Lost Boys X Reader - Blog Posts

Protectors~

𓉸ྀི ✩₊˚.☪︎ ⁺₊✧

🃜 pairing : Poly! Lost Boys × Vamp! Female! Reader

🃜 fandom: the lost boys × reader

🃜 summary: Reader is a newly turned vampire and mated toThe Lost Boys. She was turned a few months before Micheal arrived. And the day that Frog Brothers come with the Emerson’s the Reader decided to sleep with her mates. And in their haste to rid Santa Carla of the Vampires they make a grave mistake. (No use of Y/n)

🃜 Word Count:2.7k

𓉸ྀི ✩₊˚.☪︎ ⁺₊✧

𓉸ྀི ✩₊˚.☪︎ ⁺₊✧

The cave was quiet, the only sound being the waves hitting the rocks outside. All of the inhabitants of the cave peacefully sleeping, well almost all of them. Something instinctual, deep in your gut and the back of your mind is telling you somethings not right. Slipping through the dark fog in the faint chime of hushed whispers. Voices exchanging softly, all dim and low like they were sharing secrets.

It has you pushing your face deeper into David’s neck in an attempt to muffle out the sounds, desperate to escape fully back into the comfort of a deep sleep.

You usually slept in a bed that wasn’t far from where the boys slept, while Star and Laddie slept in the more open part of the cave. Something in your mind told you to sleep with the boys, so you listened to it.

When you arrived back at the cave after feeding, you were brought to where they slept. There was a little arguing over who you slept with,but something was telling you to sleep with David. So you stopped them from arguing,and they all climbed up to the bar they hang from. Dwanye stayed on the ground with you, so you had help getting to David. Once David is settled he opens his arms for you, and with a kiss to your head Dwanye helps you wrap yourself around David. Once you’re settled David wrapped his arms around your waist, letting you tuck yourself into his hold.

It’s still daytime. Something deep in your gut and the back of your mind assures that the sun is still high up in the sky, scorching and hot. An intuition that you still don't quite understand, but it has your limbs turning heavy and lax, muscles relaxing in David’s hold Your exhaustion has you numb to the world, the delicate rhythm of the waves crashing outside the cave muting down into nothing, the sound of the quiet voices vanishing.It must be two of the boys. Awake already. It would strike you as odd on any other circumstance, and to a degree it does, but your sluggish brain is quick to let go of that train of thought.

The insistence that something is wrong fading into an ignorable afterthought. The scuffle of shoes along dust and stone ignites a tremble down the notches of your spine, as though your body is begging for you to wake up and investigate while it simultaneously sinks further into David’s tight hold.

Something isn't right, something isn't right.

It's like a chant. A primal whisper that coils through your bones and sinew. Leftovers from your ancestors, remnants of the instincts that had kept them alive long ago, but it all seems null and void against the fatigue that seems to press you down like a physical weight. Even while hidden away from the sun it seems to sap you of all your strength.

It's impossible to even try to rouse yourself. Its as though you're held under water. The strength of that debilitating exhaustion sweeps back over you, making the sound of the angry, masculine voice that rises up high within the cave, reverberating from the dust covered stone, dim and distant. As though it's miles away.

“I feel a draft. I think there’s something up here.” You hear from far-away, murky and vague.

“Let’s check it out Sam.” Another voice.

“I’ll be right back Mike.” A third voice. Mike. Mike. That sounds familiar from somewhere - someone. A name mentioned in passing. Mike. Michael. A discussion carried on by the boys while they were all encircled around one of the burn barrels one night. So casual while they considered the fate of a complete stranger as though they were discussing dinner and not the destiny of a man's soul. Some sap that had apparently caught the eye of Star. She hadn't wanted it to go far, but then again, it's never supposed to go that far. But David wanted the guy dead. He was meant to be her first, she hadn't been able to do it. 

A wave of muddled scents breaks past the barrier of the rotting wood. Unfamiliar and thick, coated with cologne and shampoo that you don't recognize. All of it twisting with something even more out of place here. Something alive. Heat and life and blood. Iron, warmth, and salt. It's distinctly human. Living. The alarms go off in your head. Raging and flashing red in a way that's violent. And a bright light flashes behind your eyelids.

“JESUS.” One of the voices yells, another one screams before being cut off. Your eyes blink, lashes fluttering as you try to fight the sleep weighing your lids down. Your vision blurs a little, straining through the exhaustion, but then you notice the three figures standing below. They're children. Looking lost, dressed in camo and gear as though they've prepared to fight a war. One has his hand wrapped around the mouth of the blonde child muffling his scream. Wide blue eyes reflecting a visible panic while he stumbles back away from the other two. Another swears, cursing sharply under his breath while he flinches. But it's the one closest to you that moves. His dog tags glinting and chiming from a movement so sharp that it had to be a reflex, but the determination burning in his eyes is purposeful. 

