think your green ghostly friend decided to join the team

watch out squidward

idea that was haunting me while i took a shower earlier (transcript & single image page under the cut)

(figured i'd split it up so it would load a little quicker and display a little sharper)

TRANSCRIPT:

{hater and peepers are in a time orbble, and hater is racing along at full speed while peepers, unable to keep up, whirls around the orbble, yelling, distraught, as he does.}

HATER: back to the present! back to the present!!

PEEPERS: WHOAOAOAOAOAOAOAOAA!!!

{hater skids to a stop, and peepers is left to tumble until he loses his momentum.}

HATER: WAIT!! IS THAT...????

PEEPERS: WuoWoWOWwoOOough OOMPH!!

{hater presses his lack of a nose against the orbble's wall. beyond it, there's a stage, spewing smoke from machines into the crowd surrounding it. there's a banner hanging above it, reading "NOzN", stylized like the nine inch nails logo.}

HATER: IT IS!! IT'S...IT'S THE NINETY-OUNCE NIHILISTS POST-DEMOLITION GHOST-PLANET TOUR!!!

{hater continues to gush about the particular album he owns that contains the setlist they did for this particular tour, and says he knows all the words. peepers is picking himself up off the floor.}

PEEPERS: oogh...wh... that old band? hold on. when exactly did this tour happen?

HATER: oh, not too long ago. only a few...

(pause)

HATER:...hundred years ago

PEEPERS: because if ninety-ounce nihilists broke up in... wait. DID YOU SAY HUNDRED???

HATER, talking over peepers: SHH SHH SHUT UP PEEPERS, IT'S STARTING!

{focus turns to major threat on the stage, holding the microphone and introducing himself. to his left is somebody with a big hat and an equally big electric guitar.}

MAJOR THREAT: how's it going tonight? feeling doomed? well, get used to it!! we are NINETY-OUNCE NIHILISTS!!!

HATER, offscreen: hey, who's the guitarist?

PEEPERS, offscreen: i don't know, sir...

HATER: never seen him on the poster...

{the guitarist tilts his head up to reveal his identity... it's wander! wander in guyliner and a leather jacket!}

HATER: wait... NO!!!

PEEPERS: wait, WHAT??

{hater gapes down at the stage, croaking in shock and disgust. peepers looks down in shock.}

PEEPERS: wh- how- that can't be right!... that makes him how old??

{wander starts to play his guitar, major threat starts to sing.}

HATER: all this time. that filthy riff...i can't believe it...

PEEPERS: neither can i, sir...

-----

this is pretty silly and self indulgent but i finished it in such a short window of time i figure it mustve been a necessary assignment. here are a few songs they could be playing because i like nine inch nails and i like wander over yonder music

imagine if u will. two man gentleman band cover

Some roleplay art cuz I got bored

Cw: Minor injury, blood

Pose Practice.

happy pride month final space fans

..what do you mean it just ended

ALL OF THIS AHUJAHSYCIT

i really love the fact that we don't know what species he is aside from being an orange mop because it makes his character even more intriguing. he could be over 1000 years old. he could know so much more than what he lets on. is he actually that gullible most of the time? when is he playing the part to secretly ruin the bad guy's plan? he's such a harmless sweetheart, but he's actually freaky. we literally know nothing about the guy. also the mime ghosts?? remember those???? what the hell was THAT??? WHY DO THEY ALWAYS TERRORIZE HIM WHAT IS THAT MAN'S STORY

ahem thanks for coming to my ted talk.

wander shenanigans and headcanons

first things first i like to think some of his fur? whiskers?? work kinda like a cat's: he can detect some movement that's happening close by

also

claws

he probably has retractable claws or he trims them almost every day so he isn't a menace to society (or to Sylvia's skin)

and the OCD thing

i might make a whole entire character analysis about it but for now just know his cuckoo behavior is exactly like me when im doing compulsions and i feel seen😩

and for the final one

shedding season.

should i post more Wander Over Yonder content but more specifically more OCD Wander content

"In bringing together Kurt Cobain's 'most poignant lyrics and journal fragments' to demonstrate the ways in which both writing and reading about melancholy can be life-affirming, Saint-Aubin has created a wonderful memorial not only to Cobain's troubled genius but especially to his profound humaneness."

Neil Nehring, author of Popular Music, Gender, and Postmodernism: Anger Is an Energy

The year 2019 marked the twenty-fifth anniversary of the death of Kurt Cobain, an artist whose music, words, and images continue to move millions of fans worldwide. As the first academic study that provides a literary analysis of Cobain's creative writings, Arthur Flannigan Saint-Aubin's The Pleasures of Death: Kurt Cobain's Masochistic and Melancholic Persona approaches the journals and songs crafted by Nirvana's iconic front man from the perspective of cultural theory and psychoanalytic aesthetics.

Saint-Aubin discusses Cobain's writings independently of the artist's biography, positioning these texts within the tradition of postmodern representations of masculinity in twentieth-century American fiction, while also suggesting connections to European Romantic traditions from the nineteenth century that postulate a relation between melancholy (or depression) and creativity. In turn, through Saint-Aubin's elegant analysis, Cobain's creative writings illuminate contradictions and inconsistencies within psychoanalytic theory itself concerning the intersection of masculin-ity, masochism, melancholy, and the death drive.

By foregrounding Cobain's ability to challenge coextensive links between gender, sexuality, and race, The Pleasures of Death reveals how the cultural politics and aesthetics of this tragic icon's works align with feminist strategies, invite queer readings, and perform antiracist critiques of American culture.

Arthur Flannigan Saint-Aubin is professor of French at Occidental College, where he teaches courses in Francophone literatures and seminars on the theory and practice of translation. His books include The Memoirs of Toussaint and Isaac Louverture:

Representing the Black Masculine Subject in Narratives of Mourning and Loss.

when they have a spongebob themed pfp >>>>

demonstration 32 of my favorite song

Guys please reply to this with what your url means or references I’m really curious