This blog is how I get recs for new UTAUs to listen to
Sakebi is really good, I hope there are more synths out there with quirky concepts like screaming
Sakebi-chan! Managed by 狼少女21号, her voice provider (according to VocaDB) is 衣川狼.
Releasing April 2nd, 2012, Sakebi-chan is a voice bank made entirely from high pitched shouts. She's a demon, she has no known age, and her favorite thing is Girls.
There's not really a lot to go off of with ol' Sakebi, at least in English, she's just a weird little guy. Her official site is still up surprisingly, and her download link (I believe, take this with a grain of salt) was updated in 2017, but I think that might've just been because the original link was broken and so the uploader fixed it. She's also no longer on the UTAU fandom wiki for some reason?
I love her a lot, even if I don't get to use her much, her voice is very situational.
Also I just learned, Sakebi was designed by Matsuda Toki. It's a small world ig.
one of my favourite chara designs fr all the danganronpa related games (like made by the same ppl etc) its so perfect, it has painted scary teeth and a dripping eye and a giant pin ❣
HOLY SHIT YES. MY GIRL!!!!!!!!!!!!!
SHE'S SO CUTE!
I'm the Daijou-Daijin of cringe
it's interesting how Rose of Versailles makes the aesthetics of the monarchy and the revolution fit together in a coherent whole. IRL the revolutionaries didn't like the rococo stuff, but Ikeda has made it so that the rococo aesthetics have transformed to symbolize the intensity of revolution itself.
me when bara wa bara wa
It's very rare that being so invested in a character's personality that you want to imagine them in a relationship is a bad thing that makes it harder to appreciate the work
It's also cool when people ship in a spirit that goes against the work's themes because it's like emotional graffiti in a positive sense, taking the characters and mixing them into a new context
I don't believe such a thing as 'not like other girls ism' exists, but nonetheless
it's absolutely true that some folks take Shipping too far and can't engage in Fandom without it, but the way others shit on it tends to reek of misogyny and not-like-the-other-girls-ism
by Hiroshige III (a student of the more famous Hiroshige).
It's extra Dai-Nippon Gothich because it's an ad for a circus performing on the grounds of the Yasukuni shrine.
We should base our aesthetics on this rather than making them conform to standards
worried that thing you put in your art or writing or game or music is too self-indulgent, too self-referential, too niche for anyone but yourself? fear not! you can do whatever you want forever. and you should.
also, this kind of tautology prevents you from being able to have insight or perceive new aspects of the world. "art is what they put in galleries" is directly limiting you to your own cultural preconceptions and refusing to imagine them being totally wrong. If you have this attitude, you can't say stuff like 'wild bee hives/termite mounds are art because they have secret aspects that are not for practical use' (I just made that up) because they aren't in galleries or made by artists
the sociological posture to interesting philosophical questions is so damn annoying. "art is what they put in art galleries, math is what mathematicians do". an active turning-away from an interesting question, towards a boring non-answer. people should throw tomatoes at guys who say this
the framing of generative ai as "theft" in popular discourse has really set us back so far like not only should we not consider copyright infringement theft we shouldn't even consider generative ai copyright infringement
palm trees are an interesting detail
Oriental Pub