Clenched fists and knuckles turning white.
Eyes narrowing to slits, brows furrowed.
Jaw muscles tensing visibly.
Speaking through gritted teeth.
Taking deep, sharp breaths.
Pacing back and forth, unable to stay still.
Pointing a finger accusingly.
Voice raising to a shout or a growl.
Kicking or punching nearby objects.
Lips pressed together in a thin line.
Rapid, agitated movements.
Slamming doors or throwing objects.
Standing with arms crossed tightly.
Glaring intensely without blinking.
Face turning red or flushed.
Breathing heavily and erratically.
Snapping at others for minor things.
Shaking with barely contained rage.
Muttering or growling under their breath.
Eyes blazing with fury.
Hey authors, I gotta question for you!
I’d love to hear more of your experience in the comments💕💕
Usually it’s video games instead of music but this is pretty much accurate hehe
You once made a promise to yourself: if you ever met a time traveler, it wouldn't be a big deal. You’d tell them the date, the most important political conflict, a recent technology, and send them on their way. You now encounter a time traveler nearly every week.
please please please please reblog if you’re a writer and have at some point felt like your writing is getting worse. I need to know if I’m the only one who’s struggling with these thoughts
A monster forcefully switches places with you. You become a horrible creature, and the monster assumes your form. Unfortunately for the monster, your life absolutely sucks—and you have no intention of swapping back.
Concept: cursed blade rehabilitation center. Destroying a sentient weapon is expensive and highly unethical, so adventurers bring them to the center where highly trained staff can care for them and eventually find them forever homes. It turns out most cursed weapons are products of trauma and are not strictly evil themselves. Some blades turn out to be fiercely protective companions. Others don't even want to be weapons at all, finding joy in simple work like blacksmithing or farming. Most blades just need to be loved.
If you're tired of the usual vices like arrogance or impatience, here are some unique (or at least less basic) character flaws to give your perfect characters:
Pathological Altruism
A character so obsessed with helping others that they end up doing more harm than good. Their inability to let others grow or face consequences creates tension.
2. Moral Narcissism
A character who sees themselves as morally superior to others, constantly justifying selfish or harmful actions because they believe they have the moral high ground.
3. Chronic Self-Sabotage
A character who intentionally undermines their own success, perhaps due to deep-seated feelings of unworthiness, pushing them into frustrating, cyclical failures.
4. Emotional Numbness
Rather than feeling too much, this character feels too little. Their lack of emotional response to critical moments creates isolation and makes it difficult for them to connect with others.
5. Fixation on Legacy
This character is obsessed with how they’ll be remembered after death, often sacrificing present relationships and happiness for a future that’s uncertain.
6. Fear of Irrelevance
A character-driven by the fear that they no longer matter, constantly seeking validation or pursuing extreme measures to stay important in their social or professional circles.
7. Addiction to Novelty
Someone who needs constant newness in their life, whether it’s experiences, relationships, or goals. They may abandon projects, people, or causes once the excitement fades, leaving destruction in their wake.
8. Compulsive Truth-Telling
A character who refuses to lie, even in situations where a lie or omission would be the kinder or more pragmatic choice. This flaw causes unnecessary conflict and social alienation.
9. Over-Identification with Others' Pain
Instead of empathy, this character feels others' pain too intensely, to the point that they can’t function properly in their own life. They’re paralyzed by the suffering of others and fail to act effectively.
10. Reluctant Power
A character who fears their own strength, talent, or influence and is constantly trying to shrink themselves to avoid the responsibility or consequences of wielding it.
Looking for writing tips and tricks to better your manuscript? Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors! Instagram Tiktok
PS: This is my first short-form blog post! Lmk if you liked it and want to see more (I already have them scheduled you don't have a choice)
writing diaries
So I used to be a wattpad fanfic (and orig horror) author with dreams of being an author, but I gave up in high school to pursue something more "realistic" and now in my mid 20's I've decided to make steps to become an author. I have 3 ideas floating around but when it comes to actually writing them down I have a really hard time, so Ive been stuck in this limbo of not being able to stop thinking about these future project but not being able to create them. THEN I started reading On Writing by Stephen King and he's been kinda kicking me into shape, he said (more or less) to be a writer you have to write and I realized that there's too much pressure for me to sit down and write a book im emotionally attached to and I need to dust off my tools first.
All that being said I've decided I will pick random writing prompts and just write short stories on pieces of paper like god intended. This experiment will hopefully make me feel more confident in my abilities while also not giving me the stress to have to make it perfect. Will these see the light of day? probably not. that's what im hoping will unlock my spark again!
I will update this blog with how the experiment is going! I am a human guinea pig starting......NOW!
A character avoids eye contact because they’re nervous, making the other believe they’re hiding something.
A character mistakes someone’s distraction for boredom, assuming they’re not interesting enough.
A character misinterprets kindness as pity, making them defensive.
A character uses a phrase that has multiple interpretations, and the listener takes it in the worst possible way. (“I took care of him.” “You WHAT?”)
A character pulls a harmless prank that spirals out of control until it’s too late to take it back.
The audience knows that two characters are talking about completely different things, but neither of them realises it (dramatic irony).
A character gives a vague or hesitant response out of nervousness, and the other person takes it as rejection.
A text or letter meant for one person gets sent to the absolute worst possible recipient.
A character asks another to do something simple, but their interpretation is wildly different.
Two characters remember an event completely differently, leading to an argument where both are convinced they’re right, but what actually happened is something neither of them recall correctly.
Someone shrinks away from a touch due to past trauma, but the other person assumes it means rejection.
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"Oh no. No, no, no! You're in trouble."
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