You Don’t Understand, I NEED To See How Adrien Would Pretend To Be Félix For Something. I Need Some

the Evilustrhater Kwagatama scene is just fractally bad.

The Evilustrhater Kwagatama scene just... sucks. It breaks down on any level of thought. 1-Only Kwami should be giving out kwagatama. (cause its literally the only bit of agency the little slave-gods have). Mari spends this "giving up her Guardian-authority" scene usurping Tikki's authority. (It doesnt matter if we're meant to "reasonably assume" Tikki gave permision for this. It still should've been Tikki handing it over.) 2-It further unbalances the team dynamics, by putting Rena into a position of at least nominal authority to, at some point in the future, take away Chat's ring, should she decide to do so. Ladybug continues to make decisions that effect the entire team, without consulting any members of her team. (Even Rena wasnt consulted on this decision, and has it foisted on her instead. But then, this might be deliberate if we're getting Ladynoir Conflict/Miraculous Civil War)

3-It erodes Alya's relationship with Trixx. At least on a symbolical level. By giving her a Bug kwagatama, before ever giving her a fox one, thus implying symbolically that her relationship with Tikki is better then her relationship with Trixx. 4-simultaniously it erodes the symbolism of the Kwagatama as trust between Kwami and Hero. Mari needed to be a hero for months living with Tiki side-by-side fighting evil on the daily before Tikki gave her a kwagatama. Adrien only got his in Reunion, thats a season 5 episode. Adrien had to die multiple times, faced multiple apocalyptic threats and prevented World War Three before he got a Kwagatama. (put a pin in that one btw, its going to be relevant later). Alya has only used the Ladybug Miraculous once, and that was seemingly enough. 5-It obviously undermines Fu's sacrifice. Setting up a "just own the magic friendship-necklace and you'll get your memories back" reveal immensely undercuts the weight of Fu's amnesia. To be clear, I was always expecting that they'd find some clever loophole to protect Marinette from said amnesia. But having it be a magic necklace that she's had since Season 2? Saying "the problem was solved before it was even introduced" doesn't so much reduce the threat, as it removes the threat entirely. I was at least expecting her to have to train with the Order or something, finish the training Fu never got to learn how to protect herself in advance, maybe a potion from the Book Fu never deciphered in time? or have someone else on the team figure out how to restore her memories after the fact. (IE: Felix could definitly make a "memory-restoring" senti, Maybe a cameo from Liirii "liberating" her from the chains on her memories.) But saying "Oh, you just needed your Kwami to trust you and you wont ever get Fu-ed" is just... shitty. 6- It casually implies that Fu went through not one, but two World Wars as the Turtle wielder, but never managed to earn Wayz' trust. after all, if he did he'd have a Turtle Kwagatama, and the show would've been much different. --Edit cause i somehow forgot 7- Do we really need a third back-up guardian. We already had the guy from Ephemeral, and Luka went to the order to train for that very same position.

Pick One: Magical Girl Show or Rom-com. You cannot be both.

Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.

This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.

Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.

So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)

To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.

Let's Talk Magical Girls

Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.

A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.

Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.

Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:

Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.

This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?

Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.

But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.

Origins as a Rom-com

Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!

In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!

First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:

Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.

I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:

Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.

This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?

In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).

Magical Girls Vs Rom-com

Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?

It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.

Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?

It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!

Are you starting to see the problem?

Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.

When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!

How Do We Fix This Mess

At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.

At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.

Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.

If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?

A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.

I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.

How would you write Lila?

Really depends on things like how many seasons I had to fill, when I had to introduce her, if I had to give her the butterfly, and what I was doing with Chloe since Chloe and Lila are functionally the same character for most of the show. You do not need two petty mean girls to cause interpersonal drama. Either redeem one or don't let them overlap!

If we have to keep the butterfly as the villain to maintain the formula, then I'd make Lila a sentimonster created by Nathalie and introduce Lila at the start of season four. The linked post goes over my pitch for that rework, but while I like the concept, I don't like the butterfly being the designated evil miraculous. It just feels so bleh. Fives seasons of fighting and we're still right where we started: the butterfly in the hands of a villain that the heroes have no clear plan to defeat. You could start the story at season six and miss almost nothing (thus my constant theorizing that season six is a soft reboot.)