“I thought they were supposed to be in coffins.”

“That’s what this cave is. One giant coffin.” The one with the bandanna says as he moved with the other one dressed in camo. They begin to climb up the wood beside your group.

“They’re at their most vulnerable. Easy pickings.”

“You just have to kill the leader huh.”

“We don’t know which on he is. We’ll kill them all.”

“We’ll start with her. She’s already seen us.” They say as the climb closer to where you’re hanging with David. An animal kind of panic tears through you, lighting up your nerves like lives wires, electricity and adrenaline burning through your veins with the white heat of fire. You try to move and wake up David, but your limbs struggle, sleep thawing in your tired arms and legs.

"Kill her, kill her!" One shouts all while the blonde in the background yells at them to stop, but it falls on deaf ears. The boy wielding the stake lunges forward with a war cry. You manage to wiggle slightly in David’s hold.

“David wake up!” A panicked shout rips from your throat, but David remains sleeping.

"The bitch is trying to wake them, you gotta get her before they wake up," someone shouts in a panicked rush. You continue to squirm in David’s hold trying to get the two of you away from the teenagers. Poised in the air, high above the boy's head in an arch. There's hardly any time to act and fear sinks in your gut, chilled and frozen as he drives it down with all the strength he has in his body; his lips curled in a hateful snarl. He's going to kill you. This is it. This is how you die. Your mind screams it over and over again on a broken loop, but your body acts all on its own. It twists so David’s unconscious body turns away from the stake,and your heart is away from the point.

There's no time to rejoice when the stake is already piercing your skin. It sinks in deep, parting flesh and muscle beneath its lethal point. The boy collapses and tips over the side of the ledge that they were standing on. You don't initially realize that you're screaming. You feel it first. The strength of your agonized wail shreds up your throat as though you've swallowed nails, but that pain is secondary to the fire and anguish pulsing through your shoulder. The stake is still wedged inside of your back, burrowing past skin and meat, prying at your shoulder blade like it means to rip it free from the sinew keeping it intact with the other bones. You're bleeding. You can smell it, sharp and distinct in the panicked air. The pain is crippling. Ripping and engulfing, eating up your spine.

The boy with the blue bandana wrapped around his head is stepping forward, already clasping a stake in a white-knuckled hold. The resolve in his eyes is haunting. The desire to kill you fervent and glaring in his stare. That's all it takes to have your voice spilling from you, rising up in another terrified shout.

“BOYS WAKE UP!”

"Say your prayers bloodsucker." He practically spits it out, lips twisting in a grimace as he moves forward preparing to stake you again. And then combined hissing and snarling fills the pit as the boys awaken. They finally awoke to your shouts and the smell of your blood. Four sets of yellow eyes focus in on the three humans in front of them as snarls fill the air.

"Guys, guys, we gotta go." It's the blonde that's repeating it over and over as he sees the vampires awaks, stumbling over his words while he jerks on the other's arms. They give in without any resistance. Fear alive and bright in their eyes, even while the kid with the bandana points his stake in your direction and tosses a quick "This isn't over" at you as the three of them take off in a brisk jumble in the direction that they came from.

The growls from within the cavern raise up higher as the boys realize what happened and it has the kids in a full-blown panic. Tripping over their feet in an ungraceful run as they try and reach the opening of the cave. Your body trembles and your head rolls forward onto the snarling David’s chest.

“YOU’RE DEAD MEAT.”

You can feel your lung snag and pinch as though it's being burned from the inside out, catching on the point of the stake when you inhale. It has you crying, a tear managing to trickle free as your ribcage shudders violently as you gasp. 

You don't want to take your eyes off of them, desperate to track their panicked flee, but your eyes cloud over. Stars dot your vision, spotting and flickering in shifting colors as a vignette blurs around the corners of your sight. You feel the world spin as David jumps down from the bar and lands on his feet. You still cradled against his chest. Three more thumps follow as the rest of the boys land behind. Iron coats your tongue. Thick and wet. Bursting up from the back of your throat while you try to breathe, spitting up with each labored inhale. You can feel your life waning. The strength diminishing, shrinking under your skin. Dying out like a flame that's being smothered. Whimpers spill from your lips as your carefully laid on your bed. You can hear the sound of claws ripping across the earth as two of the vampires tear their way out of the chasm like creatures pouring out of hell.

