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Cod Au - Blog Posts
Motorcycle!Ghost
A little fun study sketch I did of Ghost. It's 2am and Im too tired to tidy it up properly but yuh!!!
(I can't find the first references origin but the second one is from @hai-nae bc I still have no clue how I wanna draw Simon so I used her Simon as a reference i love their art :3)
I might eventually redo this properly but idk
Oak-brown feathers ruffled against the cold breeze.
“Awful day for a stakeout.” The barn owl grumbled. “Sun’s glaring and the wind is freezin’.”
“Precisely why it’s a good time for a stakeout, no one expects to see anything out here.” The snowy owl responded, stepping down from his perch on a higher branch. “Just another hour.”
“Thank Glaux.” The barn owl sighed, hopping up on to the branch.
The forest valley was vast and the two owls had a perfect view of it. More specifically, a hollow nestled in the underside of an outcropping. Supposedly a small group of Pure Ones had been entering here. Nothing of note-
“Looks like we’ll get to see some action after all, Price.” The barn owl said as two owls flew into view, chests and wings painted red.
“Stick close, Firebrand.” Price said, checking his silver battle-claws.
(All I feel confident enough to post right now)
F-CK you! Furry-fies your COD men!
I based the decisions on nationalities(like what animals are where their from) and personalities.
Ghost is obviously a wolf dog, an intimidating yet misunderstood doggo. I’m visualizing a dyed black coat, a natural blond coat though.
Soap is a pine marten, a high energy, rowdy, little thing. A messy brown coat with paws stained black from soot, dust, and gunpowder.
Price is an Airedale terrier. A dark coat greyed with age. In addition Airedale terriers just look like old men.
König is a Eurasian lynx. A bigger animal sounds better but König’s height is abnormal. I envision a dark grey-brown lynx, messy fur, ear chipped and torn. Absolutely massive, huge paws to go with it.
Alejandro is a coywolf, a coyote and Mexican grey wolf. A beautiful mixed brown, red, and grey coat.
Rudy is either a Yucatán deer or an ocelot. Can’t decide right now.
I’ll probably return to this list and will probably be drawing these guys too
cod! dog au
yeah thats in idk what else , ill put more info down soon enough this has deffo been done before but i like rambling abt dogs will say though before i get art to go with this graves in a golden retriever and i cannot elaborate at this time
ou-la-la, retired Simon with nothing but warm love in his heart.
masterlist
as you slowly blink yourself awake, twisting and turning in bed before you finally decide to get up, simon is already up as usual. his job keeps him on a time routine even when he's not at work. it kinda ticks you off when you wake up and he's not in bed but y'know, who are you to tell him off (his life, his world, his everything)? puffing out before sitting on the side of the bed, you rub the cold out of your eyes, patting your hand on the nightstand beside you to find your glasses only to find they're not there..?
you groan and look over, squinting to see nothing but the quarter gone cup of water you had last night and some candies. you slowly step onto the cold wood floor, seeking out to find simon somewhere in the house.
you hazardly walk around the house, softly calling out for him. "simon, baby?" you continue until he calls back "yeah, luv?" he responds from the front door. "did you leave? have you seen my glasses?" you ask, watching the blurry figure walk toward the living room. "went to tha' shops, got us some matching frames, come sit." you follow the sound, feeling for the couch as you come close then sit next to him. he scoots you close, setting your legs over his as he explains what he's went out to buy. "my eye doctor's told me to go out n' grab my prescription today, i thought i'd go out n' take y'r glasses to switch them out fir a pair of new frames that'll match mine." you nod at the cute idea, suddenly looking down as the sound of wrapping unfolds.
you can get a small glimpse of glasses in a basic frame, clear with black lines inside with an addon of black legs. his were the same, of course but a different shape, the shape most reading glasses are built. yours were your original shape, the one that framed your face nicely. as you hold them in your hands, still observing, simon has already slipped his on, tapping your shoulder to look.
"like em?" the corner of his eyes crinkling as he gives you a small smile, grabbing your glasses to put them on for you. "now y'r almost as cute as me." he chuckles as you playfully hit his shoulder, giggling slightly alongside. "thank you, simon." you peck his cheek and get up, yawning a bit as you walk to your bathroom. "needed anything, woman?" he asks, following behind. "no, I just felt like a baby bird without these." you refer to your glasses, opening the bathroom door. "well you are a bird, my bird." he mumbles, sliding up behind you, wrapping his hands around your waist as you began brushing your teeth, nuzzling into the crown of your bonnet, smelling nothing but a mix of gels and a scented edge control you forgot to clean off the night before.
"you're such an old man."
I actually love this idea, I can imagine Ghost’s reaction to finding Soap alive
There was nothing. Nothing turned to green. An endless sky of green. For the briefest of moments he was light as a feather and could have sworn someone was reaching for him.
But before he could truly take it in there was a burning agony. The sky becomes a toxic green ocean, water rushing into his mouth and nose, stirring him into action as he fights to reach the surface, stiff muscles being forcefully used as his mind finds itself overwhelmed.
As he takes a breath of horrible air he's only filled with one thing. Rage. Blinding rage, the green waters screaming for blood at the back of his skull and only one name in his mind. Makarov. Someone tries to grab him but he shoves them aside, too angry to care as he storms ahead on pure instinct.
He doesn't remember what else happened following those moments.
.
Soap would wake up in an unfamiliar place, cold, alone and bloody. Still angry, the green in the back of his mind still making demands, but he could think. And he has no idea where he is or how he's alive.
