I Had Always Thought "The Rehabilitation Of Death" Referred To Narinder, But I'm Realizing It Very Much

Chapters: 2/? Fandom: Dungeons and Dragons - Fandom, Fantasy - Fandom Rating: Mature Warnings: Graphic Depictions Of Violence Summary:

Travelers may often find themselves in strange places, and places may often find themselves with strange travelers. This story is the latter.

Thinking about lambs, whose culture was joyous and loud and vibrant. Lambs who had a dance for everything and a song to match. Lambs whose caravans could be heard marching melodies across the planes. Lambs for who even a combat was done in step to a waltz.

Thinking about The Lamb, who only knows the mourning songs. The Lamb, who only remembers the dances that require a blade in their hands. The Lamb who whispers sad melodies as they walk hostile lands. The Lamb whose only connection to their lost people is in the way they would spill blood.

The Lamb who sings and dances anyway, because while everything else may be gone, they still have this.

#the answer I got is more detailed than I could ever hope #good writing

I found your red star fic and binged the entire thing over the course of, like, a week and loved every second of it. I read on with abject horror as Shera and Messar quickly became my favorite characters, despite knowing exactly how their tail would have to end. Their death was utterly heartbreaking by the way. You made me cry at work, so thanks for that.

Do you have any lore or character bits about the twins you want to share and, dare I ask, will they show up again later in the fic?

Haha, sorry I made you cry at work! If it’s any consolation, I cried a teeny bit writing their deaths. :’)

I do have a bit of twin lore stashed away! Here it is:

Shera and Mesar are nicknames. Their full names, only really used by their parents when they were in trouble, were Sheratan and Mesarthim.

They, like Hamal, loved to sing. The family could harmonize pretty well when they were together. Both of them wanted to make sure Hamal learned the songs that were passed down to them from their parents, as it was an important aspect of their culture in the old days.

Both of the twins gave up on the idea of romance early on in life, since they knew they would be always on the run and needed to prioritize Hamal. That being said, both of them were gay. Shera was exclusively attracted to other women and Mesar to other men. Neither ever got to act on this, however.

Shera prayed to The One Who Waits every single night, hoping her devotion would help Hamal when the time came.

Mesar liked to dance. Shera did not. Mesar didn’t let this stop him from forcing her into it every so often lol.

As one might imagine, some days were rougher than others. Shera often took refuge in meditation, whereas Mesar preferred walks through the wilderness. Knowing their fates wasn’t always easy, but they both did their best to cope with it without worrying Hamal.

Both had chores they preferred doing. Shera enjoyed foraging whereas Mesar liked to mend clothes. They divided up work based on who liked doing what, and this prevented a lot of fighting.

There were, however, still siblings and very much children themselves at points. When they did fight, the usual go-to strategy would be to sit on opposite sides of the camp and ignore each other while they cooled off. This also ended up working pretty well as it gave both of them a chance to think about the others’ perspective before finding a solution together.

Shera instinctively knew the exact moment Mesar died. She “felt” it, in a sense, and decided then to make sure her final stand mattered to some degree.

As for if we’ll see them again…the wedding is scheduled for the Blood Moon in hopes they’ll visit. Perhaps we’ll see them again! ;)

They’ll also eventually pop up in the Cowboy AU I’n writing. In that universe they’re both doing well, living their best lives!

Thanks so much for loving these two. I didn’t expect to get so attached to them when I first started this fanfic series, and I’m glad others like them as much as I do! <3

Shout out to this post for being labeled as mature? Why you may ask? No idea. Maybe Tumblr just doesn't like him.

I did it again, but the cat this time! For whatever reason, Narinder is always harder for me to draw. I suppose I'll just chalk it up to him being a bastard.

Artists are: @stychu-stych , @theshepherdshound , @bamsara , @aveloka-draws and @ane-doodles .

i’m so tired i need to be held or killed

"Name: unknown, Occupation: unknown, Origin: unknown

A human boy, aged at late teens or early twenties, this individual has been routinely seen at the side of Hephaestus, who still eludes capture. He is often seen by his side during travels and is rumored to posses some amount of magical prowess. Where one can be found, the other is likely close behind. Instruct local cells to keep an eye out for this individual and mark them for capture.

Of note: this individual bears a passing resemblance to wanted posters for a child missing from the bronze towers. After capture, investigate for any connection to the Archmagus of the Ars Goetia"

-Found 22nd day of Mirtul, year 1423.

This letter is unaddressed and carries a sketch of the subject. It was found on an Onyx Dragon of notable importance in the town of Gallstone. There are no public bounties on either Hephaestus or the individual in the sketch, so one may assume that this hunt remains confined to the underworld. Further context for this hunt eludes me, as does the circumstance around the missing child of the Bronze Towers.

Do you have any advice for a character who has a sort of sacrificial lamb complex? A savior complex but not as in a hero to save the day, but as in they don't believe they deserve to save themselves?

How to Write a Sacrificial Character

Backstory and Motivation

Traumatic Past: Explore the character’s history. Perhaps they’ve experienced abandonment, betrayal, or loss, leading them to internalize the belief that their worth is tied to suffering for others.

