Hey Polar, I have an art-related question if you don't mind? On your Roxas picture, between the highlight on his arm and the shading on the other side there's a reddish stripe to separate the two. (I hope a described that well) I was wondering-- how exactly do you start to find the right color for that? Is it based more on lighting? Skintone? I've seen it used by a few artists and I'm trying to figure it out but cannot find references. Thank you!
That’s a core shadow~ In theory it should be the darkest part of the shadow, it’s the edge where the form is no longer touching direct light, so it’s placement can really add volume. Why is the core shadow the darkest point? Bc of reflect light, colors are effected by other colors/light around them.So past the core shadow (to the dark side) things are picking up reflect light/colors because there is such a bright light source.This short vid I found below is a good visual rep of how a shadow can change drastically based on what it’s reflecting: https://www.youtube.com/watch?v=t9dPvi0JVasThe red color between the core shadow going to the light side is apparently called the “terminator” I’ve never heard a name for it, but I’m assuming it’s a transition color to show a smoother roundness? (lmk if i’m wrong) In my case I made my terminator very saturated/warm to match with my warm lighting.
(In most cased the reflect light would be a cooler color, but I wanted this painting to be very warm)When you squint the shadow should still look like the darkest area, don’t go too ham on the lightness of the reflect light or it’ll look like a second light source instead of a subtle reflection. However you can amp up the lightness of your reflect light on anything you want to look glossy or wet since those things are much more reflective than dry skin/clothes.
💗りあむちゃん💗
this is actual delusion. like , is anon ok. this is genuinely unwell behavior
not submission. I really hate the "My OC, my rules" thing. Cause like, no? Just because they are your oc doesn't mean you can do whatever you want with them. If you want to make your oc suffer and not like them get help, you deserve to lose rights over them. Especially if you only do that stuff to purposely trigger people. Once you do that, your oc no longer belongs to you. they belong to the public who will take better care of them instead
Making a comment to get this to post.
I think it's important to let guys be gender non conforming without telling them they're a girl, cause actually misgendering people is still shit even when you are pro trans. "You're a girl, an egg waiting to crack, and that's ok" how about you are a boy and a man and it's still ok if you want to do something that doesn't align with traditional ideals of your gender. You can still be he/him¹ in a skirt and makeup.
Edits:
¹ People in the notes are correct, He/Him does not exclusively mean male. However in my defence this was a personal rant. I did not expect it to break containment quite this much so this is litterally just first draft brain dribble. I stand by the principle that gender is personal expression and not a dictation. He/Him ladies and She/Her men can do what they want with their gender. And they can also rock traditionally feminine styled fashion if they want to.
TERF's however can fuck off. This is a pro-Trans space, and this post was inspired by watching people be so pro-trans they reinvent the gender binary, which is in large part due to over enthusiastic Cis people.
Oh hi! I’m still a piece of garbage!
Hi! I really liked your last tips with shading and I know it's not really your thing with giving tips. But do you think you have any tips for anatomy or posing? I just really like how you can draw different characters in different sizes and shapes .I absolutely love them.💙
It took me over a year to think about how to answer to this question, so sorry for the super late reply! 😅
Leaving the obvious “study anatomy” aside, a very useful tip is to base your characters on simple shapes (and don’t add too many details! You can do that later!)
This not only applies to body shape but can also be applied to faces! it’s a great way to draw different types of people!
But let’s move on to the pose. The secret is all in the line of action! It usually follows the spine and helps to make the pose more dynamic and less static. It’s more easy to see in creatures without legs or with a tail!
(For those who view the post through the tumblr app: the post continues, but for some mysterious reasons it can only be viewed on the PC or via your mobile browser. Sorry for the inconvenience. 🙄)
Another important element is the rhythm. Unfortunately it’s a concept that I can’t explain very well, so I’ll try to draw it. XD
See how in the left arm the lines alternate between straight and curved? This is an important element to give rhythm to the figure and support the line of action (which can also be seen in this arm)! Instead look at how stiff the arm on the right is with all these straight lines!
The line of action gives you a general direction, while the rhythm helps canalize it through the use of lines!
But let’s take an example. I will use this drawing I made in 2008. Look how horribly ugly stiff it is!
Let’s try to redraw it using the line of action and giving it some rhythm!
Much better! ✨
If you want to study in deep the topic of line of action and rhythm I recommend to look at Glen Kane’s art!