Chapters: 1/? Fandom: Call of Duty (Video Games) Rating: Mature Warnings: Graphic Depictions Of Violence Relationships: Simon "Ghost" Riley/Reader, John "Soap" MacTavish/Reader, Kyle "Gaz" Garrick/Reader, John Price (Call of Duty)/Reader Characters: Simon "Ghost" Riley, John "Soap" MacTavish, John Price (Call of Duty), Kyle "Gaz" Garrick, Reader Additional Tags: Task Force 141, Eventual Smut, Fluff and Humor, Polyamorous Task Force 141 (Call of Duty), John Price Acting as Task Force 141's Parental Figure (Call of Duty), Task Force 141 as Family (Call of Duty), Eventual Romance
Amazing. That leaves gaz then, Johnny's not invited for stealing my last bottle of bourbon. Still may kill him. Yeah probably
~~Omg hi so reaper is an oc imma start a fic about and I wanted to work on how she interacts with each character/ in general so thanks for replying. So nice to meet you hope ur days going great~~
Captain, trying to rally the boys for drinks, you in?
-lieutenant reaper
always down for a few drinks, aye?
Long time no brain dump.
I got a new fic in the works by the name of 'A Complicated Game Called Chess' ! I haven't finished my others, but we're not going to talk about that.
Branching out from my Batfamily fics, it's a cross over from COD and Charlie's Angel's and is sort of like a side quest for both fandoms as it works as kind of a mix between the 141 team and my own personal Charlies Angels characters.
I just wanted to know if anyone would be even interested in reading it before I put too much of my already limited energy into writing it out.
I already have a first chapter out on my Ao3 and just want to know if people like it and want more of my underbaked brain child.
As always, happy reading!
One of my favs
LOW COUNTRY | HIGH NOON
johnny mactavish x reader
[PREV] [NEXT] [AO3] [MLIST]
yearning—they're both so dumb.
Two weeks fly by and Johnny proves himself in ways you weren’t prepared for.
The first two days after he arrived, you’d spent hours showing him the ropes, expecting some level of difficulty, some struggle once he got down to actually doing the dirty work. Sure, he could listen and memorize to his heart's content, but if he couldn’t do the work, he wasn’t useful to you.
But goddamn, could he do the work.
The day after he arrived, you had him shadow you as you worked. You narrated everything you did for the livestock and important things to remember. Shimmer was on a diet and needed a little less hay in her stall. The water in every barn had to stay cool to keep the animals from overheating. The sheep’s bedding came from cornstalks harvested straight from the fields, and the barn doors had to stay open during the day for ventilation. Dixie had to be fed alongside the sheep—otherwise, she'd get jealous. The cows ate soybeans, and their barn fans had to run non-stop to keep the heat at bay.
On the second day, you let him take the reins. He remembered everything, every miniscule detail, down to a T. You were there if he needed help, but he never did. He fed the animals—hell, he did it all like he's been doing it his whole life, like he could do it blindfolded.
It was almost jealousy-inducing how easy it comes to him. You’ve spent years building up the strength needed to handle farm work. You’ve got muscle, no doubt about that. Every long day under the sun has carved power into your body, earned through a lot of sweat and double the tears.
It’s unfair. It’s painfully distracting. He’s painfully distracting.
Regardless, you shove your pride to the side. This is what he’s here for, after all.
The division of labor falls into place easier than you expect. He takes over livestock care and you handle the crops and the house. But together, everyday, you both fix the fences, riding out in the afternoons with supplies in tow, patching up the weak spots before they become real problems.
You don’t speak to Johnny much during the day—mainly during meal times. He spends most of his day to the left of the house at the livestock pastures and barns. The main pastures are all sprawled out, home to about fifteen cows and sheep, respectively. You spend most of your time at the crop fields, which stretch to the right of the house, along with the old barn your family stopped using years ago. Too much upkeep for what it was worth. The cornfields are there too, easy to reach on horseback.
The stables sit in between both, a ways behind the house. The whole farm isn’t a big operation, not by most standards, but it definitely needs more than one person to run it. With Johnny proving himself capable, you both fell into an easy routine rather quickly.
Johnny's up at 7 a.m., like clockwork. He takes the biggest horse, Scout, and makes his rounds, feeding the animals breakfast, checking the water troughs and filling them up when needed. He lets the livestock graze before the sun gets too high.
By 9, Johnny finally gets a moment to breathe while you’re awake and already in the kitchen cooking breakfast. You found that if you time it right, you can get an eyeful of Johnny from the kitchen window. You’ve unintentionally made it part of your morning, standing by the window, mug of coffee in hand, watching him. You repeatedly tell yourself it's to make sure he’s getting the job done, but the more you watch, the more you find yourself thinking about him in ways that grow exceedingly inappropriate for a boss-employer relationship.
You should stop watching. If he were to ever catch you, he’d probably think you were some kind of freak. Maybe you should focus on the eggs in the pan, the bread in the toaster, but it’s hard to follow your better judgement with Johnny around. Pa’s been on your ass for how much toast you’re burning these days.
Breakfast is never fancy, but it’s solid. Eggs, grits, fried potatoes, sausage, bacon. Sometimes fresh fruit if you’ve got it, a pitcher of orange juice on the table alongside the coffee. Variations of the same spread every morning, something hearty and filling to start the day.
