pngs vol 2 。:゚
*.。* pls ♡ 4 use
Aperture—the opening of a not entirely closed, somewhat rounded space within a character (such as in ‘c’).
Apex—the topmost intersection where two strokes terminate.
Arc—a curved portion of a stroke.
Arm—a horizontal or upward stroke that does not connect with a stem on at least one end.
Ascender—portion of the lowercase that rises above the x-height.
Axis—the imaginary line bisecting the upper- and lowermost points where a stroke becomes thinnest.
Baseline—the line on which the letters of a font seem to rest.
Beak—a serif-like terminal in some serif type designs.
Bowl—the curved part of a letter surrounding a counter.
Bracket—a curved or wedge-like connection between a serif and the main stroke.
Cap height—the distance from the baseline to the top of the uppercase letters.
Character—a symbol with a unique linguistic meaning, such as a letter, number, punctuation mark, etc.
Counter—the typically rounded negative space partially or fully enclosed by part of a letter.
Crossbar—a horizontal stroke bridging two other strokes.
Cross stroke—a typically horizontal stroke crossing the stem of the lowercase ‘t’ or ‘f’.
Crotch—the inner angle where two strokes connect.
Descender—portion of the lowercase which extends below the baseline.
Finial—the tapered terminal of a curved stroke.
Foot—the end of a stem or stroke resting on the baseline.
Gadzook—a decorative detail connecting the letters in a ligature but is not a stroke essential to either letter.
Glyph—a unique drawing of a character or characters as a single unit. (For instance, a single character may have more than one glyph, like the y’s below. Or there may be multiple characters in a single glyph, as in a ligature.)
Ink trap—additional space added where two strokes form an acute angle, done to avoid ink build-up in that spot when the character is printed. It’s a space designed to literally trap excess ink.
Joint—the place where a stroke joins a stem.
Leg—the short, often diagonal, downstroke of letters like ‘R’, ‘K’ and ‘k’, typically resting on the baseline.
Lobe—a curved or rounded projection from the stem or main portion of the letter.
Loop—the bowl below the baseline on a double story lowercase ‘g’.
Neck—also known as a collar or link, the stroke that connects the top and bottom portions of a lowercase ‘g’.
Overshoot—portion of a letter pushing just beyond a line of measurement to achieve the appearance of being the same height as comparable letters.
Sans serif—without serifs.
Serif—a small stroke added to the end of a main stroke.
Shoulder—the curve at the beginning of a downward stroke, such as in ‘m’, ‘n’, or ‘h’.
Spine—the primary curved stroke of the letter ‘S’ or ‘s’.
Spur—a small protrusion off a main stroke.
Stem—the main, typically vertical, stroke of a glyph.
Stroke—a line forming part of a written or printed character.
Swash—an addition at the end of a stroke intended to beautify or add other visual interest to a glyph beyond what is necessary to define a character.
Tail—the descending, often decorative, stroke of the ‘Q’, and sometimes ‘R’ or ‘K’.
Tittle—the dot on the ‘i’ or ‘j’.
Vertex—the bottommost intersection where two strokes terminate.
X-height—the height of the lowercase without ascenders or descenders, usually typified by the height of the letter ‘x’.
Terminal—the end of a stroke:
Abrupt—the stroke ends without taper or embellishment.
Ball—the stroke finishes with a circular shape.
Calligraphic—the stroke finish gives a strong indication of the shape of the writing instrument used to form the letter.
Foxtail—the end of the stoke widens before curving around and ending in a point, similar to the shape of a fox’s tail.
Lachrymal or Teardrop—the stroke finishes in a teardrop shape.
Wedge—the stroke has a serif-like wedge added to it.
Source ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs
Lean Having a slender and toned body with minimal body fat.
Muscular Having well-developed muscles and a defined physique.
Slender Having a thin and graceful body shape.
Curvy Having an hourglass figure with well-defined curves, particularly in the hips and bust.
Athletic Having a fit and muscular body, often associated with participation in sports or physical activities.
Petite Being small and slender in stature, usually referring to height and overall body size.
Voluptuous Having full and shapely curves, often emphasizing a larger bust, hips, and thighs.
Stocky Having a compact and solid build with a sturdy appearance.
Thin Having a slim and slender body shape with little body fat or muscle definition.
Well-proportioned Having balanced and harmonious body proportions, with each body part in good proportion to the whole.
Toned Having firm muscles and a defined physique resulting from regular exercise and strength training.
