WEBSITES FOR WRITERS {masterpost}

Okay seriously. Reblog if you're OLDER than 11.

Writing 101: Characters with Medical Issues

Part One - Mobility Aids and/or Prosthetics

Aka, me doing research for you!

TW: talks about what leads to a prosthetic… obviously

Ah, yes, I get it. Having more diverse characters, more things that can go wrong, more hurdles — it’s all a nice addition to a story. But slow down! Don’t just shove an issue at a character because you like the idea! You need to research and decide if you actually want them to have that or if you just got a little excited. I’m here to provide you a bit of base research on a commonly used issue. Today: Prosthetics and Mobility Aids.

First of all, mobility aids are exactly what they sound like — things that aid someones mobility. These include wheelchairs, crutches, braces, walkers, canes, forearm crutches, etc.

Prosthetics are artificial devices designed to replace a missing body part. Most commonly, legs and arms.

How Someone Gets Prosthetics or Mobility Aids

The most common way for someone to get a Prosthetic is, obviously, for them to lose or severely damage a limb in an accident. For example, a soldier stepping on a mine, a car crash that completely crushed an arm, heavy machinery full-on chopping off a hand. See: Proctor Ingram, Fallout Four (2015) You can also lose extremities from diseases like bone cancer, where surgeons must remove it to remove the cancer. See: Leo Roth, Red Band Society (2014)

It is more common for people to have mobility aids for temporary amounts of time, for example, a broken leg or twisted ankle resulting in having crutches. For long lasting or life long mobility aids, you’ll need to look into physical disabilities, different types of muscle trauma and nerve damage, or an injury that wasn’t able to heal properly. See: Freddy Freeman, Shazam (2019)

Choosing When to Add Prosthetics or Mobility Aids

First things first — you should design your character with the mobility aid or prosthetic already in mind. They can affect the entire personality of a person, so I wouldn’t recommend creating a character and then deciding their mobility aid. For example, a child with forearm crutches due to a physical disability probably won’t like doing all the same things the other kids do on the playground, or the same sports their friends at school like. There’s also the unavoidable issue of them feeling out of place or “weird” no matter the age. So, obviously, there are some aids more suited for different genres of writing. For example, a long journey like Lord of the Rings would be tough for someone with a wheelchair or walker, but it’d be okay for a romance. That’s why it’s so important you don’t spring something like this on a character in a spur of the moment thing. Here are a few things I’d recommend deciding beforehand: 1 - What type of mobility aid or prosthetic is best for your type of story? You can choose any you like, but it’s good to consider if you want to write everything that comes with pushing a wheelchair to Isengard. 2 - Would your character have access to these aids or prosthetics, or would they have to settle with something else? If your story is post apocalyptic, they probably wouldn’t have access to the same things, or if your story is set in the past, you’d have to research aids and prosthetics from that time period. Even consider characters making their own — which is also a good way to mold it to your needs.

What Comes Along with Prosthetics and Mobility Aids

Okay, so you’ve decided you want your character to have a prosthetic or mobility aid. You’ve weaved it into their personality and your story. Now comes making it realistic… what do people with these things experience? Think about? People with prosthetics have challenges and additional baggage that comes along with having a prosthetic. First of all, if your character just got this prosthetic, it’s gonna be hard to walk on and even harder to wrap their head around. Sometimes, prosthetics hurt. There’s several different kinds and different activities each one can do. They change size as the person changes size. There are many different ways they attach to the body that suit different needs. Mobility aids have their own set of challenges as well. For example, fitting a wheelchair, walker, or crutches through a tight space. Fitting braces under or over clothes. Stairs. You have to think about enclosed spaces like cars, public transport, planes, elevators, bathrooms. These challenges will change with your story. For example, on a long outdoor journey, how will each different aid or prosthetic react to the temperature, humidity? How will the one in the wheelchair or with crutches get up that mountain? While the aids and prosthetics come with their own challenges, new ones are gained based on the genre of your WIP. This includes what your character thinks about. In a post-apocalyptic work, they might not worry about being different or out of place, but they might spend every day hoping and praying their homemade leg brace doesn’t break.

Reminder!

⚠️ DO YOUR OWN RESEARCH IF YOU INTEND TO ADD A CHARACTER WITH THIS INTO A WORK OF YOURS. STUDY HOW THESE THINGS EFFECT THE COMMON LIFE OF A PERSON. IF YOU KNOW SOMEONE WHO HAS ONE OF THESE THINGS, ASK THEM. MURDER YOUR EYEBALLS BY RESEARCHING ON YOUR COMPUTER. WATCH A SHOW WITH A CHARACTER WHO HAS ONE. KNOW YOUR STUFF BEFORE YOU MAKE YOUR CHARACTER, I BEG.