Johnny’s damn near worshipful over your cooking. It brings a flush to your cheeks each time he comments on it, considering Pa’s never had too much to say about it. The way Johnny reacts, closing his eyes when he takes the first bite, letting out a quiet “Christ, that’s good”- or he groans under his breath, making it hard not to feel at least a little smug.
You’re used to running the cooking and cleaning on your own: the dishes, wiping down the counters, making sure everything’s in order. Pa never offered much help in that regard. He’s traditional in the sense that ‘it’s a woman’s job’ to take care of the home, with all of its chores and domesticities. He’s stuck in his ways but he’s got a kind soul.
But Johnny does it all with you. Doesn’t even ask.
He waits till everyone’s finished eating, then rolls up his sleeves and helps clear the table like it’s second nature, like it’s part of the job description. He stands beside you at the sink, drying dishes as you wash, putting them away without needing to be told where anything goes. He just remembers.
Most times, you both wash in silence. The only sounds are the clink of dishes, the rush of water, the occasional scrape of a sponge against a pan. But you can feel his eyes on you, watching as you scrub a pot or rinse off a pan. He never says anything—just waits for you patiently.
But it does something to you. Makes you feel small in a way you can’t quite explain. Not insignificant, but exposed. Like he sees too much, like he notices things you don’t even realize you’re giving away. It sets your nerves on edge, tightens something low in your stomach, makes your hands move a little quicker even though you don’t want to give yourself away. It’s ridiculous, really. It’s just dishes. Just a quiet kitchen. But under the weight of his gaze, it feels like something else entirely.
His arm brushes yours sometimes—subtle and fleeting but often enough that it doesn’t feel like an accident. Like maybe he’s finding excuses to touch you, even if it’s barely there. And it’s nothing, really. Just the briefest press of skin, the softest graze. But it burns and it lingers. It sinks into your skin like a brand, like something your body wants more of, wants to memorize. You keep your face neutral in the moment, your hands steady. Inside? Your pulse stutters, your breath feels too shallow, and your mind won’t stop spinning in circles. It’s ridiculous, how something so small can unravel you like this. But god help you, it does.
You try to brush it off. He’s just being kind, just paying attention. That’s all. Nothing more.
You remind yourself to be grateful for the extra set of hands, for the way his quiet presence makes the work easier. It’s a small thing, really—his help. But somehow, it takes the edge off the mornings, makes them feel a little lighter.
Johnny’s makes everything feel lighter, now that you really think about it.
Mornings used to be a race against the rising temperatures outside—shoveling down breakfast just to sprint outside and make sure the livestock were moved to the shaded pastures before the sun got too brutal. But with Johnny around, you don’t have to worry about that anymore. He’s got it covered.
After breakfast, usually around 11, Johnny heads back out to do just that, while you get ready for your day’s work. You throw on something you don’t mind getting dirty—some overalls and a tank top, old boots, maybe one of Pa’s loose flannels if there’s a breeze.
You head to the stables and grab Shimmer, heading out to the crop fields. You pass the time, watering, weeding, checking for pests, making sure everything is growing the way it should. It’s tedious work, but at least now, you can actually focus on it. In a way, it’s calmer than dealing with the animals.
By 3 p.m., you've made your final rounds around the fields, harvesting some cucumbers and tomatoes if they’re ready, checking on the other plants to make sure everything’s in place. The heat nears oppressive, and you’re already looking forward to heading inside.
As you ride back toward the stalls to put Shimmer away, your eyes find Johnny by the sheep pen. He’s herding them inside, guiding them with an easy patience, keeping them out of the harsh afternoon sun. Even from a distance, you can tell he’s got a good handle on them.
Your gaze drifts past him to Scout, tied to a fence post nearby. Shimmer must notice him too, judging by the way she whinnies, ears pricking forward with interest. They’ve been sticking close lately, choosing to graze together in the mornings and evenings, grooming each other like they’ve suddenly decided they’re inseparable. It’s odd, considering they’ve never paid each other much mind before—at least, not until two weeks ago.
It’s still August. Scout’s still in heat. You make a mental note to keep an eye on him.
Your gaze flickers back to Johnny—jeans slung low on his hips, a plain wife-beater stretched across his broad chest—and as always, you try not to stare.
But Johnny has a habit and it’s downright cruel. When the sun reaches its peak and the heat settles thick over the land, he peels off his shirt without a second thought. Like it’s nothing. Like he doesn’t know exactly what he’s doing.
And maybe he doesn’t. Maybe he’s just trying to keep cool. But sometimes—when he catches you looking, when the corner of his mouth quirks up just slightly—it feels like he’s doing it on purpose. Like he enjoys watching you struggle not to let your eyes linger on him too long, not to let your thoughts wander somewhere they shouldn’t.
You’ve never been so thankful for the relentless southern sun.
It clings to him, highlighting every sharp line and defined edge. His skin glistens with sweat, the golden light catching on the broad curve of his shoulders, the sinew of his arms as they flex with every movement. Thick and strong.
The first time you saw him shirtless, you stared. You couldn’t help it.
And of course, Johnny caught you.
His gaze locked onto yours, sharp and amused, and in that split second of distraction, you didn’t even realize you were sliding right off Shimmer’s back—not until you hit the ground with a graceless thud, landing in a fresh patch of mud.
His laugh had boomed across the fields, full and unrestrained, carrying all the way to your burning ears. You barely had time to process the sheer humiliation of it before you wordlessly climbed right back onto Shimmer like nothing happened, like you weren’t covered in mud, like you hadn’t just been caught drooling over him.