Chubby Having a plump or rounded body shape, often with excess body fat.
Pear-shaped Having a body shape where the hips and thighs are wider than the shoulders and bust.
Hourglass figure Having a curvy body shape characterized by a well-defined waist and proportionate bust and hips.
Apple-shaped Having a body shape where weight is primarily carried around the midsection, resulting in a broader waistline.
Broad-shouldered Having wide and well-developed shoulders in comparison to the rest of the body.
Long-limbed Having long and slender limbs in proportion to the body.
Stout Having a sturdy and robust build, often characterized by a solid and thick physique.
Plump Having a pleasantly full and rounded body shape, often indicating a higher percentage of body fat.
Tall and slender Being tall in height and having a slim and elongated body shape.
Romantic Student Things
Locking eyes in the hallway like it’s a damn movie scene, except the only soundtrack is the sound of someone dropping their binder and cursing loudly in the background.
Scribbling little notes in the margins of textbooks, but instead of love letters, they’re inside jokes and sarcastic insults that somehow make them fall harder.
That moment when they both reach for the same book in the library and freeze... her fingers brushing his, the air between them suddenly too much and not enough all at once.
Staying up way too late to study together, but absolutely failing because they keep finding excuses to talk about literally anything else except what’s actually on the exam.
Leaving anonymous notes in each other’s lockers, but instead of sweet nothings, it’s absolute nonsense like “Your hair looked aggressively good today” and “You’re dangerously close to making me fall in love with you, stop it.”
Sitting next to each other in class, acting completely normal, while their knees are pressed together under the desk and their hearts are losing their minds over it.
Having full-on mental breakdowns over finals together, only for one of them to randomly say, “I think I might love you.” Because academic stress and emotional realizations go hand in hand, apparently.
Passing handwritten notes in class, except they’re not just notes, they’re confessions hidden inside random doodles and lyrics that will mean nothing to anyone else but them.
Accidentally falling asleep next to each other while studying, and waking up to realize their hands are still tangled together like some kind of cruel joke the universe is playing on them.
Finding the one place on campus where they can be alone, an empty classroom, a forgotten stairwell, a rooftop and making it theirs. Because stolen moments always feel more real than anything else.
That absolutely insane moment when they see each other outside of school for the first time, no uniforms, no backpacks, just them, and suddenly, they’re seeing each other differently.
Staying after school to “work on a project”, but the only thing getting worked on is their ability to pretend they’re not completely, recklessly, falling for each other.
Supporting each other during nerve-wracking presentations by holding eye contact across the room, because if one of them crashes and burns, at least they’ll have company in hell.
That heart-stopping moment during graduation when they realize this might be the last time they ever get to see each other like this, in this life, in this stage, before everything changes.
Finally saying screw it and kissing in the middle of campus, because the real test wasn’t their exams, it was this.
Here’s the Show, Don’t Tell freebie book and my newsletter.
Wine room, Briarcliff Manor🪻
Enemies to Lovers (and vice versa)
How to write Enemies to Lovers + Dialogue Prompts
Oblivious Enemies to Lovers Prompts
Enemies to Lovers: Falling for the flirt
Enemies to Lovers: Co-worker Edition Part I
Enemies to Lovers: Co-worker Edition Part II
Enemies to Lovers: Meet Ugly College Edition
Enemies to Lovers: Drama Club Edition
Enemies to Lovers: Apocalypse AU
Enemies to Lovers: Band Edition
Enemies to Lovers: Assassins Edition
Enemies to Lovers: Martial Arts Edition
Enemies to Lovers: Given up on life
Lovers to enemies
Reasons for lovers turning to enemies
Exes to Lovers
Exes to lovers prompts
Exes to lovers dialogue
Friends to Lovers
Reluctant allies to friends to lovers dynamic
Friends to lovers Prompts
Flirty friends to lovers Prompts
Friends with benefits to lovers Prompts
Friends to Lovers Ideas
Best friends to lovers Prompts
Childhood friends to lovers Prompts
Childhood friends to enemies to lovers Prompts
More:
Enemies to friends with benefits Prompts
Enemies to friends Prompts
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George Orwell:
Probably it is better to put off using words as long as possible and get one’s meanings as clear as one can through pictures and sensations. Afterward one can choose – not simply accept – the phrases that will best cover the meaning, and then switch round and decide what impression one’s words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally. But one can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases:
Never use a metaphor, simile or other figure of speech which you are used to seeing in print.
