Rama - Blog Posts

Oh hai Candice.

I remember hating you ya little tool.

You are voiced by Tara Strong so that makes you 20% cooler.

Man Lightning is a magnet for them all and my harem anime me was correct! Sally, Mater, Doc, Francesco, Holley, Cruz, Jackson, Mia and Tia, Chick, Candice! You hit the jackpot yo!

She is not my Pink Diamond though.

yeh rishtaa kya kehlataa hain

@allegoriesinmediasres asked for: Rama/Sita, travel!AU, friends to lovers, “you confuse me”

as usual, this is completely unedited and thus is probably chock full of grammar errors, bad characterization, and terrible pacing. but! it was fun to write on my end so as always if u want me to rewrite it I’d be glad to lmaoo. it’s super super super cheesy at the end…like the whole third bit is just super cliche but w/e i love cliche romance its all good lol. anyways, i hope you like it at least a little!! thank you so much for the prompt <3 <3 <3 

if you’d like to send me an au prompt from this list, please do!! 

(title is from a lovely ar rahman song from the movie meenaxi, and also apparently a hindi soap, meaning “what is this relationship called?” )

—

It’s been two weeks since the Raghuvanshi Group put out a notice that nearly brought the Indian manufacturing industry to its knees: Ramachandra, eldest son of Dasaratha Raghuvanshi and anointed heir since his very first breath, has been stripped of his VP positions within the company, his stock options, even his entrance card. The gossip blogs report that Ramachandra has lost access to the family accounts and family property, have posted pictures of the young man once posed to be the next titan of Indian Industry at a local branch of the Bank of India, handing over what is rumoured to be his great-grandfather’s watch as a starting sum so that he can get his own personal account.  

Keep reading

varshadhara

one.

Sita has been married a year when there is news of a drought, cloudless skies that refuse to darken and dust that does not become soil. 20 villages chose a single representative to beg for aid from the Emperor himself, and Sita’s husband is drawn when he finally enters their bedroom that night.

“They are dying,” he says quietly, a confession that even later Sita is never sure he meant for her to hear. His eyes close as he begins to remove the ornaments that mark him the eldest, the favorite son, heir to all his father has conquered. Sita, seated on the bed, watches as her husband looks down at the ruby necklace whose clasp he has just undone and calculates how many meals he could buy with what lies so easily in his palms.

“Years,” she confirms, hands playing with the edge of her cotton upper cloth for want of something to do. Her voice startles them both, somehow too loud and too soft for the strange hush that has fallen on the palace so many hours after sunset. “But only because the jewelry you wear is more precious in this city for having been yours.”

He looks up, curiosity a glint in his eye and hands at the heavy earrings the Emperor insists on for court. He seems glad to see her. “Would it help?”

“Yes,” she says, ignoring the way her heart clenches to hear the hope in his voice, “for now. But what about in a year, should the drought continue?”

Her husband glances at the chest which keeps his gold, the fruit of a generation’s worth of tribute from kingdoms that span the earth.

“What a tragedy,” he drawls, fingers slowly teasing out the crown from the wonderful tangles of his hair, “to lose all these heavy jewels in pursuit of my duty as king.”

Sita startles into laughter and reaches out to take her husband’s burden, ignoring the surprise that flickers briefly across his features. He is always so surprised and then so grateful for what to Sita are the smallest morsels of tolerance. She does not think about why this might upset her. “And as my Lord’s faithful wife,” she says cheerfully in response, “I suppose it would be my duty to donate my ornaments as well.”

Both of them linger on Sita’s wrists, the ones she keeps nearly bare save the one golden bangle around each that at least proves her a wife. They smile: tragic indeed.

“My father has proclaimed that the drought stricken will not pay tribute,” Sita hears hours later, low in the moments before she finally closes her eyes, “but there must be something more we can do to help.”

She could live like this, she thinks, at the moment she slips over the edge between the worlds of life and dreams. Sita is content. This could be enough.

----

two.

By now all of Ayodhya must know that Janaki, foundling daughter of the Videhan king, was not expected to marry -- the year that she has spent in the blessed state so far has been tumultuous, to say the least. She grew up a goddess, but more than that she grew up sheltered from palace politics and finds herself embroiled in more than one controversy due to her own ineptitude.

Her sisters, each of them younger than Sita, were married to her husband’s three brothers before they became women true and so are kept as maidens in the palaces of their individual mother in laws: far from their eldest sister who lives, as is traditional, in the rooms of her husband.

What would they say, Sita wonders, if they knew their sister to be equally virginal only weeks before the first anniversary of her wedding?

Sita sets the ceremonial platter on top of a stool and kneels, gently picking up the woolen blanket covering her husband as he sleeps on the floor. The difference in temperature, they have both realized, is usually enough for him to wake and so it is today when his eyes open. Together they fold not only the blanket that covered him but the two others that make what serves as his mattress on the ground, one of her husband’s many concessions to his ungrateful, accidental wife.

“I was never supposed to be married,” she had whispered the night of their consummation, tears streaming down her face and tone as possibly close to a shriek while knowing that servants listened at the door. “I know nothing of how to manage a royal household, much less satisfy a husband!”

The black rimming her eyes must have mixed with her tears, leaving Sita a fright. The combined talents of Ayodhya’s finest ladies-in-waiting ruined by the anxieties of a girl utterly unsuited to serve as their canvas. Sita’s husband, a man who wielded enough power at 16 to force each of Sita’s baying, blood-lusting suitors -- some of them thrice her husband’s age -- to their knees in supplication, had barely walked into the room when confronted with the sight.

“I did not need the protection of a husband,” Sita had said then, back turned. “I would have died before any of those lechers disguised as failed suitors tried to touch me.” She choked back a sob. “It would have been better for us all if I had.” Years later her husband confesses that sometimes he still hears her like this in the moments before he falls asleep, even when they have spent more years than not tangled as one in bed. Sita never tells him how close it all was in the end, how tightly she was gripping the knife when someone heard that a young anchorite had not only lifted, but broken the Great God’s bow. But on her wedding night, when Sita opened her eyes it was to the sight of her husband, his own blade drawn. She flinched, but he only raised his own palm and ran the edge against skin to draw blood.

“A woman,” he said in answer to her unvoiced question, “is supposed to bleed on her first night. The washerwoman will be paid handsomely for her knowledge in the morning.”

Sita flushed, shoulders straightening of their own accord at the implication.

“And as a virgin bride myself, I will bleed as any other” she said, hands fisted at her side in brief, overwhelming rage. “My reputation does not need you to shed blood on my behalf.”

Her husband had only nodded, moving towards the side of the bed opposite to where Sita sat in order to smear his palm once, twice, thrice until he seemed satisfied with his handiwork.

