Curate, connect, and discover
Can you please share some words to use instead of "Look", I really struggle with that, it's always "She looked at him in shock" or "He looked at her with a smile". I know there's "Gazed" and "Glanced" but I wanted some advice to use "Look" less
Words Closest in Meaning (w diff connotations!):
stare
eye
study
behold
glimpse
peek
glance
notice
observe
inspect
regarding
view
review
look-see
get an eyeful
peer
give the eye
eyeball
size up
size up
check out
examine
contemplate
scan
recognize
sweep
once-over
judge
watch
glare
consider
spot
scrunitize
gaze
gander
ogle
yawp
Other (more fancy) words:
glimmer
sntach
zero in
take stock of
poke into
mope
glaze
grope
rummage
frisk
probe
rivet
distinguish
witness
explore
gloat
scowl
have a gander
comb
detect
surveillance
squint
keeping watch
rubberneck
pout
bore
slant
ignore
audit
pipe
search
note
speculation
simper
So I saw a post about this recently ( i will track it down eventually), but i wanted to illustrate my point (literally).
For Horror, romance etc. I generally use 1st person, because it helps me portray emotion better. As in the illustration, it helps with suspense. You aren't the all-knowing 3rd person and can be surprised. You feel the emotion of the characters!
For anything that isn't emotion-based and relies heavily on description and being able to see further than one person can (sci-fi, for example) 3rd person is the standard.
tl;dr: for emotion, you use 1st person, for description, you use 3rd person.
ok so I need someone to tell me if friends can feel very strongly about each other, want to spend the rest of their lives together, and get jealous over their friend's other relationships or if that's queerplatontic behavior because I need help with a fic I'm writing
Ok serious post. How do I outwit the AO3 curse? Because my desire to write is being suppressed by my inability to handle another fucking curve ball from life and I’m too scared to even look at my fix without fearing yet another disaster. Genuinely how do you write without being shot 57 times? Like do I have to make a sacrifice? Is there a special prayer? I’ll do anything at this point.
give them a misbelief
no characters have a personality when the plot starts. all of them have backstories, a past, and a mindset that they grew up with!
basically, a misbelief is the wrong mindset that they grew up with, and is also a belief that will be restructured by the end of your novel.
this not only shows character growth and development as their mind is "restructured" or they learn their life lesson, but also drives the internal plot of your story, which differs from the external (or action) plot that most people seem to read.
+ this gives readers a deeper insight to your character!
give them a goal
every character has a goal, or something they want in their lives. having them strive for it would essentially drive your plot, and may also help you dig deeper into your character's motivations!
this goal doesn't always need to be achieved, or may be impossible to (for example, someone wanting to meet a loved one who turns out to be dead; they may have not reached their goal, but it took them on a journey)
this goal should also be concrete if possible! vague ones like "they want to be happy," isn't very helpful. what do they think will make them happy?
(side note: wanting everything to be the way that it is can also be a goal, cause they're striving to make things go back to the way they were!)
more notes / explanations here! most of these notes in this post are taken from story genius by lisa cron, and i thought they might help. please take all this information with a grain of salt, and maybe use it in a way that'll work best for you! <3
normal:
— stated
— spoke
— remarked
— reported
— added
questioning:
— asked
— inquired
— requested
— begged
angrily:
— demanded
— shouted
— growled
— yelled
sad:
— sobbed
— cried
— groaned
— bawled
nervous:
— trembled
— quaked
— stammered/stuttered
happy:
— exclaimed
— chirped
— laughed
— giggled
“This is your daily, friendly reminder to use commas instead of periods during the dialogue of your story,” she said with a smile.
“This is your daily, friendly reminder to use commas instead of periods during the dialogue of your story,” she said with a smile.
