while I don't have a total solution for this kind of thing, I believe that bad working practices are usually tied to aspects of the final work that I don't care much about -- visual polish, technical achievement, etc. so I feel optimistic that there is no contradiction between what is truly good and what is good for the creators' work lives
I think when collaborating, a small number of people can go to extreme effort and push at the boundaries of what is possible, but this is not a workplace and shouldn't be done when money and power is corrupting everything
don't care to comment on the AI controversy du jour except to briefly remark on labour practices in Studio Ghibli, so far as I know about them - it's complicated lol. they are infamously demanding employers (c.f. Oshii's Kremlin quote) and it's quite likely the workload at the studio during Princess Mononoke and Takahata's abusive treatment killed Yoshifumi Kondō before he could direct a movie, but also so far as I understand they're moderately less bad on the 'ludicrously shit pay and no job security' norm of the rest of the anime industry, traditionally keeping mostly permanent employees rather than relying on freelancers.
they also do tend to attract some of the absolute best people in the industry on a technical level, and notably they've been a recurring home for brilliant idiosyncratic artists like Shinya Ohira whose work wouldn't easily fit into the standard pipeline. there's a reason a lot of animators see working at ghibli as a high aspiration and it's not just the fame of miyazaki's work. of course, Ghibli as experienced by famous animators like Yoshinori Kanada or Shinya Ohira might be a different experience than Ghibli as experienced at the lower rungs.
still, I think animation at large, as a heavily passion-driven creative industry, has a really warped relationship with overwork - there's a kind of 'that sucks but also you gotta respect the results tho' sentiment that goes way, way beyond ghibli or even the anime industry. it's sacrifice logic. to claim you sacrificed x hundred hours on a piece is to claim that piece was worth more than anything else you would have done for those x hundred hours, and to claim the role of the madly passionate artist who puts it all into their work. notably the myth of Miyazaki himself focuses on how intensely he works on his projects, from the thousands of pieces he did at university right through to his elaborate storyboards and micromanaging style as a director.
don't quite know the way through that, tbh. I'm no more immune to that romance than the next sakubuta.
I'd interpret this as: Ancient Greek aesthetic values still retain such a hold on our culture that we feel like Ancient Greek writing is good whereas the Hebrew Bible doesn't appear well written
(That being said, there are also aspects of Greek aesthetics that feel foreign to us)
so i'd read that the greek intellectual sphere had a pretty negative reaction to the *style* of the bible, when compared to the greek traditional religious works (i mean. obviously homer is not like the bible. but it is the closest approximation), which i assumed was some subtle poeticness i couldnt get without speaking ancient greek. but after listening to the odyssey, it makes a lot more sense. the odyssey is like...well written! its a good work of literature! and the bible just isn't that, at all. the bible is not that kind of work. obviously there are good *lines* in the bible. but at most there are good paragraphs. there are no good pages of the bible, where the whole thing is well written. its really like, 95% clunky. so if im an ancient greek, and im used to like, homer and hesiod, and then these guys come around touting their holy texts, and it poorly written, i would find it a pretty tough sell!
Getty Center, Public domain, via Wikimedia Commons (photographer is John Beasly Greene)
One of the colossi of Memnon. His set of photos were the first taken of these statues
I think there's horror media that's really similar to this, where the character is 'guilty' of something but from an external perspective it was not really bad. In the story, it makes their situation feel more inevitable and helpless
I think a fun revivalist genre would be like, overbearingly didact medieval morality plays but with absolutely incomprehensible morals. like here's a heavy-handed fable about how if you use the past tense too many times while talking to your nieces, all of your milk will spoil
I didn't realize there were images of the fire happening.
I could say, "it's inevitable with wooden architecture." But maybe it's better to not make excuses and to feel the sense of loss
Temple of the Golden Pavilion, a Buddhist temple in Kyoto, Japan, burned down by a schizophrenic monk, 1950, it was rebuilt in 1955
This blog is how I get recs for new UTAUs to listen to
Sakebi is really good, I hope there are more synths out there with quirky concepts like screaming
Sakebi-chan! Managed by 狼少女21号, her voice provider (according to VocaDB) is 衣川狼.
Releasing April 2nd, 2012, Sakebi-chan is a voice bank made entirely from high pitched shouts. She's a demon, she has no known age, and her favorite thing is Girls.
There's not really a lot to go off of with ol' Sakebi, at least in English, she's just a weird little guy. Her official site is still up surprisingly, and her download link (I believe, take this with a grain of salt) was updated in 2017, but I think that might've just been because the original link was broken and so the uploader fixed it. She's also no longer on the UTAU fandom wiki for some reason?
I love her a lot, even if I don't get to use her much, her voice is very situational.
Also I just learned, Sakebi was designed by Matsuda Toki. It's a small world ig.
"currently unfeasible in a practical sense"
I think this kind of passive acceptance is bad for you both politically and creatively
But I agree that we can't wait for a new society
We must abolish copyright instantly because ownership of ideas is unethical and ideas should belong to everyone equally. We artists don't earn them through hard work, they just came to us arbitrarily like random radiation from heaven and we should share them
Post/782177006889697280/i-think-artists-not-wanting-our-work-to-be-fed-to
This is absolutely a correct statement if it was just about personal remixes, but the context here is about businesses using other people's work without permission. It has nothing to do with whether or not you're allowed to remix it yourself. If a company has the means to use someone's work in a for-profit venture, then they have the means to pay someone for the product of their labour. These companies don't even use other people's IP in a novel way that bends IP law to create something that contributes to culture; the loss of culture if sellers of Redbubble t-shirts couldn't just take pictures from the internet and sell them for 40 bucks anymore would be negligible compared to, say, losing Lasgna Cat alone would be.
its already illegal for redbubble sellers to do that though. thats already not allowed. like thats already literally a copyright violation under current copyright law and guess what: because random people posting their fanart online don't have the money to afford a corporate lawyer, it just keeps happening and will keep happening, because copyright law never has and never will defended anyone but the wealthy. like this fantasy of your art as a Small Artist being protected by copyright law is just that, a fantasy, it doesn't happen and will never happen. you are completely detached from reality!
second favourite anime.
The intense way they communicate feelings is infinitely valuable
it's time to research whether or not finding out that a transphobic person liked one of your posts and then failing to respond by blocking them will cause you to be infected by their spiritual contamination/miasma, ultimately resulting in you being sent to the preta realm where all the rivers flow with sewage