Body Language: Eyes

So I stumbled across this really useful thing which I use for writing and wanted to share it with you all.

(source: changingminds.org)

The eyes are often called, with some justification, ‘the windows of the soul’ as they can send many different non-verbal signals. For reading body language this is quite useful as looking at people’s eyes are a normal part of communication (whilst gazing at other parts of the body can be seen as rather rude). When a person wears dark glasses, especially indoors, this prevents others from reading their eye signals. It is consequently rather disconcerting, which is why ‘gangsters’ and those seeking to appear powerful sometimes wear them.

Looking Up

When a person looks upwards they are often thinking. In particular they are probably making pictures in their head and thus may well be an indicator of a visual thinker.

When they are delivering a speech or presentation, looking up may be their recalling their prepared words.

Looking upwards and to the left can indicate recalling a memory. Looking upwards and the right can indicate imaginative construction of a picture (which can hence betray a liar). Be careful with this: sometimes the directions are reversed — if in doubt, test the person by asking them to recall known facts or imagine something.

Looking up may also be a signal of boredom as the person examines the surroundings in search of something more interesting.

Head lowered and eyes looking back up at the other person is a coy and suggestive action as it combines the head down of submission with eye contact of attraction. It can also be judgemental, especially when combined with a frown.

Looking Down

Looking at a person can be an act of power and domination. Looking down involves not looking at the other person, which hence may be a sign of submission (‘I am not a threat, really; please do not hurt me. You are so glorious I would be dazzled if I looked at you.’)

Looking down can thus be a signal of submission. It can also indicate that the person is feeling guilty.

A notable way that a lower person looks down at a higher person is by tilting their head back. Even taller people may do this.

Looking down and to the left can indicate that they are talking to themselves (look for slight movement of the lips). Looking down and to the right can indicate that they are attending to internal emotions.

In many cultures where eye contact is a rude or dominant signal, people will look down when talking with others in order to show respect.

Looking Sideways

Much of our field of vision is in the horizontal plane, so when a person looks sideways, they are either looking away from what is in front of them or looking towards something that has taken their interest.

A quick glance sideways can just be checking the source of a distraction to assess for threat or interest. It can also be done to show irritation (‘I didn’t appreciate that comment!’).

Looking to the left can indicate a person recalling a sound. Looking to the right can indicate that they are imagining the sound. As with visual and other movements, this can be reversed and may need checking against known truth and fabrication.

Lateral movement

Eyes moving from side-to-side can indicate shiftiness and lying, as if the person is looking for an escape route in case they are found out.

Lateral movement can also happen when the person is being conspiratorial, as if they are checking that nobody else is listening.

Eyes may also move back and forth sideways (and sometimes up and down) when the person is visualizing a big picture and is literally looking it over.

Gazing

Looking at something shows an interest in it, whether it is a painting, a table or a person. When you look at something, then others who look at your eyes will feel compelled to follow your gaze to see what you are looking at. This is a remarkable skill as we are able to follow a gaze very accurately.

When looking at a person normally, the gaze is usually at eye level or above (see eye contact, below). The gaze can also be a defocused looking at the general person.

Looking at a person’s mouth can indicate that you would like to kiss them. Looking at sexual regions indicates a desire to have sexual relations with them.

Looking up and down at a whole person is usually sizing them up, either as a potential threat or as a sexual partner (notice where the gaze lingers). This can be quite insulting and hence indicate a position of presumed dominance, as the person effectively says ‘I am more powerful than you, your feelings are unimportant to me and you will submit to my gaze’.

Looking at their forehead or not at them indicates disinterest. This may also be shown by defocused eyes where the person is ‘inside their head’ thinking about other things.

The power gaze is a short but intense gaze that is used to impose one’s will on another, showing power without aggression.

It is difficult to conceal a gaze as we are particularly adept at identifying exactly where other people are looking. This is one reason why we have larger eye whites than animals, as it aids complex communication.

People who are lying may look away more often as they feel guilty when looking at others. However, when they know this, they may over-compensate by looking at you for longer than usual. This also helps them watch your body language for signs of detection.

