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Diana Giacometti stood on a crowded platform of St. Pancras Station in London, not quite sure what to do with herself. Her suitcases stood next to her, brown leather accents on green fabric. There were three of them, one and a half were occupied by clothes and toiletries, and the rest were other necessities (mostly various books in Italian and English). She also had a matching messenger bag crossing along her front to rest effortlessly on her hip. This contained her phone, a journal, and a battered copy of The Iliad, which was, quite strangely, in modern Greek, a language which Diana did not know, nor the language of the original text.
She’d just gotten off a two-and-a-half-hour train ride from Paris, which she’d taken after a harrowing journey through Europe. Said journey had started with a nearly ten-hour ferry ride from Olbia (in Sardegna, an island off the coast of Italy) to Rome. Then, after staying in quite a classy Roman hotel (at quite an expensive price) for a night, she hopped on an eleven-hour train ride from Rome to Paris. After that, she took a train across the channel to London, and here she was. The worst part of the journey was the fact that she was travelling entirely alone. Now, she was a thirteen-year-old girl standing alone in St. Pancras Station at 9PM.
Two more trains. She took the tube from King’s Cross (the station attached to St. Pancras) to Paddington Station, her first time on London’s infamous subway system. She was a bit sad that she was leaving London before she’d even stepped outside of a train station, but the fact remained that she needed to be at school the next morning.
After arriving at Paddington, she took her last train to Windsor and Eton Central, only a half-an-hour.
Standing in the eerily quiet streets of Windsor at a time which Diana reckoned was quite near midnight, the cold, just-rained air pressing on her; the past few days felt like a fever dream. Paris and Rome and countless views of European countryside blurring together while clashing with the shiny, linoleum trains and stations, and processed snacks from overpriced stores. She hadn’t seen very many travelers her own age. A band of three British boys, a scared Danish girl, and no less than five French siblings traveling with their mother.
She thought now that she might’ve stood out quite plainly in the crowded European stations, a middle-school-age girl in a tweed jacket standing idly. She’d sometimes whisper lines of the Greek in her copy of The Iliad, sounding out words and phrases that she didn’t know the meaning of. This invariably startled anyone seated near her, while simultaneously shutting her up for the foreseeable future.
Well, now might be a good time to describe the way that Diana looked. She had chocolate hair that poured from her head in coils and swirls, draping itself across her shoulders in a charming way. Her nose was a bit big, and a light, red blush stretched across the middle of her face, like a cat lounging in the sun. Her face was harsh but not ungraceful, an elegance hidden in the way she composed her features. She had large, red lips that complemented her face perfectly, along with unkempt but not untidy eyebrows that arched slightly. Her large eyes were a deep blue, a sea of dark waves, outlined by long eyelashes.
I might also tell you of her character here. It was not unlike the harsh, beautiful Greek that she read from that book. Her voice was eloquent, even-tempered, and she commanded respect around her. The wall that she placed between herself and the world was almost unnoticeable, her façade pinned up on it. She seemed sure of herself and what she said, kind at moments when you’d least expect it, nearly perfect to most people. Some thought her cruel and cold, while others thought her too loud with her opinions, but most saw this perfect self that she had instructed herself to portray.
In reality, she was afraid. She was afraid of herself. She was afraid at every minute that she’d say the wrong thing, wear the wrong outfit, tell the wrong lie. Who she was changed slightly from person to person, and she hated it. The wall of lies she built was splotchy and built of different materials at different sections, having been carefully constructed for years. She prayed that everyone thought they were looking at the same wall, that no one would dismantle it, brick by brick, or knock it over, sending it crashing down on her. Clermont was her opportunity to paint over it all in one stroke.
Only one person had ever managed to build a back door to this wall, and he was dead. It was his Greek book that she carried around, complete with his annotations in a mix of Greek, English, and Italian. She’d catch herself running her thumb over the words scrawled in the margins of that book, knowing that he’d written them all those months ago.
If I don’t love you,
then why,
darling,
explain to me why,
do you look so gorgeous?
Violet light,
weaving itself through strands
of golden hair.
If you don’t love me,
then why am I the first person you look at
when you walk into the room?
Some sort of something
in your eyes
as they dart away from mine.
I forget to breathe.