So let's take this post in a wildly different direction and talk in depth about evil spy Lila!

Almost any idea I have for Lila is going to involve some bigger plot to explain her lies and manipulation because they're just so over the top! Plus she's 14! How did she become this good at lying? Canon needs to give us some logic to explain all of this. Magic is a good excuse. So is training or even training and magic!

In this AU, Lila is from some sort of evil organization that uses their power for evil purposes (there are lots of routes you can got with this from evil magic to evil company, so let's stay high level and not commit to a path). The organization sees the miraculous being used in Paris and sends Lila to Paris to try to get her hands on the miraculous. Lila is specifically sent because of the Ladyblog. The organization views Alya as an easy in and so they send a teenage member or someone's kid who desperately wants to be part of the group.

This new Lila shows up claiming to be a Ladybug superfan, which instantly bonds her to Alya. Marinette's dislike of Lila now stems from Lila wanting to know all of Ladybug's secrets, which obviously raises red flags for Marinette, but not for Alya because Alya wants the same thing. In fact, Alya is really baffled why Lila's obsession rubs Marinette the wrong way because Marinette has always been fine with Alya having the same obsession. We know that the answer is that Marinette trusts Alya, but Lila is a wild card, but of course Alya doesn't know any of that. This makes the Marinette and Alya clash over Lila a lot more complex because it's no longer about lies. It's about trust and Marinette has no way to explain why trust is a factor without outing herself as Ladybug.

Lila can still tell lies and manipulate, but it's now all around getting close to Ladybug and learning everything she can. You can even have the Adrien conflict maintained with it now being Chat Noir wanting to be nice to fans while Ladybug is hard on the bad vibes train since Lila is so uncomfortably obsessed with her, another conflict that makes way more sense than what canon gave us. Adrien is just immune to weird fans and doesn't know that Ladybug is being bombarded with Lila's obsession every day at school.

This means that Marinette's Lila aversion is less her knowing something and more her being understandably uncomfortable because identity shenanigans, which is another nice complexity as it lets Marinette struggle with not knowing how to approach the situation because she knows she has no hard logical reason for her feelings, but she just can't get passed them. This could lead to some good lessons for kids on healthy relationships with celebrities/internet personalities and how you don't really know that person or have a right to their private life. It is, in fact, totally normal for your favorite celebrity to find your obsession a little creepy and block you when you cross lines. (This could even be a growing moment for Marinette re her crush on Adrien since it's written like a celebrity crush, though my personal preference is to just fix the writing around that to a more normal teenage crush. Even there it could be a growing moment, just a more nuanced one.)

There are a lot of ways to resolve this plot. Whatever you pick should see Lila outed and, in the process, we learn about the evil organization, giving us a new big bad for the heroes to deal with. Something that isn't tied to the miraculous and that is so big that it might justify having a big team of heroes to fight the new evil? Just a thought.

Okay but can you IMAGINE if the earrings had gone to Alya like Marinette wanted them to? 

Instead of having a "designated responsible hero", Scarabella and Chat Noir would just be a pair of gremlins high on life because THEY'RE SUPERHEROES OMGOSH they would spend half their time geeking out and basically exuding chaotic sibling energy the entire time. 

They would reveal their identities to each other right off the bat because neither was paying attention when they were told not to, and Tikki just groans. Alya and Adrien quickly bond over being new kids at school who have superpowers, and everyone else is baffled.

Alya decides to try Clark Kenting and run the Scarablog, and Adrien is like "that's an amazing idea I'll help!" and shenanigans ensue. Marinette (who knows Alya is Scarabella since she snuck the earrings to Alya before any of this started) has befriended Alya as in canon but HASN'T told her that she knows her identity, so she gets dragged into the Scarablog staff and ends up doing most of the fieldwork and vlogging, desperately trying to do anything to cover up Scarabella's and Chat's identities (she knows Scarabella's, but doesn't know Chat's) while trying to avoid getting distracted by Adrien, who she's crushing on big time like in canon. 