The acceptable duration of a gaze varies with culture and sometimes even a slight glance is unacceptable, such as between genders or by a lower status person.

Non-visual gaze patterns (NVGPs) involve rapid movements (saccades) and fixations while we are ‘inside our heads’, thinking. Rapid movements happen more when we are accessing long-term memory and fixations more when we are accessing working memory. This is useful to detect whether people are thinking about older events or recent events (or old events that are already brought to working memory).

Glancing

Glancing at something can betray a desire for that thing, for example glancing at the door can indicate a desire to leave.

Glancing at a person can indicate a desire to talk with them. It can also indicate a concern for that person’s feeling when something is said that might upset them.

Glancing may indicate a desire to gaze at something or someone where it is forbidden to look for a prolonged period.

Glancing sideways at a person with raised eyebrows can be a sign of attraction. Without the raised eyebrow it is more likely to be disapproval.

Eye Contact

Eye contact between two people is a powerful act of communication and may show interest, affection or dominance.

Doe Eyes

A softening of the eyes, with relaxing of muscles around the eye and a slight defocusing as the person tries to take in the whole person is sometimes called doe eyes, as it often indicates sexual desire, particularly if the gaze is prolonged and the pupils are dilated (see below). The eyes may also appear shiny.

Making Eye Contact

Looking at a person acknowledges them and shows that you are interested in them, particularly if you look in their eyes.

Looking at a person’s eyes also lets you know where they are looking. We are amazingly good at detecting what they are looking at and can detect even a brief glance at parts of our body, for example.

If a person says something when you are looking away and then you make eye contact, then this indicates they have grabbed your attention.

Breaking eye contact

Prolonged eye contact can be threatening, so in conversation we frequently look away and back again.

Breaking eye contact can indicate that something that has just been said that makes the person not want to sustain eye contact, for example that they are insulted, they have been found out, they feel threatened, etc. This can also happen when the person thinks something that causes the same internal discomfort. Of course, a break in eye contact can also be caused by something as simple as dried out contacts or any new stimulus in one’s immediate area, so it’s important to watch for other signals.

Looking at a person, breaking eye contact and then looking immediately back at them is a classic flirting action, particularly with the head held coyly low in suggested submission.

Long eye contact

Eye contact longer than normal can have several different meanings.

Eye contact often increases significantly when we are listening, and especially when we are paying close attention to what the other person is saying. Less eye contact is used when talking, particularly by people who are visual thinkers as they stare into the distance or upwards as they ‘see’ what they are talking about.

We also look more at people we like and like people who look at us more. When done with doe eyes and smiles, it is a sign of attraction. Lovers will stare into each others eyes for a long period. Attraction is also indicated by looking back and forth between the two eyes, as if we are desperately trying to determine if they are interested in us too.

An attraction signal that is more commonly used by women is to hold the other person’s gaze for about three seconds, Then look down for a second or two and then look back up again (to see if they have taken the bait). If the other person is still looking at them, they are rewarded with a coy smile or a slight widening of the eyes (‘Yes, this message is for you!’).

When done without blinking, contracted pupils and an immobile face, this can indicate domination, aggression and use of power. In such circumstances a staring competition can ensue, with the first person to look away admitting defeat.

Prolonged eye contact can be disconcerting. A trick to reduce stress from this is to look at the bridge of their nose. They will think you are still looking in their eyes.

Sometimes liars, knowing that low eye contact is a sign of lying, will over-compensate and look at you for a longer than usual period. Often this is done without blinking as they force themselves into this act. They may smile with the mouth, but not with the eyes as this is more difficult.

Limited eye contact

When a person makes very little eye contact, they may be feeling insecure. They may also be lying and not want to be detected.

In persuasion

Eye contact is very important for persuasion. If you look at the other person and they do not look back at you, then their attention is likely elsewhere. Even if they hear you, the lack of eye contact reduces the personal connection.

If you want to persuade or change minds, then the first step is to gain eye contact and then sustain it with regular reconnection.

Staring

Staring is generally done with eyes wider than usual, prolonged attention to something and with reduced blinking. It generally indicates particular interest in something or someone.