A million questions ran through Sita’s mind. “I hope your sleep is restful,” was all her husband said in response, grabbing a blanket from the foot of what was to be their marital bed and arranging himself on the floor.

Nearly a year since, Sita’s knowledge as to the running of households has not increased, nor, she suspects, has her knowledge regarding the satisfaction of her husband. He keeps long hours, spending as much time away from his wife as possible. The people of Ayodhya, used to the years that might have passed between visits from their woman-drunk sovereign, are enthralled by the near constant access to their Crown Prince, and this during the years when it is acceptable, nay even appropriate to be devoted to naught but one’s own pleasure.

The women of the palace, caught between their desire to honor their collective son and their need to denigrate his strange, uncouth wife, stay silent.

----

three.

“In Mithila,” Sita’s husband begins, breaking their easy silence that has fallen over this morning meal, “what would you do in times of drought?”

Sita startles, the palm frond she was using to keep away insects as her husband ate, slipping to the ground. Though they can now speak of many things, they have never spoken of Mithila -- it is encouraged for new brides to sink themselves fully into the environs of their new, forever home. In this, at least, she is like every wife before her: the ways of her past can have no place in her present. Every day she must attempt to forget who she once was.

“I am only a girl,” Sita answers carefully, eyes lowered as she was told women do. “Such a question may be better answered by my Father, or one of the preceptors versed in these matters.”

There is a silence, but Sita, unable to lift her eyes to her husband’s face, cannot tell if he has accepted her falsehood. The Raghuvanshis, she has been told time and time again, are a line of honor. They do not lie.

“Did you think--” she hears, and then a sigh. “I know who you are, my lady. Are we not friends, at the very least?”

Sita clenches her jaw, picking up the palm fronds once more. She is no longer afraid of her husband, at least not as she was at first. But he cannot want the answers he seeks, not truly. “I am a princess of Ayodhya,” she says, as she has to herself every morning since she woke up next to her husband’s blood on the bed and his body on their floor. “I am your wife, sanctified by the Lord’s Bow and the sacrament of the Holy Fire.”

“Yes,” her husband agrees. Sita cannot help but note that his tone is gentle. “And in Videha, you are considered a Goddess too.”

He says it so easily, as if Sita does not live balanced on the sword-edge between damned and divine. For a moment, she lets herself imagine what it would be like to be known.

There is a story known in Videha, of a drought so ferocious that a King long without child was forced to seed his own lands with the merit of his good deeds. Of the four days of labor that resulted in a baby girl, delivered from the womb of the Eternal Mother Earth. A child covered in an afterbirth of soil where there had only ever been useless dirt.

And yet this too is known: children are the only dead who are buried, their bodies believed too beloved to be consecrated to the fire and burned beyond reckoning. Instead they are covered in wool and laid to rest in the lap of Mother Earth alongside a plea for Death to be gentle.

Sometimes these children are wanted. Many times, the bodies buried are the ones who are not.

This is all that is known: when the King knelt to deliver the child, what had previously been blue sky broke into the first of that year’s monsoon, nearly a decade since the last.

Foundlings left to die do not wear the garb of royalty. Goddesses do not wed.

What would you call me, Crown Prince?

“I am a princess of Ayodhya,” she says, the words suddenly heavy, like stones in her mouth. Her silence protects her sisters from the taint of Sita’s own uncertainty, and Ayodhya has no need for Gods not its own. She waves away an insect that attempts to rest atop her husband’s left ear and resigns herself to her fate: “I am your wedded wife.”

“They are dying,” he says softly, but he speaks to himself. Sita thinks of the easy way they can speak now sometimes; at nights before they retire, or over a morning meal. Her husband is right -- they are friends, if nothing else, and she owes him more than this. Viciously Sita tamps down on the guilt she feels roiling her stomach, rebelling against a stance that suddenly feels like betrayal.

----

Four.

“It is strange,” Mother Kaushalya remarks, as always, “that you were never taught the ways of Royal Women. Is this how girls are raised in Videha?”

Mother Kaushalya, who has only known the Kosala for which she is named, has latched onto the strangeness of Sita’s far-off homeland as a possible explanation for the ways in which Sita grates mountain-rough against the silk of the Imperial Palace. It is useless of course, since a slight against Videha must inherently touch Sita’s sisters, who in the last year have already developed a reputation for grace, gentility, and an overflowing well of kindness towards all blessed with their presence.

Mother Kaushalya, according to the servant-slaves Sita eavesdrops on, has been heard quarreling with Mother Sumitra, begging for “at least one of your darling girls, my Lady, for you know that it can only be selfishness to keep them both when your elder sister has none!”

Sita, tugging awkwardly at the overwrought necklaces she must wear when in Mother Kaushalya’s presence, can only agree. She, more than anyone, knows what she lacks. There have been rumors recently that all three of Dasharatha’s Chief Queens have made a petition to the Emperor to find a new princess worthy of the Crown Prince’s hand.

Sita can only hope that when the time comes, her husband will allow her access to the Imperial Library, or at least will deem it proper to have one wife devoted to the worship of the Gods: philosophy and piety are so easily confused, after all. The best life she can now demand is one where she recedes into the background of the Imperial Palace, unneeded and unknown by all. Never will Sita oversee the workings of a kingdom in the manner she was raised, nor will she sit atop an altar and listen to those petitioners who make pilgrimage to weep at her feet.

Some days, Sita does not even know if she is a woman at all, if these mothers and wives are capable of knowing and carrying the grief of a nation inside their fragile bodies. Every night she dreams of the drought ravaging the villages near the outskirts of Kosala, of how once a year Sita was carried by 50 men to the fields of Videha so that she might press her feet into the soil that made her womb and call forth the rains that heralded her birth.

But then she too dreams of this: a mother weeping, swollen with child like other mothers who have knelt in front of Sita. A mother who delivers a daughter in the ordinary way and buries her alive.

“Goddesses,” the Sage Parashurama had said the year after Sita was installed in the palace of Mithila, “are not meant for marriage. Videha is fortunate that after the reign of Janaka it will be guided by the light of the Divine.”

He paused then, as they all do. “And if the Lady were not a goddess, well --”

They never finish the sentence. The threat is implied.

Sita cannot be meant for love, not in the way of women who are meant for marriage. How can she, when she was meant to sit atop a dais as the physical embodiment of a force of nature, just as easily as inside the hearts of believers? How can she, when she lives her life in the fear that she will be caught out and banished, back into the grave she was meant to die in?

Women are meant for friendship. Women are meant for love.

“My apologies Mother Kaushalya,” Sita says, shaking her head and trying to convince herself that she does not rage against the fate that stretches fallow before her, “I was not raised to be much of a girl at all.”

The real trouble, Sita thinks later, is that despite everything she has somehow found herself liking her husband anyway.

---

five.