Played it cool. At least, you had tried to.
You shake your head, forcing your thoughts away from Johnny, and focus on putting Shimmer away. It’s easier said than done, but you manage, leading her into her stall and giving her a quick brush-down before heading back toward the house.
Lunch won’t make itself, and you figure you might as well get a head start—assuming you’re not completely covered in dirt from standing around, too busy staring at him to notice the dust clinging to your clothes. Which, if you’re being honest, happens more often than you’d like to admit these days.
At least he has the decency to put a shirt on before stepping inside. Small mercies.
You always whip up something light—sandwiches and a salad, maybe. You’re never in the mood to make anything too heavy. Pa skips out on lunch as usual, though. He always does, opting to head out to visit your Ma. She’s buried alongside a 200-year-old willow tree at the far edge of the property, the place that was always her favorite. Lunch used to be between you and a farm catalogue. Now, it’s between you and Johnny.
He never comments on how Pa slips away; he’s gotten used to the routine of it by now. It didn’t take long for him to piece it all together—Ma’s absence, the way Pa goes to kneel by the tree each day. He notices something in your eyes, too. He’s seen it in his own—loss. Grief.
When the aching sound of silence settles over the house—when the scrape of forks against plates is the only thing filling the empty space, when Pa’s vacant seat feels heavier than it should, Johnny’s hand inches toward yours.
It’s subtle, barely there. His fingertips just skim against your own, light and careful, like he’s offering something without asking. Like he’s reminding you, in the quietest way possible, that he’s here.
The first time he does it, you flinch and pull away before the warmth can settle, before the weight of it can mean something. But the next day, and the one after that, he does it again. Always the same way, always patient.
Day after day, you stop avoiding it.
It’s unspoken, something steady. A silent offering. He never asks for more, never demands, just open to let you take what you need.
Today, your hand creeps to meet his. Your fingers slide to hold his own so easily—so naturally. Your fingertips graze over his knuckles before slipping between his fingers, not gripping, just resting. His other hand stills mid-stab of a piece of fruit, the fork hovering in place before a slow, knowing smile tugs at his lips—soft, easy, like he’s careful not to startle you. He doesn't tighten his hold, doesn't rush, just lets his thumb brush along your skin, as if memorizing the feel of it. His consistency is comforting.
And day after day, without meaning to, you realize just how much you’ve come to rely on it.
Today, Johnny checks on the livestock one last time after lunch, but not before pitching in to help clean up. He’s quick about it, helping you get everything in order before heading out to make his rounds. He moves through the pastures, checking the water troughs, topping them off, and making sure the animals get their feed. It’s a rhythm by now—one that’s almost as natural to him as breathing.
You, on the other hand, head upstairs. The heat of the day still lingers in the air as you peel off your dirt-smeared clothes and step into the shower. The water hits your skin, hot and soothing, washing away the sweat, the dust, the weight of everything. For a few minutes, it’s just you and the steam, curling around you like a fog that keeps the world at bay. Thanks to Johnny, you can take more time for yourself, allowing for a few moments of peace.
Once you're clean, you retreat to your room for a bit, letting the quiet settle around you. The heat from the shower still clings to your skin, steam curling lazily in the air, and for a little while, you allow yourself the luxury of doing nothing. Just breathing. Just being.
But duty calls, as it always does.
With a sigh, you pull on something comfortable—old jeans, soft and faded in all the right places, a loose tank top that drapes over your shoulders, and a pair of boots worn supple from years of hard use. You leave your hair down, still damp, cool against the nape of your neck as you step into the hallway. The air meets you in a soft contrast, brushing against your skin as you shake off the last remnants of stillness and head downstairs.
Pa’s sitting in his armchair, the low hum of the 5 o’clock news filling the first floor. His eyes are glued to the screen, but you don’t disturb him, slipping into the kitchen to prep dinner. The knives feel familiar in your hands as you chop the vegetables you harvested earlier, the scent of fresh tomatoes, onions, and herbs filling the air. You sprinkle salt over the meat, massaging it in gently, knowing it’ll make the roast tender for tonight.
The clock ticks past 5:30, and at 6, the last task of the day is waiting. Fence checks.
You and Johnny do it together every day. At first, it was purely for convenience—two hands are always better than one. But now, you look forward to it—to seeing him again.
You grab your jacket from the hook by the door, the familiar weight of it settling over your shoulders, and step outside. The evening air is cool against your skin, the sky beginning to soften into a wash of purples, pinks, and golds, the colors mixing together like paint on a canvas. The breeze picks up, gentle at first, but carrying with it the earthy scent of grass and soil.
You make your way toward the stables, the gravel crunching under your boots in a steady rhythm. The evening air is cooler now, carrying the scent of hay and earth.
As you near the stables, you spot Johnny already there. He’s inside, leaning against Scout’s stall door, his back to you, speaking in a low murmur meant only for the horse. His fingers move through Scout’s mane with an absentminded gentleness.
There’s something different about him in moments like these—when he thinks no one’s watching. He softens. It’s endearing in a way you don’t quite have words for. And for a moment, you hesitate, just watching, before finally stepping forward.
You hum a soft, "Hey," and Johnny turns from Scout, a small smile tugging at his lips like he can’t help it, and he steps toward you with his hands tucked into his pockets.
For a moment, neither of you speak. You just stand there, caught in some strange pause, like you’re both waiting for something. His head tilts slightly, eyes scanning your face with quiet curiosity, and the longer the silence stretches, the more unbearable it gets.