Staring at a person can indicate shock and disbelief, particularly after hearing unexpected news.

When the eyes are defocused, the person’s attention may be inside their head and what they are staring at may be of no significance. (Without care, this can become quite embarrassing for them).

Prolonged eye contact can be aggressive, affectionate or deceptive and is discussed further above. Staring at another’s eyes is usually more associated with aggressive action.

A short stare, with eyes wide open and then back to normal indicates surprise. The correction back to normal implies that the person would like to stare more, but knows it is impolite (this may be accompanied with some apologetic text).

When a person stares at another, then the second person may be embarrassed and look away. If they decide to stare back, then the people ‘lock eyes’ and this may become a competition with the loser being the person who looks away first.

The length of an acceptable stare varies across cultures, as does who is allowed to stare, and at what. Babies and young children stare more, until they have learned the cultural rules.

Following

The eyes will naturally follow movement of any kind. If the person is looking at something of interest then they will naturally keep looking at this. They also follow neutral or feared things in case the movement turns into a threat.

This is used when sales people move something like a pen or finger up and down, guiding where the customer looks, including to eye contact and to parts of the product being sold.

Squinting

Narrowing of a person’s eyes can indicate evaluation, perhaps considering that something told to them is not true (or at least not fully so).

Squinting can also indicate uncertainty (‘I cannot quite see what is meant here.’)

Narrowing eyes has a similar effect to constricted pupils in creating a greater depth of field so you can see more detail. This is used by animals when determining distance to their prey and can have a similar aggressive purpose.

Squinting can be used by liars who do not want the other person to detect their deception.

When a person thinks about something and does not want to look at the internal image, they may involuntarily squint.

Squinting can also happen when lights or the sun are bright.

Lowering of eyelids is not really a squint but can have a similar meaning. It can also indicate tiredness.

Lowering eyelids whilst still looking at the other person can be a part of a romantic and suggestive cluster, and may be accompanied with tossing back the head and slightly puckering the lips in a kiss.

Blinking

Blinking is a neat natural process whereby the eyelids wipe the eyes clean, much as a windscreen wiper on a car.

Blink rate tends to increase when people are thinking more or are feeling stressed. This can be an indication of lying as the liar has to keep thinking about what they are saying. Realizing this, they may also force their eyes open and appear to stare.

Blinking can also indicate rapport, and people who are connected may blink at the same rate. Someone who is listening carefully to you is more likely to blink when you pause (keeping eyes open to watch everything you say).

Beyond natural random blinking, a single blink can signal surprise that the person does not quite believe what they see (‘I’ll wipe my eyes clean to better see’).

Rapid blinking blocks vision and can be an arrogant signal, saying ‘I am so important, I do not need to see you’.

Rapid blinking also flutters the eyelashes and can be a coy romantic invitation.

Reduced blinking increases the power of a stare, whether it is romantic or dominant in purpose.

Winking

Closing one eye in a wink is a deliberate gesture that often suggests conspiratorial (‘You and I both understand, though others do not’).

Winking can also be a slightly suggestive greeting and is reminiscent of a small wave of the hand (‘Hello there, gorgeous!’).

Closing

Closing the eyes shuts out the world. This can mean ‘I do not want to see what is in front of me, it is so terrible’.

Sometimes when people are talking they close their eyes. This is an equivalent to turning away so eye contact can be avoided and any implied request for the other person to speak is effectively ignored.

Visual thinkers may also close their eyes, sometimes when talking, so they can better see the internal images without external distraction.

Damp

The tear ducts provide moisture to the eyes, both for washing them and for tears.

Damp eyes can be suppressed weeping, indicating anxiety, fear or sadness. It can also indicate that the person has been crying recently.

Dampness can also occur when the person is tired (this may be accompanied by redness of the eyes.

Tears

Actual tears that roll down the cheeks are often a symptom of extreme fear or sadness, although paradoxically you can also weep tears of joy.

Weeping can be silent, with little expression other than the tears (indicating a certain amount of control). It also typically involves screwing up of the face and, when emotions are extreme, can be accompanied by uncontrollable, convulsive sobs.