I have Asperger's syndrome myself, but I feel I could still use this just in case my “write what you know” method is more underdeveloped than I thought. Anyway, this will definitely be useful.
completely double spaced version on google docs here – this post is more blocky for the sake of people’s dashboards, but still long so people will be less likely to glaze over it. my apologies if that makes it hard to read
• symptoms only manifesting as “nonverbal and rocking” • super smart / living calculator • super dumb / doesn’t understand anything • all the symptoms you can come up with for them are “awkward” and “has special interest(s)” (please do more research) • trains, technology, and/or math as special interests • acting like a child • getting treated like a baby • unreasonably cruel and uncaring about others’ reactions to them being cruel • if they’re comparable to sheldon from the big bang theory, start over • animal comparisons • a lack of feelings • please no stories about what it’s like to be autistic told by allistics
• lots of symptoms, including secondary ones not included on a general diagnosis requirement list (here’s a list i rather like that was made by an autistic person – their blog is also a good resource) • having a good amount of general knowledge and actually talking about it (i cannot believe that i have to say this) • talking about things outside of special interests (again…. come on……….) (special interests are usually the default things our brains go to when theres no stimulation or we want to entertain ourselves – it isn’t literally all we think or talk about ever. if a conversation has no connections to a special interest, reconsider having your autistic character bring it up in a context that is not an introduction.) • explicitly expressed to be capable of attraction and romantic feelings – if your character is an adult, add sexual feelings to this point • capable of general functioning, just with a disability that makes it more difficult – not a walking disability (….sigh) • a wide amount of feelings and emotional turmoil (but perhaps only being able to express it in limited ways) • we’re people • just people whose brains are wired differently
• autism moms / autism blogs and websites not run by autistic people • any affiliation with autism $peaks means you should walk away and never look back • a scientist trying to create explanations for what autistic people do without actually asking / not mentioning asking autistic people • anything about a cure for autism • a person that “worked with autistic kids” phrased in the same way as “worked with animals” • talking about autistic people as if they are mysteries, are like animals, or are otherwise othered weirdos instead of people
• actual autistic people talking about their experiences and symptoms • just stick to that and you’re good but it’s hard to find sometimes ngl. just look for the above red flags
• less easy to swallow sadness and more destructive anger. i would love to see a canonically autistic character who was frustrated easily by small things and had trouble communicating why • not a story about being autistic, a story that happens to have a character or characters who are autistic – it isn’t pointed out or questioned, they’re right at home with the rest of the cast and not othered (a la symmetra from overwatch) • intensive sensory issues / small sounds making large reactions • clear communications about not liking x sensory thing (for example being touched) • poor motor skills / clumsiness and not being laughed at for it • walking funny (body bent downwards, walking very fast, walking slowly, big strides, shuffling, stiffness, etc) – no one treats it as if it’s funny or something totally strange • a big personality that has a presence so they can’t be cast aside (but feel free to have quiet characters too) – if this was along with being nonverbal they would probably leap to being one of my favorite characters ever • a fear of asking for clarification on sarcasm or jokes because of past experiences and an arc about the character becoming more comfortable asking questions
>> if any fellow autistic people want to add something, feel free <<
I just came up with a fun way to remember when to use effect or affect.
You give affection and are thus effected positively.
Affect is the intrusion or the causation and effect is the solution.
The rain affects the garden by watering it. The garden is effected by the rain.
Affect refers to an action that will/is/has interrupted the previous norm. Effect refers to the act of being influenced by something else
Ship Dynamics
How to create quick chemistry
How to write a polyamorous relationship
How to write a wedding
How to write found family
How to write forbidden love
Introducing partner(s) to family
Honeymoon
Date gone wrong
Fluffy Kiss Scene
Love Language - Showing, not telling
Love Language - Showing you care
Affections without touching
Giving the reader butterflies with your characters
Reasons a couple would divorce on good terms
Reasons for breaking up while still loving each other
Relationship Problems
Relationship Changes
Milestones in a relationship
Platonic activities for friends
Settings for conversations
How to write a love-hate relationship
How to write enemies to lovers
How to write lovers to enemies to lovers
How to write academic rivals to lovers
How to write age difference
Reasons a couple would divorce on good terms
Reasons for having a crush on someone
Ways to sabotage someone else's relationship
Ways a wedding could go wrong
Arranged matrimony for royalty
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Fantasy name generator
Fighter’s block - try to defeat a monster by writing
Child’s Traits Calculator ; predict a child’s appearance
Child’s Traits Calculator ; predict other traits
Fifty Plot Twist Ideas For Your Work-In-Progress!
Name generator (Character, Baby, Last name, etc.)
Plot generator ; Inspiration for your next novel, film or short story
Character generator ; Generate Rich Characters in Seconds
Writing Exercises ; This site provides (completely free) writing prompts and exercises to help you get started with creative writing and break through writing blocks.
Notebook ; create your characters, worlds, objects, places, etc. and save them
Festisite ; Create a fake license, marriage certificate, credit card, ticket and you can find other stuff as well.