Tropes to die for

Best friends to lovers

Evil character becomes good

Character become brainwashed and forced to fight their friends

More about a character is revealed after their death

Misunderstood character’s backstory is revealed that explains everything

Goofy cinnamon roll is actually the baddest badass

Stoic character A has a soft spot for character B

Chaotic/comedic duo/trio

“Mean girl” is actually cool and becomes best friends with main girl

Traitor was actually on the good side all along

Powerless character finally reveals secret powers that have been foreshadowed all along

Any epiphany or eureka moment

Former hero slowly descends into madness and darkness

Character A reveals feelings for character B when character B is extremely hurt or upset

Former enemies forgive/accept each other

Any more tropes? Please add on!

~Raebelle

This resonates with me in a way I like a little too much, and it's perfect for most of my wips. I'll do my best to reach the point this can fit and write it.

Person A: “The answer is no.”

Person B: “I haven’t even asked you anything!”

Person A: “I know that face, and I know you’re going to ask me to do some crazy dumb shit that’s likely to get us both killed, all for the sake of some ridiculous plot that doesn’t make sense to anyone but you. So the answer is no.”

Person B: “….”

Person A: “….”

Person B: “….”

Person A: “You totally were weren’t you?”

Person B: “…….Maybe.”

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”

“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”

“That’s true,” the frog acknowledged. “Climb aboard, then!” But no sooner than they were halfway across the river, the scorpion stung the frog, and they both began to thrash and drown. “Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.” 

“I can’t help it,” said the scorpion. “It’s my nature.”

___

…But no sooner than they were halfway across the river, the frog felt a subtle motion on its back, and in a panic dived deep beneath the rushing waters, leaving the scorpion to drown.

“It was going to sting me anyway,” muttered the frog, emerging on the other side of the river. “It was inevitable. You all knew it. Everyone knows what those scorpions are like. It was self-defense.”

___

…But no sooner had they cast off from the bank, the frog felt the tip of a stinger pressed lightly against the back of its neck. “What do you think you’re doing?” said the frog.

“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”

They swam in silence to the other end of the river, where the scorpion climbed off, leaving the frog fuming.

“After the kindness I showed you!” said the frog. “And you threatened to kill me in return?”

“Kindness?” said the scorpion. “To only invite me on your back after you knew I was defenseless, unable to use my tail without killing myself? My dear frog, I only treated you as I was treated. Your kindness was as poisoned as a scorpion’s sting.”

___

…“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”

“You have a point,” the frog acknowledged. “But once we get to dry land, couldn’t you sting me then without repercussion?”

“All I want is to cross the river safely,” said the scorpion. “Once I’m on the other side I would gladly let you be.”

“But I would have to trust you on that,” said the frog. “While you’re pressing a stinger to my neck. By ferrying you to land I’d be be giving up the one deterrent I hold over you.”

“But by the same logic, I can’t possibly withdraw my stinger while we’re still over water,” the scorpion protested.

The frog paused in the middle of the river, treading water. “So, I suppose we’re at an impasse.”

The river rushed around them. The scorpion’s stinger twitched against the frog’s unbroken skin. “I suppose so,” the scorpion said.

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Absolutely not!” said the frog, and dived beneath the waters, and so none of them learned anything.

___

A scorpion, being unable to swim, asked a turtle (as in the original Persian version of the fable) to carry it across the river. The turtle readily agreed, and allowed the scorpion aboard its shell. Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell. The turtle, swimming placidly, failed to notice.

They reached the other side of the river, and parted ways as friends.

___

…Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell.

The turtle, hearing the tap of the scorpion’s sting, was offended at the scorpion’s ungratefulness. Thankfully, having been granted the powers to both defend itself and to punish evil, the turtle sank beneath the waters and drowned the scorpion out of principle.

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” sneered the frog. “You’d sting me if I let you on my back.”

The scorpion pleaded earnestly. “Do you think so little of me? Please, I must cross the river. What would I gain from stinging you? I would only end up drowning myself!”

“That’s true,” the frog acknowledged. “Even a scorpion knows to look out for its own skin. Climb aboard, then!”

But as they forged through the rushing waters, the scorpion grew worried. This frog thinks me a ruthless killer, it thought. Would it not be justified in throwing me off now and ridding the world of me? Why else would it agree to this? Every jostle made the scorpion more and more anxious, until the frog surged forward with a particularly large splash, and in panic the scorpion lashed out with its stinger.

“I knew it,” snarled the frog, as they both thrashed and drowned. “A scorpion cannot change its nature.”

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. The frog agreed, but no sooner than they were halfway across the scorpion stung the frog, and they both began to thrash and drown.

“I’ve only myself to blame,” sighed the frog, as they both sank beneath the waters. “You, you’re a scorpion, I couldn’t have expected anything better. But I knew better, and yet I went against my judgement! And now I’ve doomed us both!”

“You couldn’t help it,” said the scorpion mildly. “It’s your nature.” 

___

…“Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”

“Alas, I was of two natures,” said the scorpion. “One said to gratefully ride your back across the river, and the other said to sting you where you stood. And so both fought, and neither won.” It smiled wistfully. “Ah, it would be nice to be just one thing, wouldn’t it? Unadulterated in nature. Without the capacity for conflict or regret.”

___

“By the way,” said the frog, as they swam, “I’ve been meaning to ask: What’s on the other side of the river?”