For his part, Adrien gets totally enamored with Marinette because Ladybug isn't there to distract him and because Scarabella is already more sibling material than lover material, but he thinks Marinette dislikes him and his brand so instead tries to woo her as Chat Noir and more shenanigans happen. 

Nino, however, is low key crushing on Scarabella, and joins the Scarablog staff to try and learn more about her. Alya finds this amusing and kind of adorable, but doesn't really reciprocate for a while because she and Nino don't get locked in the zoo. She does let him investigate on his own, because she thinks pursuing the truth is a noble endeavor and in the meantime the blog can use his skills. Marinette starts silently screaming because GOSH DARNIT the identities are supposed to stay secret! 

Chloe is a huge fan of Scarabella and Chat Noir. She keeps trying to force herself onto the Scarablog team… But Alya is having none of it and throws her out. Chloe engages in spying shenanigans and tries to force Sabrina onto the team in her stead, but that just results in Sabrina getting character development. 

Lila shows up. Nino, desperately trying to learn more about Scarabella, falls for her lies hook line and sinker (sorry Nino, someone has to) but since Alya and Adrien both know each other's identities they see through her lies and (with Marinette) burst her bubble almost immediately. However, since Marinette actually has free time she can do her job as Class Pres and calm Lila down (a la zoe-oneesama's Scarlet Lady AU), and soon Lila shows up on the Scarablog's door offering to investigate Hawkmoth. Her main goal is fame and fortune, but eh Alya knows a good tool when she sees one. Chloe is fuming, and soon Lila gleefully engages in Spy vs Spy shenanigans with her. 

Fu is like "WHOMST IS SCARABELLA" and tells Adrien that Scarabella isn't supposed to be the Ladybug wielder and Adrien briefly angsts about it but is like "who cares have you met her she's literally a great hero and that's what matters" 

Fu is undeterred and keeps trying to give Marinette more miraculouses and she just keeps them in her room and doesn't use them

Mayura is a cool name and all, but I can’t believe the English dub didn’t jump on the chance to call her Peafoul. Like there is an easy pun for evil peacock/peafowl here and they just DIDN’T USE IT.

I'm about to go to bed, so this might not make sense, but I think MLB is a good example of the dangers of an episodic show presented in a serialized manner. I think many things that rub people the wrong way would be less so if the show didn't pretend that it was serialized and that most of the episodes actually progress the plot. Because, when you view it as an episodic show that has a status quo to maintain, a lot of things fall into place

Cat Noir flirting but getting no where? That's the point. He's meant to flirt with Ladybug and Marinette's meant to (try to) flirt with Adrien, and its not meant to be creepy because the show not structured to showcase longform character growth. Each time might as well be the first time, as far as the writing team is concerned. That "Marinette knows Adrien's Schedule 3 Years In Advance" joke isn't creepy (well, more creepy) because its the first time she's done it!

Of course, you can point to actual character growth, but I don't think that proves me wrong - rather, I think it showcases that the writing team seems to think they're able to write both an episodic and serialized show and they're not. Repeated behavior in an episodic show is meant to reinforce character traits (Chat Noir has unrequited feelings for Ladybug) and the status quo while repeated behavior in a serialized show reinforces character flaws (Chat Noir doesn't care about Ladybug's comfort and can't take "no" for an answer)(or traits, but we're talking about flaws rn). And an overarching story? That means we're serialized and repeated behaviors now play a different function - and the writers seem completely oblivious to this fact.

Anyhow, hopefully that made sense. I just wanted to write that down before I forgot about it

(a realization about dialogue formatting, from a comic artist turned novelist.)

One of the first things a novice writer learns about speech tags is that they’re part of the “scaffolding” of prose. They should be largely invisible to the reader: use them when necessary, omit them when not, and be sparing in the application of verbs other than “said”. They serve only the function of clarifying who is speaking when it is necessary to do so.