Never use a long word where a short one will do.
If it is possible to cut a word out, always cut it out.
Never use the passive where you can use the active.
Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent.
Break any of these rules sooner than say anything outright barbarous.
These rules sound elementary, and so they are, but they demand a deep change of attitude in anyone who has grown used to writing in the style now fashionable. One could keep all of them and still write bad English, but one could not write the kind of stuff that I quoted in those five specimens at the beginning of this article.
Source More: George Orwell
Hello! I've been getting more and more tips for writing thanks to your post about character flaws in my FYP. I was wondering, do you have any posts about character strengths/virtues? Thanks!
Hey there, fellow writer! 💖 So glad my character flaws post found its way to you! You've asked about one of my FAVORITE topics to explore - character strengths and virtues! And guess what? I've been meaning to write this companion piece for ages, so THANK YOU for the nudge!
Let's dive DEEP into character strengths that go beyond the basic "brave protagonist" or "loyal sidekick" tropes we see everywhere in fiction. Because memorable characters need memorable strengths!
We often focus SO much on giving characters interesting flaws (which, yes, super important!), but their strengths are what make readers root for them and fall in love with their journey. Strengths are what make your character SHINE in those pivotal moments! ✨
The key is making these strengths SPECIFIC, NUANCED, and sometimes even PROBLEMATIC. Yes, strengths can cause problems too - that's where the juicy storytelling happens!
Not just "bravery" but courage that manifests in specific contexts:
Social courage (standing up to peer pressure)
Intellectual courage (questioning deeply held beliefs)
Physical courage despite specific fears
Quiet courage (the kind that doesn't look heroic but IS)
Moral courage (doing the right thing when it costs them personally)
Creative courage (risking failure and ridicule for their art/ideas)
Not just "understanding others" but:
The ability to understand even villains' motivations
Cross-cultural empathy that bridges different backgrounds
Empathy that extends to those completely unlike themselves
Empathy that causes them to make difficult choices others wouldn't
Empathy that allows them to anticipate others' needs before they're voiced
Empathy for those society has taught them to fear or distrust
Not just "being smart" but:
Pattern recognition in chaotic situations
Intuitive problem-solving under pressure
Cultural adaptability when thrust into unfamiliar environments
Emotional intelligence that helps navigate complex relationships
Street smarts that complement (or replace) formal education
The ability to translate complex concepts for different audiences
Not just "bouncing back" but:
Finding unconventional solutions to setbacks
Using humor as a coping mechanism during dark times
Transforming trauma into strength without romanticizing it
Building community resilience, not just personal
Learning from failures rather than being crushed by them
Maintaining hope in seemingly hopeless situations
Not just "having values" but:
Knowing which principles to bend and which to hold firm
Adapting moral frameworks to new information
Navigating ethical gray areas without losing their core
Growing their values through experience rather than rigidity
Finding compromise without betraying essential beliefs
Recognizing when rules must be broken for a greater good
Not just "being nice" but:
Kindness that challenges systems of oppression
Unexpected kindness that changes enemies' perspectives
Kindness as a radical choice in brutal environments
Kindness that requires genuine sacrifice
Kindness that sees beyond surface behaviors to underlying needs
Kindness that doesn't expect recognition or reciprocation
Not just "questioning things" but:
The ability to discern truth from manipulation
Healthy doubt of authority without cynicism
Critical thinking that leads to solutions, not just criticism
Questioning their own assumptions first
Seeking multiple perspectives before forming judgments
Recognizing patterns of deception or misinformation
Not just "being open" but:
Knowing when vulnerability creates connection
Sharing weaknesses to build trust at critical moments
Using personal stories to help others feel less alone
Admitting mistakes to model growth for others
Asking for help when independence would be destructive
Showing emotion strategically to influence outcomes
Remember that any strength exists on a spectrum! The most interesting characters have strengths that sometimes function as weaknesses depending on the context.