“You talk to the sheep like that too, or just Scout?” you ask, blurting out the first thing that comes to mind.
He stills, processing your outburst before he huffs a laugh, shaking his head. “Only th’ ones that listen.”
Before he can say anything else, you turn away—too quickly, probably—and busy yourself with Shimmer, running a hand through her mane like she suddenly requires all of your attention. Anything to ignore the way your chest feels too tight, your pulse too loud in your ears.
Johnny doesn’t move right away. You can feel him still standing there, watching, like he knows exactly why you turned so fast but isn’t going to call you on it.
“She givin’ ye trouble?” he finally asks, nodding toward Shimmer as you stroke her mane.
“Always,” you mutter, scratching behind her ears and she whinnies. “She thinks she owns the place.”
“Cannae blame ‘er. She’s got ye wrapped ‘round her hoof.”
You roll your eyes, but your lips twitch despite yourself. He’s not wrong. Shimmer huffs softly, nudging at your shoulder like she knows you’re talking about her. You softly push her nose away, shaking your head.
Johnny steps next to you, leaning his arms over the stall door, softly scratching the base of her neck. “That why ye bolted over here, hmm? Needed an excuse tae hide?" His voice is light, teasing—but there’s something underneath it. Something careful.
Your hand stills for just a second before you scoff, shaking your head. “Please.” You turn, meeting his blue eyes with a practiced ease you’re not sure you actually feel. “If I wanted to hide from you, I’d pick a better spot.” You’re almost teasing when you say it, but you do know the property better than him, afterall.
“Dinnae have tae hide from me, hen,” he hums, the corner of his mouth quirks..
You hate that it makes your stomach flip. Hate that you have to force yourself to look away, to pretend the warmth crawling up your neck is from the evening heat and not from him.
Johnny lets the silence stretch, like he’s giving you a chance to say something—anything. His gaze lingers, drifting over you. Taking in the curve of your shoulders, the way your hair catches the fading light, the way you hold yourself like you’re thinking too much but refusing to say why.
When you don’t speak, he exhales a quiet chuckle, shaking his head before pushing off the stall door. Letting it go, for now.
He nods toward the fields, “C’mon. Fence line’s no’ gonna check itself.”
You follow without a word, slipping out of the stables with him. Long shadows stretch across the fields, swaying with the wind-blown grass, and somewhere in the distance, a few cattle call out, their distant sounds blending with the steady hum of crickets.
Neither of you rush. There’s no need. The fence line is long, stretching across acres of land, and it’s a quiet sort of work—just walking, looking, making note of any broken slats or weak posts that’ll need fixing. He walks alongside you, the toolbox rattles lightly in his grip as he carries it at his side, the sound punctuating the steady crunch of boots against dry earth.
For a while, neither of you speak.
It’s not exactly uncomfortable, but it isn’t easy either. You’re aware of him in a way that feels impossible to ignore—the way his steps fall in rhythm with yours, the occasional brush of his arm when the path narrows, the way he glances at you when he thinks you’re not looking.
“Ye always this quiet?” Johnny asks, his voice low, barely disturbing the quiet, as if it’s a part of the gentle breeze.
You snort softly, eyes fixed on the fence as you mindlessly trail your fingers along the wooden slats. “Only when there’s nothing to say.”
“That so?” His voice carries easily with a sprinkle of amusement.
“Mhm.”
You keep walking. So does he.
Every so often, you test the fence with a firm press of your palm, checking for weak spots. He does the same. Occasionally, he stops to inspect a loose post, tapping it with the toe of his boot before moving on. It’s a simple rhythm—walk, check, walk again—but the silence between you is anything but simple.
It’s thick, growing heavier as the minutes tick by.
You can feel his presence beside you like a current, something you could fall into and get swept under if you weren’t careful. And maybe he feels it too, because every now and then, his hands twitch at his side, like he wants to reach for something, but can’t. Won’t.
“Ye ever get tired o’ all this?” His voice is quieter this time, almost like he’s asking himself more than you.
Your brows pull together slightly. “Of what?”
He gestures vaguely around you with the hand that isn’t carrying the toolbox. “Th’ same land, same routine. Mornings start early, work’s never really done. That ever get to ye?”
You consider that for a moment, kicking at a stray rock with the toe of your boot. “Maybe. Some days.” You glance at him. “You?”
His mouth tugs into something like a smile, but it doesn’t quite reach his eyes. “Nah. Never.”
You don’t know what to make of that.
The two of you keep walking, keep checking the fence. The breeze picks up, stirring loose strands of your hair. Johnny exhales a slow breath, his shoulders shifting as he rolls them back, working out a stiffness from the long day. The movement draws your attention, and for a brief second, you let yourself look. Really look.
The sharp cut of his jaw, the way the light catches on his cheekbones, the way his shirt clings to the broad stretch of his shoulders, still slightly damp from the sweat of the day. The gold cross dangling from his neck and the dark, miniscule birthmark that sits just below his ear. His hair has grown a bit since he first came. Maybe you could cut it for him, like you do for Pa.
You swallow hard and snap your gaze forward before you get caught. Again.
Another long stretch of silence. Another step. Another brush of his arm against yours—so light it could be accidental.
Could be.
Johnny stops when he catches sight of a sagging section of barbed wire, his steps slowing before he finally comes to a halt. Without a word, he sets down the toolbox and crouches, running a hand over the worn wood of the post before reaching for the wire. Testing its give. Seeing how bad it really is.