“My Lady,” a servant twitters three weeks after the Emperor promises debt relief to the drought-stricken. “My Lady, your Lord husband has need of you!”

Sita looks up from the flowers she is carelessly attempting to string together in a garland, perhaps to festoon a doorway, perhaps to drape around one of the many idols of Surya, the progenitor of her husband’s race. They have not spoken in the week since he asked her about Videha and she refused to answer. “He does?”

“He does,” the servant responds with some relish, ready Sita is sure to reap the rewards of being the bearer of such premium gossip the moment Sita’s back is turned. Sita’s husband has never before indicated such a preference for her company. “He asked that I bring you to him, and not in the garb of royalty.”

“And you are sure that this is my husband?” It is not altogether seemly for Sita to be expressing such doubt that her husband might be asking for her, especially when such a request -- even to appear in plainclothes -- is not unusual for those young and in love, seeking respite from the rhythms of the palace by traveling outside its gates. But really, her husband?

The servant, a girl perhaps only a few years older than Sita’s 16, only raises an eyebrow and widens her grin. “Should I call for one of your maids to help you dress?”

“No,” Sita responds absently, lost in the contemplation of what game her husband could possibly be playing. “Did he say if he had any preference as to what I wear?”

“He did not, my Lady, but if I may I think you had better choose something blue if you have it. The color sets nicely against your skin. Silver jewelry instead of gold, if you have that too. ”

Sita does, buried at the bottom of a trunk of clothes she had carried with her from home. But before that --

“Here,” Sita undoes the clasp of the pearl necklace sent to her by some princeling attempting to curry favor with the crown. There is no true harm in people knowing she has left the palace in her husband’s company, but she is off-center enough to want this a secret as long as she can buy it so. “For your silence, until we return.”

In the time it takes Sita to strip out of silk and re-knot her old lower cloth of coarse blue cotton she has thought of a hundred different potential scenarios. Had she been alone, she might have had to slouch out of her own rooms with her head down so that she might prevent recognition -- in the company of a servant, Sita is passed over as one as well and strolls quite comfortably into the sunshine, following a path she has never taken until they find her husband leaning against the wall of one of the palace’s more minor stables.

“My lady,” he says, seeming to shake himself out of some sort of stupor and leveraging himself fully upright. “Antara,” he says then, turning to face the servant he had charged with fetching Sita, “you have my gratitude.” He leans down to pick up something wrapped in cloth before walking to Antara with a winning smile while pressing the package into her arms.

Sita knows something of her husband, but not like this. She is charmed.

“I came across the mangoes your sister likes when I was making my way back from one of the border kingdoms,” her husband says to Antara. “Tell her that I look forward to hearing more about her adventures when she is feeling well enough to take visitors.”

Antara’s eyes gleam and grow misty. “Oh,” she says, lips trembling as she folds her hands around the parcel and takes her leave, “and we have only just gotten her head to shrink back to its usual size after the last time!”

Alone at last, Sita’s husband’s earlier flash of ease vanish into the ether. Sita tries not to take offense at being more a stranger to him than the woman he sent to fetch his wife. “My lady,” he says again, but cannot seem to say anything more. Sita, feeling the awkwardness of the last week’s silence and her own slight guilt besides, takes pity.

“The girl?”

Sita is rewarded with a smile of her own, small but sincere. “Bedridden, but wonderfully vivacious still. There are bouts of illness where she is worse off than usual, but she believes me nothing more than a particular playmate and I try to see her when I can. The parcel has medicine a far-off physician swore had done a similar patient some good, but Antara would never accept unless I passed it to her like this.”

Sita blinks. “But you are her sovereign!”

Her husband shrugs. “I am her sister’s friend, and I find that everyone is entitled to some amount of pride. It is difficult to accept that you cannot help the one you love best alone.”

She nods, satisfied as she has been in the past with the knowledge that at least she is not married to a stupid man, And, she supposes, not a cruel one either. “How old is the girl?”

His smile widens slightly in apparent reminiscence. “She will be seven in two months' time.”

“Does she have a doll?”

“One,” Sita’s husband says slowly, brow slightly furrowed, “but bedraggled.”

Sita may not know how to comport herself as wife nor princess, but once she was a Goddess who heard the entreaties of those who cared for their beloved ill. Still, she remains a sister. This, Sita knows how to do. “If you approve, I will make her a new one that you can take with you. I used to make dolls for my sisters out of dried grass and cloth when we were children.”

For a moment, her husband looks stunned before he manages to school his features into something like equanimity once more. Still, he slips and there is something helpless about the way he is suddenly looking at her. “You are kind,” he says, but low in a tone that makes it clear that he is not truly speaking to Sita so much as about her to himself. “I am always glad for that.”

Sita blushes, unsure about how to respond to a compliment not exactly meant for her ears. It is not something she ever expected to hear from anyone in Ayodhya, much less the husband she condemns to spend his days wandering the countryside and his nights at rest alone on his own stone floor. “Why did you call me?” she decides to ask instead.

Again, her husband shakes his head as if rising from a reverie. His usual self-confidence suddenly melts into trepidation. What could he possibly want that discomfits him so?

“At the Kosalan border,” he says slowly, eyes focused on some point behind Sita’s shoulders, “there are a few villages that, at some point in the last few years, welcomed some families from afar.”

There is something about the way he speaks that begins to knot Sita’s stomach. She has the beginnings of an inkling, but nothing so concrete that she can speak it aloud. She nods for him to continue.

“Neighbors share stories in times of plenty as well as times of scarcity. These last few months there have been stories about former droughts, experienced by foreign kingdoms.”

Ah. Of course.

“This is not Videha,” Sita says, but she speaks almost as if she is in a dream. She cannot deny her divinity, not without inviting further scrutiny of her orphanhood. But neither has she ever truly believed that it is her feet that coaxed the rains to Mithila. Her father sowed the fields with the merit of his good deeds. Her father found a babe in the trough. Coincidence does not imply correlation.

What would happen if the stories were wrong? If Sita walked the lands but the sky remained a bright, barren blue? In some faint corner of her heart, she feels resentment towards her husband for having made her think of this at all.

“Yes,” her husband agrees, “I told them so. But they insist I bring you to meet them if only to speak as their princess.” He winces slightly, eyes shifting desolate to the dirt. “Hope sometimes means the difference between death or life in these instances, and at this moment I have nothing else to offer.”

Helpless, Sita thinks again. Her husband, Crown Prince of Dasaratha’s empire that extends further and exacts more in tribute than any before, stands helpless before his wife. They are friends, he had said, and even before that, he is the one who has always been kind. She opens her mouth to say something, anything, but no words find themselves on the tip of her tongue.

Her husband, eyes still averted, nods as if he has understood. “It was foolish to ask, I know, and perhaps you even think me cruel. You do not speak of who you were in Videha, and I should not ask this of you as my wife.” His jaw sets. “I will take you back to the palace.”

