Hello!

Nvm the colours were bad but I fixed it

what if i threw two tpot gijinka at you /pos

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

Vivipary - when seeds sprout while still being attached to its mother fruit

Just in case

Walking with Dogs, Cats, Flowers by Kyoung Hwan Kim

I'm gonna tell you about some worldbuilding I did

So basically, a world of people who live on a massive conveyor belt

Like this

Each 'tile' is 1km×1km, and every 144 days, every tile moves forward once. A new tile is formed at the start, and the tile at the end is removed. Each tile has its own weather and plant life, but they gradiate with the tiles before and after.

Whenever a new tile is formed, ~30 people appear on that new tile, with the mental and physical maturity of about 6yos. The people on the final tile dissappear with it, no one knows what happens to them. The tile people spawn on is the furthest back they can go. They can go forward, closer to the disappearing tile, but not back. This means that everyone knows exactly when they die and can't do anything to escape it, and they are almost immortal until their tile dissappears (they still age tho, and at the same rate as us).

However, this means that when the 30 children are spawned on the new tile, no one can reach them. To help the children establish themselves, the people belonging to the tile just under them (~19 year olds) and the people who are a little younger have a large (and loud) festival to try to get the children to come to their tile so that they can be taught basic etiquette, language, be clothed and fed, and be taught how to survive in the odd world they live in. They stay around that tile and its adjacents until they're about 11. Then, they're slowly integrated into life living alone on their tile.

I tried to make it so that almost everything about their culture reflects how their world works, including their clothing. Their sashes are meant to resemple a conveyer belt, (which is why it's one massive loop) and has the odd slits to help them carry things.

I another pseudo-human gijinka instead of focussing in class today :)

This time; teardrop!