I Read One Barty X Lily Fanfiction Once Out Of Pure Boredom And It Awoke Something In Me

I read one barty x lily fanfiction once out of pure boredom and it awoke something in me

More Posts from Yayawantstodraw and Others

2 years ago
What Do You Mean This Isn't What's Going On In Bsd Right Now..

What do you mean this isn't what's going on in bsd right now..

9 months ago

This year Olympics was boring af ngl


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1 year ago
Karen Wilson In Every Episode ↳ 2.05 — awful People
Karen Wilson In Every Episode ↳ 2.05 — awful People
Karen Wilson In Every Episode ↳ 2.05 — awful People
Karen Wilson In Every Episode ↳ 2.05 — awful People
Karen Wilson In Every Episode ↳ 2.05 — awful People
Karen Wilson In Every Episode ↳ 2.05 — awful People
Karen Wilson In Every Episode ↳ 2.05 — awful People
Karen Wilson In Every Episode ↳ 2.05 — awful People

karen wilson in every episode ↳ 2.05 — awful people


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11 months ago

Personally, I'm not blaming Mu Qing because he left his friends to take care of his mother. The issue is the way he left. There is nothing to do with him being poor whatsoever.. You can take care of your mother and check on your friend once in a while... I don't know, just saying... Anyway, what's done is done. You don't know how you'll react yourself until you're faced with the situation. And since he's very bad at communicating and expressing his feelings, it makes things worse

To be honest i don't care if someone doesn't reach out because they are taking care of their dying mother


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10 months ago

Solidarity with Gaza: Needed Now more than Ever!

Not only do hard times create strong people, but also unleash the goodness and empathy in them. In the face of the horrifying magnitude of loss inflicted on the people of Gaza, it is the support of the free world that alleviates our pain and gives us hope for a better promising future.

Unfortunately, this war has spared no one. Everyone in Gaza has experienced agony, fear, famine, thirst, forced displacement, and despair. The systematic genocide is meant to shatter their souls, kill their dreams, and erase their existence.

The situation in Gaza moves from bad to worse, and there seems to be a real intention to perpetuate the war even if it means killing thousands of innocent civilians in Gaza and demolishing entire residential blocks with no regard for the lives of people.

My family in Gaza, like all the people there, continues to run in a vicious circle of pain, fear, and death. Please continue to Donate, reblog, and share my campaign everywhere to help me save my family. Thank you so much for your support so far!!!

@ibtisams @90-ghost @el-shab-hussein @sar-soor @nabulsi @sayruq @soon-palestine @riding-with-the-wild-hunt @fallahifag @fairuzfan @feluka

Donate to Death chases my family in Gaza; help me save them, organized by Mahmoud Khalaf
gofundme.com
People say: "Family always comes First," and to that, I say: "Amen!".… Mahmoud Khalaf needs your support for Death chases my family in Gaza;

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1 year ago

Fantasy Guide to Writing a Royal Family

Royal families usually rule the plot and world of your novel. They are complex, decadent and murderous. How can we write such a large complex entity?

Fantasy Guide To Writing A Royal Family

Family Tree

You need to make a list of the royals in your story. Add dates of birth and death. Who is whose brother? Mother? Father? It is easy to work backwards from the royals today back to the past. How does your character inherit the crown? Or how close are they to the throne? Add in uncles, aunts, cousins. Keep going until it feels expansive.

Fantasy Guide To Writing A Royal Family

A history

Now that you have a family tree, you have to create a history. How did the family come into power? Is there any mad monarchs, heroes and saints in the family of the past? A World of Ice and Fire, gives us chapters on every Targaryen King to rule Westeros. A history gives a family a grounded feel and a rich background. This can explain the motives of a character in a crown

Fantasy Guide To Writing A Royal Family

Infighting

Royals can be volatile. If you are a step close to the throne, you want that shit. You will kill to get it. Royal families are guilty of infighting. Cousins will fight for supremacy. Sisters battle sisters over rights and honours. Brothers may turn to murder to dispatch each other. Royal families will almost always devour themselves. Like the Houses of York and Lancaster did, leaving the House of Tudor to swoop in and get the crown.

Fantasy Guide To Writing A Royal Family

Danger

Royals are at the top so they fall hard. People will come to cast them down. Whether it’s the people or a rival family or a foreign invader, your royal family is in grave danger.

In most cases, the boys of a royal family are slaughtered as in the Plantaganets of England with the Princes in the Tower. The Plantaganet princesses were married to Tudor bannermen or sent to a nunnery. In some bad cases, everyone dies.

The Russian/Bolshevik Revolution murdered the entire royal family: the Tsar, the Tsarina, the four grand duchesses and the tsarevitch, leaving only a couple of cousins living abroad.

In some cases the family is exiled. This is the best case scenario as they can try come back at some point. An example of this is Bonny Prince Charlie and his father.

Fantasy Guide To Writing A Royal Family

Vox Populi

How do the people receive your royals? Do they love them? Or do they despise them? Most royal families get mixed reviews. If they do good works like giving the people peace, they are loved. Over taxation can change the people’s opinions and turn them against your royals.

Fantasy Guide To Writing A Royal Family

Titles

Not all royals have a title. The further away from the throne you are, the less likely you have a Royal title. Prince William’s kids get the title. Prince George’s children and grandchildren will get the titles prince and princess but only the children of Princess Charlotte and Prince Louis will get it but not their grandchildren.

