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Lit - Blog Posts
“Goethe has said, that in youth we cannot be happy unless we love. I did not love; but I was devoured by a restless wish to be something to others.”
— Mary Shelley, from The Last Man.
“I lived in a house in Moscow once, where the beams and floorboards were made from an old ship’s timbers. When there was a storm at sea, the timbers used to creak and groan, even though the air around the house was quite still. The house was very old, and those timbers hadn’t been near the sea for a hundred years or more, but still they remembered. In their dreams they heard it sing.”
— Cynthia Harrod-Eagles, Anna (via countcracula)
“I could not stop wasting time. It was crazy. I wanted to do something with my life, but instead I went to sleep, or sung in the shower, or sat and stared at the wall. I couldn’t even tell you about anything that I saw. I didn’t talk to anybody. The cicadas kept dying outside, and as I dreamed, my mouth grew thick and venomous with silence.”
— Yiwei Chai, The Jacaranda Years (via crowsummer)
“As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.”
— Ursula K. Le Guin (via wordsaredelicious)
“A thought occurred to me today – so obvious, so always obvious! It was absurd to suddenly comprehend it for the first time – I felt rather giddy, a little hysterical: – There is nothing, nothing that stops me from doing anything except myself… What is to prevent me from just picking up and taking off?”
— Susan Sontag, Reborn: Journals and Notebooks, 1947-1963
“Does anything in nature despair except man? An animal with a foot caught in a trap does not seem to despair. It is too busy trying to survive. It is all closed in, to a kind of still, intense waiting. Is this a key? Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass. Let it go.”
— May Sarton. “Journal of a Solitude: The Journals of Mary Sarton”.
“Feel that life is wholly unendurable, and decide madly to get a new hat.”
— Diary of a Provincial lady, EM Delafield
“Rarely, if ever, are any of us healed in isolation. Healing is an act of communion.”
— bell hooks All About Love - New Visions
Sometimes I feel like a caretaker of a museum — a huge, empty museum where no one ever comes, and I’m watching over it for no one but myself.
Haruki Murakami, Pinball, 1973 (via larmoyante)
“The all-night convenience store’s empty and no one is behind the counter. You open and shut the glass door a few times causing a bell to go off, but no one appears. You only came to buy a pack of cigarettes, maybe a copy of yesterday’s newspaper – finally you take one and leave thirty-five cents in its place. It is freezing, but it is a good thing to step outside again: you can feel less alone in the night, with lights on here and there between the dark buildings and trees. Your own among them, somewhere. There must be thousands of people in this city who are dying to welcome you into their small bolted rooms, to sit you down and tell you what has happened to their lives. And the night smells like snow. Walking home for a moment you almost believe you could start again. And an intense love rushes to your heart, and hope. It’s unendurable, unendurable.”
— Franz Wright, “Night Walk” (via blxckberrying)
I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to to the person holding it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead - you first,” “I like your hat.”
- Danusha Laméris, “Small Kindnesses"
weird how nothing about u is like, too small or too dumb to know bc it all comes together to become YOU. sending your friend a picture of your favorite snack is saying something important whether u realize it or not. wheres that palahniuk quote
“Sometimes in late summer I won’t touch anything, not the flowers, not the blackberries brimming in the thickets; I won’t drink from the pond; I won’t name the birds or the trees; I won’t whisper my own name. One morning the fox came down the hill, glittering and confident, and didn’t see me—and I thought: so this is the world. I’m not in it. It is beautiful.”
— Mary Oliver, October (excerpt)
I want the cottage. I want the green grass and the tomato plants. I want the peace in you; the front porch rocking chair lullaby; our cricket legs rubbing together under the covers. We can’t have it all. I know that, but humor me. We can’t have it all, but we can have most of it.
Caitlyn Siehl, from “Apple Pie Life” (via oofpoetry)
We’re each of us alone, to be sure. What can you do but hold your hand out in the dark?
Ursula K. Le Guin, from “Nine Lives”, in The Wind’s Twelve Quarters (via antigonick)
“She had bought herself a blotting book, writing case, pen-holder, and envelopes, although she had no one to write to; she dusted her what-not, looked at herself in the glass, picked up a book, and then, dreaming between the lines, let it drop on her knees. She longed to travel or to go back to her convent. She wished at the same time to die and to live in Paris.”
— Madame Bovary by Gustave Flaubert
“Medusa lost her beauty—or rather, it was taken from her. Beauty is always something you can lose. Women’s beauty is seen as something separate from us, something we owe but never own: We are its stewards, not its beneficiaries. We tend it like a garden where we do not live. Oh, but ugliness—ugliness is always yours. Almost everyone has some innate kernel of grotesquerie; even fashion models (I’ve heard) tend to look a bit strange and froggish in person, having been gifted with naturally level faces that pool light luminously instead of breaking it into shards. And everyone has the ability to mine their ugliness, to emphasize and magnify it, to distort even those parts of themselves that fall within acceptable bounds. Where beauty is narrow and constrained, ugliness is an entire galaxy, a myriad of sparkling paths that lurch crazily away from the ideal. There are so few ways to look perfect, but there are thousands of ways to look monstrous, surprising, upsetting, outlandish, or odd. Thousands of stories to tell in dozens of languages: the languages of strong features or weak chins, the languages of garish makeup and weird haircuts and startling clothes, fat and bony and hairy languages, the languages of any kind of beauty that’s not white. Nose languages, eyebrow languages, piercing and tattoo languages, languages of blemish and birthmark and scar. When you give up trying to declare yourself acceptable, there are so many new things to say.”
— What If We Cultivated Our Ugliness?, Jess Zimmerman (via xshayarsha)
When we killed what we were to become what we are, what did we do with the bodies? We did what most people do; buried them under the floorboards and got used to the smell. I’ve lived my life like a serial killer; finish with one part, strangle it and move on to the next. Life in neat little boxes is life in neat little coffins, the dead bodies of the past laid out side by side. I am discovering, now, in the late afternoon of the day, that the dead still speak.
Jeanette Winterson, from “Gut Symmetries,” published c. 1998 (via violentwavesofemotion)
Why does the third of the three brothers, who shares his food with the old woman in the wood, go on to become king of the country? Why does James Bond manage to disarm the nuclear bomb a few seconds before it goes off rather than, as it were, a few seconds afterwards? Because a universe where that did not happen would be a dark and hostile place. Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain.
Terry Pratchett, “Let There Be Dragons” (A Slip of the Keyboard)
history is fucked up and it sucks because all the people in it who had great viable werewolf names weren’t werewolves. like what the shit. if you knew nothing about history or literature i guess or whatever you’d see names like “virginia woolf” and “oscar wilde” and be like. ah yes. these are definitely some prime secret werewolf poorly masquerading as human intellectual situations? but neither of those people were real live werewolves, factually speaking? they did not take advantage of that opportunity. and i think we are all worse off for it actually