Men in many culture are not expected to cry and learn to suppress this response, not even being able to cry when alone. Even if their eyes feel damp they may turn away.

Tears and sadness may be transformed into anger, which may be direct at whoever is available.

Pupil Size

A subtle signal that is sometimes detected only subconsciously and is seldom realized by the sender is where the pupil gets larger (dilates) or contracts.

Sexual desire is a common cause of pupil dilation, and is sometimes called ‘doe eyes’ or ‘bedroom eyes’ (magazine pictures sometimes have deliberately doctored eyes to make a model look more attractive). When another person’s eyes dilate we may be attracted further to them and our eyes dilate in return. Likewise, when their pupils are small, ours may well contract also.

A fundamental cause of eye dilation is cognitive effort. When we are thinking more, our eyes dilate. This helps explain ‘doe eyes’ as when we like others people, looking at them leads to significant thinking about how we may gain and sustain their attention.

Pupils dilate also when it is darker to let in more light. Perhaps this is why clubs, bars, restaurants and other romantic venues are so dingy.

People with dark irises (the colored circle around the pupil) can look attractive because it is difficult to distinguish the iris from the pupil, with the effect is that their dark pupils look larger than they are. People with light irises make the pupils easier to see, so when their pupils actually do dilate then the signal is clearer to detect, making them more attractive ‘at the right time’.

The reverse of this is that pupils contract when we do not like the other person, perhaps in an echo of squint-like narrowing of the eyes. People with small pupils can hence appear threatening or just unpleasant.

Rubbing

When a person is feeling uncomfortable, the eyes may water a little. To cover this and try to restore an appropriate dryness, they person may rub their eye and maybe even feign tiredness or having something in the eye. This also gives the opportunity to turn the head away.

The rubbing may be with one finger, with a finger and thumb (for two eyes) or with both hands. The more the coverage, the more the person is trying to hide behind the hands.

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Vickie had been invited to Steve’s house by Robin, and she was completely nervous. It was a pool party which meant swimsuits. Should she go sexy or conservative? Fuck it, she's wearing a bikini. Over the bikini, she wore a pair of jeans shorts and a floral tank top. Vickie stared at her reflection in the mirror. She ruffled up her hair and pouted, and then she scowled.

"Why I am so pale?!" Vickie exclaimed.

"Once again, dear, I apologize for passing on my genes to you," her father said as he leaned against her doorway. "I like you, so should Robin. Although not in the same way."

"Dad! You have to like me," Vickie rolled her eyes.

"Everything's going to work out," Matthew said and grabbed his daughter by the shoulders shaking her. "You just have to believe in yourself the way that I do."

"I'm starting to regret telling you," Vickie rolled her eyes.

"You know that I'm proud of you, right?" He asked. "And if your mother were still here with us, she'd proud of you too."

"Thanks, Daddy," Vickie said softly. "I just wish I got to tell her."

"Oh, pumpkin, I think she always knew," Matthew told her.

"How do you know that?" She asked.

"She's your mother. Nothing ever got past her," he said. "Now, do we need to do something breathing exercises?"

"Yeah."

"Okay, now what do we tell our anxiety first?"

"To go to hell!"

"Damn straight or in your case not so straight!"

"Daddy!"

Vickie stood in front of the large house and was immediately intimated by its size.

"It's weirdly huge, right?" A voice, and she looked to find Eddie Munson standing next to her. "I always feel like it's going to eat me. You must be Vickie."

"And you must be Eddie Munson," Vickie said in amusement.

"Nah. I'm the guy that ate him," Eddie said sarcastically, and Vickie laughed.

"You're weird," she said. "My dad would like you."

"You should know now, Vickie, that my heart is pining away for someone else. . .just so you don't get your hopes up," Eddie said.

"So is mine," she replied.

"Good, now that that's settled," Eddie told her. "What's got you so nervous?"

"The idea of taking off my clothes," Vickie scoffed.

"Yeah, same here. I've got some nasty scars recently, and they're not quite done healing. Almost. They're ugly as hell," Eddie sighed.

"I've got a scar on my stomach from a car accident when I was little, but I decided to say "fuck it" and wear a bikini anyway," Vickie said.