Except:

Sometimes you might want to use a speech tag in spite of the redundancy. The fact that the reader’s eyes slide right over them is an exploitable property. By slicing a line of dialogue in half with a speech tag, you can force the reader to perceive a meaningful pause between two utterances—and the effect is much stronger than you might get out of an ellipsis or an em dash. Developing an intuition for when and how to do this is a huge part of learning to write dialogue, I think.

(And yes: if you ever wondered, this is exactly same the reason why comic artists sometimes “double bubble” their speech bubbles. Same end, different means!)

A pokémon nerd, hoping to become a master…

A wannabe journalist, looking for a scoop…

An insecure girl, afraid to chase her dreams…

A lonely model, wanting to break free…

All they need is a pokémon journey.

Hi there! I’ve been writing a Pokémon AU Miraculous fic if anyone is interested.

Rating: Gen

Relationships: Marinette/Adrien (eventually), Marinette & Tikki, Marinette & Alya & Nino etc.

No archive warnings apply

So a year or two ago I saw this amazing post on tumblr about colour symbolism in Miraculous (I really wish I could source it here but I can’t find it anywhere I am literally kicking myself right now). Anyway, it is an incredible theory and once start seeing the connections you can’t stop. The basic idea is that the some of the colours that characters wear or are associated with symbolise their general motivations. The theory focuses specifically on the colours red, white and black. The meanings kind of evolved as more people reblogged but from what I remember the basic gist is this:

Red= duty / loyalty

White= control

Black= love

I think they actually said that black was romance, but that definition is just a little too limiting in my opinion and broadening in it out allows you to make more connections. I am also broadening out red as well to include loyalty for the same reasons (besides duty and loyalty are also pretty similar, so it’s not that much of a stretch).

Anyway, I bring this up because I saw the post at some point during season 4—definitely before the release of season 5 anyway, but looking back on the latest season just made me realise that oh my god they were so right. So, I’m just going to show you some of things I’ve noticed when it comes to this theory, especially surrounding season 5. (Buckle up guys, this is gonna be a long post).

But before I get into all that, I just want to mention that the placement of the clothing also informs the meaning behind the colour. This was also mentioned in the original post too I believe, but I can’t remember exactly how it worked so I’m just gonna put my own spin on it based on what I noticed.

So when I say the placement of the clothing I’m really just talking about whether the colour is the top or bottom layer of clothing—jacket vs. T-shirt, blazer vs. shirt etc.. The bottom layer is the character’s core motive, with the top layer being more secondary. A lot of the time the secondary motive informs the core one, so it kind of becomes the means with which they achieve their core motive. For example, a character wearing a red coat with a black T-shirt could be interpreted as loyalty or duty coming from a place a love—they do what they believe is right because of the people they love etc.

Ladybug / Marinette

Ok, time to put this theory into action, and what better place to start than the main character? Ladybug’s costume is pretty straightforward: red with black spots. The red obviously represents her duty as a hero, her main motive when in costume. and the spots could either represent her love for Paris or if you’re a Ladynoir shipper, her love for Chat Noir, it could really go either way.

Her civilian outfit is where it starts to get interesting though. Marinette wears a black blazer with a white top underneath. With the white as the core motive and the black as the secondary one, this indicates love from a place of control, and this is backed up by the events of show. Marinette clearly does love Adrien but she can also be very particular about how she approaches her love. She knows every detail about him, such as the schedule she has in “Copycat”, and feels the need to control every detail when she tries to confess to him, such as Operation: Secret Garden in “Gigantitan”. This controlling nature is only solidfied in the episode “Derision” after Kim pranks her on their date. “I should’ve had a plan […] I’ll never tell another boy that I love him before I know everything about him” (11:53-12:04).

Chat Noir / Adrien

Chat Noir is also pretty simple when it comes to colour symbolism in the show. His suit is all black, indicating that his main motive is love. In earlier seasons this most likely symbolised his love for Ladybug but now that he is with Marinette we can assume that it symbolises his generally loving attitude, whether it be towards his friends, family, maybe even Paris itself.