I see you walk out,
pretending not to notice you.
Pretending not to notice
how your eyes flick to me as you sit
carelessly
with the sun and the blue sky.
I caution a glance
as I walk away.
I don’t love you?
I don’t love you.
P.S. Yes, this one’s about the academic rival.
Rain pounded on the roof of the car, plunking out a melody.
“What do you think happiness is?” Theo often asked these unexpected questions, so Alexander wasn’t so very surprised.
“Not crying myself to sleep every night,” the words had slipped out of his mouth as he read his book in an uninterested tone. Now he looked at Theo, weighing his reaction. Theo’s face had a puzzled, maybe worried, expression on it.
“Hm.” He didn’t say anything more. Alexander wouldn’t admit that he’d hoped Theo would. Alexander didn’t know it, but that scene near the brook at midnight all those months ago was playing through his head again. After a bit, Theo continued.
“Are you happy?”
“I don’t know,” Alexander said, looking at the rain crashing down on the window. The melancholy that came every night and used to make him cry in Autumn now only resided in his mind as a dull numbness that visited before he went to bed each evening, but it was there, even still. Theo did not enquire further this time, and the two returned to reading their books, Alexander consumed in a secondhand copy of The Tenant of Wildfell Hall and Theo skimming through a book of Sappho’s poems.
The sound was muffled; all he could see was Theo’s gorgeous eyes, looking down at his sketch. He leaned closer to see what he was drawing, placing his face closer to Theo’s. Theo smiled over yet another drawing of Alexander. Alexander looked back up at his eyes, and Theo couldn’t pretend not to notice him this time. Alexander’s face was angled in such a way that he was looking up at Theo, quite a rare occurrence. Theo looked straight into those emerald eyes that stared into his. Alexander moved so that his head rested in Theo’s lap and his legs dangled down the hill. His eyes glanced down at Theo’s lips.
Without thinking, Theo pulled his lips up to meet his, a perfect moment, a perfect moment. Warmth spread through Alexander as if he were drinking a scalding cup of hot chocolate in bed on a cold night, the warmth burning the back of his throat and spreading through his body. His hand reached up behind Theo’s head, clutching onto his tawny curls. He didn’t want this moment to end; he couldn’t let it. His mouth did not leave Theo’s, his fingers intertwined in Theo’s hair. He could feel Theo’s hand move down to his back. Their lips parted, a too-long goodbye. Theo looked at him, some sort of expression on his face, not exactly a smile. Alexander shared it. Alexander closed his eyes as Theo sprinkled magnolia leaves on his face, laughing. He knew this moment was never meant to last.
His pillow was wet with salty tears and his eyes were swollen from crying as he woke up. His chapped lips stung with the taste of saltwater. Diana called him.
“What time is it,” he asked, his voice cracking. He hoped she would think he was just tired. She did not.
“It’s just about 8 o’clock. What’s wrong?”
He didn’t say anything but simply hung up. He walked to the South Meadow again, slower than last time. He did not see Theo next to him. After a few minutes sitting at the bench next to the field, he heard a voice behind him.
“You’ll be late to chapel,” it said quietly, worried. Theo popped up in front of him. He tried his best to smile. Theo did not mask the concerned expression on his own face. He noticed a stray tear right under Alexander’s eye, and knelt down to wipe it away. The feeling of his hand on Alexander’s face made his skin tingle. He started to smile honestly. Theo sat down next to him quietly.
It started to rain, and Theo stood up from the bench.
“We’ll be late,” he repeated simply. Alexander walked behind him to chapel.
Alexander woke early; he had left the window open, and fragrant pear blossoms were now floating in and depositing themselves on his face and chest. He thought of yesterday evening and smiled, picking up the little, white flowers one by one and dropping them onto the floor of his room. He stood up and dressed quickly. He picked up his bookbag and nearly ran out the door, but stopped to fuss over his hair, blowing in the spring breeze that came in from the half-open window. He gave up and went down the stairs, skipping every other step. With his bag carelessly flung over his shoulder, he started walking towards the South Meadow, breathing in the sweet air. He hadn’t realised how he felt towards Theo, not now, not yet. All he did was smile and look at the clouds running their slow race across the sky. Before he knew it, Theo fell into step beside him. He kept smiling.