You hear muffled screams and shouts. The dull thud of hysterical footsteps as they rush to escape before death can seize them. You hear David's bellow roll throughout the cave, crashing over the screams from the horrified children. The loud chaos of it all grows dim - distant as they're no doubt running up the mouth of the cave while Paul's laugh rings out from somewhere far away. 

It makes you jump when a pair of hands smooth over your shoulders, light like a caress, but you can still feel a heavy tremble run through the fingers. A voice hums out, cooing softly to hush you when a strangled sob wrangles out from your body. The way they handle you is delicate, softly turning you over onto your hip and lifting you up to cradle you against their chest as though you might shatter into a million pieces otherwise. Breathing past the wet iron to try and notice the traces of spice and earth and musk. 

It was Dwanye. You try to say his name, but your throat tightens, choking on blood. You can feel his fingers grip your bicep, holding you still and you know that he's looking at the stake punctured deep in your flesh. His hold is nowhere close to the to the wound and yet it flares pain across your nerves, making you twist in his arms while a gutted sob wracks from your body. 

"I know, I know, love. I know,but I have to take it out" he says into your hair. It's difficult to hear his voice past the roaring in your ears, but once the words make it past the hum. It's like you can feel the agony already, simmering and slicing across your fried nerves like the edge of razor blades.

“Marko! I’m gonna need your help. ” He calls and you can hear another person coming. And then a gloved hand is cradling your face. The glove was cold against your skin as the hand tilts your head back from where it was tucked against Dwayne’s shoulder. It makes your lashes flutter, and you have to force yourself to keep your eyes open with how heavy they've grown, weighing heavy and threatening to slip closed.

“If we don’t remove it. You’ll die baby.” Marko says. There's a protest lodged somewhere in your mouth, slick from the blood and caught on a broken gasp, but you don't have time try and voice it.

“I’m gonna hold her still you pull it out.” Dwanye says as his grip around you tightens. Marko nods, gripping the stake in his hand and pulls. You want to scream, but there's no air left in your lungs for you to do so, and all that makes it out is a ragged, splintered gasp. 

Scorching hot pain pours in your veins as he rips the wood from your shoulder. It slices ribbons up your spine, feeling bone deep and white-hot, acid lashing up your muscles.You thrash in Dwayne’s lap, the grip around you tightening and pinning you against his chest. Marko continues to pull the stake from your shoulder, and there’s hardly any relief once its out. The damage it's done is still agonizing, coiling through your muscles. It's as though the flesh on your back has been flayed.

You can faintly hear the clatter of the stake hitting the stone walls. As the two fuss over you, David and Paul rush back into the area where your bed is.

“How is she?” There's a rawness to his voice, a breathless edge despite the non-necessity of breathing.

“She needs to feed.” Dwanye says. “She won’t make it to sundown.”

David stalks forward while dragging his nail across his wrist. He kneels beside your bed and presses his wrist against your lips. You clasp your fingers around his arm, digging into the aged leather of his jacket. Your teeth bury themselves into his arm as his blood pours down your throat. You feel a hand stroking your head as you feed on his blood. Life floods back into you with each gulp, syrupy and warm. The hole made in the split meat and torn flesh of your back begins to mend in a sluggish process, stunted. You’re cradled protectively between Dwayne and David as Paul and Marko hover around the two.

Paul leans over and presses a soft kiss to your forehead.

"Did you get them?"  Dwayne asks.

The thick silence that follows gives Marko and Dwayne their answer. And twin snarls rip out of their throats.

“They’re dead.”

“And they will be. They will be.” David says with a snarl.

“Marko when nightfall hits I want you and Dwayne to go hunt. She’ll need an actual feeding and we’ll need our full strength.” David says as he continues to stroke your hair, letting you have your fill of his blood. He wanted to make sure your wound was healed.

“Paul you’ll be staying here with her while we go take care of the little pests.” Paul nods as he sits on the edge of your bed by your head.

“They’ll regret touching our mate.” They all say as your wound completely healed and you pulled away from David’s wrist sagging against Dwayne as exhaustion took over. The boys continued to plan their attack as you fell into a deep sleep.

I HIGHLY recommend this series, granted that it’s not finished yet. But it is seriously good so far, and I can’t wait to finish it.

ℭ𝔯𝔶 𝔏𝔦𝔱𝔱𝔩𝔢 𝔖𝔦𝔰𝔱𝔢𝔯; I

{poly!lost boys x fem!reader}

♱ 𝔯𝔞𝔱𝔦𝔫𝔤: explicit

♱ 𝔰𝔲𝔪𝔪𝔞𝔯𝔶: your family moves to your mother's hometown of santa carla, california after her divorce is finalized. you are less than enthused to be there, but you try to keep your complaints to a minimum for the sake of your mother. on your first night, you run into a strange group of punks.

