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BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That
BK: I Modified This Bird’s-eye View That Lauren Had Painted For The Spirit Energy Explosion, But That

BK: I modified this bird’s-eye view that Lauren had painted for the spirit energy explosion, but that sequence already had a really nice rhythm to it, so we left it alone and figured we could just share the painting in the art book. You can see how much work went into the three lighting setups that transition in a matter of seconds in a single shot! Animation is no picnic. I wanted the new portal to open up to a part of the spirit world we had not seen yet. Christine and I referenced bizarre iceberg formations for the mountains, baobabs for the trees, and aquatic plants for the field of flowers. Lauren and I researched pictures of aquariums lit by black lights for the otherworldly color scheme. It all came together to make a location that was pretty, yet a bit unsettling, which I think is an appropriate vibe for this postbattle conversation. Background designs by William Nanqing Niu and Christine Bian. Paintings by Bryan Konietzko, Melissa King, and Lauren Zurcher. [x]


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