The most common last names in the US
Lists of most common surnames
List of most popular given names
List of the least common surnames [last names] in America, rank 16,001-20,000
Fantasy name generator (again)
Random Name Generator (Choose origins, gender, etc.)
Said is dead (Remember that you can use said, don’t use it to less.)
How Much Blood Can The Human Body Lose?
How Long Can Someone Go Without Breathing?
The 6 Types of Collars Every Man Should Know by Name
18 Different Types of Sleeves Design Patterns
What are the most widely practiced religions of the world?
Differences Between a Short Story, Novelette, Novella, & a Novel
Hemingway editor ; It grades your writing by its readability.
Zen writer ; writing without distractions (Might not be free after a while)
33 Ways to Write Stronger Characters
75+ bad habits for your character
30 SCENE IDEAS FOR CHARACTER DEVELOPMENT
10 Things Writers Don’t Know About The Woods
British and American terms
Free writing worksheets
Feel free to add more!
This is an ultimate masterlist of many resources that could be helpful for writers. I apologize in advance for any not working links. Check out the ultimate writing resource masterlist here (x) and my “novel” tag here (x).
Outlining & Organizing
For the Architects: The Planning Process
Rough Drafts
How do you plan a novel?
Plot Development: Climax, Resolution, and Your Main Character
Plotting and Planing
I Have An Idea for a Novel! Now What?
Choosing the Best Outline Method
How to Write a Novel: The Snowflake Method
Effectively Outlining Your Plot
Conflict and Character within Story Structure
Outlining Your Plot
Ideas, Plots & Using the Premise Sheets
Finding story ideas
Choosing ideas and endings
When a plot isn’t strong enough to make a whole story
Writing a story that’s doomed to suck
How to Finish What You Start: A Five-Step Plan for Writers
Finishing Your Novel
Finish Your Novel
How to Finish Your Novel when You Want to Quit
How To Push Past The Bullshit And Write That Goddamn Novel: A Very Simple No-Fuckery Writing Plan
In General
25 Turns, Pivots and Twists to Complicate Your Story
The ABCs (and Ds and Es) of Plot Development
Originality Is Overrated
How to Create a Plot Outline in Eight Easy Steps
Finding Plot: Idea Nets
The Story Goal: Your Key to Creating a Solid Plot Structure
Make your reader root for your main character
Creating Conflict and Sustaining Suspense
Tips for Creating a Compelling Plot
The Thirty-six (plus one) Dramatic Situations
Adding Subplots to a Novel
Weaving Subplots into a Novel
7 Ways to Add Subplots to Your Novel
Crafting a Successful Romance Subplot
How to Improve your Writing: Subplots and Subtext
Understanding the Role of Subplots
How to Use Subtext in your Writing
The Secret Life of Subtext
How to Use Subtext
Beginning
Creating a Process: Getting Your Ideas onto Paper (And into a Story)
Why First Chapters?
Starting with a Bang
In the Beginning
The Beginning of your Novel that isn’t the Beginning of your Novel
A Beginning from the Middle
Starting with a Bang
First Chapters: What To Include @ The Beginning Writer
23 Clichés to Avoid When Beginning Your Story
Start Writing Now
Done Planning. What Now?
Continuing Your Long-Format Story
How to Start a Novel
100 best first lines from novels
The First Sentence of a Book Report
How To Write A Killer First Sentence To Open Your Book
How to Write the First Sentence of a Book
The Most Important Sentence: How to Write a Killer Opening
Hook Your Reader from the First Sentence: How to Write Great Beginnings
Foreshadowing
Foreshadowing and the Red Hering
Narrative Elements: Foreshadowing
Foreshadowing and Suspense
Foreshadowing Key Details
Writing Fiction: Foreshadowing
The Literary Device of Foreshadowing
All About Foreshadowing in Fiction
Foreshadowing
Flashbacks and Foreshadowing
Foreshadowing — How and Why to Use It In Your Writing
Setting
Four Ways to Bring Settings to Life
Write a Setting for a Book
Writing Dynamic Settings
How To Make Your Setting a Character
Guide for Setting
5 Tips for Writing Better Settings
Building a Novel’s Setting
Ending
A Novel Ending
How to End Your Novel
How to End Your Novel 2
How to End a Novel With a Punch
How to End a Novel
How to Finish a Novel
How to Write The Ending of Your Novel
Keys to Great Endings
3 Things That End A Story Well
Ending a Novel: Five Things to Avoid
Endings that Ruin Your Novel
Closing Time: The Ending
Names
Behind the Name
Surname Meanings and Origins
Surname Meanings and Origins - A Free Dictionary of Surnames
Common US Surnames & Their Meanings
Last Name Meanings & Origins
Name Generators
Name Playground
Different Types of Characters
Ways To Describe a Personality
Character Traits Meme
Types of Characters
Types of Characters in Fiction
Seven Common Character Types
Six Types of Courageous Characters
Creating Fictional Characters (Masterlist)
Building Fictional Characters
Fiction Writer’s Character Chart
Character Building Workshop
Tips for Characterization
Fiction Writer’s Character Chart
Advantages, Disadvantages and Skills
Males
Strong Male Characters
The History and Nature of Man Friendships
Friendship for Guys (No Tears!)
