It's honestly really sad to see what Pixar has to say about the possibility of queer characters or themes in Luca. Of course they never say anything especially problematic (Mickey Rat has got to keep making that pride merch money), but it hurts to see it directly dismissed. That there is nothing relating romance at all and it's just about "misfits".
Seeing companies like Disney control animation is depressing when it feels like minorities will always be sidelined so they can be edited out overseas. I want stories that acknowledge my existence, even in subtle ways, instead of being a dirty secret that fans gather crumbs online to prove.
This isn't to say that I still don't love the queer themes in Luca, or that the director's intention for the film isn't valid. I just want more.
Years ago back when I worked in cubicle land, we were hiring junior software developers. They didn’t have to have a ton of experience, just a willingness to learn, and some demonstration of their software skills. Like: show me a program you wrote (any language) or a web site you designed. Anything.
And there was this one guy I talked with who seemed super sharp, but had virtually zero experience writing software. When it came time to do the show-n-tell part of the interview he whips out his laptop, brings up a website, and spins it around to show me what he made.
A website of tiny ceramic frogs.
Not for sale. Just… all these ceramic frogs, organized into categories. Frogs on bicycles, frogs with hats, frogs sitting on lily pads. It was a virtual museum of ceramic frogs in web form.
I scrolled through his online collection of frogs, slightly baffled.
“This is your website?” I asked finally.
“Yep!”
“You coded this yourself?” I popped into view-source mode and poked around some incredibly well-formatted, well-commented html. I nodded slowly. This guy was meticulous.
“Yep!”
“So… where’d all the frogs come from?”
“I made those too,” he says, beaming.
And while I’m processing this he rummages in his bag and pulls out a little ceramic frog working at a computer terminal. He places it on the table before us, next to the laptop.
“And THIS one,” he says, “I made for you! As a thank you for the interview.”
It was adorable. I hired him on the spot. I mean, why not? Worst case he’d wash out in 90 days and we’d hire somebody else. He turned out to be one of the best developers on our team.
And yes, his cubicle was loaded with ceramic frogs.
To all of the PIMOs out there:
STAY STRONG
GOOD THINGS ARE COMING
I AM SO PROUD OF YOU
I LOVE YOU
YOU GOT THIS
💖
Pre-Pandemic
Now
Family means the knife held against my throat is done out of love
A comic redraw I did for mealz_on_wheelz_ on Instagram (w permission ofc!). Aizawa really is that little girl that dealt with a crush by writing ‘get out of my school’
the walking polar bear gif is already one of my favourite gifs so can you imagine the noise I made when I saw this version
YESSSSSSS
You’re a daycare worker, watching over toddlers, when the imminent end of the world is announced. It becomes increasingly clear none of the kids’ parents are going to show up as the end inches nearer.
Before the computing era, ILM was the master of oil matte painting, making audiences believe that some of the sets in the original Star Wars and Indiana Jones trilogy were real when they weren’t. They were the work of geniuses like Chris Evans, Michael Pangrazio, Frank Ordaz, Harrison Ellenshaw and Ralph McQuarrie ! Forever thank you, to their handmade art and the work of their colleagues, that made us dream of impossible worlds and fantastic places across Earth and the Universe.
I'm a queer nerd with religous trauma, let's be friends! Icon by @haxxydraws
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