Doing Awesome Things - Blog Posts

In early 1971, Kay Brown, Dindga McCannon, and Faith Ringgold gathered a group of black women at McCannon’s Brooklyn home to discuss their common frustrations in trying to build their careers as artists. Excluded from the largely white downtown art world, as well as from the male-dominated black art world, the women found juggling their creative ambitions with their roles as mothers and working heads of households left little time to make and promote their art.

Out of this initial gathering came one of the first exhibitions of professional black women artists. “Where We At”—Black Women Artists, 1971, opened at Acts of Art Gallery in the West Village that June. Adopting the show’s title as their name, the collective began meeting at members’ homes and studios, building support systems for making their work, while assisting each other with personal matters such as childcare.

Influenced by the Black Arts Movement, members worked largely in figurative styles, emphasizing black subjects. While the group engaged politically with racism, their work also spoke to personal experiences of sexism, and members contributed to publications including the Feminist Art Journal and Heresies. Though the group’s mission was not explicitly feminist, Where We At recognized the power of collectivity—empowering black women by creating a network to help attain their professional goals as artists.

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