‘I Love You, Man’ and the rules of male friendship
Male Friendship
Understanding Male Friendship
Straight male friendship, now with more cuddling
Character Development
P.O.V. And Background
Writing a Character: Questionnaire
10 Days of Character Building
Getting to Know Your Characters
Character Development Exercises
Chapters
How Many Chapters is the Right Amount of Chapters?
The Arbitrary Nature of the Chapter
How Long is a Chapter?
How Long Should Novel Chapters Be?
Chapter & Novel Lengths
Section vs. Scene Breaks
Dialogue
The Passion of Dialogue
25 Things You Should Know About Dialogue
Dialogue Writing Tips
Punctuation Dialogue
How to Write Believable Dialogue
Writing Dialogue: The Music of Speech
Writing Scenes with Many Characters
It’s Not What They Say …
Top 10 Tips for Writing Dialogue
Speaking of Dialogue
Dialogue Tips
Interrupted Dialogue
Two Tips for Interrupted Dialogue
Show, Don’t Tell (Description)
“Tell” Makes a Great Placeholder
The Literary Merit of the Grilled Cheese Sandwich
Bad Creative Writing Advice
The Ultimate Guide to Writing Better Than You Normally Do
DailyWritingTips: Show, Don’t Tell
GrammarGirl: Show, Don’t Tell
Writing Style: What Is It?
Detail Enhances Your Fiction
Using Sensory Details
Description in Fiction
Using Concrete Detail
Depth Through Perception
Showing Emotions & Feelings
Character Description
Describing Your Characters (by inkfish7 on DeviantArt)
Help with Character Development
Creating Characters that Jump Off the Page
Omitting Character Description
Introducing Your Character(s): DON’T
Character Crafting
Writer’s Relief Blog: “Character Development In Stories And Novels”
Article: How Do You Think Up Your Characters?
5 Character Points You May Be Ignoring
List of colors, hair types and hairstyles
List of words to use in a character’s description
200 words to describe hair
How to describe hair
Words used to describe the state of people’s hair
How to describe your haircut
Hair color sharts
Four Ways to Reveal Backstory
Words Used to Describe Clothes
Flashbacks
Using Flashbacks in Writing
Flashbacks by All Write
Using Flashback in Fiction
Fatal Backstory
Flashbacks as opening gambit
Don’t Begin at the Beginning
Flashbacks in Books
TVTropes: Flashback
Objects in the Mirror Are Closer Than They Appear: Flashback Techniques in Fiction
3 Tips for Writing Successful Flashbacks
The 5 Rules of Writing Effective Flashbacks
How to Handle Flashbacks In Writing
Flashbacks and Foreshadowing
Reddit Forum: Is a flashback in the first chapter a good idea?
Forum Discussing Flackbacks
P.O.V
You, Me, and XE - Points of View
What’s Your Point of View?
Establishing the Right Point of View: How to Avoid “Stepping Out of Character”
How to Start Writing in the Third Person
The Opposite Gender P.O.V.
LANGUAGE
How To Say Said
200 Words Instead of Said
Words to Use Instead of Said
A List of Words to Use Instead of Said
Alternatives to “Walk”
60 Synonyms for “Walk”
Grammar Monster
Google Scholar
GodChecker
Tip Of My Tounge
Speech Tags
Pixar Story Rules
Written? Kitten!
TED Talks
DarkCopy
Family Echo
Some Words About Word Count
How Long Should My Novel Be?