His civilian clothing also points to this same idea, with his T-shirt being black. Adrien also has a white over shirt, but rather than this representing some need for control, I’d argue this more so symbolises Gabriel’s control over him, which of course, does inform a lot of Adrien’s actions. Gabriel’s control pushes the black down another layer—it suppresses it. Instead showing off his colours proudly like he does as Chat Noir he has to leave them cloaked under a white surface, trying to navigate his core motive of love while being unable to fully shake off the white. Think of the many times when Gabriel has kept him away from his friends, like in the episode “Bubbler” where he wasn’t allowed to have a birthday party, or in “Revolution” when Gabriel ships him off to London for the next school year.

Interestingly, this isn’t the only instance where a white top layer indicates control thrusted onto the character wearing the colour. Kagami also follows a similar pattern sporting a white blazer and a controlling mother. She also has both red and black in the bottom layers so make of that what you will.

Another thing to note is that many of Adrien’s modelling outfits are fully white, such as the one in the fragrance ad or the angel outfit in “Simpleman”, representing the complete control Gabriel has over him when he is modelling. Correct me if I’m wrong here, but the only modelling outfit that is not white (apart from the stock photos like the ones in the mansion perhaps) is the one that he wears in “Queen Wasp”. Instead of fully white this suit is fully black, and it is topped off with a black pigeon hat, a hat that Marinette, who is in love with Adrien, made. Additionally, this is the episode where Gabriel almost gives up being Hawkmoth because of how Adrien was attacked by Style Queen in the previous episode. He is less controlling of Adrien and more loving in this episode, even go so far as to hug him in his first public appearance since Emilie’s death, and the black suit reflects that.

However, the idea that Adrien’s all-white clothes represent Gabriel’s control isn’t even just limited to modelling. When Chat Noir is akumatised in “Chat Blanc” his suit also becomes fully white.

In season 5, the Alliance rings are also closely linked to the colour white. The Adrien and Kagami avatars wear all white, indicating the controlling nature of the alliance and the fact that The two of them have no control over how their image is used. Even the virtual space that the avatars exist in is an empty white void, reminiscent of the padded rooms the two are placed in during the season 5 finale, rooms which are used to confine and control the two.

The only time when the Alliance interface is not white is when it changes to red. There’s two times this has happened as far as I’m aware: in “Revelation” when Hoaxer enters the Alliance rings and feeds the people fake news, and in “Confirmation” when Gabriel creates fake footage of Ladybug and Chat Noir kidnapping Adrien and Kagami’s avatars. In both of these scenarios, someone is preying on the public’s loyalty to the alliance rings and their sense of duty to get them to do their bidding.

And look, I know I’ve been straying away a from Adrien a bit, but I also just want to mention that the colour white is often associated with the rich and powerful of Paris in general. This is most clearly seen in “Emotion”, where the VIP party’s dress code is literally all white, reflecting how all the people in that room control Paris.

Gabriel

Speaking of rich and powerful, Gabriel also draws from the colour triad. He does have a few layers that aren’t one of these three colours but his very bottom layer is a white shirt, which isn’t a surprise really, we just went over how he is controlling with both Adrien and the alliance rings. He also has a striped red tie symbolising either his loyalty towards Emilie or the fact that he believes it is his duty to bring her back to life. The white stripes also indicate control, probably to reflect the way that he will do anything in his power to bring Emilie back, like using the miraculous wish, because he is incapable of accepting that sometimes things happen beyond your control and all you can do is move on.

In season 5 he wears all white as his obsession with the wish—his means of complete control, takes over. It could also represent how he’s become even more controlling of Adrien despite pretending to be more loving, (because again, he literally ships his own son off to a different country). Interestingly, in the episode “Destruction” he is inflicted with a cataclysm, a black cataclysm, which could be a visual metaphor for his love for Emilie literally destroying him, which is a really cool in my opinion.

