Curate, connect, and discover
yuh ok im working on something for realsies
ideas,,, for a pv
thinking about those tiny tufts of hair beta Rag had,,,,
uhh Devour joke yknow,, you get it
original pic:
the set up
yall i dont think they wouldve been so fearful and hungry if they just went to jollibee
yall i dont think they wouldve been so fearful and hungry if they just went to jollibee
i am a d'arce miasma truther
also bonus tiny darce that was in one of my files?? idk what it was for but i'd like to share it to the class
some more july sketches from when i was learning how to draw them - before i chucked them all into a rock tumbler and made them shapely
shmorpy moonless and girl doodles
originally wanted this to be a comic but realized i could sneak in some storyboarding practice
i love these dungeon dads :,,,,^]
behind the scenes/process stuff underneath
had to redraw Cahara's back SO MANY times why am i even here
move over cahara itâs my turn >:(
Hey so artist to artist, share a secret, how do you achieve that effect? I'm obsessed with how raw it looks love to coloura love the impression and softness just *chefs kiss*
https://www.tumblr.com/corn-cardigan/760825147001339904/random-stuff-from-july-legarde-thing-i-probably?source=share
<- last art from this post
Thank you so much (ÂŽàŒàș¶àœŒÏàŒàș¶àœŒ`) !
The way I paint is honestly a hodgepodge of methods. Iâm in no way a professional painter or visual development artist - I work like this because itâs a nice change of pace from my usual stuff. But hereâs a look into my process!
I work in glazes, then I build up to full opacity when I render. This way, whatever subject Iâm painting melds with the background color. I prefer my pieces having low contrast and details. I save the most contrast and details for focal points and areas in direct light.
Iâm also mindful of what direction my brush strokes are in as a way to sorta replicate traditional painting. It tends to do some heavy lifting in terms of indicating form. ((I love low effort things with big payoffs yippee!!))
Itâs really noticeable in my last painting but I add these borders when the subjectâs colors contrast too much with the background. By adding that transition border, it makes the subject feel less like a sticker and more incorporated into the background.
When painting portraits, my focal point will usually be the face and eyes. So I prioritize all the rendering and information into that area. Everything else outside that zone is kinda a mess of colors, shapes, and brushstrokes - but itâs ok because itâs not the priority. (Also the above pics are WIPS so if I finished them, it would be a bit more refinedâŠ)
Somethings I did in 2022 that kinda exemplifies my points. Although if I did these again, maybe Iâd bump down the contrast and make it more focused??
Again, painting is not my main thing!! I just do it for fun and itâs meditative and when you're a storyboard artist, you miss colorsâŠ
I always strongly recommend studying contemporary and classical painters who have a stronger, articulated grasp on this matter. Iâm just noodling around most of the times.
Lengthy post but hope this helps!!! đ
my fave cutscene in the game for realsies
based off this pic:
random stuff from july + legarde thing i probably wonât finish bc he sucks
Ragnvaldr and his good friend, BLĂ HAJ
what if enki uses his bug friends as hair accessories :0
based off my last post, theyâre actually having a sleepover
oh cahara hes so cool,,
doing a Dâarce run is so funny to me bc like - youâre here to save your morally corrupt crush from this hellhole prison but, along the way, youâll encounter these three male models totally inappropriately dressed for the environment yknow
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my carrd.co
fearin and hungerin
these guys have been at the forefront of my mind
first post !! coloring in a different way than I usually do