♱ 𝔴𝔞𝔯𝔫𝔦𝔫𝔤𝔰: emerson!reader, fem!reader, reader is 18-19 (middle child), reader wears glasses, foul language, sibling dynamics, mentions of divorce, sexual harassment, mentions of homelessness, mentions of poverty, stuck-up?reader (she's rather prissy at times),

♱ 𝔞/𝔫: here it is—the first chapter of the new and improved version of cry little sister. i initially wrote this fic back in the beginning of 2021 and you can still find the original, orphaned version on AO3. I hope you enjoy! Note - I used the term 'multi-murderer' at one point because 'serial killer' was still a relatively new phrase in the 80s. fun fact - the orignial chapter one was 2661 words; this one is 4434 words.

… [2] [3] … [8] [9]

" —You, too, can make a difference with a one-time donation of nine-ninety-nine— "

"Keep going."

Snow emanates from the car's speakers as Mom fiddles with the dial.

" —degrees today, a record high for our slice of sunny California. We'll see temperatures drop into the low seventies this evening —"

"Keep going, Mom," says Sam.

Snippets of songs, commercials, and talk show host voices overlap as she flips through the radio stations, again, to appease her youngest. Finally, a semi-clear melody plays as she settles on a new one. However, Sam shakes his head. His sandy blond curls bob with him in disapproval.

"Keep it goin'."

"Hey!" Mom cries, "I like that song!"

But Sam makes a face. "Keep going."

You're tempted to kick his seat.  If he says keep going one more friggin time...

Huffing, Mom complies, choosing peace over violence. The next station is, somehow, even worse.  Country.

"Ooo, what about this?" She giggles, shooting you a look in the mirror. You cover your grin with your hand.

"Keep going, mom," says Michael.

"Oh, alright."

More static until the middle part of an old sixties tune began to play. Immediately, your brothers groan.

"No, no, no—wait!" Mom perks up, "This one's from my era." She bops her head from side to side, drumming her fingers on the sweat-slick steering wheel. " Groovin' on a Sunday afternoon! "

Michael and Sam exchange glances and chorus, "Keep going!"

You gap, bracing your hand on the armrest, "Wha—no.  I  like this song."

"Keep going," they echo. Much to your chagrin, Mom joins them, albeit mockingly.

"I got it, I got it. My music isn't hip enough for you."

You sneer at Michael. "Who died and made you king of the radio?"

"The same person who crawled up your ass before he kicked it, four-eyes."

Michael moves to flick your forehead, but you smack his hand away before he makes contact.  That little shit!  Michael swats you back in an equally childish move, chuckling.

"Hey, guys," Mom cranes her neck to look at you through the rear-view mirror. "No fighting, please? Here, I'm changing it."

She turned the dial and stumbled onto a popular rock station. The boys relaxed into their seats, finally listening to good music. You roll your eyes and settle back in your seat, arms crossed.

Triumphantly, Michael wiggles his eyebrows. You flip him off.

"Oh, now this," Sam comments, "This really jams."

It did not, in fact, jam, but you let sleeping dogs lie.

Not literally, though. Nanook was wide awake, sandwiched between you and the window with his shaggy head out the window. He might have been the only passenger in this car having the time of his life.

You can't wait to get out of the car. You've been on the road for nearly thirteen hours now, stopping only to refuel or if one of you really had to pee. You were dying to get out and stretch your legs, which had become a near-permanent bed for Nanook to rest his head. Sure, you liked the dog, but sometimes he got on your last nerve. Especially right now.

You're tempted to pull the classic 'are we there yet,' but fate is on your side.

"Hey, we're almost there," Mom cheers.

She gestures out the window to a corny billboard. A cartoon beach with brilliant blue skies and cresting waves greets you. Yellow-and-orange letters stretch across the sign, reading WELCOME TO SANTA CARLA.

Sam wrinkles his nose. "What's that smell?"

Mom takes a deep breath and sighs, "That's the ocean air, baby."

"Smells like someone  died ."

"Aw …. Honey." Mom merges into a new lane. The general distaste for the place was not lost on her. She glanced back at you and Michael and rubbed Sam's arm. "Look, guys, I know the last year hasn't been easy, but I think you're really gonna like living in Santa Carla."

Her tone is so optimistic it hurts. You cover a wince by re-adjusting your glasses. It's like if she says it with enough conviction, it'll come true. You hope she doesn't notice how you shrink away.

Outside your window is a kaleidoscope of weirdness. Immediately you're hit with crowds of people walking or leaning out their windows as they drive, whooping and hollering. It's a free for all. A high-intensity beach town if you'd ever seen one.

