Vertical Tree By Bożenka Jelonek

Athena, watching her “Warrior of the mind” give his IP address, passport information, location, full name, and serial code

i kinda like it 😳😳

[answering old asks pt. 1 ig]

+ completely black hair just for the fun of it :3

i did @clownie-brain ‘s dtiys!!

some food art !!

Art by XiangRu Chen

WHEN THEY COSPLAY AS THEIR CHARACTERS >>>>>>>>

Spruced up an old unfinished drawing because the instagram algorithm demands it pog

Guys, I figured out- the whole hero vs. villain thing with c!Technoblade, and how it relates to Bedrock Bros (an unoffical essay)

So, the whole reason I made this blog was because of this realization I came to a few months back and need the fandom to know. This is all from the mythology class I took, focusing on Classical mythology. Also, I’m not up to date on lore. 

So, the big debate in the fandom (I don’t know how strong it still is, but I know that people were talking about this at some point) is if c!Technoblade is a hero or villain. And that got me thinking. There are strong arguements for both, but I really couldn’t come to a decison. Then, I was in my Mythology class, studying the Iliad and Greek warrior culture, and things were starting to sound really familiar. We all know that Techno is a major nerd when it comes it Greek mythology, and the pieces started coming together. 

So, a the qualifications to be a Greek hero are things like loyalty, strength, courage keeping promises, contempt towards inferiors, and the like. There is absolutly no need for them to be good people or moral individuals. In fact, they usually aren’t in the slightest. But they still are heroes in the eyes of the Greeks, despite not mathching up with our western ideals of what makes up a hero. 

There are also three pillars to Greek warrior culture. I’ll include all of the relevant class notes at the bottom for added clarity, but in summary, it’s basically 1: being the best- physically and in the way they can give persuasive speeches. This is displayed by a great speech or a murderous rampage. 2: Honor through gains and spoils and 3: glory and fame that continues thoughout time, through skill or eloquence. Starting to sound familiar?

Techno has his English major speeches and kills crowds of people (ex. the festival after he kills Tubbo). I could go on a whole thing about the Axe of Peace and Carl the horse as a manifestation of geras (the ultimate prize a warrior can have), which is a big part of the second pillar. He’s big on his clout and image, and while this is just something that he seems to have absorbed into his overall image, you can see the lean in during lore. 

This can explain some events that seem to contradict the heroic model that we expect. All of the times he says he was betrayed and destroys L’manburg seems like a villainous thing to do- but Greek heroes stick to their principles, no matter how illogical or unreasonable the results of their actions are. Succumbing to peer pressure? They would sacrifice anything to keep up their image as a powerful warrior. 

Nothing shows this better than things like the favor to Dream. A Greek hero always keeps their promises and stays loyal. And a lot of this seems contradictory, or frustrating. And it is. But it’s a different culture from a different time. (Trust me, I love the Iliad, but reading it can be so painful at times). Put yourself into a Greek heroes shoes, and a lot of these villainous actions can be justified by their code and culture. 

A great way to compare our Western hero culture with the Greek hero culture is by comparing the actions of c!Tommy with c!Technoblade. Tommy could be seen as a representation of a Western heroics. He wants to do the right thing, stay loyal to his friends and country, and get justice. He’s generally forgiving (we do have to keep in mind that this is Tommy, and he is a teenage boy). We can generally look at his actions and agree with them, in some way. 

After exile, his interests align with Technoblade’s for a bit, though it falls apart. He goes back to Tubbo, which Techno sees as a betrayal by his Greek culture POV, while Tommy sees this as a logical progession. Also, Tommy sees the destruction of L’manburg as a betrayal, while Techno sees it as a logical progression. Their respective veiws of the world are too different for them to be able to work together. Bedrock bros, in this regard, were never meant to be. 

Comparing the two of them is a great model for Western v. Greek hero culture. Now, this is just a theory. But if you look at the actions that don’t seem to align with logic and compare it to the warrior culture I’ve discussed, it hits too many points, in my opinion, for it to be coincidental. Personally, I think that these similarities are on purpouse, and that Technoblade is planning out the canonical actions of his character based on these base ideas. 

I don’t know if anyone else has made this connection, but here you go. Also, it would be really embaressing if someone actually said this, and I wrote a whole essay on something that’s already been confirmed and is common knowledge. I’ve barely scratched the surface, I can’t cover everything from a full college class in a Tumblr post, but I’ll add the class notes that relate. If you made it to down here, have a golden star. Thanks! 

THE ROOM WHERE IT HAPPENED.

"—round the decay

of the colossal wreck, boundless and bare

the long and level sands stretch far away"