And The Slow Introduction To Things That Will Come Into Fruition In S2! It's Ab Taking Your Time With The Story! - Blog Posts

belos' va has that very nice vocal tone that makes my brain go brr, it matches the easy condescending tone that belos hones so well.

that uh-puh-pup sound he makes in young blood, old souls (00:16 in this clip of it) at the beginning of his confrontation with luz is just so nice. the demeaning, mocking ease of it. the okay. i'll play of it all, when luz attacks (first! first! going to talk about that soon too), like he has time to waste on seeing where she's at in battling with her glyphs.

bc it is just a game to him, then. he'd been there the whole time, after all. waiting, expectational, like he'd knew lilith would betray their cause and lead luz there for their rescue. that it was going to happen just like this, the plan of it, and how everything just falls into place, like - how much of this could be seen so clearly? all of them acting like good pawns along a predestined path?

and there's this removed amusement while he fights luz, if you can even call it a fight. he plays with her, toys with her, lifting only a finger the entire time. it's the joy of the catch, the thrill of getting closer to his hands on the portal, what he wants, but there's no rush. how he knows it's going to happen eventually, soon, so he can just chill and go with the flow of things?

it makes me wonder how long he's waited, how comfortable he is now with patience when things are in the works, steadily moving on.

we don't see belos use magic like this in season two. it's a controlled flame, without the anger and emotion that is central to it in king's tide. it's as if here, in s1, he knows what's happening before everyone else, and he flits and melts like light, liquid, almost effortlessly.

there's no reason to try if no one is actually going to test your ability.

it is a game to him, and there aren't any real consequences to any of it until the portal door goes up in flames. he got what he wanted out of lilith, and now he's near enough to reap the rewards of it. but it isn't entirely upsetting either, when he loses it - it just changes the game.

it's similar to this ominous voice trick he does a couple of times - how the visuals turn negative and double themselves atop one another to show the effect - we don't see it again.

it's as if he is a kind of omniscient being, that lingering i will know while they steal borrow the relics, and again during the fight. i love the idea that he has such a control over this artificial magic that he can make his voice actually sound like it is coming from everywhere; that his knowledge, his control, is so overwhelming that it must come from the titan itself / how there are no other possibilities.

go on then. go be a hero, he mocks, but it's such a soft thing. one look, a few words and some oversight and he knows exactly what makes someone tick. i imagine it's why we see hunter do it so well to amity in eclipse lake. he manipulates, so he must know the heart of you.

what a villain! even when we barely know anything about him or his motivations, he's still so powerful and intimidating. and that's good writing. to know just enough to be curious, just enough to be afraid.