You watch as he exhales through his nose, shaking his head slightly before grabbing the wire stretcher and a handful of staples. He doesn’t hesitate, doesn’t even complain about the extra work—just gets right to it, like it’s second nature.
Rather than hover over him, you hoist yourself up onto a sturdier section of the fence beside him, perching on the top rail with ease. The wood is solid beneath you, not like the weakened stretch he’s working on now.
The sun is nearly gone, but there’s still enough light to bathe the fields in a golden glow, the last remnants of warmth brushing against your face. You tilt your head toward it, letting the heat sink into your skin, letting the evening breeze lift strands of your hair. It’s the kind of peace that settles deep in your bones, the kind you don’t appreciate until it’s gone.
Johnny breaks the silence first.
“If I’d’ve grown up somewhere like this…” He pauses, twisting the wire tight before driving a staple into the post. “I think things would’ve turned ou’ different for me.”
The way he says it—flat, almost absentminded—makes you hesitate. You’re not sure if he’s inviting the conversation or just thinking out loud. You don’t want to pry, but something about the way his voice lingers in the air makes you ask anyway.
“Different how?”
Johnny keeps his eyes on his work as he answers, pulling the wire taut. “Would’ve been normal, I guess. Wouldn’t have joined up. Would no’ have spent years runnin’ toward shit other people run from.” He exhales softly, a ghost of a chuckle. “Think I’d have been calmer. More settled.”
You watch him work for a moment, the way his hands move with ease, deft yet steady. He doesn’t look unsettled, per se. If anything, he seems at ease out here, like he belongs in the quiet.
“You don’t seem unsettled,” you say finally, tilting your head to him.
Johnny huffs out a quiet laugh, shaking his head as he pulls the wire one last time, before giving it a final staple to secure it. “Then ’m doin’ a great job at pretending.” His voice is light, but there’s something underneath it, something that makes you press your lips together.
You watch as he finishes up, hammering in the last staple before brushing the dirt off his hands. “If you aren’t happy here, you can always leave, y’know,” The words slip out before you can really think them through. “There’s plenty of families that need help.” It’s not a challenge, just a simple fact.
That stops him.
He straightens up, turning to you with something between bewilderment and confusion, like the idea hadn’t even crossed his mind. Like he can’t quite believe you’d think that, let alone say that.
“Ye think I’m no’ happy here?”
You shrug, glancing out toward the fields. “I mean…” you pause, exhaling as you look toward your boots, drawing shapes in the dirt with the pointed toe. “I wouldn’t be surprised. It’s isolating.”
Johnny sets the tools down in the grass beside him, his jaw tightening as he mulls over what you just said. It sticks in his head, gnaws at something deep in his chest. He hadn’t considered that you might think that—hadn’t realized he might’ve spoken in a way that’d made you assume he wanted out.
But when he looks at you now, perched on the fence, swathed in the gold, pink, and purple swirls of light from the sun, he understands why you would.
You’ve been here your whole life. You know the weight of isolation, watching things in your life pass by and disappear before your eyes. You probably expect people to leave.
And maybe that should be the case. Maybe he should leave—move on to bigger and better things. But when he looks at you—really looks at you—it doesn’t feel that simple. It can’t be. It’s not.
Your very presence buzzes with life, from your hair to the ever-present flush in your cheeks—from the heat or him, he doesn’t know. You’re sat on the fence like you belong here, like the land itself was carved around you. And maybe it was. Maybe that’s why he’s so goddamn unsettled. You’re everywhere; you’re in every breeze that brushes his skin, in each rooster crow that signals the wake of a new day.
He’s spent his whole life moving, chasing something—war, adrenaline, a sense of purpose that’s always been just out of reach. He knows the weight of isolation just as well as you do.
His throat feels tight as he finally speaks, his voice dipping lower, rougher. “I’m no’ unsettled because o’ the job. Or the farm.”
His gaze is locked onto you, unrelenting. Waiting. Willing you to understand—like he’s been holding this in for too long, and if you don’t get it now, he’s not sure what he’ll do.
And then it all clicks.
It’s not about the farm. Not about the work, the isolation, the long days under the southern sun.
“Oh.”
The word breathes out of you before you can censor it, before you can even feel it.
You’re the reason he carries tension in his shoulders, the reason he looks at you like he’s already lost whatever battle he’s been fighting with himself.
All at once you can feel the sharp pull in the air between you, the way his jaw tics, his breath slows, his fingers flex like he’s stopping himself from reaching for you.
And the worst part?
You wish he wouldn’t.
Decided to doodle Dempsey encountering our Wrecker, because the thought was funny to us
He is taller than your average Dempsey for sure
Edit: we forgot the scar on his neck so now it is updated
![We Got Silly And Decided To Doodle Our Wrecker Dempsey And Roach Just Vibin Together :]](https://64.media.tumblr.com/5b7cd3919e175f41c8ae3074828df853/c8d3a1f743a9ec0d-0f/s540x810/12c7a5f1708b5d432641bc85367c1d023c6531dd.png)
We got silly and decided to doodle our Wrecker Dempsey and Roach just vibin together :]
This is also inspired someone’s Headcanon Snapchat posts on here, @/yooo-lets-go!
(Pose reference also by Mellon_Soup on Pinterest and TikTok ^^)
I have fallen in love with @would-btw’s dukedom au over on the bird website. I wanted to see Simon feeling more comfortable during his pregnancy, safe and loved.