Fantasy Guide To Writing A Royal Family
10 months ago
yayawantstodraw - Yaya

Just a question out of curiosity: What drew you in to SethoScara?


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1 year ago

NO FUCKING WAY 😭😭😭

BI BUCK CONFIRMED FINALLY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
BI BUCK CONFIRMED FINALLY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
BI BUCK CONFIRMED FINALLY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
BI BUCK CONFIRMED FINALLY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
BI BUCK CONFIRMED FINALLY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

BI BUCK CONFIRMED FINALLY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


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1 year ago

I've been thinking a lot lately about how Kabru deprives himself.

The official description of Kabru's room, which reads: "Kabru rents the basement of a tavern on the Island. It's dark, cold, noisy, and really not a comfortable place to live, but Kabru isn't home much, and he seems happy with it. The room has almost none of his personal possessions in it: the shelves are packed tightly with liquor barrels and bottles. There seems to be a figure of the winged lion on the table....
A cropped image from the official color illustration of Kabru's rented room, showing a top-down view of a desk cluttered with books and papers and a few other items. Kabru is seated at the desk with his arms folded on the surface and his head dropped into his arms, his face hidden. It's unclear whether he has fallen asleep while working, if he's having a somber moment, or if he's crying.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

A cropped color image of Kabru from a side comic, drawn in a simplified sketchy style, showing him slightly hunched over with a dull-eyed expression and his hand over his belly. Text reads: "Come to think of it, I haven't eaten since yesterday."

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

A pair of black and white panels from Dungeon Meshi chapter 31. The first panel shows Rin and Kabru facing away from the viewer, looking out over the water and ruins of the fourth level. Rin is standing and holding her mage staff while Kabru sits beside her. The second panel is identical, but Rin says, "I'm hungry." Kabru responds without looking at her, "...Being revived does make you hungry, doesn't it?"

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

A crop from a black and white panel of Dungeon Meshi chapter 32. Mickbell is in the foreground with his profile partially facing the viewer, chewing on a piece of bread with crumbs around his mouth. Kabru sits opposite him, facing the viewer, and raising a wooden cup of wine to his lips.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

A pair of black and white panels from chapter 38 of Dungeon Meshi, showing close ups of Laios (right) and Kabru (left) as they face each other. Laios, wide-eyed as if he's just realized something, asks, "Aren't you hungry?" Kabru, also wide-eyed but looking taken aback, says, "Huh?"

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

A single black and white panel from Dungeon Meshi chapter 38. Laios is about to move off-panel, and he's looking over his shoulder at Kabru, saying, "When you're revived after losing that much blood, you feel like you're starving. Give me a minute." Kabru stares after him in the background, still looking nonplussed.

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

A cropped pair of black and white panels from Dungeon Meshi chapter 61. The right shows Milsiril happily holding up a piece of elven cake on a fork. Her speech bubble says, "Aaaah." On the left she pushes the cake against the cheek of a young Kabru, whose eyes are closed in growing frustration as he tries to ignore the food. He says, "I told you...."
A black and white panel from Dungeon Meshi chapter 61, showing Milsiril, seated at young Kabru's bedside, holding out the plate of cake. She says, "You still need to rest." Kabru, seated on the bed and losing his temper, starts to pull at the bandage around his head. He says: "I just got a little scraped up! Forget this! Start training me with a sword again!"

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

A single black and white panel from chapter 62 of Dungeon Meshi. It's a close up of Kabru holding out a bowl of hot food and smiling a little. He says, "It's been ages since I had it, so I can't wait. I hope you like it."

...but he doesn't get to enjoy it like he wanted to.

A cropped black and white panel from chapter 62 of Dungeon Meshi, showing simplified versions of Mithrun and Kabru eating. Mithrun's speech bubble says, "It tastes like crab." Kabru responds, "It does, doesn't it."

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

A pair of black and white panels from chapter 66 of Dungeon Meshi. In the top panel, Kabru holds out a plate of travel rations to Mithrun, who is staring off into the distance with a determined expression. Kabru remarks, with a slightly exasperated look, "Ignoring me, hm?" while his speech bubble says, "Unless you eat, you won't defeat the demon." In the lower panel, Mithrun turns and accepts the food.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

A cropped black and white panel from chapter 73 of Dungeon Meshi, showing a close up of Kabru as he chews with a blank look on his face. His thought bubbles show that he is reciting the names of all "the world's major cities" in his head.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

A black and white panel from chapter 45 of Dungeon Meshi, showing Kabru's memory of the destruction of Utaya. In the foreground is a snarling monster that still retains humanoid features, half man, half beast. Kabru's speech bubble reads: "It was because the dead became monsters that devoured the living."
A cropped black and white panel from chapter 38 of Dungeon Meshi, depicting scenes from the destruction of Utaya. A pair of figures in elven Canary armor pull Kabru's child self away from his mother's dead body as he screams for her. There is a close up of snarling monsters tearing into human flesh.

Meals are the privilege of the living.

A black and white panel from chapter 53 of Dungeon Meshi, showing Kabru staring in the distance with an expression of growing horror, against a mental backdrop of countless lifeless bodies stretching out into darkness, and a river of blood. The onomatopoeia for 'shiver' is written over him.

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1 year ago

Someone with talent, draw Neil Josten with the finger guns please 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏


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she/her I'm in so many fandoms I've forgotten the name of most of them 😭🙏

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