What would happen if the stories were true? If, as in her dreams, Sita walked the lands here in Kosala and the skies still split?

“How will we go?” she asks quietly, unable to force her voice firm. The words leave her mouth unbidden, but she knows they are right nonetheless. “How long will it take?”

She can almost hear her husband’s neck snap as his eyes rise from their study of the ground to gaze at her with all the intensity of the vicious sun. If before he was stunned, now he can only be described as pole-axed. His face is suddenly host to so many overwrought emotions at once that it is rendered as illegible as the times when he forces it blank. She has never seen him so, but that is not unusual. She had not seen him even wearing the smile he gave Antara.

This, she wonders, if anyone anywhere has witnessed ever before. She wonders, even as in her heart she knows the truth: they haven’t. None but Sita.

“Will you really come?” His voice is almost plaintive, like a child asking something he already knows he cannot have. But what does the most powerful man in the world know of want?

“I will,” Sita says, head spinning with a thousand questions, a thousand fears, a thousand hopes. She bites her lip, suddenly overwhelmed by her own uncertainty. “I cannot promise --” again, she loses her voice before she can finish the sentence that would throw her status into such uncertainty.

“I know,” her husband says, answering her unasked question. “I always knew. It would not matter to me either way.” He too seems to break off, struggling to find the proper words. He takes a step forward, and then another, and then one more until he stands in front of Sita, close enough that if he reached out he could clutch at her wrists. “Janaki,” he says, voice dripping with an honest earnesty that suddenly reminds Sita that if she feels herself a girl in Ayodhya then her husband too is a young boy, aged artificially by the weight he is always carrying on his shoulders.

“Janaki,” her husband says again, and Sita takes a breath. He is very handsome up close this friend of hers, the man who is her husband. “You will always be safe with me.” He smiles slightly, and Sita feels the corners of her own lips curling in sympathetic response. “As you say, you are now my wedded wife. There is nothing anyone could say about you that will change that. You can be more, but from now on you will never be less.”

For years Sita was old as well. More than anything else, she was lonely. She is lonely still.

What would you call me, Crown Prince?

My wife.

“I will try,” she vows, refusing to think about what it will do to the villagers for whom the drought continues after she walks the distance of their land. For once, she knows what will happen: she will remain her husband’s wife. In many ways, this is more the moment of her marriage than the one in which he tied the sacred thread around her neck than the one in which he broke the bow of the Great God.

“I will,” she says again, and Sita is unsure if she is promising to be wife, princess, or Goddess. All three, perhaps. “For them,” she swallows and throws all caution to the wind. “For you, I promise I will at least try.”

---

+1

Sita walks for hours, hair falling out of the twist she had pulled it into after dismounting from the saddle she had shared with her husband traveling by horseback to the place that still believed there lived a goddess that could quench dry land.

She walks and walks, walks and walks and walks until her feet begin to crack and then bleed after such long exposure to the harshness of dead earth. Then, she walks some more. Thirst left her an hour ago, but now she struggles against exhaustion. Every step threatens to pull her down into the dust, and she knows, knew, that this would happen. She knew that she would prove their faith false, and leave them worse for having met her. She knew, and yet --

She had hoped, still.

There are no living goddesses who walk the land like Sita to call forth the rain. It is a ritual that has its roots in her father Janaka’s sacrifice, seeding the earth with the merit of his good deeds. Once, she had asked him what he felt when he had been plowing alone in the moments before he manifested a miracle.

“I suppose I should tell you that I prayed,” he had said thoughtfully, hand coming up to stroke absently at his beard, “but I did not. My people were suffering, and there is nothing even an intelligent man can do to mitigate the effects of a decade of drought. I was supposed to be thinking of all the good I had done, so as to imbue the ground with that goodness. But more than anything, every moment I was there I wanted it to rain -- more than anything I had ever wanted before. I felt like I would have done anything then, given anything, if only it would rain. By the end, I knew it would. It had to.”

In Videha, Sita had walked as ritual. She had lived in times of plenty.

In Kosala, there is a drought. She has seen with her own eyes the shrunken bodies of villagers who have no food. Whose voices are raspy with thirst. Together they had collected all the water they had left and had Sita sit, cross-legged before them as they washed away the dust of the road. Sita’s husband has promised that she will be his wife even if she proves a woman after all, but suddenly she knows why the rain fell. Her father too had known; in his own way, he had even tried to tell her.

In Kosala, Sita wants. She is a woman, and in this moment she wants as she never has before. She wants it to rain, more than anyone ever has wanted anything anywhere. More even than her father must have wanted because she wants not only for herself and her people but for her husband as well. Perhaps for him most of all, whom she has seen wrack his mind for weeks. Who has defied what convention or good sense would tell him and instead placed his faith in his wild wife, bringing her to the outskirts of his kingdom in hope of a miracle. Far from the palace, Sita knows herself. She knows what she wants. She knows now, with blinding certainty, what will be.

She wants to be loved, and she wants to love in turn. She wants it to rain, and so it will.

She walks until her body fails, certain in her knowledge that the rain will come. It has to. She trips, and suddenly she hears the gasps of the crowd that has kept vigil at the sides as they did in the time of her father before her. She trips, she falls, and just as she loses consciousness she hears the impossible roll of thunder on a cloudless day.

Sita hits the ground, and it begins to rain in Kosala.

---

coda. (2, 3, 4)

It is late when Sita wakes, eyes opening to the ceiling of a small hut as the raindrops patter against the roof. Outside she can hear shouts of glee, the beat of drums, the exultant songs of villagers who know that they can soothe their hoarse throats with water.

“Was it always like that?” Sita looks down to the foot of her bed where her husband kneels, hands gently rubbing ointment into her wounds before wrapping them with strips of his upper cloth. She hums in question, uncertain of what he means. “When you would walk in Videha,” her husband clarifies, eyes never leaving his self-appointed task, “was it like it was today?”

She could say yes, and imply that this is what goddesses do. Raghuvanshis do not lie. “No,” she says, and marvels at what a struggle it is to even speak. “Never.”

He nods, as if this was the only answer he expected. “Then it really was you,” he says softly, and suddenly Sita notices his hands are shaking as he winds the last of the cloth around her left foot. “You walked, and the gods answered your call.”

“Yes,” Sita says in a whisper. It is a thought too large to bear. He must have questions, she knows, and she owes her husband an explanation. She wants to tell him everything she remembers, everything she now understands, but in this moment there is nothing she can bring herself to say.

Finally, he looks away from her feet, shifting so that it is easier for Sita to look and see his red eyes.

“You cried,” Sita says inanely, stupid again but now in shock.

Her husband laughs, the sound just on the verge of being a sob. “It rained.”