For example:
Loyalty becomes enabling when taken too far
Curiosity becomes recklessness in dangerous situations
Honesty becomes cruelty without empathy
Ambition becomes destructive when ethics are compromised
Compassion becomes self-destruction without boundaries
Independence becomes isolation when connection is needed
Confidence becomes arrogance without self-reflection
Cautiousness becomes paralysis when action is required
The MAGIC happens when you show how strengths evolve throughout your story:
The Dormant Strength - A character doesn't know they possess it until circumstances force it out
The Misused Strength - They have the strength but are applying it in harmful ways
The Costly Strength - Using this strength requires genuine sacrifice
The Transformative Strength - This strength fundamentally changes who they are
The Shared Strength - They teach/inspire this strength in others
The Rediscovered Strength - A strength they lost faith in that returns when most needed
The Evolving Strength - A strength that changes form as the character grows
The Collaborative Strength - A strength that only emerges when combined with another character's abilities
Take your protagonist and identify:
One strength they've always had and rely on
One strength they don't know they have yet
One strength that's actually causing problems
One strength they'll need to develop to overcome the main conflict
One strength they admire in someone else
One strength they've lost and need to reclaim
These strengths work across ALL genres:
Perceptive Pattern Recognition - Seeing connections others miss
Adaptive Authenticity - Remaining true to themselves while evolving
Constructive Conflict Navigation - Using disagreement to build stronger relationships
Radical Responsibility - Owning their part in problems without self-flagellation
Generative Listening - Hearing beyond words to underlying meanings
Intentional Impact Awareness - Understanding how their actions affect others
Courageous Vulnerability - Risking rejection for authentic connection
Principled Pragmatism - Finding workable solutions that honor core values
Remember that in ANY genre, your character strengths should connect to their internal journey as much as their external conflicts. The most compelling characters have strengths that are tested, lost, rediscovered, transformed, and ultimately deepened through their story arc. 🌟
The most powerful character strengths aren't superpowers or extraordinary abilities - they're deeply human qualities taken to their most compelling expression. They're the things we recognize in ourselves but rarely develop fully. That's why they resonate so deeply with readers across all genres and age categories.
Hope this helps you craft characters with rich, nuanced strengths! Let me know if you want me to dive deeper into any of these - I could talk character development ALL DAY! 💖
~ Rin. T.
⌕ naruto - kiba.
like or reblog if you save/use.
hi !!! i love your dividers and I use them all the time for roleplay sheets, would you be able to recolour this set in these colours?
e993bd
a74d76
f4aed0
ffdced
thank you if you do, and if you don't i hope you have a wonderful day regardless!!!! /g
hi! 💖 that is so cool (and thank you so much!), I can absolutely recolor this set for you! here you go, and I hope you have a great day as well!
[Free] Masterlist Headers & Dividers!
Please consider liking or reblogging if you use 💕
will update this every few weeks/months. alternatively, here are all my tagged word lists.
Blood ⚜ Blush ⚜ Book ⚜ Eye ⚜ Flower ⚜ Fly ⚜ Girl / Boy
Glow ⚜ Gold ⚜ Heaven ⚜ Hell ⚜ Honey ⚜ Moon ⚜ Sun
Sick ⚜ Soul ⚜ Time ⚜ Ward ⚜ Water
"Beautiful" Words: Part 1 2 3 4 5 6 7 8
"Poetic" Words: Part 1 2 ⚜ "Ugly" Words
Animals ⚜ Dance ⚜ Emotions ⚜ Garden ⚜ Kill ⚜ Personality Traits
Food: Part 1 2 3 4 5 ⚜ Aphrodisiacs ⚜ Drinking
Love: Part 1 2 ⚜ Sex Scenes ⚜ Sensory Words ⚜ Saying No
Palindromes ⚜ Shapes ⚜ Voice ⚜ 1930s Slang ⚜ Habitats
Legendary Creatures ⚜ Parts of a Castle ⚜ Silent Letters
Lexical Universals ⚜ Magical Properties of Oils
Loan Words: French in Middle English ⚜ Nonsense Words
Months: August ⚜ September ⚜ October
Seasons: Autumn ⚜ Spring ⚜ Summer
Topics List: Part 1 2 ⚜ Terms of Endearment
Uncommon Words: Body ⚜ Emotions
Achilles ⚜ Patrolcus ⚜ Amy Dunne ⚜ Aphrodite
Aragorn ⚜ Arwen ⚜ Hannibal ⚜ Will Graham
Giorno ⚜ Josuke ⚜ Katniss ⚜ Morticia
Ancient Greek ⚜ Czech ⚜ Greek Words for Love
French Part 1 2 ⚜ Italian ⚜ Japanese ⚜ Latin
Portuguese ⚜ Romanian ⚜ Russian ⚜ Spanish
Sylvia Plath ⚜ The Secret History
all posts are queued. send questions/requests here.