The Universal Mary Sue Litmus Test
Writer’s “Cheat Sheets”
Last but not least, the most helpful tool for any writer out there is Google!
How do I write a Mafia story? Because I’m genuinely lost when it comes to research. I can’t find the information I’m looking for about the way it works and the positions! All I’m getting are famous mafias and guys with jersey accents. If it’s to much work for you, please don’t bother. I was just curious.
Hi :)
I do not have the time to really research it more than on a basis level, but when I was younger I had a phase where I loved to read non-fiction books about the mafia and so I’ll try to get you some information I remember.
What is the mafia?
Plot twist: there is no the mafia anymore
it used to be exclusively about a criminal secret society in Sicily
other mafias are usually called by their region or country of origin (Japanese Mafia, Russian Mafia, etc.)
but they call themselves by their own terms (Cosa Nostra, Yakuza, etc.)
mafia describes a highly organized criminal network, often with international connections to other criminal networks and their own chapters in a lot of different countries
to go from a simple gang to a mafia, they have to be very powerful in their region and resourceful
they managed to infiltrate the political system in their region and became an economic player that shouldn’t be underestimated
the characteristics of most mafias are: a boss that stands over everyone, an initiation ritual before someone becomes part of the mafia, probably for life, a code of honor that says that members have to be silence when they get captured, and protection racket as their main form of criminal business
often the protection they pressure business owners into paying them for, is from themselves and they guarantee that they won’t attack the business or the owner’s family
this often happens in places where the police do not have the upper hand or cannot be trusted either
other types of criminal activities they are involved in: human trafficking, prostitution, gambling, loan sharking, drug-trafficking, fraud
How to write it?
decide on a specific mafia and become familiar with their hierarchies, their special rituals, their main business, their code of honor, what happens if they break it, etc.
if you want to have more creative freedom with your writing, establish your own mafia or create a new chapter to an existing one
but keep in mind that they need the characteristics from above
Characters
decide on who is the boss and how involved he still is (it’s mostly a boy’s club)
pick your main characters and decide on their position in the organization
what is their role, in what part are they involved?
who are the other members they mostly interact with?
do they have a lot of people they have to answer to?
how did they get into the group?
what are their motives?
how do they feel about the crimes they commit?
do their beliefs and morals still align with those of the group?
do they try to have a life outside of the group?
to give your life to a criminal network that functions as a family does not make life easy and you should show the highs and lows of being a professional criminal
think about the side characters
family plays an important part in the mafia, so make sure to include these people and show the dynamics between them
it’s important to give your characters their own personalities and individuality, so they become three-dimensional characters and not gangster clichés
Research
when it comes to writing a real, existing organization research is really important
do your research on the specific mafia you decide on, their rituals, businesses, modus operandi, etc.
all the groups have some things in common with each other, some form of organization, but they differ a lot in the way they operate and what they focus on
a story about criminals practically needs law enforcement
research the laws of the country your story takes place in, a lot of countries have their own laws for organized crimes, often just the affiliation with a criminal organization is a crime
for how it works exactly and the different positions inside the organization, I would take a look at Google Scholar, there are a lot of free books and articles that talk about those things in depth (you can just put in the specific mafia you’re searching for and some catchwords and you can even decide the period of time it was published to not use outdated info)
It’s not that in-depth, but I hope it still helps a little :)
- Jana
Like I said on my intro post I just got my ao3 account. I’m SO excited to use it!!! But I have to many ideas for what wanna do so can you please help me pick?(this of course will be after I finish The Difference Between the Appearance on tumblr)
You can check out my story for Big Mama and Venus here if you need context for your answer but other than just answer honestly.
FOR EXAMPLE. Spoilers here, but
…
Dogday’s human was 28 when he died. Dogday himself only believes he’s four years old because he’s been a dog toy for four years.
So is he 28, 4 or 32?
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Suicidal Urges/Martyr Complex
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
1000 Follower Post
2000 Follower Poll
Writing Fantasy
site that you can type in the definition of a word and get the word
site for when you can only remember part of a word/its definition
site that gives you words that rhyme with a word
site that gives you synonyms and antonyms
Ways I Show a Character is In Love But Doesn't Know It Yet...