Family Expectations: They may come from a family that emphasizes self-sacrifice or has a history of martyrdom, teaching them that their own needs are secondary to others.

Guilt and Responsibility: The character might feel an overwhelming sense of guilt for past failures, believing that they owe it to others to endure hardship or take on burdens.

Internal Conflict

Self-Worth Issues: Illustrate their struggle with self-worth. They might dismiss compliments or feel undeserving of happiness, using phrases like “I don’t deserve this” or “I have to earn my place.”

Desire for Connection: While they may push others away, they also yearn for connection and love, creating an internal tug-of-war between wanting to be saved and believing they are unworthy of it.

Sacrificial Actions

Small Acts of Sacrifice: Show them making small sacrifices for friends or loved ones, like skipping meals or taking on additional work, which reinforces their belief that they should suffer for others’ well-being.

Dramatic Moments: Create pivotal scenes where they are put in a position to sacrifice themselves for someone else—physically or emotionally. This can highlight their motivations and lead to significant character development.

Interactions with Others

Supportive Characters: Introduce characters who try to save or help them, but the sacrificial character resists, believing their problems aren’t worth the effort. This can create tension and deepen their internal struggle.

Small Acts of Kindness: Have moments where others go out of their way to help them, reinforcing that they are worthy of care and support. This can include simple gestures, affirmations, or sacrifices made on their behalf.

Conflict with a Mentor or Friend: A mentor figure might challenge this belief, encouraging them to see their value and fight for themselves, leading to moments of growth and resistance.

Gradual Change

Moments of Clarity: Show them having fleeting moments of realization where they understand their self-worth, possibly triggered by a significant event or dialogue with another character.

Catalyst for Change: Introduce a scenario where they must choose between self-sacrifice and self-preservation, forcing them to confront their beliefs head-on.

Life-Altering Experience: Put the character in a situation that forces them to confront their fears, such as a near-death experience or a pivotal choice between saving themselves or others. This moment can act as a wake-up call to their worth.

Acts of Courage: Have them step up in a crisis, leading to a moment where they save someone else and realize their capability and value. This can help them see that they have something to offer.

Turning Point: Create a climactic moment where the character realizes they deserve to save themselves, possibly triggered by witnessing someone else sacrifice themselves for them, prompting a realization of their worth.

Final Confrontation: In the final confrontation (with a villain or personal demon), let them stand up for themselves, verbalizing their worth and challenging the beliefs that have held them back.

Symbolism and Themes

Recurring Motifs: Use symbols that represent sacrifice and self-worth, like broken mirrors (self-perception) or shadows (their past). These can help reinforce their internal struggles visually throughout the narrative.

Redemption Arc: If they ultimately find a way to save themselves or allow others to save them, showcase this as a powerful moment of growth, suggesting that self-worth and love are intertwined.

Emotional Depth

Show Vulnerability: Allow the character to express their fears and doubts, whether through dialogue, journaling, or introspection, making their internal battles relatable and poignant.

Balance with Humor: If appropriate for your story, consider moments of humor or lightness to juxtapose their darker thoughts, showing that they are more than their complex.

Chapters: 2/? Fandom: Dungeons and Dragons - Fandom, Fantasy - Fandom Rating: Mature Warnings: Graphic Depictions Of Violence Summary:

Travelers may often find themselves in strange places, and places may often find themselves with strange travelers. This story is the latter.

Wanna draw lamb and/or Narinder fighting a boss?

i sketched many things, liked none of them, so instead it's the moment where the lamb tried to figure out how to kill leshy and asks narinder for help and i dunno weird colours

tyty for help me idea draw a thing

I find it very interesting how in Cult of the Lamb, even though you may begin the game as an innocent lil guy with only the best of intentions, you do eventually become the villain. Sure you may try to do it as little as possible, but manipulation and murder are a necessity to complete the game, and even when you are given the opportunity to avoid it, it makes the game harder for you. The bishops are bastards but by the end you aren't all that much better than them. This results in a lot of people in fan content showing very morally grey if not outright evil lambs. Lambs who are twisted into manipulative or violent gods. Lambs who are still kind, but only as a mask, or lambs who crave flesh and violence but do not know why.

This does give me an idea for an AU. A Lamb who is a paragon of kindness and empathy. Lamb who is so scarred by the violence committed upon them and the ones they loved, that they try to erase it wherever they find it. Lamb who does not even find joy in purging heretics because they too are people with lives and dreams.

Lamb who's morals and ideals are so incredibly at odds with what they are tasked to do and the world they find themselves in. Lamb who fights tooth and goddamn nail against a world that would see them become just another monster. Lamb who is so antithetical to the cruel divinity that seeps into their flesh that it rips them apart. Lamb who feels so much that they need to give and give that they need to be held back from throwing themselves off a metaphorical ledge by the very god they usurped. Lamb who fights their own corruption at every turn, forcing themselves to go mad.

Is this anything at all? It's hardly a new idea I'm sure but I find it to be an interesting one.