One thing I love is how eager the White Collar cast is to do more of the show, like, a bunch of shows that run for a few seasons leave the cast kinda done with them but like for White Collar everyone wants to do more. You see a ton of actors who play a character like Neal Caffrey are kinda like “that was fun but I’m done” but Matt Bomer is like “yes pleaseeeee put me back in that fedora, LET ME WEAR THE FEDORA AGAIN, I love Neal Caffrey, I want to work with Tim Dekay, LETS DO MORE” and I think that says a lot about the show 😂
Thinkin about split knuckles,,,
Bloody and bruised skin pulling tightly over bones. It’s just. Yeah.
I'm curious
Please out in the tags whether you say hello to magpies (or other corvids) and where you're from.
- Pulling off sunglasses to reveal a black eye
- Pulling off a hat to reveal blood in their hair
- Taking off a jacket to reveal a side wound
- Rolling up sleeves to reveal scars on their arms
- Taking off a shoe to reveal a swollen/broken foot
- Pulling off gloves to reveal cracked/bloody knuckles
“I can deal with it myself.”
“But you don’t have to.”
It is an instinctive reaction - for survival, to protect the weakest organs, but also for safety, that childish belief that burying your head in your knees will make you safe.
It won’t.
In the middle of a beating, giving up on fighting and curling up into a ball in panic and waiting it out.
As a response to pain, withdrawing from the situation, and curling up until they can breathe again, until the pain is no longer overwhelming.
As a fearful flinch, drawing back and curling away - from either the enemy or from a friend, memory writing over the present.
As a coping mechanism, curling to get away from the situation, to block it out, until the only thing they can hear is their own heartbeat.
i’m watching an art theft documentary and they’re interviewing this art history professor from new york who was asked to go with the fbi to authenticate a rubens that had been stolen but it was a sting operation so they had to pretend like they weren’t the fbi, that they were some private buyer about to pay $3.5 million for it, and the fbi was like “this is a VERY delicate operation because you never know how they will react to what you have to say so let the agent do all of the talking, don’t say a word to anyone just nod if it’s the rubens, the last operation we did the guy in your position got shot because things went wrong in a second” and then it cuts to the professor’s interview and he says “i wasn’t going to fly down to miami to be a part of an undercover fbi sting operation to handle what could be rubens’s aurora and just NOT say anything. i was gonna have to ad lib a little” and then he tells the interviewer that when he & the fbi agent got to the hotel while he was examining the painting he started lecturing the other people, first on how badly they had wrapped it, and then about like how it had been painted, the history of it, what the subject was and what she was doing, etc etc, and he was like “i hadn’t taught a class on rubens in 15 years, so for me it was like being back in the classroom except my students couldn’t leave”
after writing one successful sentence on my wip:
“I’m not going to hurt you,” Character A says softly, inching closer with placating hands, “It’s okay, I’m here to help.”
Hello, I’m Tobias! General trigger warning for the blog, more specific warnings in tags
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