"That's my kind of spirit. Fuck it," Eddie grinned. "Ready to head inside, my lady?"

"I am now," Vickie said.

The party was in full swing. All of Steve and Robin's friends were here. They were Eddie's friends now, too. Jonathan Byers, some guy named Argyle who Vickie immediately liked, and Nancy Wheeler. Vickie wasn't at all curious that Steve was friends with his ex, as she was still very much friends with hers. Robin seemed to be friends with her, too. There was this bond there that connected all of them, and she wasn't sure what it was, but she was glad they had it. There was this warm feeling of family amongst all of them. The one thing she hated, though, was the fear behind their eyes and the way they all jumped sometimes. Something told her that the bond they formed didn't start from a very good place. It wasn't her story to tell, though, so she wasn't going to pry.

"Whatcha thinking about, Lady Fisher?" Eddie asked as he plopped down in the lawn chair next to hers.

Vickie had gotten tired out from swimming and had decided to sprawl out into one of the lawn chairs. She had started thinking about the way Robin's eyes landed on hers when she started taking off her clothes, and the way remained steadfast on her face as though they were trying not to look anywhere else. It had made Vickie blush and somehow her thoughts had drifted.

"Life," Vickie told Eddie.

"Ah, yes, that bitch," Eddie said and Vickie giggled.

Her eyes landed on Robin and Steve talking animatedly with one another as they stuck their feet in the pool. She could have sworn she saw Robin say her name, and it made Vickie blush. She didn't realize that Eddie was talking to her until Eddie was snapping his fingers in front of her face.

"Hmm?" She asked.

"Is the person you like Steve?" Eddie scowled.

"What?!" Vickie exclaimed. "No."

Eddie turned his head at the same time hers did. His eyes landed on Argyle nearby.

"Argyle?" He asked.

"Well, no, I mean, a little, but I think everyone likes Argyle just a bit. I mean. . .," Vickie trailed off.

"Except for Robin," they said at the same time.

They gasped and slapped their hands on their mouths at the same time. Vickie did not mean to say that, although it didn't necessarily imply that Robin is a lesbian. Still. Wait. . .Vickie removed her hand at the same time that he did.

"You know?!" They hissed.

"How do you know?!"

"She told me!"

"Stop that!"

They stayed quiet for a while. Eddie looked at her thoughtfully.

"If it's not Argyle, then . . . "

Vickie sighed and grabbed his head. She pointed him at Robin. He gasped and then looked at her in annoyance.

"I was getting there," he said defensively.

"Sure, you were," Vickie laughed and released his head.

"Just so you know, I call dibs on Steve," Eddie said.

"You can't call dibs on a person," she said.

"Sure you can. I just did," he said with a grin and rubbed his stomach, wincing.

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"The pain comes and goes," Eddie shrugged. "You're not curious about how I got them?"

"I am, but I'm not going to question it if you don't want me to know," Vickie said. "Besides, I just met you."

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"Well, they were in Starcourt together," Vickie said.

"Ooh, so, you think shared trauma? See, I knew about Starcourt," Eddie frowned. "I don't think we have any shared trauma. I mean, I was once in a car accident, too."

"Really?" Vickie asked gently.

"Yeah, my mom died in that accident. I was in the car with her. She threw her body on top of mine," Eddie said, his voice catching. "We were coming back from Indie when this drunk driver came out of nowhere. It caused a pretty bad pileup."

"Was it on the road with the really creepy scarecrow that no one ever does anything about?" Vickie asked.

"Yeah. I guess you heard about it like everyone else?" Eddie asked.

"Eddie. . .I think we have shared trauma," Vickie said, tears in her eyes. "Me and my mom were in that accident. My mom also died that day."

"Shit," Eddie said and moved quickly to hug her.

They were interrupted by Robin and Steve coming over to check on them.

"Is everything okay?" Robin asked.

"Yeah," Vickie said, her face wet with tears. "We were talking about our moms."

"Oh," Robin and Steve said in unison, a look of understanding in their eyes.

"Vickie, do you want to talk more inside?" Eddie asked softly and she nodded.