He looks away.

“Before I found your pulse, I thought you had died.”

---

They leave in the morning once more on horseback, Sita clutching her husband’s waist and content to expose her aching, bandaged feet to the elements having long lost her shoes. The villagers offer breakfast, but Sita and her husband communicate wordlessly like she has seen other married couples do, and say together that they must respectfully decline. It will take another cycle for the crops to truly flourish, and there is more food than anyone can eat at home.

For a moment, Sita is jarred at the realization that Ayodhya is what she means when she thinks now of “home.” Mithila, of course, is home always -- but it is different now. Sita’s father called down the rain in Videha, but it was Sita alone who split the sky for her home last night.

After about an hour her husband brings the horse to a halt and jumps down, walking until they reach a lush orchard. Sita swings her right leg around and falls into his arms. For a moment she feels him lower her before he remembers that she cannot walk and shifts his grip, left arm grasping under her knees as Sita wraps her arms around his neck.

“You like jamun fruits, no? You keep them in our bedroom sometimes.”

Yes, Sita does. “Do you?”

Her husband shrugs. “I like these jamun fruits.”

“And where are we?”

“The crown plants orchards at places along the main roads so that travelers might find some respite.” He smiles, looking up at one of the trees. “This is the one with the best jamun fruits in Kosala. And this,” he lowers Sita to the ground underneath the tree and she lets go obligingly, “is the best tree of the orchard.”

It is a romantic claim to make, that there is a single tree that produces the best fruit in the land, but Sita’s husband does not say it as one might when repeating a fancy. Intrigued despite herself, she asks: “How do you know?”

He palms the bark, fingers searching for something that he finds in a particular divot. “A few years ago a squadron of warriors tested the fruit of every tree. This was the one they liked best.”

Sita is skeptical. “And you believe them?”

“Well,” her husband amends, that same mischief he had shown Antara in his eyes, “this is certainly the one I liked best, and the rest agreed as well. It might not be to your taste, given that you are a woman of refined taste in this sphere and I merely a man who prefers mangos.”

“We shall see,” Sita laughs, bedraggled and thirsty and tired. Still, she feels like she has never laughed like this before. In her past she has certainly felt joy and found laughter, but in her happiness now she floats. She had always felt so heavy before. “Let me have my breakfast, and I will be the judge of that.”

Her husband is graceful in victory -- it is not perfectly the season, but Sita swears she has never tasted so sweet a fruit.

---

“Her feet are bandaged,” Kaikeyi observes when the cacophony that accompanies their return to the palace dies down to a dull roar. It is an easy thing to notice when Sita is being carried in her husband’s arms. Kaikeyi was always the quickest of Dasaratha’s queens and proves herself to be the one best informed when her beautiful face twists in withering disgust. “You cannot possibly think that your wife ended the drought by walking.”

Sita cannot tell if the emphasis is on the words “your wife” or “walking.” Both, she thinks, offend the very marrow of an Ayodhyan sensibility that has spent half a year shoving gold at pandits to fund a sacrifice that will finally please Indra.

This is what Sita, married into a family that does not lie, plans to say: “We are glad to see the rain.”

This is what her husband, whose words at 18 already carry more weight in this family than those of his father, says instead: “She did. I saw it with my own eyes.”

Rama & Sita for the 10 things!

This wound up being centered more around the Ramayana than fgo. Hope you like it!

Blood

It was not uncommon to spy Rama nursing some small hurt or wound; the first time he noticed the bright crimson on Sita’s feet and ankles he insisted upon carrying her the rest of the way.

Denial

He wept for hours, days even; begging the earth to open up and accept him as well.

Fan/Fandom

Though a master of many weapons himself, Rama would always be entranced by his wife’s focus as she drew back the string of her bow.

First/Last

Their love was the standard for the ages; no one was truly prepared for the sorrow which followed.

Illusion

Sita kept her gaze on the horizon and stubbornly ignored Ravana’s sweet words of poison; no matter what guise he took the demon could never hope to emulate her husband’s bearing.

Pastiche

There could be no question of who her children’s father was; both were lotus-eyed and the very image of the man their mother loved.

Present

“There is no need to reminisce about our days in the palace, we have each other in the here and now.”

Rescue

The feeling of her arms kept him from collapsing on the spot; every moment of hardship and bloodshed nothing compared to the joy of holding Sita once more.

Telepathy

In the garden, under the moonlight, they needed no words to speak as Rama submerged himself among the lotuses to watch Sita hunt for him.

Time Travel

She found him on the twelfth day of the fourth month, covered in leaves and dust from his tumble down the hill; teasing him that he’d trespassed onto her mother’s property about half a mile back.

varshadhara

one.

Sita has been married a year when there is news of a drought, cloudless skies that refuse to darken and dust that does not become soil. 20 villages chose a single representative to beg for aid from the Emperor himself, and Sita’s husband is drawn when he finally enters their bedroom that night.

“They are dying,” he says quietly, a confession that even later Sita is never sure he meant for her to hear. His eyes close as he begins to remove the ornaments that mark him the eldest, the favorite son, heir to all his father has conquered. Sita, seated on the bed, watches as her husband looks down at the ruby necklace whose clasp he has just undone and calculates how many meals he could buy with what lies so easily in his palms.

“Years,” she confirms, hands playing with the edge of her cotton upper cloth for want of something to do. Her voice startles them both, somehow too loud and too soft for the strange hush that has fallen on the palace so many hours after sunset. “But only because the jewelry you wear is more precious in this city for having been yours.”

He looks up, curiosity a glint in his eye and hands at the heavy earrings the Emperor insists on for court. He seems glad to see her. “Would it help?”

“Yes,” she says, ignoring the way her heart clenches to hear the hope in his voice, “for now. But what about in a year, should the drought continue?”

Her husband glances at the chest which keeps his gold, the fruit of a generation’s worth of tribute from kingdoms that span the earth.

“What a tragedy,” he drawls, fingers slowly teasing out the crown from the wonderful tangles of his hair, “to lose all these heavy jewels in pursuit of my duty as king.”

Sita startles into laughter and reaches out to take her husband’s burden, ignoring the surprise that flickers briefly across his features. He is always so surprised and then so grateful for what to Sita are the smallest morsels of tolerance. She does not think about why this might upset her. “And as my Lord’s faithful wife,” she says cheerfully in response, “I suppose it would be my duty to donate my ornaments as well.”

Both of them linger on Sita’s wrists, the ones she keeps nearly bare save the one golden bangle around each that at least proves her a wife. They smile: tragic indeed.

“My father has proclaimed that the drought stricken will not pay tribute,” Sita hears hours later, low in the moments before she finally closes her eyes, “but there must be something more we can do to help.”

She could live like this, she thinks, at the moment she slips over the edge between the worlds of life and dreams. Sita is content. This could be enough.

