if you’re white and wanna write a poc character and feel awkward about it i implore you to ignore any twitblr stuff treating it as a massive ethical burden and instead come in more with the same mindset you’d have if you wanted to write about idk firefighters but didn’t know anything about firefighters so you do... research. Like fuck off with the weird kinda creepy calls for spiritual introspection you’re not writing about god damn space aliens you’re writing about humans and if you think you need more perspective of different life experiences just read?
favourite things about first drafts:
square brackets with notes to self mid-line like [does this make sense with worldbuilding?]
ah yes, Main Character and their closest friends, Unnamed Character A and Unnamed Character B.
bullshitting your way through something that you probably definitely need to research later
also square brackets to link up scenes. [scene transition idk] my beloved
the total freedom of word vomits
"I'll fix that later"
the moment when the world and characters start to gain a life of their own
pieces falling into place as you write that you were uncertain about before you started
the accomplishment of Made A Thing
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For worldbuilding, vocab lists, weapons &fighting, and more: MASTERPOST PART 2>>
❤️ Romance Writing Prompts
Meet-Cute Ideas
Reponses to: "How Could You?"
Responses to: "Break my heart." 💔
How would you develop a relationship that’s been constantly one-sided?
Enemies-to-Lovers Dialogue Prompts
List of Relationship Tropes <3
Library Romance Prompts
Arranged Marriage Prompts
Responses to: "I love you"
Soulmates AU Prompts
"I love you but I don't" Prompts
Romance Novel Tropes & Subgenres: a comprehensive list
The Romantic Academic
Forbidden Love Dialogue Prompts
Angry Love Confessions
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☕📜Writing Scenes
Scenes: The Basics🏕️
Structuring Your Fight Scene
Writing Funny (But Intense) Action Scenes
Ideas for Flashback Scenes
Writing The Perfect Kiss Scene
Fantasy Battle Scenes 101
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✧𑁍.ೃPlot Tips & Tropes
A Very Brief Outline of the Three-Act Structure
Plot Type 1: "The Quest"
Writing Text Conversations - follower question
Fairy Murder Method Ideas
Gossiping Scene Idea Prompts
Child Eating Fairies Ideas + The Mysterious Cave Trope - follower question
Writing Political Intrigue
Comforting a Fire Girl Scene - follower question
Energize a Sluggy Middle
2 Types of Deaths in Fiction
Literary vs. Commercial Plots
Fantasy Tropes that I Love
Writing the Perfect Betrayal
Writing Strong Opening Lines
Plotting Tips for Romantasy
Dark Fantasy Tropes List
Dark Academic Plot Must-Haves
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✩₊˚.⋆☾ POV Related
1st vs. 3rd POV For Mad Characters
Emotionless Character POV
🧛🏻♀️Character Writing Tips
Redeeming The Bad Boy Character
How to Write Redemption Arcs
Writing Diverse Characters - Things to Remember
Character Nickname Ideas
How to Write Liars Believably
Choosing the Right Character
Organizing Character Relationships
Writing 1st POV Character Fears
Introducing Non-binary Characters
Teasing Sibling Dialogue Prompts
Writing A Drug Addict Character
No Redemption Villains
Emotions and humanity for the Non-Human Character - follower question
Writing Gangsters
Characterization: Unforgettable Characters
Human Feelings for the Non-Human Character
The Character Arc: 101
Emotional Mini BIO
Writing Autistic Characters
On Writing Blind Characters
Writing Homosexual Characters
Establishing the MC-Reader Bond
Writing Child Characters Believably
Toxic Parent Prompts
Writing Morally Gray Characters
Writing the "Mean Girl" Character
Writing Introverted Characters
Strong Female Characters
Fantastical Asian Monsters (Part I)
🕐List of Dirty Character Traits
Dark Backstory Ideas
Good Characer Traits to bad
A List of Toxic Traits for Your Character
Character Names with Unfortunate Meanings
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MASTERPOST PART 2>>
Moving from one scene to another in your short story or novel can be challenging. If your plot spans more than a day or a week, you've got plenty of time to cover.