Sunburned skin and skimpy clothes are a staple here. On the sidewalk, you spot a woman wearing rollerblades and a bikini weaving through the crowd like a ballerina. Ice cream cones leave a trail of sticky puddles on the street, serving as a catch-all for cigarette butts and loose bandaids. It's a mess. And yet, an intriguing one. Nothing at all like Phoenix.

Michael nudges you. "Did you see that?"

"Hm?"

"The sign."

"What about it?"

Whatever he's about to say is drowned out by Mom. "We're going to gas up really quick, okay?"

You quirk an eyebrow, elbowing Michael to continue.

"Uh. Nevermind, okay?"

"Sure..."

Mom flicks on the blinker and turns into a rinky-dink station off the main road. A crowd disperses, allowing the vehicle to pull in but not without complaint. Some smack the hood, others shout an oh-so-witty  Watch It!

You sink lower in the seat, cheeks burning with secondhand embarrassment. A group of vicious-looking punks passes by—the kind that has huge mohawks and neck tattoos. You can't help but gawk.

Hello, Santa Carla.

As soon as the car stops, you're careening out of the vehicle. Your knees pop as you stand as if crying out  for freedom, at last!  Mom and Michael stand near the attendant while Sam takes Nanook for a bathroom break. You stay on the opposite side of the car, casually stretching your arms and back as you bask in the breeze.

For the thick of summer, Santa Carla is mild. It must have something to do with being on the coast. The breeze from the water would keep it relatively cool, but the humidity was a bitch. After spending less than a minute in the elements, you can feel your hair frizzing up.

You shield your eyes, squinting over to the beginning of the sandy beach. It's packed.  Damn , you wish you'd bought a pair of sunglasses, but constantly changing them out with your prescription ones would've been a hassle. Squinting like an idiot would suffice.

A couple minutes later, Sam comes running back. Nanook jogs beside him, panting happily.

"Mom!" he calls.

Mom glances briefly over her shoulder and says, "Yeah?" before returning her attention to the attendant.

"Mom, there's an amusement park right on the beach."

Your eyes follow where he points. There is an amusement park a little ways away. You make out the shape of a rollercoaster and cartoonish kitchen shops, which spill onto the sand from the boardwalk. Mom is unphased and instead moves her flighty attention in the opposite direction of the coastal wonderland.

She passes him a few dollars and says, "Sammy, go tell those kids to get something to eat, yeah?"

Across the way, a couple of teens are dumpster diving, picking up half-eaten sandwiches and moldy Chinese takeout containers, giving them a sniff before discarding them into the dumpster once more. You lean further against the car and cross your arms as if they'll shield you from the uncomfortable reality you're faced with. They're runaways. This place is crawling with them. It's like a  Where's Waldo  - once you find one, you suddenly see a dozen more, blending into the background.

Reluctantly, Sam accepted the cash and did as Mom said. You choose not to add your two cents, knowing it would only crush her. Your family needed the money just as they do. You're poor. Barely scraping by over the past couple of months as you prepped for the move, and now you're almost positive that's the last bit of money Mom had on her. But when Sam gestures toward Mom after giving it to the runaways, you watch your Mom's face light up, and you know you are better off keeping quiet. The runaways show their appreciation with a wave and yellow-toothed smiles.

Sammy jogs to the car, jutting his chin at the boardwalk. "Can we go now?"

"Maybe later. Grandpa's expecting us, soon."

Your little brother whines.

A pair of surfers pass the car, raking their Ray-Ban-covered eyes across your body. Their skin is red and peeling from hours in the sun.

One of them whistles at you. "How you doin', baby girl?"

Nose scrunched in disgust, you deign not to respond. Instead, you open the back door and slide inside, taking shelter in the humid cabin; so much for stretching your legs.

Thankfully, it doesn't take long before Mom, Sam, and Nanook re-enter the sedan. Michael, who had unhitched his bike from the trailer, follows behind your car for the rest of the way to Grandpa.

You can't say you remember the old man all that well. It's been years since you saw him. Probably since Sammy was born. Grandpa didn't like to leave Santa Carla, and he and Mom's relationship had been strained until recently. (No thanks to your father, you're sure.) You can only recall his face from pictures in a photo album, back when he still had color in his hair. You're not sure what to expect.

The lively scenery fizzles out, turning into dirt roads, bleached from the sun and overcrowded with scraggly flora. Large wooden poles lay discarded on the law, a fencing project long since abandoned. Although they don't look out of place, the yard is littered with strange knickknacks and ornaments, making the space seem more like a junkyard than the house of a man pushing eighty-five.

When the car stops, you tentatively pop open your door.

The house is … not what you expected. And that's being mild.