“Good morning, Alexander.” Hearing his name on Theo’s lips awoke him from his reverie.
“Morning,” he said, suppressing his smile so that only the left corner of his mouth turned upwards.
They walked in silence for a bit, passing the few boys that were awake at this early hour. Alexander noticed the way Theo’s curls fell onto his forehead, the way his eyebrows scrunched up and his lips parted slightly when he seemed to be thinking about something, the way he examined Alexander’s face when he thought he couldn't tell. Their eyes met more than once, sweet moments of horror intertwined with whatever that feeling you get when you smile like an idiot is called.
They sat down at a bench near the meadow, and Alexander opened his book. Theo, however, pulled out a sketchbook and started drawing something that Alexander couldn’t see. Before he knew it, the noise built up, and Alexander opened his phone to check the time. They ran to assembly together, laughing the whole way. Everything felt fuzzy for that entire day. They smiled at each other in English, and Alexander noticed how often they agreed on arguments. He also noticed how Theo looked so deeply at the words on the pages of whatever piece of literature they were examining, as if he were trying to piece together a puzzle without all of the pieces. He always looked for a deeper meaning behind every word so quickly, looking for some sort of wonder where Alexander didn’t think to search.
Alexander’s golden hair shone in the glass sunlight, a moment so perfect it seemed it could fracture at the smallest breath. His eyes looked like green crystals, flicks of blue emerging in the sun.
Alexander didn’t notice this, but Theo did, gazing up at the window. He looked back down at his tattered copy of the Iliad, wondering what book Alexander was reading. The sun was setting, making the world look like a haze of pink and purple. Theo looked at the cotton candy clouds, unaware that Alexander was looking right down at him, sitting on the bench next to the road. Alexander closed his book, Jane Austen’s Emma, and smiled a little half-smile, looking at the way the orange sky reflected off of Theo’s eyes. Those eyes flicked to his, Alexander turning away a few seconds too late, the grin disappearing from his face. Theo’s smile, on the other hand, only widened. Alexander chided himself for his incompetence and looked over at the door of his room, still seeing those gilded curls. He blinked quickly, trying to get them out of his vision. He looked back down at the sidewalk; the boy had gone from the wooden bench. He forced himself to look back at his book.
A Poem of Many Poems
To write, my darling
It is the only way, truly,
To be heard forever
I write because-
Because
No one can take it away
From me
Or from the world
As the poets say,
Littera scripta manet
The written word remains
Indefinitely
Even when not a soul
Can understand a word
Of what I’ve written,
The letters will be there,
The sounds,
The beauty
That there is in words,
In language
I will be a relic,
A fossil preserved in the golden amber
Of eternity
And words
The poet is as the musician is,
Forever in sound
Words and are simply that,
Beautiful melody
She read books like she ran into the woods, each tree consuming her slowly as she disappeared into the green.
Key
The Archives
Poetry: #giulia breathing words
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Currently Reading: The Iliad, The Picture of Dorian Gray
Shimmering lace
Falls to the floor,
Like a spool of silk
Unraveling,
Revealing a dimension
Not thought of,
Not seen.
The stars melt into your waterfall
That ebbs and flows
In turn
With the tide.
A million darlings wish on your missiles,
Your projectiles of light,
Falling through the sky.
Your same image
Reflects upon the Earth,
Ever shining,
Above us all
Like a silver thread
Connecting humanity.
Sweet, mellifluous rays of sunlight
seep through every crack, every seam
invading every crevice, every nook
until there is no space for night.
A million threads,
golden as fresh honey,
bright as a thousand suns,
tether me to the sky.
The shine of silk or velvet,
the beauty of a field of dandelions,
the yellow light,
sends a haze over everything,
obscuring all that is not good.
The morning is acissmus,
the night, a palimpsest.
Until you see the stars.
Oh, the stars deserve their own poem.
I cannot do them justice as a simple end to another.
How can one call themselves human without being enamored with the heavens?
She is marble
She is glass—
All that falls to the floor
And cracks
She is snowdrop
She is rose—
All that wilts on its stem
And dies
Why must I compare her
To a flower
Or a statue—
Is not being enough?