I had a ton of fun working on this, but don’t ever ask me to do a patterned fabric again XD
All the flowers on Simon’s dress have meanings, btw :)
Just curious but… how would y’all feel about a WW2 AU? NO THIS IS NOT JUST AN EXCUSE TO DRAW EVERYONE IN 40’S CLOTHES okay so maybe it is, sue me
But I’ve got some thoughts, and I think they’re really good thoughts…
"Like thorns on a rose, i'll show you what my teeth are like 👅"
Wip
Nikto, in her desire to learn more about the musical tastes of her future boyfriend, Einar, and connect with him on a deeper level, decided to learn more about the Argentine culture and explore the music they have. It was then that she stumbled upon “Deseo Perder” by Milo J., a song that, although she didn't fully understand because she didn't master Spanish perfectly, she felt it conveyed emotions that she managed to understand and share with her heart. Without hesitation, Nikto dedicated the song to Einar to confess his feelings, creating a significant moment in their relationship. For Einar, this song became a symbol of Nikto's sincere and loving gesture. Every day he listens to “Deseo Perder” with a mixture of nostalgia and affection, as it not only represents his connection to Nikto, but also the first musical detail he dedicated to him. In everyday moments, as Einar sings the song, he often reminds Nikto of that precious instant when he first dedicated the song to him.
In this excerpt, Einar asks Nikto if he remembers that special day, and although Nikto responds with “if I remember”, the emotion in their expressions reveals that they both keep that memory alive and full of meaning. Einar not only listens to the song, but also relives it with every word, enjoying the shared moments and making it clear how much that song means to him. Through this exchange, the unique connection between them is reinforced, where words and memories are more powerful than any language barrier.
Translated with the Fragments i used from the song:
Einar: You are able to guide my energy, if it goes down Einar: You are the Sun...that came...to shine Einar: Do you remember? Nikto: If i remember Einar: It's the song you dedicated to me Einar: That day you declared yourself Nikto: You are making this mess beautiful Nikto: I envy the mirror for looking at you Einar: Jaja my god sweetie
BLOOD TO SPILL page 2
❝Sin city❞
"This is just a fragment of the story that began after I met my dear husband, Nikto, when our lives took an unexpected and fascinating turn. Let me tell you my story so that there is no room for confusion." by Einar
BLOOD TO SPILL page 1
❝The sky is not blue and the world is not pink❞
"That guy with the black and pink hair you see there is me… but don't worry about it." by Einar
I bring this that happened to me while I was on vacation at the beach.
I needed a fairly new character, a basic one or so I assumed until I thought of reviving that side of wanting to make an antagonist (whenever I did it I never showed it), I always believed that villains must have a strong and dark character.
But what if at first they seem innocent and when you least expect it they change? This is not like Disney characters, the character I made has its development until becoming a villain and does not always seem innocent enough to captivate people. So I used Einar again because I knew he did not have a specific story, he was just a character who was there and that's it. So it was better to give him a leading role and a fixed story, inspired by a specific musical theme "Sangre para derramar" by Milo J, thus giving birth to the comic of Nikto and Einar being the Antagonists of the story of which I already published the prologue of how the AU is more or less. (You can find it in the comics catalog of my profile as BLOOD TO SPILL)
Well, in this little comic that I bring you, it will not be understood since it does not go into much depth in the two blue boxes, where I show the side of Einar who is a quite mature and reasonable villain when he has in front of him liars/deceivers who at some point were “something” or who had an “emotional/friendly bond” where they got angry with him for the simple fact that he did not listen to them when they felt terrible for not meeting their expectations, after they told him that he was good, the right one, the perfect one…
It was so funny to discover how hypocritical they were, seriously, who in their right mind would say that? Saying all those “motivating” things and then coming and blaming him, when they did not even listen to him or simply kept it to themselves, he was there for them, he prioritized them even though he was going through a bad time where he needed them to be reasonable with him and sincere from the heart. Sure, you lived if you didn't show up or you died if you came back just to reproach him for things from the past.
(I literally love how I'm developing this character, watching videos, reading some stuff and all just to show you an antagonist with evolution. 🥰💗)
BLOOD TO SPILL Pilot
"Loving with madness"
Our young Einar had entered the base of the Spetsnaz group of the Loyalty faction with a rather disheveled appearance with short hair with a difference that was tousled, his locks between long or short, some visible marks on his skin, dark clothes and had that half smile that the boy pretended. Einar did not know who Commander Nikto was, since he was not there when he arrived at the squadron, so he asked for the number of that stranger in the hope of being able to see him and introduce himself to his superior. As time went by, they got to know each other little by little, discovering that the young new recruit had only joined Spetsnaz to forget his past, confiding to his superior all his history, as well as why he was hurt when he arrived the first day. Within a few months of having a good relationship together, the two became attracted to each other, after helping each other for various common reasons and finding similar likes and dislikes. Hence, it is discovered that they became sweethearts on the condition that they would later give birth to him once Einar will make a quite crucial decision to get rid once and for all of his image or appearance at that time. So, it is surprising how with the passing of the months Einar has a drastic change of his appearance with the before and after.Also his pronouns changed this time to neutral (he or she) or binary (he, she and they), but his identity remains just as valid. Nikto in this case, does not discriminate against his partner's current changes, he never would since he helped him from day one he came to the base. Thus, whenever they have their days off they always go out to the city to spend quality time together or head to the apartment they both bought. “Fear is of no avail, for sooner or later, the blood that must be shed will meet its fate, and the inevitability of this fact cannot be avoided by the fear that hearts harbor.” by Einar However, Nikto, who trained Einar with his techniques and others that the young black-haired man was developing by simple revenge of his anger, in the squadron as in enemy bases are known as the true Antagonists of this story, for having no mercy when killing and superior skills to others that no one could reach.