Michael hops off his bike, walking ahead of you, but stops short. You follow his gaze and see a pair of legs sprawled out. The rest of the body is hidden by debris.

The four of you approach with caution. The legs don't move.

You share a look with Michael. Unfortunately, this could be only one person, which doesn't bode well.

"Is he dead?" you ask.

Michael affirms, "He looks dead."

Mom waves you off and climbs the porch. "He's just a deep sleeper." She shakes his arm, "Dad? Dad, wake up."

Michael inches closer. Not getting too close to the Maybe-Corpse, but close enough to have a good look. "He's not breathing, Mom."

Sam pops his head in between you two, Nanook trotting up the steps to get a sniff. "If he's dead, can we move back to Phoenix?"

You wack him on the back of the head. "Dude."

"What?"

You make a face as if to say  Have some fucking tact, dipwad!  But Sammy merely rubs the back of his head with a pout.

"What?"

Suddenly, the Maybe-Corpse sits up, one eye open. "Playin' dead … and from what I heard, doin' a damn good job at it."

"Oh, Dad!"

Mom embraces her father, laughing at his incorrigible attitude. You exchange a look with your brothers. What a weird old man.

Unpacking the car was the easy part.

The issues arose when it came to deciding where to put it.

And, hey, it's not like you came here packed to the gills with miscellaneous belongings. Quite the opposite. The four of you had paired down exponentially before the move, donating and selling your items left and right. Sending them to church yard sales, the Salvation Army, or your next-door neighbor's sister-in-law.

No, it wasn't your fault. Grandpa's house was, to put it delicately, a fucking mess. A hodgepodge taxidermy nightmare with tribal art, kitschy figurines, and petrified wood art cluttering every little nook and cranny.

Grandpa filled you in on the house's layout as he supervised. There were two bathrooms, one upstairs and one downstairs, and four bedrooms. One, which was obviously occupied by Grandpa (though from the sound of it, he didn't sleep there), only stored more of his disturbing taxidermy.

Mom would have her own room, which left two others.

Michael attempted to pull rank, claiming that he should get his own room as the oldest. But you refused to go down without a fight. It was quite easy, in the end. All you had to do was pull your Woman Card—citing exactly why neither wanted to room with you.

So, Michael would room with Sammy, and you got a bedroom all to yourself.

You carry your books in by the armful, neatly balancing more atop your head. (A cool party trick but not useful in many scenarios—present one excluded.)

It's sad to think this was a mere fraction of your collection. When the divorce was final, you had pawned off most of your books for extra cash to help Mom out. She didn't ask you to do this, but you wanted to. It seemed like the right thing to do.

Abruptly, Sammy and Michael tear past you. Sammy clips your shoulder, sending the stack of books on your head, crashing to the ground. You stagger, dropping the box in your hands to the ground unceremoniously.

"Watch it, dweebs!"

"Mom! Help me, help! He's gonna kill me! "

Mom sidesteps, narrowly avoiding a similar fate. "Hey, no running in the house, guys!"

In a daring attempt at an escape, Sam threw a set of double doors open. It led into a once-spacious room filled with dead animal heads, disturbing tools, and … fresh animal carcasses.

"Talk about the Texas Chainsaw Massacre," Michael mutters.

"Rules!" The three of you whirl around, coming face-to-face with Grandpa's stink-eye. "Got some rules around here."

With a flick of his wrist, Grandpa motions for the three of you to follow as he trudges into the kitchen. He wrenches the fridge door and points to a cardboard piece that reads OLD FART, covering the middle shelf.

"Second shelf is mine." He flips it open, showcasing the goods that lay inside. "I keep my root beers and double-thick Oreo cookies in here. Nobody touches the second shelf."

Another pointed stink eye at the three of you.

He takes his leave from the kitchen, an unspoken command to follow him. Leading you into the living room, Grandpa says something about how he prefers his couch to be when Michael interjects.

"Hey Grandpa—is it true that Santa Carla is the murder capital of the world?"

"Where did you learn that?" you ask, startled.

"'S on the sign."

Grandpa presses his fleshy lips into a thin line. "Ehhh … There's some bad elements around here…."

Sam blinks. "Wait a second, lemme get this straight. Are you telling me that we moved to the murder capitol of the world? Are you serious, Grandpa?"

He shuffles, choosing his next words carefully. "Now let me put it this way; if all the corpses buried around here were to stand up all at once, we'd have one helluva population problem."

With two hats stacked on top of her head, Mom stopped long enough to hear the tail end of the conversation. She rolled her eyes and said, "Great,  Dad. Now you're going to give them nightmares."