Eddie put his arm around her as they walked inside. They ended up on the floor of the nearest bathroom, unknowingly recreating Steve and Robin's own special moment. They talked for a while until their bathing suits were very nearly dry. They talked about how wonderful their moms were. Vickie told him how her mom used to read to her at bedtime and how she used to make her dance on her feet when they were dancing in the kitchen. Eddie told her all about how he got his love of his music from his mother even though she never could carry a tune, but she could tell a story like no one else. They talked about how they wished they were still here, how they could tell their moms about themselves.

"My mom would love Robin," Vickie said.

"My mom would love Steve, and she would love the fact that Steve would probably be the one to teach her how to cook. She always hated that she didn't know how to do that," Eddie grinned.

They went on to talk about how they hated the fact that they had to share this trauma, but there was also some relief in knowing that they didn't have to go through it alone. Eddie stood up and clapped his hands.

"Alright, enough of this sad shit," Eddie said and jumped up. "I think we're officially soulmates now."

He put his hand and helped her up, hugging her tightly.

"Definitely platonic," Vickie giggled. "You remind me too much of my dad."

They left the bathroom and found that everyone had gone home.

"How long were we in there for?" Eddie asked.

They headed to the kitchen where Robin and Steve were cleaning up.

"Party's over?" Vickie asked.

"Yeah, everyone got tired really quickly. It was weird how quickly they got so tired," Robin said, and Steve nudged her in the side.

Vickie grinned and pulled Eddie off to the side.

"I just got a great idea," Vickie said.

"And what, pray tell, is cooking in that head of yours, Fisher?" Eddie asked.

"We should ask them out together right now!" Vickie said excitedly.

"Are you crazy?" Eddie asked.

"Come on, we both know that life is short, and we could kick it at any time. They're worth risking it all, yeah," Vickie said. "Besides, they can't reject us if we're coming at them from both sides."

"Hmm, I am not seeing a single flaw in your logic," Eddie said thoughtfully and grinned. "Let's do it!"

They moved back over to Robin and Steve.

"What the hell was that all about?" Steve asked.

"That was our first official platonic soulmate huddle," Eddie said.

"Oh, so, you guys are platonic soulmates now?" Steve asked.

"That's cute," Robin said, smiling. "I mean, you know as in, you know . . . You know what I mean."

"Wait, how are we going to do this?" Eddie asked.

"Well, I figured you would look at Steve, and then I would look at Robin," Vickie said. "Then we ask them."

Eddie shot her finger guns and then leaned against the island across from them. Vickie leaned against the island, looking at Robin.

"We want to know - " Eddie nudged Vickie as he continued to gaze into Steve’s eyes.

"If you guys would like to - " Vickie said, nudging him back.

"Go out with us!" They finished together.

"Well, that was fucking cute," Steve said.

"But I think we're going to have to have a huddle of our own," Robin said, winking at Vickie.

They couldn't move very far away, but they talked quietly for a moment before squealing and then jumping up and down. They calmed down and straightened up while wiping imaginary lint off of their clothes. They walked back over, looking serious.

"We accept!" Steve and Robin exclaimed.

"But you should know that you guys didn't have to become platonic soulmates just to ask us out," Steve said.

"I know. It kind of just happened," Vickie shrugged and grinned at Eddie.

Eddie took her by the shoulders and moved Vickie directly in front of Robin.

"I am handing you my platonic soulmate. Be careful with her," Eddie said.

"And the same to you," Robin said as she pushed Steve towards Eddie.

"Why does this feel like a drug deal?" Steve asked.

"Maybe it's because you're the best kind of drug, baby," Eddie said, kissing his cheek.

"That was a good one," Vickie said.

Steve blushed and squeezed Eddie's shoulder, causing him to wince. That's when he noticed that Eddie was slightly pink.

"Eddie! You're sunburned! I told you to use sunscreen," Steve said.

"I'm a rebel, baby," Eddie winked at him.

"Oh, so you want to get skin cancer?!" Steve exclaimed.

"I smoke too! Do you want to tell me about getting lung cancer?" Eddie scoffed.

"Yes! I only ever had the occasional smoke, and I quit," Steve rolled his eyes.