This one’s for the emotional masochists writing the slowest of burns, where your readers are screaming “just kiss already!” by chapter twenty... I Love and Hate you... ♥
They compare everyone else to the person… and everyone else comes up short. Even when they’re not consciously doing it. No one’s laugh is as warm. No one’s eyes crinkle that way.
They remember the weirdest little things about them. Birthdays? Whatever. But that time they snorted laughing at a dumb joke? Locked and loaded.
They feel weirdly guilty when flirting with someone else. Like they’re cheating… except they’re not even dating. Or are they? Or—ugh, feelings are the worst.
They notice every damn detail when the other person isn’t around. "They’d like this song." "This smells like their shampoo." "I wonder what they'd say about this weird squirrel."
They use weird, overly specific compliments. Not “You look good,” but “That color makes your eyes look like a storm in a novel I’d cry over.”
They get weirdly intense about that person being hurt or in danger. Like, irrationally intense. "He’s just a friend," they say while planning to murder anyone who makes them cry.
They feel safer around them than anyone else, and it freaks them out. Like: “I’m always on guard. Except with you. That’s... suspicious.”
"Some days, I don’t even like myself. But you, you look at me like I’m worth loving."
"I act like I’m fine, but if you left, I don’t think I’d recover."
"Loving me isn’t easy, I know that. But I swear, I love you in a way no one else ever will."
"I don’t need you to fix me. Just sit with me in the dark until I can find the light."
"You make me feel seen in a way that scares the hell out of me."
"I’m terrified of losing you, but even more terrified of never telling you how much you mean to me."
Internal conflict is a vital tool in storytelling, enriching characters and deepening narrative impact. Understanding and effectively using internal conflict can transform a good story into a compelling, unforgettable one.
Definition: Internal conflict refers to a psychological struggle within a character, often involving emotions, desires, or beliefs.
Purpose: It adds depth to characters, making them more relatable and complex.
Moral Dilemmas: Situations where a character must choose between right and wrong, often with no clear answer.
Emotional Struggles: Conflicts arising from feelings like love, guilt, fear, or jealousy.
Identity Crises: Moments when characters question who they are or what they believe in.
Conflicting Desires: When a character's wants or needs are at odds with each other.
Classic Literature: Hamlet's indecision about avenging his father's death.
Modern Fiction: Katniss Everdeen's struggle between her survival instincts and her growing sense of rebellion in "The Hunger Games".
Film: Frodo Baggins grappling with the burden of the One Ring and its corrupting influence in "The Lord of the Rings".
Character Development: Drives growth and transformation, showing how characters evolve.
Engagement: Keeps readers invested in the character’s journey by creating empathy and tension.
Theme Exploration: Allows writers to explore complex themes like morality, identity, and human nature.
Believability: Ensure the conflict is realistic and relatable to the audience.
Depth: Give characters more than one internal conflict to make them richer and more interesting.
Resolution: Show how characters resolve or cope with their internal struggles, even if it’s not a happy ending.
What is the character’s main internal struggle?
How does this conflict affect their decisions and actions?
In what ways does the internal conflict drive the story forward?
*Taking notes*
Euphonics is all about how the words "feel". By incorporating certain sounds, you can influence the mood of the passage.
Mood: Foreboding
use words with 'ow', 'oh', 'ou', 'oo' sonds. These are good for building tension before the fight.
moor, growl, slow, wound, soon, show, show, grow, tow, loom, howl, cower, mound.
Mood: Spooky
use words with 's' sounds, combined with an 'i' sound.
hiss, sizzle, crisp, sister, whisper, sinister, glisten, stick.
Mood: Acute Fear
use word with 'ee/ea' sounds, with a few 's' sounds.
squeal, scream, squeeze, creak, steal, fear, clear, sheer, stream
Mood: Fighting Action
use short words iwth 't', 'p' and 'k' sounds.
cut, block, top, shoot, tackle, trick, kick, grip, grab, grope, punch, drop, pound, poke, cop, chop.
