I Have Learned How To Live, How To Be In The World And Of The World, And Not Just To Stand Aside And

green's my colour.

just humanities student things

getting overly defensive of your favourite historical / literary / classical figure

suddenly remembering how much knowledge there is to acquire and getting stressed about the overwhelming amount of stuff you don’t know

roman numerals: you either love them or you hate them

when your teacher is obsessed with one bit of the course and teaches you that for weeks then breezes over the rest

anachronisms

you’ve listened to so many in our times that melvyn bragg is basically your internal monologue

waking up in the morning with a desire to know everything about one specific thing that’s totally unrelated to everything you’re studying

‘ooo i know this word!’ she did not know that word

muddling up the actual history, the fictionalised versions of the actual history, and the fanfictionalised versions of the fictionalised versions of the actual history

‘what can this cartoon / movie / song / art tell us about x’

history students are over prepared for politics and classics students are over prepared for english lit

reading aloud in terrible accents in english lit

j s t o r

WELCOME TO THE WANTING. IT IS HEAVY HERE. (cc: @jonismitchell)

caption: The Wanting, @jonismitchell // Água Viva, Clarice Inspector // Sense and Sensibility, Jane Austen // x // Imitation of Life (1959) // South London Forever, Florence and the Machine // Plainwater: Essays and Poetry, Anne Carson // All Too Well, Taylor Swift // New York Movie, Edward Hopper // Reading too much into a Tongue bite by Me // I want you to Love Me, Fiona Apple // IWYTLM genius annotation // Ada Limón on Preparing the Body for a Reopened World // The Unabridged journals of Sylvia Plath // He Held Radical Light: the Art of Faith, the Faith of Art, Christian Wiman // x // Hunger, Florence and the Machine // Eye Level: Poems, Jenny Xie // Big God, Florence and the Machine // Ada Limón // Emily Dickinson correspondences with Sue // Sharks in the River, Ada Limón // x // Nobody, Mitski // I will name this tragedy after you by Me // Litany in which certain things are crossed out, Richard Siken //

Happy Valentine’s day everyone!

art museum dates are so underrated. I want to take dumb pictures in front of Roman statues and watch her stare in awe of the little ways the sculptor made the stone look as soft as skin. maybe she would pull me over to a painting that reminded her of me and I would get to listen to the way her voice twinkles as she explains her argument, and a glowing smile as I reluctantly agree with her. maybe we could pretend to have a museum heist and almost get kicked out, ending with the both of us in heaps of laughter, falling just a little bit deeper in love. and when I'm asked about which piece of art was my favorite today? darling, you already know the answer.

i just want to work in a small museum in italy where i translate latin manuscripts and talk to college kids about the ancient world before walking to my little apartment by the sea to drink tea and watch the sunset while chopin plays in the background. is that too much to ask?

Statue of Apollo covered in tulle netting

A copy of the Greek bronze original by Leochares (330 BCE)

Blanton Museum of Art

hey guys so like apparently the characters from “its rotten work / not to me, not if its you” are cousins so maybe lets stop framing that in a romantic light and grouping that quote with those edits about love and stuff like that =(

when oscar wilde wrote “there are moments when one has to choose between living one’s own life, fully, entirely, completely-or dragging out some false, shallow, degrading existence that the world in its hypocrisy demands” i felt that

yes, of course, the “dative of the thing sprinkled,” my b, should’ve remembered that one, feel free to retract my credentials,