"Is this how it's going to be? You worrying about me?" Eddie asked with a grin.

"Yes!" Steve said, and Eddie wrapped his arms around him, kissing his cheek. "Plus, I'd rather you not have to use an oxygen tank in between makeout sessions."

"Fair point," Eddie laughed.

Vickie and Robin giggled before sharing a look.

"Dinguses!" They exclaimed.

"Our platonic dinguses," Vickie said, and Robin kissed her cheek, causing her to blush.

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tiredofeverythingandmyself

5 months ago

So, this is the first time that i publish something that i writed, is part of a gojo x OC series that i just started to write. I hope somebody like its, and if someone could give feedback i'd really appreciate it, i just learned english based on fanfiction.

When Satoru woke up that morning in the hotel room, he was alone. Or that's what he thought, until he saw the cherry strands of hair of the woman that slept with him last night, moving along with the breeze that came from the opened crystal doors that lead to the balcony.

“Why are you awake?”asked Gojou, his voice heavy with sleep, his head still smothered against the pillow “we still have time before the check-out” said, closing his eyes again hoping to sleep some more.

We still have time before going back.

Just then the woman looked back at him, with a pained expression adorning her already made up face, freckles hiding behind her foundation. “I told you I wanted to talk last night” said the redhead almost whispering, like she was afraid of waking up the rest of the hotel “you know, before you tossed me to the bed”

“‘bout what?”

“About us” now he was fully awake, he even sat on the bed, leaving the sheets uncovering his defined torso and arms. Gojou stared at her in silence, expecting her to continue. Leaving a sigh, she elaborated “I’m…i’m starting to, you know”

“No, I actually don’t know, Yume” it was too fucking early to be having this type of conversation.

“I’mgettingattached” said Yume fast, looking at the wall and avoiding his eyes at all costs. “We talked about this at the start, but I-I just couldn't help it.” she rambled, trying to clarify her feelings. “I think we should end things here.”

“You think that is the best?”

“Of course it is.” She sighed, still ignoring the troubled look that Satoru was giving her. End things here? but we were just fine last night. Yume walked around the room in the really, really uncomfortable silence, waiting for him to tell the contrary, to tell that she misunderstood his actions, that he wanted to give it a try. Anything but the silence.

But the answer never came.

So that's how is it? huh.

Tags

jjk jjk gojo satoru gojo gojo x oc

15 notes View Post

tiredofeverythingandmyself

1 year ago

Happy Monday!!!!

Catch my breath part 3: bloom pages 32 & 33

Montage time!

I’m gonna cry! There are only the final pages after this! It’s finally finishing! The year long project that was meant to be 20 pages is coming to an end at a total of 80 with a whole fake medical pamphlet and a planned epilogue to come of another few pages. Ahhhh ok no sap just yet I’ll hold it off one more week.

Tumblr posts here

Kofi with each part in a labeled gallery here for free but tips are always greatly appreciated 🥰💕

Ahhhhh guess I’ll see you all again next week for the fine conclusion of Catch my Breath!

🌸🌸🌸

Tags

steddie

435 notes View Post

tiredofeverythingandmyself

8 months ago

Palestinian Fundraisers from Asks

I have received some gfm info from people reaching out and would like to post them in this format. Regrettably I am bad at checking my inbox so some of these are older and further along than others.

Please check out these gfms and donate if you can!

Please help my children live in peace. from @/ameeraayman5

€998 out of €60,000; vetting info here

Supporting my family in Gaza amid the crisis from @/yara-family

€2,706 out of €20,000; vetted by @/gaza-evacuation-funds

Urgent Relief; Help my family evacuate from @/mohameedibraheem

€841 out of €40,000; vetted by @/gaza-evacuation-funds

Help my family escape death from @sohaabdullah73

£361 out of £30,000; vetted by @/90-ghost

Help Mahmoud and his family escape Gaza & continue education from @/mahmoidsy

$5,884 out of $25,000; vetted by multiple vetters (see here)

Help save Ahmed's family from genocide in Gaza from @/ahmadallouhahmad

€6,340 out of €50,000; vetting info here

Help us survive 10 months of hunger, aya & ali from @/ayameq0

€2,419 out of €70,000; vetted by @/gazavetters (#54 on list)