Mood: Speed
use short words with 'r' sounds
run, race, riot, rage, red, roll, rip, hurry, thrust, scurry, ring, crack
Mood: Trouble
use words with 'tr' sounds to signal trouble
trouble, trap, trip, trough, treat, trick, treasure, atroscious, attract, petrol, trance, try, traitor
Mood: Macho Power
If you wan to emphasize the fighters' masculinity, use 'p' sounds.
pole, power, police, cop, pry, pile, post, prong, push, pass, punch, crop, crap, trap, pack, point, part
Mood: Punishment
If your fight involves an element of punishment use 'str' sounds
strict, astride, strike, stripe, stray, strident, stroke, strip, instruct, castrate strive
Mood: Defeat
use 'd' sonds
despari, depressed, dump, dig, dank, damp, darkness, drag, ditch, drop, dead, deep, dark, dull
Mood: Victory
use 'j' and 'ch' sounds
joy, cheer, jubilant, jeer, chuck, chariot, choose, chip, jest, jamboree, jig, jazz, jive, rejoice, rejoin
In print, the effectiveness of such euphonics will be very subtle, and it can only serve as an embellishment to what you already have.
Don't use or replace words for the sake of achieving euphonic effects, but this can be something to keep in mind when you are editing your draft!
─── ・ 。゚☆: *.☽ .* . ───
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Just daydreaming about your stories or what you want to write truly is being productive despite what your brain demanding immediate results to and gratification from your productivity might tell you, like it lets you work through details, figure out what you want, rotate scenes around and change things up if you're still unsure about them, have a little fun without committing just quite yet, even if it's not being written down, it is being processed in your mind nonetheless and it is contributing to future productivity and the eventual endgame of wherever you want to be going with it all, even if you're not physically interacting with or creating or consuming something at the moment, you are creating thoughts, coming up with the blueprints, and maybe those blueprints won't always come to fruition, but maybe one day they'll help you build something great, or maybe they just brought you some joy or intrigue at the time and that's fine too, and etc, etc, so yeah, let yourself daydream more
Hey. I dunno what writer needs to hear this, but,
*kisses you on the forehead*
how do i write when i have adhd and cant even outline the first three chapters:( i always get stuck after three, get bored, and never come back. any advice ?
1. Consume caffeine and/or do cardio for 30min before sitting down to write. Listen to music, a themed playlist perhaps. Do not log onto the internet or have any distractions nearby (books, pets, clutter, food, unfinished projects). Keeping a dohickey like a stress ball around or even a lightweight dumbbell is a decent proxy when your brain craves distraction. Chewing gum can also help you focus.
2. Don’t outline by chapter, I cannot get farther than five or six when I do that. Outline from beginning to end, but make sure to have a middle! Write a synopsis of what happens and break it into chronological chunks. Only outline by chapter once you’ve got a general outline of the whole story, and even then only outline a couple chapters at a time.
3. Write whatever comes to you, but keep it in order in your document. You want to write how your character discovers a secret, but you know that’s not until chapter 20. Write it anyway and title it chapter 20. Do this with every scene you’re inspired to write, then slowly fill in the gaps. If that proves difficult, it’s okay to make the reveal chapter 9 instead and connect everything with [and then this happened] so you’ll know to sew it up later.
4. However short or long the story ends up being, finish it. You can set a goal of 30 chapters, but if 10 is easier finish by chapter ten. Come back (much) later, reread, and add any new ideas you come up with. A short story is sweet! A novella is nice! Train your brain to write longer passages until it can achieve a story of the length you want.
5. (optional) Outlining is for people who can focus, just start writing somewhere and figure it out along the way. I had a very general outline for my longest novel, but mostly I made everything up and ignored it. Maintain focus, know your end goal, and even if you stumble there and take some shortcuts it still counts. Any messiness can be improved in future drafts.
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sometimes i need to remind myself that i'm writing fanfiction for free and i'm allowed to have a shitty sentence or two
Oh god, please delete the extra spaces between paragraphs in your fics on AO3. Please. I know it takes ages and it’s really annoying to do, but it is an immediate backspace away from your story if I’m on mobile because I get one sentence per page and acres of white space.
So, pretty frequently writers screw up when they write about injuries. People are clonked over the head, pass out for hours, and wake up with just a headache… Eragon breaks his wrist and it’s just fine within days… Wounds heal with nary a scar, ever…
I’m aiming to fix that.
Here are over 100 links covering just about every facet of traumatic injuries (physical, psychological, long-term), focusing mainly on burns, concussions, fractures, and lacerations. Now you can beat up your characters properly!