Lila Rossi

Lila is definitely the most interesting character to analyse under this theory, because not only do her clothes draw from the colour triad but even her name does. According to nameberry.com, Lila means night (ie black) and Rossi means red in Italian. She also wears a red cardigan with black underneath—duty or loyalty from a place of love. If we take Lila claims at face value then this makes sense, like in the episode “Chameleon”, when she catches a napkin with her sprained wrist to protect Max, all the while saying things like “I didn’t have a choice” (i.e duty) and “Why wouldn’t I Max […] you’re my friend” (i.e love) (5:40-42 and 5:47-50). But of course, Lila is a liar which means that everything from her name to even the clothes she wears is a carefully constructed illusion.

In the episode “Confrontation” it is revealed that Lila has actually been juggling two fake identities: Lila Rossi and Cerise Bianca. Now this is where it gets really interesting because Lila’s second identity also draws from the colour triad too. Cerise is a shade of red similar to that of cherries or rubies and guess what Bianca means in Italian? That’s right—white.

This can mean a few different things. Perhaps her Cerise persona is more noticeably controlling. Lila’s name directly reflected her clothing, with her first name indicating the the bottom layer (the core motive) and her second name the top layer (the means) so if we apply the same logic to Cerise then maybe her name indicates that this persona’s motives are control from a place a duty, in other words being bossy and controlling because she feels like it’s her job to lead and help everyone.

Another interpretation could be that these are Lila’s true motivations, especially with her being named after the colour white, and if you really want to stretch it, then you could also argue that the red indicates loyalty to herself; she controls everyone because it exclusively benefits her.

it could also be interpreted as somewhere in between. Instead of it being solely Cerise’s fake motivations or Lila’s true motivations it is rather a step closer to the truth. The loyalty to herself theory is, like I said, a stretch. If anything, her true motivation is probably just control for control’s sake, and in this Cerise persona her true colours are shining through a little.

I couldn’t really find a natural place to put this but I also just want to point out here that when she was akumatised into Hoaxer she still had the red and black colour scheme that she does as Lila because she’s still using the same tactics that she does as a civilian, pretending that all she does is out of love and duty. She does also however have splashes of white on her belt, tail and ends of her hair, so maybe that also symbolises her true colours showing through too.

I’m honestly curious to see if Cerise’s clothes will change in season 6 to reflect her name, especially with a lot of the other characters getting new outfits too. Either way I think it’s really interesting how both her fake identities are based off of these three colours.

The great thing about this theory is that it’s not just confined to these four characters. Plenty of more characters also wear these colours, such as Kagami, who I briefly touched on, Emilie (and Amelie by extension), Tomoe Tsurugi, even Nathalie. The only reason why I didn’t delve into these characters is because this post is getting pretty long and I think I’ve made my point, but really, I’ve barely scratched the surface here. There is so much significance with these three colours, they are literally everywhere.

Hey, random writing tip: Instead of having something be a ridiculously unlikely coincidence, you can make the thing happen due to who this particular character is as a person. Instead of getting stuck on "there's no logical reason to why that would happen", try to bend it into a case of "something like this would never happen to anybody but this specific fucker." Something that makes your reader chuckle and roll their eyes, going "well of course you would."

Why would the timid shy nerd be at a huge sketchy downtown black market bazaar? Well, she's got this beetle colony she's raising that needs a very specific kind of leaf for nest material, and there only place to get it is this one guy at the bazaar that sells that stuff. Why would the most femininely flamboyant guy ever known just happen to have downright encyclopedic knowledge about professional boxing? Well, there was this one time when he was down bad for this guy who was an aspiring professional boxer...

I know it sounds stupidly obvious when written out like this, but when you're up close to your writing, it's hard to see the forest for the trees. Some time ago I finished reading a book, where the whole plot hinges on character A, who is 100% certain that character B is dead, personally getting up and coming down from the top rooms of a castle, to the gates, at 3 am, to come look at some drunk who claims to be this guy who died 17 years ago. Why would A do that, if he's sure that B is dead?

Because he's a Warrior Guy from a culture of Loyalty And Honour, and hearing that someone's got the audacity to go about claiming to be his long-lost brother in battle, there is no other option than to immediately personally go down there to beat the ever-loving shit out of this guy. Who then turns out to actually be character B, after all.