Finally the best advice of all: save a lot of drawings by the artists you love the most and trace them. Let me be clear: DON’T POST THEM ANYWHERE. This is just an exercise! Trace them, but think well about each line you trace. Why was this arm put like this? Why is this pose so effective? Trace and analyze the line of action and the rhythm!
Eventually you will notice how much your art will improve! ^^
I hope this will be helpful! ^^
i’m not a fan of hazbin hotel but ngl some of the criticism directed towards the shows writing is really strange and a bit nitpicky at times
“you can’t make a joke about a sensitive topic and then treat it as a serious matter when you’re not joking!” uh. yes you can lmao
You can find Part 1 . 2 . 3 . here𖦹
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Huge Thanks To The Creators ₊⊹♡. @sleepingsims @daylifesims @plutorienos @simandy @liyaglsv @arethabee @yooniesim @goamazons @sehablasimlish @enriques4 @joliebean @okruee @sunivaa @vyxated
ayumu kasuga my beloved
When writing speculative fiction, one of the writer’s most important jobs is to establish the new rules for their world. In many branches of speculative fiction, especially fantasy and even horror, this is magic, though it can also be technology and alternate scientific rules for science fiction. Whatever alternate fact(s) or reality you utilize to make your fictional world possible, that qualifies as a “magic system.” Your magic system is most often defined by what it can’t do rather than by what it can.
When writing speculative fiction, it’s usually assumed that something about your world is different than ours. That can be a small tweak or it can be a complete dismantle-and-reassembly of physics as we understand it. Whatever system you choose to implement, it needs to have internally consistent rules. If, throughout the course of your book, magics begin to contradict each other, then it will disturb your readers suspension of disbelief. You don’t want your awesome magic to yank your readers from the believability of the story. But…most important of all…you have to establish some sort of rules and limits in order to prevent yourself from pulling a deus ex machina. No one likes a poorly executed deus ex machina. Few people like a well executed one (is there such a thing?). If you have rules, limits, cost, built into the magic or technology of your world, then you establish something that is not only nuanced and interesting, but believable.
Why write speculative fiction if I have to create and follow all of these tedious rules?! The real world has rules enough.
It’s true. But following your own rules and following real worlds aren’t the same thing. Lots of you have probably heard the little saying, “Give your world a Flux Capacitor.” If you think about it, Back to the Future’s Flux Capacitor doesn’t make a lot of sense. It’s not explained. But we accept it because it’s magic. And when Doc says, “Here’s this thing. It makes time travel possible.” We accept it because it’s a simple alteration. He doesn’t try to use it to do more than what is initially established. It never breaks that rule. It’s not used to get Marty out of an impossible situation, defying any previous understanding of the technology. That’s why it works.
First, you need to probably choose what type of magic you will use. Will be elements based? Or energy based? Spirit? Physical? Time and Space? What things is your magic summoning/manipulating/drawing from?
Now you’ll want to focus on the parts that make your magic yours. Sure, elemental magic has been used half a zillion times, but it can still be interesting if you do something new with it. The best way to do something new is to alter its limits, change the cost, give it a new spin that makes your regular ol’ fire magic something intriguing.
You can do a little bit of research into ancient forms of magic, into other literary uses of magic. See what those before you have done and use it as an inspiration.
If you’re having trouble knowing where to start, I’m here to provide you some thoughts concerning the skeletal-assembly of your magic system! Use these prompts as you see fit!
What does magic use/alter/manipulate?
visible energies
gravity
laws of physics
light
thought
water, only, in all of its forms
fabric of space
elementary particles
items of specific color or texture
perception
plant life
the dead
blood
magnetic forces
demons
vibrations
earth
emotions
Who possesses magic?
scholars
children
random lucky people
anyone
everyone
the elderly
anyone who’s ever petted a dog
specific animals
deities
How is it acquired?
at birth
intense study and training
gifted
through random action
through a ritual
as one ages
stolen
From where is power drawn?
internal mana
heat energy
alignment of the stars
physical contact with _____ (the earth, another life force, a drawing or rune)
kinetic or potential energy
the moon(s)
other realms
movement of tectonic plates
spiritual energy of those nearby
consumption of specific foods/drinks/elements
Check out the rest of the Brainstorming Series! Magic Systems, Part Two New Species New Worlds Cultures Civilizations Map Making Politics and Government Belief Systems & Religion Guilds, Factions, & Groups War & Conflict Science & Technology Wildlife & Ecosystems History & Lore
spam + ramble accmainly for rambling and scrolling, lover of all things silly
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