*SONG OF THE WEEK*

30 years ago the American rap scene was defined by sounds easily identifiable, even to the untrained ear. Since the mass rap "shake-up" of the '90's, the sound has become more diverse, by introducing new genres such as trap, mumble and crunk. But let's take rap back to it's roots with this up and coming artist, 34Profitt.

Profitt's discography is full of influence from past and present rap legends, with his sound pendulum-swinging between classic RnB and contemporary rap. Personally, I think Profitt really shines when he takes from those East-West coast elements derivative of 90's rap.

The standout song from his small collection, "Get It By Tomorrow" really shows where this artist has potential to shine. The production value has been carefully curated to transport a listener through time, or better yet, teleport you to the lands of Los Santos, where you're bound to go 120 with Franklin in the drivers seat. Profitt's use of the classic elements of 90's rap, creates a blend of East-West coast sounds, reminiscent of Biggie and Tupac. The lyrics are quick-witted and leave impact with the listener, and the instrumental takes from the rising low-fi elements of today, further creating a sound that resembles that of yesteryear, with a touch of today.

Don't be fooled by the album graphics, after all, you can't judge a book - or should I say a song? - by its cover. This sound of music is not something that is commonly heard today, and with only THREE monthly listeners, and very little to know about the artist, jump on this train before anybody else!

Celebrating Joy Division!

46 years ago Joy Division made their live debut at Pips Disco, Manchester! My love for music wouldn't exist without them, so here's to them!

2pac & KISS at the Grammy Awards in 1996

Introducing Des Cortez! A trio hailing from the suburbs of Melbourne Australia, these boys have taken the local underground music scene by storm. Rounding up many plays on Triple J's 'Unearthed' and a tight-knit fanbase around the country, these boys seem to have a promising music career ahead of them. Highlighted by lead signer Sam Knight's gruff and hazy voice that wears the Aussie accent with pride, this band is sure to be enjoyed by fans of: The Grogans and Hockey Dad.

B180, is a song that perfectly encapsulates the feelings of having a sibling and as you watch them grow into the person they are. Whichever direction that is. The use of Knight's voice is able to perfectly embody the feelings of anxiety and concern that one has when they watch their siblings make questionable decisions, whilst the band's instrumental ties it all together to really give the song that punch of ambiguity and almost 'loneliness' that comes with your teenage years.

Do you hear that? The screams, the whispers, the stories of lives untold? They're coming from The Valley...

Do you feel that? The stares from behind the curtains, the red Earth under your feet, the dry heat, the fire from below? It's coming from The Valley...

Do you hear that? The wicked beats, Australian-Gothic sub-influences, killer modern instrumental, your next favourite band? They are The Valley.

Introducing,

The Valley of The Vultures. An ethereal grunge-rock band hailing from rural Victoria that has a story to tell. The band's founder and lead singer, Sami Le Launter (what a name!) has taken elusive elements from Australian-Gothic such as themes of; isolation, death and hauntings, rejection, fear, and entrapment - and put them in sparkly cowboy boots.

Placing a twist on what we know to be of the Gothic genre, VoTV has further expanded the band's sound by incorporating Australian surf-rock styles and prog rock into the mix, creating something that is truly unique to the contemporary Aus music scene. With 15 monthly listeners, this is a very new and promising band with small gig dates expected over the next 6 months, and possibly a new spooky single!

Standout single 'Fleshed Out Boogie" from their debut album, contains all the elements of a good Australian Rock song -that being, entertaining to listen to, but not too hard on the brain - making it a song perfect for your next afternoon cookout. The song's true hook is found within the contrast between the verses and the chorus. This is done by Le Vaunter's clever use of vocals, by transitioning from an almost monotone, more sensible storytelling technique within the verses, to a passionate series of 'howl-like' cries within the chorus, effectively reminding the listener of the subtle themes of gothic and horror within the song. All this is done whilst keeping the song aligned with the soft 'surf-esque' vibes that Australia hold near and dear to its music scene.

Surely to be enjoyed by lovers of: Lazy Ghost, Plastic Beach, The Howlers, The Growlers, and Truckfighters.

Check them out on Instagram: @ valleyofthevultures

Jungle by Tash Saltana is the perfect song recco for anyone looking for a true ethereal experience in modern music. Saltana utilises elements from the 60s/70s psychedelic movement, such as heavy reverb and a distorted style of singing in this song, whilst keeping to her indie-reggae roots she has planted herself. One of my favourite songs to date, after hearing it maybe 5 years ago (?), it still holds up and gives me that wicked chilling sensation.

Jungle

(with awesome Solo at the end)

TASH SULTANA

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Welcome!

Hello, and welcome to the Unimpressed Music Blog! Are YOU tired of listening to the same old stuff on the radio? Are you looking to find the next up-and-comers that you can boast to your friends about when they get big? Are you TIRED of Triple J constantly playing large and over-consumerised artists on their station? (That one is targeted and also personal) Well then, you're in the right place.

My goal is to show the internet all the coolest INDEPENDENT music one step at a time.

So whether you stumbled across me or have no idea how you got here, stay for a bit! I'm sure you'll find something you like.

Feel free to send me a message with questions and requests, and even show me music from across the world, this page is all about connecting us! Because that's what good music is all about.