My Wicked Pony ⋆｡°✩

As a joke you had always said "I dedicate this to Hades" as you threw away food scraps from your cooking and cleaning your plates. When you die you find yourself in front of Charon's boat with Hades sitting in it, seemingly very excited to see his most devoted follower in recent times.

He loves to be complimented, to be listened to. Sweet poisons for a willing Prince. 

I SIMPLY HAD TO DRAW THIS OH MY GOODNESS GREASY!!!

THE ORIGINAL POST THAT LIVES RENT FREE IN MY BRAIN

Just noticed how very wide I drew Arthur lmao

“Don’t arrest me, Arthur 😏”

John and Arthur’s Established Dynamics With Dutch And How This Impacts Redemption: An Analysis

What makes Dutch Van Der Linde such a compelling antagonist is his extreme narcissism, both covert and apparent. Red Dead Redemption 2 is particularly keen on showcasing this, as players get to experience Dutch’s charisma and mental decline through the eyes of Arthur Morgan, who loves Dutch dearly. On the contrary, Red Dead Redemption 1 displays John Marston grappling with the order to eradicate his former gang members, including Dutch. Through John’s perspective, players get to understand the complexities that come with having to confront a path that has both benefited and destroyed you. Yet, both protagonists serve the same purpose: the complex relationship one may have with a narcissistic “parent” figure. While both John and Arthur appear to have conflicting personalities with one another, they find a common understanding with one another through their sibling-like bond that has arisen from both being raised by Dutch.

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Arthur was only fourteen when he was taken in by Dutch. After a childhood filled with death, brutality, abuse, and homelessness, Dutch was able to swoop in, take Arthur off the streets, and give him a sense of security. This meant everything to Arthur, and with Dutch, Arthur was able to finally have a stable, present, and attentive father figure in his life. However, what Arthur consistently struggled to pick up on was Dutch’s true intentions, which were not as loving and fatherly as Dutch wanted them to seem. By recognizing Arthur’s underlying anger and need for validation, Dutch was able to condition Arthur into being the perfect bodyguard: violent, strong, and eager to do the job right.

Arthur is heavily reliant on Dutch to the point that he sacrifices self-autonomy for Dutch’s sake. The storyline with Mary Linton is a prime example of this. In actuality, Arthur could have chosen to protect himself and run away with his former lover, but Arthur’s entire life has been centered around Dutch’s gang. When Mary says that there is a good man inside of him wrestling with a “giant,” there is a reason why she does not claim that this “giant” is evil or inherently bad; it is only larger than Arthur is. This internal struggle centered around remaining loyal to himself or to the people he calls his family is central to Arthur’s redemption arc, especially through the use of the honor system. Both low and high honor result from a series of cations that allow Arthur to redeem himself, but high honor means that Arthur’s time concludes with the acceptance that he was able to fight for what felt true to himself, while low honor is Arthur getting killed fighting against the very thing that caused the gang’s destruction.

Either way, Arthur redeems himself by fully embracing the notion that Dutch is a flawed and selfish individual who has proven his own safety to appear more vital than protecting the gang as a whole. Yet, it takes the duration of Red Dead Redemption 2 for this truth to be fully embraced by Arthur, who continues to base his actions and existence around pleasing Dutch. Getting called “son” or “my boy” by the man Arthur has been conditioned to rely on is what pushes Arthur to continuously combat his own moral code. Additionally, Arthur cannot fathom the idea of being disappointing to Dutch in any sort of way, even if it causes him to abandon his own sense of right or wrong. By beating up Thomas Downes despite feeling wrong about it, Arthur contracts tuberculosis and is forced to run on dwindling time as a result of his vile actions. Yet, this extreme realization that self-betrayal is equally as harmful as rejecting the expectations of somebody you love is what ultimately catalyzes Arthur’s journey of change.

Arthur’s conflict with John also tells a lot about Arthur's life and for other people. When John turns his back on both Abigail and the gang as a whole, Arthur struggles to find the reason for this. Rather than recognizing the deep-rooted fear and self-doubt that John has been facing, especially when it comes to continuing to live for the gang, Arthur berates John because John is doing something Arthur himself has done and regretted: making the wrong choice when it comes to standing by a loved one. While Arthur chose to “love” the gang more than Mary and then had to endure the consequences for such a choice, John, who is both terrified of disappointing Abigail and conflicted about his changing perspective on the gang, is choosing to avoid both entirely and run away for an entire year. Upon John’s return, Arthur is furious that the gang, especially Dutch, is willing to welcome John back with open arms. This makes Arthur resent John for the choices John has made, but at the same time, have a deep-rooted jealousy over the fact that Dutch treated John well for being disloyal, while the expectation from Arthur is that he will never act in such a way, and thus, Arthur feels John is receiving blind loyalty from Dutch. However, Arthur is misunderstanding a much more complicated relationship dynamic.