Grandpa waved his hand at her, muttering something under his breath about how kids this age are surprisingly well-adjusted. Your stomach twists at the mere thought of what you just learned. But, apparently, living in the Murder Capital of the World doesn't phase an old codger like your Grandpa because he's on another one of his tangents before long.

"Now, when the mailman brings the TV Guide on Wednesdays, sometimes the corner of the address label will curl up … You'll be tempted to peel it off. Don't. You'll end up rippin' the cover and I don't like that." He turned into the taxidermy room and, with a stern glare, began to shut the doors. "And stay outta here!"

Sammy jogs after him—the horror of his new living arrangements suddenly forgotten—eyes bright. "There's a TV?"

"No. I just like to read the TV Guide. Read the TV Guide, you don't need a TV."

Grandpa slams the double doors shut with a definitive thud. Sam flinches, his expression falling flat. Apparently, the imminent threat of murder is nothing compared to being without MTV.

Together, you walk hand-in-hand with Mom along the Boardwalk. Night has fallen, and yet Santa Carla doesn't know darkness. Neon signs and blinking lights glistening from amusement park rides chase away the blackness. It's an artificial Arcadia. The smell of corn dogs mingles with the salty ocean spray and BO.

"Isn't this place fun?" Mom cheers.

To say that Santa Carla was better at night would be a lie. It's just as sweaty and packed as before, but now there are more miscreants. People up to no good, drawn to the dark, have come crawling out of the woodwork and currently infest the Boardwalk like maggots on a carcass.

You would rather be at home reading, but you endure the torture for Mom.

"It's … something."

You won't deny that it's exciting, but it's not your cup of tea. Everything is a little too much, a little too loud, a little too bright. A group of surfers pass you by, brushing against you. You shy away, gripping her hand tighter.

Mom giggles to herself, pointing vaguely. "I think I dated that guy."

Instead of following her finger, you stare at a four-sided bulletin board. Flyers stacked upon flyers create an inch-thick layer over the cork. Some advertise band performances. Others, the grisly black and white photos of the MISSING. A woman in her late sixties tapes a new one atop another. You'll avert your eyes.

"Horrible," you mutter.

Mom notices, her happy mood dampening. "That's the kind of thing that makes you sad with the world."

"More like  depressed ."

"You've just gotta hope they're somewhere good. Somewhere better. Like me," she motions to herself. "A little running away never hurt anybody. It's all about improving your situation. That's all."

Her admission makes your heart feel heavy. It's no secret that Mom was a bit of a rebel back in her day. She's been open about her time on the street, how it made her more appreciative of the little things, but still ...

You get a good look at her and try to peel back the layers of makeup and age, imagining her as a naive sixteen-year-old. Did she have a missing flyer? Would Grandpa have made one? Did anyone who saw it care, or did they walk away blissfully ignorant.

Michael's words flash across your mind. MURDER CAPITAL OF THE WORLD. What an ugly thing to know? How lucky were you, knowing that Mom was one of the lucky ones when she could have been some multi-murderer's nameless victim.

Tightening your grip on her hand, you rest your head on her shoulder. "You don't have to worry about me running away."

Mom sighs—it almost sounds relieved. She lays her hand on my cheek, smoothing it over my hair.

"Thank you—I hope I never do. But if you want to, you know, just tell me."

"I think that defeats the purpose."

That earns a giggle from her. You laugh. It's nice to see her laugh again. She's been depressed even before the divorce was final. The sudden upheaval of her life, losing her job, and moving to a new state with three children ... It's a lot. You try to remind yourself that she's only human. Flawed and scared, just like you.

A sun-bleached HELP WANTED sign sits in the restaurant window; however, something else steals Mom's attention before you can point it out.

A small child. Maybe seven or eight—you've never been good at guessing children's ages—stands in the middle of the crowd, sobbing. No one else has noticed him, save for the two of you. You think you can hear him crying for his Mom, but it's drowned out by the general raucous of the Boardwalk.

Mom makes a B-line for the little boy, leaping into action before you realize she's gone. She kneels to his side and rests a comforting hand on his shoulder. They exchange a few soft-spoken words. The boy doesn't quit crying; he seems marginally calmer now that an adult has stepped onto the scene.

She calls out to you. "I'm going to go in here, okay? I'll see if I can find his Mom. Just stay put for me."

"Yeah. Of course."

She smiles, close-lipped yet appreciative. Mom leads him into the video store with one hand on the young boy's back.

You watch her go, suddenly feeling out of place on the Boardwalk. Too exposed, too vulnerable. All around you are swarms of people, cackling, smoking, and stealing. Everything is so new and unknown that it makes you tense. Even though you're old enough to stand on your own—a full-fledged adult, if you want to get technical—you can't help but miss the safety that your Mom provided just by being beside you.