----

two.

By now all of Ayodhya must know that Janaki, foundling daughter of the Videhan king, was not expected to marry -- the year that she has spent in the blessed state so far has been tumultuous, to say the least. She grew up a goddess, but more than that she grew up sheltered from palace politics and finds herself embroiled in more than one controversy due to her own ineptitude.

Her sisters, each of them younger than Sita, were married to her husband’s three brothers before they became women true and so are kept as maidens in the palaces of their individual mother in laws: far from their eldest sister who lives, as is traditional, in the rooms of her husband.

What would they say, Sita wonders, if they knew their sister to be equally virginal only weeks before the first anniversary of her wedding?

Sita sets the ceremonial platter on top of a stool and kneels, gently picking up the woolen blanket covering her husband as he sleeps on the floor. The difference in temperature, they have both realized, is usually enough for him to wake and so it is today when his eyes open. Together they fold not only the blanket that covered him but the two others that make what serves as his mattress on the ground, one of her husband’s many concessions to his ungrateful, accidental wife.

“I was never supposed to be married,” she had whispered the night of their consummation, tears streaming down her face and tone as possibly close to a shriek while knowing that servants listened at the door. “I know nothing of how to manage a royal household, much less satisfy a husband!”

The black rimming her eyes must have mixed with her tears, leaving Sita a fright. The combined talents of Ayodhya’s finest ladies-in-waiting ruined by the anxieties of a girl utterly unsuited to serve as their canvas. Sita’s husband, a man who wielded enough power at 16 to force each of Sita’s baying, blood-lusting suitors -- some of them thrice her husband’s age -- to their knees in supplication, had barely walked into the room when confronted with the sight.

“I did not need the protection of a husband,” Sita had said then, back turned. “I would have died before any of those lechers disguised as failed suitors tried to touch me.” She choked back a sob. “It would have been better for us all if I had.” Years later her husband confesses that sometimes he still hears her like this in the moments before he falls asleep, even when they have spent more years than not tangled as one in bed. Sita never tells him how close it all was in the end, how tightly she was gripping the knife when someone heard that a young anchorite had not only lifted, but broken the Great God’s bow. But on her wedding night, when Sita opened her eyes it was to the sight of her husband, his own blade drawn. She flinched, but he only raised his own palm and ran the edge against skin to draw blood.

“A woman,” he said in answer to her unvoiced question, “is supposed to bleed on her first night. The washerwoman will be paid handsomely for her knowledge in the morning.”

Sita flushed, shoulders straightening of their own accord at the implication.

“And as a virgin bride myself, I will bleed as any other” she said, hands fisted at her side in brief, overwhelming rage. “My reputation does not need you to shed blood on my behalf.”

Her husband had only nodded, moving towards the side of the bed opposite to where Sita sat in order to smear his palm once, twice, thrice until he seemed satisfied with his handiwork.

A million questions ran through Sita’s mind. “I hope your sleep is restful,” was all her husband said in response, grabbing a blanket from the foot of what was to be their marital bed and arranging himself on the floor.

Nearly a year since, Sita’s knowledge as to the running of households has not increased, nor, she suspects, has her knowledge regarding the satisfaction of her husband. He keeps long hours, spending as much time away from his wife as possible. The people of Ayodhya, used to the years that might have passed between visits from their woman-drunk sovereign, are enthralled by the near constant access to their Crown Prince, and this during the years when it is acceptable, nay even appropriate to be devoted to naught but one’s own pleasure.

The women of the palace, caught between their desire to honor their collective son and their need to denigrate his strange, uncouth wife, stay silent.

----

three.

“In Mithila,” Sita’s husband begins, breaking their easy silence that has fallen over this morning meal, “what would you do in times of drought?”

Sita startles, the palm frond she was using to keep away insects as her husband ate, slipping to the ground. Though they can now speak of many things, they have never spoken of Mithila -- it is encouraged for new brides to sink themselves fully into the environs of their new, forever home. In this, at least, she is like every wife before her: the ways of her past can have no place in her present. Every day she must attempt to forget who she once was.

“I am only a girl,” Sita answers carefully, eyes lowered as she was told women do. “Such a question may be better answered by my Father, or one of the preceptors versed in these matters.”

There is a silence, but Sita, unable to lift her eyes to her husband’s face, cannot tell if he has accepted her falsehood. The Raghuvanshis, she has been told time and time again, are a line of honor. They do not lie.

“Did you think--” she hears, and then a sigh. “I know who you are, my lady. Are we not friends, at the very least?”

Sita clenches her jaw, picking up the palm fronds once more. She is no longer afraid of her husband, at least not as she was at first. But he cannot want the answers he seeks, not truly. “I am a princess of Ayodhya,” she says, as she has to herself every morning since she woke up next to her husband’s blood on the bed and his body on their floor. “I am your wife, sanctified by the Lord’s Bow and the sacrament of the Holy Fire.”

“Yes,” her husband agrees. Sita cannot help but note that his tone is gentle. “And in Videha, you are considered a Goddess too.”

He says it so easily, as if Sita does not live balanced on the sword-edge between damned and divine. For a moment, she lets herself imagine what it would be like to be known.

There is a story known in Videha, of a drought so ferocious that a King long without child was forced to seed his own lands with the merit of his good deeds. Of the four days of labor that resulted in a baby girl, delivered from the womb of the Eternal Mother Earth. A child covered in an afterbirth of soil where there had only ever been useless dirt.

And yet this too is known: children are the only dead who are buried, their bodies believed too beloved to be consecrated to the fire and burned beyond reckoning. Instead they are covered in wool and laid to rest in the lap of Mother Earth alongside a plea for Death to be gentle.

Sometimes these children are wanted. Many times, the bodies buried are the ones who are not.

This is all that is known: when the King knelt to deliver the child, what had previously been blue sky broke into the first of that year’s monsoon, nearly a decade since the last.

Foundlings left to die do not wear the garb of royalty. Goddesses do not wed.

What would you call me, Crown Prince?

“I am a princess of Ayodhya,” she says, the words suddenly heavy, like stones in her mouth. Her silence protects her sisters from the taint of Sita’s own uncertainty, and Ayodhya has no need for Gods not its own. She waves away an insect that attempts to rest atop her husband’s left ear and resigns herself to her fate: “I am your wedded wife.”

“They are dying,” he says softly, but he speaks to himself. Sita thinks of the easy way they can speak now sometimes; at nights before they retire, or over a morning meal. Her husband is right -- they are friends, if nothing else, and she owes him more than this. Viciously Sita tamps down on the guilt she feels roiling her stomach, rebelling against a stance that suddenly feels like betrayal.

----

Four.

“It is strange,” Mother Kaushalya remarks, as always, “that you were never taught the ways of Royal Women. Is this how girls are raised in Videha?”