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Like Arthur, John also has an underlying incapability of living apart from the gang. Despite his issues with Dutch, John will always have a complicated sense of reliance on Dutch whilst resenting the life John believes was given to him. However, while Arthur falls into the role of being Dutch’s “golden child,” being Dutch’s trusted right-hand man and gang enforcer, John gets a much more complicated role. John is Dutch’s scapegoat child who is heavily criticized and berated no matter how hard he may try to prove himself worthy; however, if John tries to reject Dutch following this treatment, Dutch knows how to masterfully reel John back in. For example, even though Dutch welcomed John back into the gang, it is something that gets used against John in his weaker moments for his guilt to corrupt him into obeying Dutch. Additionally, Dutch making John say “yes, Dutch” out loud is a way to force John into a position of submission and lower status in the instances where he dares to challenge Dutch. John tends to be much more direct when it comes to critiquing Dutch as opposed to Arthur’s display, which comes across as concerned rather than combative. Thus, John and Dutch kind of have this established dynamic where John acts as a defiant child whom Dutch must remind to be loyal and obedient, consistently forcing John to align with an outlaw lifestyle that he is contemplating the morality of.

John is more independent than Arthur in the sense that he is deciding who he wishes to be dependent on. Throughout both stories, it is evident that John resents authority figures, and this is where his childishness shines through. While Arthur will respect authority if Dutch tells him to or if Arthur feels that person is worthy of respect, while John is much more weary and combative from the start. This is simply part of his nature, and Dutch understands and fuels this so that John can serve him. However, Abigail offers a stark comparison to Dutch. While Dutch ultimately demands blind obedience, Abigail demands change in John because she wants John to be less afraid of himself. Abigail understands John’s internal struggle with power, loyalty, and abuse cycles, and she directly combats it. She is somebody who challenges John to do better, which is something he has lacked his entire life. In a world where he is expected to serve for the sake of others, Abigail pushes him to serve himself, which will ultimately allow John to serve her, too.

It could be argued that John’s sense of “redemption” is vastly different from Arthur’s. The very fact that John ran away for a year following Jack’s birth is very telling of the internal conflict eating him alive; John knows he cannot exist on his own, and he must now decide who to be loyal to. While in his heart, he wants to dedicate his life to Abigail and Jack, John does not know how to live a life independently from the world he was brought up in. John wants to be a good dad but never had a good father himself, and John wants to leave the gang, but this would isolate him from both Abigail and the only community he knows. This endless feeling of servitude is something John understands he cannot escape. In Red Dead Redemption 1, this sense of being used by others is crushing John, especially because the United States government has kidnapped John’s family and will only release them if John vows to kill former members of the now-disbanded gang. John wants to protect his family more than anything, but he still struggles with obliterating people from his past who once meant everything to him. As a result, John’s avoidance is displayed through his acceptance of impending death. Throughout both games, John acts in reckless, death-seeking manners, putting himself in high-risk situations where death is a possible reality, such as straight up walking to Bill Williamson, essentially setting himself up to be shot. Yet, to John, being rescued from death serves him as a sign that his purpose on this Earth has not yet been completed, and there is more work to be done for those he loves before death can finally greet him. Ultimately, this shapes John’s redemption arc; John has to keep pushing forward so that he does not die at the hands of the gang and, instead, can conclude his life protecting the people at the core of his heart, which is why his death at the hands of the government following John’s completion of taking down his former gang members is both tragic and beautiful.

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One other major element of Dutch’s manipulation is how he treats John and Arthur like they are too dumb to understand nuanced topics. Yet, this is far from the truth. While John and Arthur are not the most well-read or academically savvy, the two display a deep level of thoughtfulness and insight about the world around them. John is hyper-aware of both himself and the world around him, and he is even one of the first people who recognized something deeply troubling about Dutch’s increasingly erratic behavior. This allows John to read people and situations based on intention rather than bias or false judgment. Even in Mexico, when John is being manipulated by multiple people, he understands that the people he is involving himself with are untrustworthy, but since he has no other options, he must wearily follow through with the situations he gets put into. While John often appears highly pessimistic, this is just a portrayal of his awareness of the harsh realities of the world he exists in, and there are just menial means for him to express this. Even if he did, Dutch would likely berate him until John regretted speaking up in the first place. On the contrary, Arthur appears to be more sheltered than John is, likely because Arthur grew up knowing fewer people and crimes. Yet, Arthur has a much more artistic soul than he lets others see, taking a lot of time to analyze and sketch what he encounters in this world that he finds interesting. His journal displays introspective writing that highlights the faults of both himself and the world around him that he prefers to pretend do not exist, and Arthur gets along very well with people who are atypical thinkers or live alternative, authentic lifestyles. Yet, because neither John nor Arthur read philosophy or desire “high-society,” Dutch demeans the two into believing they are unintelligent and incapable of complexity. Thus, if either one questions what Dutch is doing, he knows that he has the power to make John and Arthur believe that they are too stupid to do so. Yet, John is much more combative to this perspective than Arthur is, and John frequently makes comments to Dutch that question his decisions. In these moments, Dutch feels the most challenged and resorts to harsh insults that directly call out a personal struggle either John or Arthur have, reestablishing that they must remain loyal to Dutch because otherwise they are “worthless.”