She is not delicate
She is not rock
She is human
When she is cut
Blood spills
Is not brown hair
And freckles
And honey-shining eyes
Enough?
For this world
Plainly not.
How could I lead myself to think?
For a moment
For a second
A boy with eyes like glass jars swishing with waves of the blue abyss,
I wrote my pretty little poems
about a pretty little boy with starlight eyes,
moonshine hair.
The lives I regret to wish
that I had lived,
The girls.
Belgium, Switzerland.
French and Italian and American
Geneva, Brussels.
I try to say my life has changed;
Never the pretty little boy
with the odd Swiss accent,
and the lopsided smile,
and the shy, wry, understated wit.
Never again.
"Women, they have minds, they have souls"
"the wholeness after everything toppled."
"I’m so sick of people saying love
is just all a woman is fit for."
"Perhaps one did not want to be loved so much as understood."
"And sometimes I have kept my feelings to myself,
because I could find no language to express them in."
"The poets are always correct,"
"What an effort to keep alive."
"The Revolution will end with the perfection of happiness."
but.
"The stars in their courses"
"fight against us, my friend."
Eyes of flowing honey,
eyes of swirling ocean.
Is there really so much of a difference?
Both marred with scars,
painfully etched in over the years by family and friends and society itself.
A father filled with rage,
a mother who never wanted her.
One desperate to fit in with American society and one forever distancing herself from it.
One knowing nothing about himself and the other knowing everything about the both of them.
Yet, when their eyes meet all the scars seem to smooth over,
the raging sea calms,
the honey travels far from the fearsome bees of its past.
And, when they are inevitably torn apart?
Midnight parties in Wimbledon
Sketches of Julius Caesar on idle sheets of paper
Football games in Wales when it’s nearing dusk
Academic trips to South Africa in Spring
Sunsets from Roedean, on Brighton’s coast
Family pictures in front of Rad Cam in Oxford
Sushi dinners and British accents
and boys in black blazers
and evening walks to Grantchester
and Warwick in the summer months and taking pictures of the sun
and hair waving with the onslaught of wind on sunny shores
and Mediterranean villages on the sea
and 4AM strolls in Kensington and Leicester
and dinner dates in Porto Torres
and running through palm-ridden forests
and reading Dead Poets Society and the Secret History in dark corners of rooms with oak wainscoting
and Alexander in Eton tails
and-
To live so much
That I die
When I see you
one who speaks of
such that is different from their actions
is an idiot,
to entertain the notion
of facing you.
Why?
Who are you?
"To define is to limit," you say,
a smirk dancing on your lips.
It is because you know who you are, that you need someone to find out who that is.
For that is what it is
to be worthy of you.
Sweet, mellifluous rays of sunlight
seep through every crack, every seam
invading every crevice, every nook
until there is no space for night.
A million threads,
golden as fresh honey,
bright as a thousand suns,
tether me to the sky.
The shine of silk or velvet,
the beauty of a field of dandelions,
the yellow light,
sends a haze over everything,
obscuring all that is not good.
The morning is acissmus,
the night, a palimpsest.
Until you see the stars.
Oh, the stars deserve their own poem.
I cannot do them justice as a simple end to another.
How can one call themselves human without being enamored with the heavens?
You might look at my life
You might look at a moment of it
You might look at a year
a decade
a century
a millennia
You know I am not to be gone
I will be remembered
My life may look bleak,
My poems laced with sadness.
I look back on them now,
Pretty Little Messages to (sorry I can’t
share this name) and (or this one)—
And to the rain.
But, if you looked at a moment,
A day, even.
Oh, would you see.
Descartes and,
Appalling and,
Hunchback and,
Natalia and,
A Boy and—
Each is my name for a moment.
Together, a name for myself.
Icarus also flew.
I walk out,
Feeling the cold air press against me.
The clouds melt,
Sending their crystalline droplets.
They shatter on the cold ground,
So quickly;
I seem a goddess.
Little dark spots appearing
As my oxfords tap on the pavement.
Drops drip
From the cherry tree,
A bride in spring’s white.
I knew this would happen.
Something in the way the clouds hung over the sky,
Something in the shadow.
I knew that it would rain.
Something in the air, the ambit.
Rain, the ultimate acissmus.
Peace before the onslaught,
Icarus also flew.