most important part of the writing process actually is when you loop a single song on max volume and stare at the word document and imagine the characters doing things for 14 hours. this is known as getting in the zone
When the eldest of the royal children was kidnapped and brought to the ritual table to be the new vessel for the cult's god, they seem oddly fine with it. It was in the middle of the ritual that the eldest royal revealed…
you are a Villian who's a single parent of a son. Recently they started dating someone. When you arrived to their house, you notice how their parent is the hero you fight daily. Your son and date went outside for some alone time, leaving you and the hero some time to talk
"good story ideas seem to come quite literally from nowhere...two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up."
Stephen King, On Writing, page 37
"I knew you were notorious, but how is it we've managed to run into a different enemy of yours wherever we go?"
"Ah, the consequences of living a long, full life."
"Aro/Ace person gets given a love potion" story but instead of them being immune or whatever, it DOES work, and they realize IMMEDIATELY that they've been fed a love potion because this feeling is so wrong and foreign but everyone keeps laughing off the idea of it being a love potion because "they were probably just a late bloomer" or "no, you just finally found the right person!" and it's just a horror story about how no one believes them even though they know, they KNOW this isn't right and they can't stand it.
"If I don't reply by tomorrow, then consider me dead." It's been two years since you got that message, and you haven't seen them since. Suddenly, your phone lights up: "Sorry, that took longer than I thought."
You’re a rogue with enough gold to last ten lifetimes. But old habits die hard—you sneak through crowds, slipping coins into people’s pockets. The kingdom is buzzing about the mysterious, generous "thief."
Two lovers have reincarnated throughout history, destined to find each other and fall in love all over again. There’s also this third guy that reincarnates alongside them… we don’t really know what he does.
Neurodivergent assassin who very casually uses their weapons as stim.
Turning on and off the safety of their gun. Tapping and spinning their dagger. Watching the poison in the vial move as they flip in and then back.
Nobody says anything because...well they're an assassin.
Turns on safety, presses trigger, turns off safety repeat.
People around them are in constant fear.
Chewing the end of their poison tipped dagger when they try to figure out a plan.
Wash their hands too much cause they don't like how sticky blood is.
However overtime it becomes a weird single to others.
Everyone is anxious trying to figure something out and they hear a little "click click" and it's just slightly calming to know that they have this person there and they are thinking of a plan.
Someone hands them a drink but it flows just a little too weird and they are like, "hmm that's poison" then chuck it because they have built up immunity.
No table that doesn't have something carved into it.
Never a situation where they don't have enough bullets because this person takes out the cartridge and puts it back as stim.
They take apart their guns and put them back over time being crazy fast and efficient with it.
Just give me a neurodivergent assassin/spy.
Yay, unsolicited advice time! Or, not really advice, more like miscellaneous tips and tricks, because if there's one thing eight years of martial arts has equipped me to write, it's fight scenes.
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It's not uncommon for two people to kick at the same time and smack their shins together, or for one person to block a kick with their shin. This is called a shin lock and it HURTS like a BITCH. You can be limping for the rest of the fight if you do it hard enough.
If your character is mean and short, they can block kicks with the tip of their elbow, which hurts the other guy a lot more and them a lot less
Headbutts are a quick way to give yourself a concussion
If a character has had many concussions, they will be easier to knock out. This is called glass jaw.
Bad places to get hit that aren't the groin: solar plexus, liver, back of the head, side of the thigh (a lot of leg kicks aim for this because if it connects, your opponent will be limping)
Give your character a fighting style. It helps establish their personality and physicality. Are they a grappler? Do they prefer kicks or fighting up close? How well trained are they?
Your scalp bleeds a lot and this can get in your eyes, blinding you
If you get hit in the nose, your eyes water
Adrenaline's a hell of a drug. Most of the time, you're not going to know how badly you've been hurt until after the fact
Even with good technique, it's really easy to break toes and fingers
Blocking hurts, dodging doesn't
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Just thought these might be useful! If you want a more comprehensive guide or a weapons edition, feel free to ask. If you want, write how your characters fight in the comments!
Have a bitchin day <3
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