General resources
WebMD
Mayo Clinic first aid
Mayo Clinic diseases
First Aid
PubMed: The source for biomedical literature
Diagrams: Veins (towards heart), arteries (away from heart) bones, nervous system, brain
Burns
General overview: Includes degrees
Burn severity: Including how to estimate body area affected
Burn treatment: 1st, 2nd, and 3rd degrees
Smoke inhalation
Smoke inhalation treatment
Chemical burns
Hot tar burns
Sunburns
Incisions and Lacerations
Essentials of skin laceration repair (including stitching techniques)
When to stitch (Journal article–Doctors apparently usually go by experience on this)
More about when to stitch (Simple guide for moms)
Basic wound treatment
Incision vs. laceration: Most of the time (including in medical literature) they’re used synonymously, but eh.
Types of lacerations: Page has links to some particularly graphic images–beware!
How to stop bleeding: 1, 2, 3
Puncture wounds: Including a bit about what sort of wounds are most likely to become infected
More about puncture wounds
Wound assessment: A huge amount of information, including what the color of the flesh indicates, different kinds of things that ooze from a wound, and so much more.
Home treatment of gunshot wound, also basics More about gunshot wounds, including medical procedures
Tourniquet use: Controversy around it, latest research
Location pain chart: Originally intended for tattoo pain, but pretty accurate for cuts
General note: Deeper=more serious. Elevate wounded limb so that gravity draws blood towards heart. Scalp wounds also bleed a lot but tend to be superficial. If it’s dirty, risk infection. If it hits the digestive system and you don’t die immediately, infection’ll probably kill you. Don’t forget the possibility of tetanus! If a wound is positioned such that movement would cause the wound to gape open (i.e. horizontally across the knee) it’s harder to keep it closed and may take longer for it to heal.
Broken bones
Types of fractures
Setting a broken bone when no doctor is available
Healing time of common fractures
Broken wrists
Broken ankles/feet
Fractured vertebrae: Neck (1, 2), back
Types of casts
Splints
Fracture complications
Broken noses
Broken digits: Fingers and toes
General notes: If it’s a compound fracture (bone poking through) good luck fixing it on your own. If the bone is in multiple pieces, surgery is necessary to fix it–probably can’t reduce (“set”) it from the outside. Older people heal more slowly. It’s possible for bones to “heal” crooked and cause long-term problems and joint pain. Consider damage to nearby nerves, muscle, and blood vessels.
Concussions
General overview
Types of concussions 1, 2
Concussion complications
Mild Brain Injuries: The next step up from most severe type of concussion, Grade 3
Post-concussion syndrome
Second impact syndrome: When a second blow delivered before recovering from the initial concussion has catastrophic effects. Apparently rare.
Recovering from a concussion
Symptoms: Scroll about halfway down the page for the most severe symptoms
Whiplash
General notes: If you pass out, even for a few seconds, it’s serious. If you have multiple concussions over a lifetime, they will be progressively more serious. Symptoms can linger for a long time.
Character reaction:
Shock (general)
Physical shock: 1, 2
Fight-or-flight response: 1, 2
Long-term emotional trauma: 1 (Includes symptoms), 2
First aid for emotional trauma
Treatment (drugs)
WebMD painkiller guide
Treatment (herbs)
1, 2, 3, 4
Miscellany
Snake bites: No, you don’t suck the venom out or apply tourniquettes
Frostbite
Frostbite treatment
Severe frostbite treatment
When frostbite sets in: A handy chart for how long your characters have outside at various temperatures and wind speeds before they get frostbitten
First aid myths: 1, 2, 3, 4, 5 Includes the ones about buttering burns and putting snow on frostbite.
Poisons: Why inducing vomiting is a bad idea
Poisonous plants
Dislocations: Symptoms 1, 2; treatment. General notes: Repeated dislocations of same joint may lead to permanent tissue damage and may cause or be symptomatic of weakened ligaments. Docs recommend against trying to reduce (put back) dislocated joint on your own, though information about how to do it is easily found online.
Muscular strains
Joint sprain
Resuscitation after near-drowning: 1, 2
Current CPR practices: We don’t do mouth-to-mouth anymore.
The DSM IV, for all your mental illness needs.
Electrical shock
Human response to electrical shock: Includes handy-dandy voltage chart
Length of contact needed at different voltages to cause injury
Evaluation protocol for electric shock injury
Neurological complications
Electrical and lightning injury
Cardiac complications
Delayed effects and a good general summary
Acquired savant syndrome: Brain injuries (including a lightning strike) triggering development of amazing artistic and other abilities
Please don’t repost! You can find the original document (also created by me) here.