" ... Murder capital of the world ...? " You shake your head, crossing your arms over your chest. "That's just ... peachy."

Out of the corner of your eye, you spot a used bookstore, some of their wears outside on a cart.  Hm. A Perfect distraction . You wander over and pursue the cracked spines. Some of them are so worn that you can hardly read the title.

Dragging your fingers along the battered books, you randomly pluck one from the cart, which appears to be a serial gothic horror, and flip it over. The synopsis is mildly interesting, similar to dozens you've read before, so you can easily guess where the plot will go.

Glancing toward the video store, you see the little boy being led away by who you presume to be his mother. He's sobbing harder, but it's out of relief. The mother scoops him up. The boy is much too big to be coddled that way, but it pulls a small smile out of you. But, now ...

"... Where's my mom?" you ask, the air under your breath.

Instead of getting an answer, another group exits the video store. A group of punks around your age draped in black leather and bad attitude. One of them catches you staring. Quickly, you avert your eyes, returning to the book.

Brows furrowed, you grab another book, but you're too distracted by your own thoughts to read anything. What's keeping her?

You gnaw on your lip. Then, just as you decide to look for her, a figure blocks your light.

Prepared to rip someone a new one about personal space, you look up, coming face-to-chest with one of the aforementioned punks. He leers at you with gorgeous baby-blue eyes and a heart-stopping smile. Long blond hair cascades down his shoulders in a well-styled wave. Your insult dies before it's born, lips parting in shock.

Blondie's smile broadens. "Hello, hello, hello." He rests his arm on the wall beside you, casually leaning closer. "How are you doing on this fine evening?"

He speaks with the quintessential west-coast accent, and it suits him. He's summer personified, and perhaps in another scenario, you would have reciprocated his energy, but you're starting to feel claustrophobic.

"I'm fine." You blindly put the book back and duck under his arm, "If you'll just excuse me—"

A second punk blocks your way. He's shorter than the other, cherubic face and curly blond hair forming a halo around his head. His smile is less than angelic.

"Isn't that the darnedest thing?" He doesn't touch you, but his hand hovers inches from your skin. "We're going that way, too."

You turn away, but the first blond is waiting for you. "Yeah," drawls the first. "We can be your armed escorts for the evening. Don't want a babe like you getting lost."

"That's very generous of you, but I'm fine. I've gotta go, I'm meeting someone."

This earns a chuckle out of them. It echoes around you, and with a quick sweep of your eyes, you also realize the other two punks are there. They stay a few steps back, allowing their buddies all the space they need while they lean against their motorbikes.

Heart pounding, your throat constricting as if an invisible hand had reached out to choke you. You stagger back and bump into the railing.

The bleached blond pushes off his bike, readjusting his leather gloves. "Aren't you meeting someone right now?"

You avert your gaze from his, only to lock eyes with the fourth and most silent punk. His irises are like sloes, blackened pits of amusement. You would find no help in that man; he liked taunting you just as much as his companions.

Californian Blondie leans in close, toying with a strand of your hair. "What's your name, baby?"

He draws out the word—bay-bee—lazily. It sounds eerily similar to Jon Travolta's character from  Grease ; he nailed the greaser accent. It sounds like he's used it on hundreds of chicks, and it's worked every time. Unfortunately, you are no different. It brings a rush of heat to your face, and you try to hide it behind your hand.

You tell them, if only to shut them up. "Really, I need to go—"

"So soon?" The shorter, curly-haired blond pipes up.

Another bought of laughter ripples through the four of them. You want to die. Shrinking against the railing, you can't help but wish that Michael was around. He may be a meathead, but he was bigger than them. The threat of a punch might make them stand down.

"Don't you wanna get to know us?" jeers Curly.

"Not particularly."

"Ack—" He grabs his chest, feigning injury. "—you wound me! Be careful, boys, the lady's words are sharp!"

He stumbles back, colliding with the tall, dark, and brooding punk before dramatically collapsing. Apparently, his act is worthy of Shakespeare because the bleached blond is clapping. Yet, all the while, his piercing cyan gaze never leaves yours.

"Marko!" California Blondie cries, abandoning his position beside you to come to his friend's aid. "Hang on a little longer, buddy. There's still a chance!"

You catch a glimpse of Mom exiting the video store. Seizing your chance, you push through the boys and join her.

Mom takes one look at your face, and her smile falls. "Are you okay, honey?"

"Yeah, I'm fine." You link your arm to her and pull her in the opposite direction of those punks. "Let's just go, okay?"

The punks erupt into another fit of laughter, and you flinch.