Mother Kaushalya, who has only known the Kosala for which she is named, has latched onto the strangeness of Sita’s far-off homeland as a possible explanation for the ways in which Sita grates mountain-rough against the silk of the Imperial Palace. It is useless of course, since a slight against Videha must inherently touch Sita’s sisters, who in the last year have already developed a reputation for grace, gentility, and an overflowing well of kindness towards all blessed with their presence.

Mother Kaushalya, according to the servant-slaves Sita eavesdrops on, has been heard quarreling with Mother Sumitra, begging for “at least one of your darling girls, my Lady, for you know that it can only be selfishness to keep them both when your elder sister has none!”

Sita, tugging awkwardly at the overwrought necklaces she must wear when in Mother Kaushalya’s presence, can only agree. She, more than anyone, knows what she lacks. There have been rumors recently that all three of Dasharatha’s Chief Queens have made a petition to the Emperor to find a new princess worthy of the Crown Prince’s hand.

Sita can only hope that when the time comes, her husband will allow her access to the Imperial Library, or at least will deem it proper to have one wife devoted to the worship of the Gods: philosophy and piety are so easily confused, after all. The best life she can now demand is one where she recedes into the background of the Imperial Palace, unneeded and unknown by all. Never will Sita oversee the workings of a kingdom in the manner she was raised, nor will she sit atop an altar and listen to those petitioners who make pilgrimage to weep at her feet.

Some days, Sita does not even know if she is a woman at all, if these mothers and wives are capable of knowing and carrying the grief of a nation inside their fragile bodies. Every night she dreams of the drought ravaging the villages near the outskirts of Kosala, of how once a year Sita was carried by 50 men to the fields of Videha so that she might press her feet into the soil that made her womb and call forth the rains that heralded her birth.

But then she too dreams of this: a mother weeping, swollen with child like other mothers who have knelt in front of Sita. A mother who delivers a daughter in the ordinary way and buries her alive.

“Goddesses,” the Sage Parashurama had said the year after Sita was installed in the palace of Mithila, “are not meant for marriage. Videha is fortunate that after the reign of Janaka it will be guided by the light of the Divine.”

He paused then, as they all do. “And if the Lady were not a goddess, well --”

They never finish the sentence. The threat is implied.

Sita cannot be meant for love, not in the way of women who are meant for marriage. How can she, when she was meant to sit atop a dais as the physical embodiment of a force of nature, just as easily as inside the hearts of believers? How can she, when she lives her life in the fear that she will be caught out and banished, back into the grave she was meant to die in?

Women are meant for friendship. Women are meant for love.

“My apologies Mother Kaushalya,” Sita says, shaking her head and trying to convince herself that she does not rage against the fate that stretches fallow before her, “I was not raised to be much of a girl at all.”

The real trouble, Sita thinks later, is that despite everything she has somehow found herself liking her husband anyway.

---

five.

“My Lady,” a servant twitters three weeks after the Emperor promises debt relief to the drought-stricken. “My Lady, your Lord husband has need of you!”

Sita looks up from the flowers she is carelessly attempting to string together in a garland, perhaps to festoon a doorway, perhaps to drape around one of the many idols of Surya, the progenitor of her husband’s race. They have not spoken in the week since he asked her about Videha and she refused to answer. “He does?”

“He does,” the servant responds with some relish, ready Sita is sure to reap the rewards of being the bearer of such premium gossip the moment Sita’s back is turned. Sita’s husband has never before indicated such a preference for her company. “He asked that I bring you to him, and not in the garb of royalty.”

“And you are sure that this is my husband?” It is not altogether seemly for Sita to be expressing such doubt that her husband might be asking for her, especially when such a request -- even to appear in plainclothes -- is not unusual for those young and in love, seeking respite from the rhythms of the palace by traveling outside its gates. But really, her husband?

The servant, a girl perhaps only a few years older than Sita’s 16, only raises an eyebrow and widens her grin. “Should I call for one of your maids to help you dress?”

“No,” Sita responds absently, lost in the contemplation of what game her husband could possibly be playing. “Did he say if he had any preference as to what I wear?”

“He did not, my Lady, but if I may I think you had better choose something blue if you have it. The color sets nicely against your skin. Silver jewelry instead of gold, if you have that too. ”

Sita does, buried at the bottom of a trunk of clothes she had carried with her from home. But before that --

“Here,” Sita undoes the clasp of the pearl necklace sent to her by some princeling attempting to curry favor with the crown. There is no true harm in people knowing she has left the palace in her husband’s company, but she is off-center enough to want this a secret as long as she can buy it so. “For your silence, until we return.”

In the time it takes Sita to strip out of silk and re-knot her old lower cloth of coarse blue cotton she has thought of a hundred different potential scenarios. Had she been alone, she might have had to slouch out of her own rooms with her head down so that she might prevent recognition -- in the company of a servant, Sita is passed over as one as well and strolls quite comfortably into the sunshine, following a path she has never taken until they find her husband leaning against the wall of one of the palace’s more minor stables.

“My lady,” he says, seeming to shake himself out of some sort of stupor and leveraging himself fully upright. “Antara,” he says then, turning to face the servant he had charged with fetching Sita, “you have my gratitude.” He leans down to pick up something wrapped in cloth before walking to Antara with a winning smile while pressing the package into her arms.

Sita knows something of her husband, but not like this. She is charmed.

“I came across the mangoes your sister likes when I was making my way back from one of the border kingdoms,” her husband says to Antara. “Tell her that I look forward to hearing more about her adventures when she is feeling well enough to take visitors.”

Antara’s eyes gleam and grow misty. “Oh,” she says, lips trembling as she folds her hands around the parcel and takes her leave, “and we have only just gotten her head to shrink back to its usual size after the last time!”

Alone at last, Sita’s husband’s earlier flash of ease vanish into the ether. Sita tries not to take offense at being more a stranger to him than the woman he sent to fetch his wife. “My lady,” he says again, but cannot seem to say anything more. Sita, feeling the awkwardness of the last week’s silence and her own slight guilt besides, takes pity.

“The girl?”

Sita is rewarded with a smile of her own, small but sincere. “Bedridden, but wonderfully vivacious still. There are bouts of illness where she is worse off than usual, but she believes me nothing more than a particular playmate and I try to see her when I can. The parcel has medicine a far-off physician swore had done a similar patient some good, but Antara would never accept unless I passed it to her like this.”

Sita blinks. “But you are her sovereign!”

Her husband shrugs. “I am her sister’s friend, and I find that everyone is entitled to some amount of pride. It is difficult to accept that you cannot help the one you love best alone.”

She nods, satisfied as she has been in the past with the knowledge that at least she is not married to a stupid man, And, she supposes, not a cruel one either. “How old is the girl?”