“It’s the journey,” said the scorpion. “Not the destination.”

___

…“What’s on the other side of anything?” said the scorpion. “A new beginning.”

___

…”Another scorpion to mate with,” said the scorpion. “And more prey to kill, and more living bodies to poison, and a forthcoming lineage of cruelties that you will be culpable in.”

___

…”Nothing we will live to see, I fear,” said the scorpion. “Already the currents are growing stronger, and the river seems like it shall swallow us both. We surge forward, and the shoreline recedes. But does that mean our striving was in vain?”

___

“I love you,” said the scorpion.

The frog glanced upward. “Do you?”

“Absolutely. Can you imagine the fear of drowning? Of course not. You’re a frog. Might as well be scared of breathing air. And yet here I am, clinging to your back, as the waters rage around us. Isn’t that love? Isn’t that trust? Isn’t that necessity? I could not kill you without killing myself. Are we not inseparable in this?”

The frog swam on, the both of them silent.

___

“I’m so tired,” murmured the frog eventually. “How much further to the other side? I don’t know how long we’ve been swimming. I’ve been treading water. And it’s getting so very dark.”

“Shh,” the scorpion said. “Don’t be afraid.”

The frog’s legs kicked out weakly. “How long has it been? We’re lost. We’re lost! We’re doomed to be cast about the waters forever. There is no land. There’s nothing on the other side, don’t you see!”

“Shh, shh,” said the scorpion. “My venom is a hallucinogenic. Beneath its surface, the river is endlessly deep, its currents carrying many things.” 

“You - You’ve killed us both,” said the frog, and began to laugh deliriously. “Is this - is this what it’s like to drown?” 

“We’ve killed each other,” said the scorpion soothingly. “My venom in my glands now pulsing through your veins, the waters of your birthing pool suffusing my lungs. We are engulfing each other now, drowning in each other. I am breathless. Do you feel it? Do you feel my sting pierced through your heart?”

“What a foolish thing to do,” murmured the frog. “No logic. No logic to it at all.”

“We couldn’t help it,” whispered the scorpion. “It’s our natures. Why else does anything in the world happen? Because we were made for this from birth, darling, every moment inexplicable and inevitable. What a crazy thing it is to fall in love, and yet - It’s all our fault! We are both blameless. We’re together now, darling. It couldn’t have happened any other way.”

___

“It’s funny,” said the frog. “I can’t say that I trust you, really. Or that I even think very much of you and that nasty little stinger of yours to begin with. But I’m doing this for you regardless. It’s strange, isn’t it? It’s strange. Why would I do this? I want to help you, want to go out of my way to help you. I let you climb right onto my back! Now, whyever would I go and do a foolish thing like that?”

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”

“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”  

“That’s true,” the frog acknowledged. “Come aboard, then!” But no sooner had the scorpion mounted the frog’s back than it began to sting, repeatedly, while still safely on the river’s bank.

The frog groaned, thrashing weakly as the venom coursed through its veins, beginning to liquefy its flesh. “Ah,” it muttered. “For some reason I never considered this possibility.”

“Because you were never scared of me,” the scorpion whispered in its ear. “You were never scared of dying. In a past life you wore a shell and sat in judgement. And then you were reborn: soft-skinned, swift, unburdened, as new and vulnerable as a child, moving anew through a world of children. How could anyone ever be cruel, you thought, seeing the precariousness of it all?” The scorpion bowed its head and drank. “How could anyone kill you without killing themselves?”

Classical music to listen to based on your interests

(yes, I made another list.  sue me.  i’m all for spreading classical music awareness.  feel free to add to this list.)

If you like facts and logic - literally anything by Bach

If you like roasting people - “Leck mich im Arsch” by Mozart

If you like politics - Sinfonia Eroica (Symphony No. 3) by Beethoven

If you like invading other countries - “Ride of the Valkyries” by Wagner

If you like showing off - “Caprice No. 24″ by Paganini

If you like nature - “Finlandia” by Sibelius

If you like dancing - Slavonic Dances by Dvorak

If you like art - anything by Debussy

If you like reading - Scheherazade by Rimsky-Korsakov

If you’re classy - “The Blue Danube” by Strauss

If you like history - The Water Music by Handel

If you’re religious - A German Requiem by Brahms

If you like Star Wars/Star Trek - The Planets by Holst

If you like “All By Myself” - Piano Concerto No. 2 by Rachmaninoff

If you like crying your eyes out - “Nimrod” by Elgar

If you like the zoo - The Carnival of the Animals by Saint-Saens

If you like jazz - Jazz Suite No. 2, “Waltz No. 2″ by Shostakovich

If you’re patriotic - New World Symphony (Symphony No. 9) by Dvorak

If you like satanic rituals - “The Rite of Spring” by Stravinsky

If you like the burning flames of hell - Requiem in D Minor by Mozart

If you like New York City - “Rhapsody in Blue” by Gershwin

If you like sleep - “Sicilienne” by Faure

If you like Halloween - “Danse Macabre” by Saint-Saens

My collection of clothing references for writing.