I know I'm on vacation but I've come to reflect on something that I would like to tell in a Nikto comic with Einar. I think that today the reasons for Nikto and Einar's vacation are published, so this other idea will be continued so that it makes sense.
I didn't think this vacation was going to give me more knowledge about something.
Basically going to the beach alone for a few hours, I felt the need to ask myself something, the question was “what if I can't?” Making me think about how Nikto and Einar would think in that situation. I came to many conclusions and chose one, a nice one by the way.
Also in love with the answers that Nikto would give, encouraging that Einar is someone unique and that he may not have a very happy beginning but that does not classify what he is. Otherwise, the rest of the story who he decides to be.
It was a thought of a very mature idea for their story since I want to focus on the present, where Einar has a change and well, I don't want to say too much.
I sincerely love this couple of silly lovers and they are the main thing on this account.
Since Einar is Argentine, he asked Nikto to watch the Copa América final together, but it turns out that they delayed the match so they didn't know when it would start. Then Nikto commented if he was okay since in the afternoon Einar accidentally touched a captus and hurt his hands (it hurt a lot because he bled), but the young man didn't even worry because his hands were bandaged.
(This explains why I have pain in my hands but told by these lovebirds haha I was a fool people, please look around you carefully or you'll run into a cactus xd)
In Au Have, Einar plans to train boxing to get out all his anger and is excited to want to do it, so Nikto compares him to a kitten wearing boxing gloves. Something funny for him but not for Einar.
A little bit about me:
✭ I'm Maxine or Jason, whatever you want to call me, both are valid.
✭ He, She and They
───────────────────≫•◦ ❈ ◦.
Catalog of my comics
.◦ ❈ ◦•≪ ──────────────────
─LOVE BLOSSOMED IN THE LIGHT OF OUR SINCERITY
❝Same tastes? LOVE IT!❞
❝I love to see your messages❞
❝It's okay to be happy❞
❝Our date, our love❞
❝Sen benim beşinci yıldızım, her gece gökyüzümde parlıyorsun❞
─BLOOD TO SPILL (NIKTO X EINAR)
❝Loving with madness❞ Pilot
❝The sky is not blue and the world is not pink❞ Page 1
❝Sin City❞ Page 2
─THE FLOWERS ARE FRESH AND THEIR FACES WET
❝The Death of souls❞ Page 1
❝Dreams sometimes hurt❞ Page 2
─HISTORY OF VILHJALMUR AND EIRIK
❝New life❞ The endless beginning of an eternal love
❝Happy birthday Eirik!!❞ Surprise my king!
❝Sticker❞ It is the best gift
જ⁀➴
─THE DREAMS OF VILHJALMUR
❝My inner child❞ Everything is going to happen
─HISTORY OF NIKTO AND EINAR
❝Between life and death❞ One Star Relapses
❝University days❞ (1/?) The reality of this couple at university
❝Football game❞ I invite you to watch the soccer game with me
❝Memories in Melody❞ Our first song ˚ ༘♡ ·˚ ₊˚ˑ༄ؘ
Ko-fi Each donation will receive a doodle if it is from the COD or if you specify it to me!! ˙ ͜ʟ˙
──────────≫•◦ ❈ ◦.
Oc's
.◦ ❈ ◦•≪ ──────────
Death
Life
Dennyx
Marshall
Fresita
Einar
Skaperen
Tetnig
Andy ( Comic 1 )
Koer
Vilhjalmur
Eirik
Ezz
Ariad
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Over time I am updating and publishing all the comics I made ☝️😌
In my profile you have the option to ask me questions in case you want to ask me questions about me or about the comics.
tags:
In this Au Einar goes to college (uni) and since he hasn't been emotionally well lately, Nikto stays there for 5 hours in case his boyfriend needs something. So Einar must tell his companions that he is only coming to wait for him until he leaves.
"Have you ever painted a painting?" There are situations that overcome your emotions and having everything accumulated makes you explode, especially if you have an anxiety attack about who you are… Luckily it did not get worse thanks to Nikto stopping Einar, but it is not the first time this has happened…whether you like it or not, the young man some days wants to carry out this heartbreaking action of taking his own life. But Nikto's hug stopped him from grabbing those scissors that were there after cutting his hair and seeing what no one wants to see… He is a good boy, Nikto always tells him things to cheer him up, but this situation is recent so it is estimated that a month and nine or ten days have passed since what happened, that is why it hurts Nikto to see Einar like this and that It is because the situation marked the young man a lot. That's why in the last drawing Einar is fainted because even his body couldn't bear to continue...
Dialogues
Einar: THEY ARE RIGHT
Einar: WHY DID I LIMIT MYSELF?
Nikto: You didn't limit yourself
Nikto: You had a reason to continue living
*Einar, inside*: But every day i think about dying, nothing goes weel for me...
Einar: I don't want to pretend that i'm fine anymore...ever again
Nikto: we're barely a month and nine days into all that trouble...you're not alone Einar
The big guy still protects his inner child for memories that sometimes he doesn't want to remember.
His inner child always cries so the big guy gives him all the confidence that he really can and tells him some words so that the little one doesn't give up.
He does this every time he sees his inner child sad in his dreams.