Help Mohammed support his relatives in Gaza from @/moh-shamia

$66,751 out of $70,000; see multiple vetters in pinned post

Help Ibrahim's family get out of Gaza from @/ibrahem-4

€404 out of €30,000; vetted by @/gazavetters (#129 on list)

Saving My Dreams from the Rubble of War from @/mohammedjama77

€446 out of €10,000; vetted by @/gazavetters (#93 on list)

Help me save my family from @/osama-family

£4,409 out of £50,000; vetted by @/gazavetters (#12 on list)

Donate to Save My Innocent Children from @/shareeffamily

€626 out of €20,000; not yet vetted, but clean reverse-image search, and donations protected

Help My Two Daughters Escape from GAZA WAR from @/hadeelchilds

€17,631 out of €35,000; vetting info here

Support Amal's Family in War-Torn Gaza Escape to Egypt from @/familygazaamal

$3,371 out of $30,000; vetting info here

Help esraa family in Gaza from @/wejdan-32

€2,368 out of €20,000; not yet vetted, but clean reverse-image search, and donations protected

Urgent Appeal: Save Ola' family evacuate Gaza war from @/abedallhferwanagaza

€9,637 out of €35,000; vetted by @/gazavetters (#60 on list)

Help Asmaa to continue school outside of gaza from @/asmaamajed2

$10,490 out of $50,000; vetted by @/90-ghost

Emergency: Help Evacuate My Family From GAZA WAR from @/hayanahed

€92,165 out of €100,000; see multiple vetters in pinned post

Reblog for reach!

Tags

free palestine palestine fundraiser vetted

75 notes View Post

tiredofeverythingandmyself

8 months ago

Fandom PSAs

Dont’ Like, Don’t Read

or DL; DR

You are responsible for curating your own online experience.

If something upsets you, makes you angry or queasy or triggers you, stop reading/looking at it. Avoid things that might make you feel that way.

Learn to use the Sort and Filter function on AO3, especially the Exclude tools.

On social media, block and mute accounts / tags / words when necessary.

If you hated something, you don’t need to tell that to the creator or start pointing fingers at them publicly.

The Back button is free. Use it.

Addendum:

Yes, for this to work, creators need to tag their works accordingly, so that people know what sort of content they are about to engage with and can nope out if necessary.

I will probably make another PSA about the importance of proper tagging later.

Ship And Let Ship

or SALS

You are allowed to ship whatever you want.

Everyone else is also allowed to ship whatever they want.

You are entitled to dislike or even hate a ship. If you want to do this online, in public, don’t use the ship tags for hate posts.

If you see someone posting about a ship they like and you don’t, there is no need for you to start arguing with them in their replies / comments / QRTs / reblogs. Don’t throw your hate in their face.

Do not harass fan creators or fans for shipping something you disapprove.

All of this also applies to liking / disliking an individual character.

Addendum:

”I agree with this, except when…”

No, then you are NOT agreeing with this.

Let me make this VERY clear. There are NO exceptions. None.

You don’t EVER harass real people over pixels.

If you disagree with this, kindly block and move on.

Your Kink Is Not My Kink

or YKINMK / YKINMKATO

The longer version is ”Your Kink Is Not My Kink And That’s Okay”.

People have different tastes. Not everything is for everybody.

Even if you don’t like a specific kink, other people are still allowed to use it in their creations.

You are entitled to dislike kinky content and think that it’s ”weird”.

Don’t kink shame or judge people based on their kinks.

This goes both ways: your kink is not someone else’s kink, so don’t push it onto those who are not into it.

Be Kind

or Don’t Be An Asshole

Focus on the things you like instead of the things you hate.

Create and unite instead of destroying and dividing.

Don’t harass real people over fictional things.

Stop stirring up petty drama just to get some attention on social media.

Stop trying to ”win”. Fandom is not a competition.

Remember that your own experiences aren’t universally shared. Your perception of things can differ from someone else’s, but that doesn’t mean either of you is necessarily wrong.

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