How do you transition your scenes without jumping over crucial plot points or making the pacing feel rushed?
There are a few tips you can try when you're facing this problem.
Let's say you've started a chapter with your protagonist encountering people they don't like while shopping at the grocery store with their exhausted two-year-old. The experience is frustrating, so your protagonist is simmering while sitting at a red light on the way home.
The main action of the chapter happens when the babysitter arrives that night, but it's only 12 o'clock in your scene. You needed your protagonist to encounter the people that annoy them to establish motivation for the action later on.
You could jump time by teasing the action itself. Your protagonist could thrum their fingers on the steering wheel and glare at the red light.
They opened their arms to the resentment churning under their skin. It sank into their bones, morphing into electricity that kept [Protagonist] plodding through their day. The red light mocked their need to take action, but they could wait.
Because when the babysitter showed up that night, they would take their revenge out on the city.
That could be a great place for a scene break or even the end of your chapter, depending on how much you've written. The reader won't mind a time jump because their interest gets piqued. They'll want to know what revenge means for that character and what will spin out from the choices they make.
If you're writing a 3rd person POV story with perspectives from at least two characters, you can also transition scenes by switching narrators.
While one character completes a plot-relevant action, the other could move the plot along by being a bit further in the future.
Consider something like this as an example:
Sarah's heart beat wildly in her chest as the heavy words finally fell from her lips. It was just the two of them in that park, but it had felt like the whole world had watched her admit her love for Melanie in the molten gold rays of the setting sun. All she needed now was an answer.
[Scene break symbol or the start of a new chapter]
Melanie heard Sarah's heartfelt words echo in her ears long after she had mumbled something about needing time. Time to think, to process. Sarah had been so understanding, even when she dropped Melanie off at home right afterward and skipped their usual Facetime call that night.
It wasn't until Melanie woke up the next morning in a sweat that she realized she finally had to unearth her biggest secret—she had only started the friendship with Sarah because she'd been in love with Sarah's older sister since the second grade.
You could make that time jump into however long you needed. Play with the scene set up in particular and then give the page or two to whoever loves to read your writing. They could talk about if it felt like a rushed scene or if the time jump felt right for that moment.
Most of the time, I find myself struggling with a scene transition because the moment that I'm writing isn't finished.
Recently I was writing a scene with two friends in a wagon on their way to a new city. They have a great conversation that sparks some character development in-between plot points, but I could feel that conversation coming to a lull.
It felt like the right moment to insert a transition, but something didn't feel right.
I had to walk away from my work and come back to it to realize that I needed to wrap up the moment to move anything forward.
The solution I found was ending the conversation by making them appreciate their friendship more than before, based on what had been said, and then the protagonist ended the scene by reflecting on how they knew they could face anything in the new city with their friend by their side.
The next scene started with their wagon approaching the city walls after a night of sleeping under the stars. The reader will still understand that it took more time to reach their destination, but they don't have to read excessive details about the cold night air or hard ground under the protagonist's back to get to what they're most looking forward to—the arrival at the new city.
Nothing about that night would add anything to the plot, so dropping the overnight experience at the beginning of the sentence makes for a great transition to the next scene.
Whether you end a scene with a cliffhanger, a heartfelt moment, or by switching between points of view, your transitions should always help the plot.
You can always edit them while reworking the finished draft later or ask for beta reader opinions from the people who always love reading what you write.
"How do you write such realistic dialogue-" I TALK TO MYSELF. I TALK TO MYSELF AND I PRETEND I AM THE ONE SAYING THE LINE. LIKE SANITY IS SLOWLY SLIPPING FROM BETWEEN MY FINGERS WITH EVERY MEASLY WORD THEY TYPE OUT. THAT IS HOW.
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