Red Dead Redemption is beautiful in many ways. The intricate world design, multitude of storylines, and raw portrayal of complex realities make for a story that is compelling, relatable, and thought-provoking. Yet, one aspect that I think sets the Red Dead Redemption franchise apart from other stories is its hopeful and honest representation of the struggle to find a meaningful conclusion for a life filled with violence, abuse, and uncertainty. Neither John nor Arthur displays a sense of dreading their mortality. Instead, death in Red Dead Redemption serves as a reminder that the future is never promised, so it is important to make the most of the present because what is happening now is the only inherent truth of life. For a multitude of years, Dutch prevented the acceptance of such a reality for John and Arthur, and Dutch sold the false truth that he is the only truth in either man’s life, and as their “God” and “father,” both must worship him above all else. Yet, as fate closes in more and more on both John and Arthur, the realization that Dutch is dangerous not only gets embraced, but it allows for the opportunity to spend the time both have left doing what feels right rather than remaining with what is familiar. While the past can never be altered and the reality of death cannot be evaded, there is a sense of power in the realization that life cannot be foreseen or controlled, and thus, one must live each day remaining loyal to oneself. You are the only thing guaranteed to be both born and ended with you, so why betray the very being that allows you to exist at all?

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the pinkertons must have been so annoyed when looking for arthur because can you imagine you're hunting this outlaw down, not only to find out that he's been giving his name out freely to strangers but he's also been helping these strangers as each one sings his praises

So I’m back in the Sander sides fandom and all I can think about is Roman’s Character arc. I really wanted to portray his disappointment in himself at failing to be Thomas’s “hero,” and his general feelings of inadequacy. In other words, SOMEONE HELP HIM @thatsthat24

Breakdown has been gone for no less than a week when Ratchet receives a heavily encrypted message.

At first he thinks it’s nothing and it’s only years of combat through his technology and being a medic that he even spots that something is different about it.

The one difference in the file is a punctuation at the end, a single full stop that is something humans do instead of the cybertronian symbol.

He opens the file, works his way through it for over two earth hours, and when he’s finally done everyone has gone to have their shutdown and the humans are at home safe and sound.

Part of him thinks it could be a trap sent my Soundwave but there’s something in his spark that’s telling him to trust it. He’s been a doctor for years, he’s learnt that trusting your instinct is the most important part of the job. It’s a combination of prior knowledge, subconscious awareness and thinking and the thing humans call a ‘gut feeling’.

Ratchet opens the last link and finds a message that reads,

“Hello Doctor.

I am aware that we are not friends and work for opposing forces, but I am desperate. I am not sending this because I have had a change of spark or something dramatic like that, though I can’t say I have never thought of that.

No, this is far more important than any sides of a war or Megatrons foolish little game.

I am with sparkling.”

Ratchet stalls for a moment at that sentence before stealing his nerves and continuing.

“I found out around two deca-cycles ago and was afraid to tell the Sire, and now he is gone.

If Megatron finds out about this, both that I am with sparkling and that I can conceive, I will never be safe. He hasn’t been too focused on it, but we all know he has put plans in place should he have the chance to have an heir.

I’m not stupid enough to think he won’t find out, and I’m not too prideful to put my ego and desire to been correct over the life of my sparkling.

So I am asking you as both a medical professional and a close friend of Optimus for help.

I don’t need you to let me join you or live among you, but please help me get out.

I am begging you to help me make sure my sparkling doesn’t end up like Shockwave or Megatron or, Primus forbid, Starscream. I want my to have the chance to choice who it wants to be, and I know that it’s Sire would have wanted for us all to be with you Autobots.

But I have accepted this too late.

Turn me away if you wish, but please help my sparkling.

I don’t have much time and I do not want to terminate it, it’s all I have left of Breakdown.

Yours truely,

Knock-Out.”

Ratchet actually had to sit down once he’s finished reading, serve pressed to his chaises in both shock and heavy understanding. He helped many with their sparklings during the war and knew well the grief of it, even if it was never something he went through.

He sits there for a long time, considering every thing he knows, before he stands again and sends a message back with identical encryption.

“Knock-Out.

I am sorry for what you are going through, both your loss and your situation.

Whether my team wants you here or not I will find a safe place for you, this I promise you on the All Spark. I am sure Optimus will understand but we must act quickly, so listen to my instructions and I will be able to keep your family safe.”

Ratchet lays out the plan quickly and with no room for miscommunication, even going so far as to send a ground bridge for the Mech at a certain point during the next cycle.

He can deal with the teams reactions once’s he’s got Knock-Out safely out of his enemies hands.

Prinxiety doodle

Superhero AU where Janus was born with the snake eye, a chilling evil laugh, and a talent for scheming and everyone was side-eyeing him his entire life waiting for his debut into villainy, only he decided it was too much work and went to design school and he's basically Edna Mode, but for villains.

(actually, let's make it funnier, Roman was straight up born with superpowers, but he decided to follow his heart and pursue fashion, now he and Janus are rivals in the arena of supers costume design, which plays out as a textbook hero/nemesis dynamic, just minus the actual fighting)

(Like, it's basically Megamind but if they both went to art school...)