His smile widens slightly in apparent reminiscence. “She will be seven in two months' time.”

“Does she have a doll?”

“One,” Sita’s husband says slowly, brow slightly furrowed, “but bedraggled.”

Sita may not know how to comport herself as wife nor princess, but once she was a Goddess who heard the entreaties of those who cared for their beloved ill. Still, she remains a sister. This, Sita knows how to do. “If you approve, I will make her a new one that you can take with you. I used to make dolls for my sisters out of dried grass and cloth when we were children.”

For a moment, her husband looks stunned before he manages to school his features into something like equanimity once more. Still, he slips and there is something helpless about the way he is suddenly looking at her. “You are kind,” he says, but low in a tone that makes it clear that he is not truly speaking to Sita so much as about her to himself. “I am always glad for that.”

Sita blushes, unsure about how to respond to a compliment not exactly meant for her ears. It is not something she ever expected to hear from anyone in Ayodhya, much less the husband she condemns to spend his days wandering the countryside and his nights at rest alone on his own stone floor. “Why did you call me?” she decides to ask instead.

Again, her husband shakes his head as if rising from a reverie. His usual self-confidence suddenly melts into trepidation. What could he possibly want that discomfits him so?

“At the Kosalan border,” he says slowly, eyes focused on some point behind Sita’s shoulders, “there are a few villages that, at some point in the last few years, welcomed some families from afar.”

There is something about the way he speaks that begins to knot Sita’s stomach. She has the beginnings of an inkling, but nothing so concrete that she can speak it aloud. She nods for him to continue.

“Neighbors share stories in times of plenty as well as times of scarcity. These last few months there have been stories about former droughts, experienced by foreign kingdoms.”

Ah. Of course.

“This is not Videha,” Sita says, but she speaks almost as if she is in a dream. She cannot deny her divinity, not without inviting further scrutiny of her orphanhood. But neither has she ever truly believed that it is her feet that coaxed the rains to Mithila. Her father sowed the fields with the merit of his good deeds. Her father found a babe in the trough. Coincidence does not imply correlation.

What would happen if the stories were wrong? If Sita walked the lands but the sky remained a bright, barren blue? In some faint corner of her heart, she feels resentment towards her husband for having made her think of this at all.

“Yes,” her husband agrees, “I told them so. But they insist I bring you to meet them if only to speak as their princess.” He winces slightly, eyes shifting desolate to the dirt. “Hope sometimes means the difference between death or life in these instances, and at this moment I have nothing else to offer.”

Helpless, Sita thinks again. Her husband, Crown Prince of Dasaratha’s empire that extends further and exacts more in tribute than any before, stands helpless before his wife. They are friends, he had said, and even before that, he is the one who has always been kind. She opens her mouth to say something, anything, but no words find themselves on the tip of her tongue.

Her husband, eyes still averted, nods as if he has understood. “It was foolish to ask, I know, and perhaps you even think me cruel. You do not speak of who you were in Videha, and I should not ask this of you as my wife.” His jaw sets. “I will take you back to the palace.”

What would happen if the stories were true? If, as in her dreams, Sita walked the lands here in Kosala and the skies still split?

“How will we go?” she asks quietly, unable to force her voice firm. The words leave her mouth unbidden, but she knows they are right nonetheless. “How long will it take?”

She can almost hear her husband’s neck snap as his eyes rise from their study of the ground to gaze at her with all the intensity of the vicious sun. If before he was stunned, now he can only be described as pole-axed. His face is suddenly host to so many overwrought emotions at once that it is rendered as illegible as the times when he forces it blank. She has never seen him so, but that is not unusual. She had not seen him even wearing the smile he gave Antara.

This, she wonders, if anyone anywhere has witnessed ever before. She wonders, even as in her heart she knows the truth: they haven’t. None but Sita.

“Will you really come?” His voice is almost plaintive, like a child asking something he already knows he cannot have. But what does the most powerful man in the world know of want?

“I will,” Sita says, head spinning with a thousand questions, a thousand fears, a thousand hopes. She bites her lip, suddenly overwhelmed by her own uncertainty. “I cannot promise --” again, she loses her voice before she can finish the sentence that would throw her status into such uncertainty.

“I know,” her husband says, answering her unasked question. “I always knew. It would not matter to me either way.” He too seems to break off, struggling to find the proper words. He takes a step forward, and then another, and then one more until he stands in front of Sita, close enough that if he reached out he could clutch at her wrists. “Janaki,” he says, voice dripping with an honest earnesty that suddenly reminds Sita that if she feels herself a girl in Ayodhya then her husband too is a young boy, aged artificially by the weight he is always carrying on his shoulders.

“Janaki,” her husband says again, and Sita takes a breath. He is very handsome up close this friend of hers, the man who is her husband. “You will always be safe with me.” He smiles slightly, and Sita feels the corners of her own lips curling in sympathetic response. “As you say, you are now my wedded wife. There is nothing anyone could say about you that will change that. You can be more, but from now on you will never be less.”

For years Sita was old as well. More than anything else, she was lonely. She is lonely still.

What would you call me, Crown Prince?

My wife.

“I will try,” she vows, refusing to think about what it will do to the villagers for whom the drought continues after she walks the distance of their land. For once, she knows what will happen: she will remain her husband’s wife. In many ways, this is more the moment of her marriage than the one in which he tied the sacred thread around her neck than the one in which he broke the bow of the Great God.

“I will,” she says again, and Sita is unsure if she is promising to be wife, princess, or Goddess. All three, perhaps. “For them,” she swallows and throws all caution to the wind. “For you, I promise I will at least try.”

---

+1

Sita walks for hours, hair falling out of the twist she had pulled it into after dismounting from the saddle she had shared with her husband traveling by horseback to the place that still believed there lived a goddess that could quench dry land.

She walks and walks, walks and walks and walks until her feet begin to crack and then bleed after such long exposure to the harshness of dead earth. Then, she walks some more. Thirst left her an hour ago, but now she struggles against exhaustion. Every step threatens to pull her down into the dust, and she knows, knew, that this would happen. She knew that she would prove their faith false, and leave them worse for having met her. She knew, and yet --

She had hoped, still.

There are no living goddesses who walk the land like Sita to call forth the rain. It is a ritual that has its roots in her father Janaka’s sacrifice, seeding the earth with the merit of his good deeds. Once, she had asked him what he felt when he had been plowing alone in the moments before he manifested a miracle.

“I suppose I should tell you that I prayed,” he had said thoughtfully, hand coming up to stroke absently at his beard, “but I did not. My people were suffering, and there is nothing even an intelligent man can do to mitigate the effects of a decade of drought. I was supposed to be thinking of all the good I had done, so as to imbue the ground with that goodness. But more than anything, every moment I was there I wanted it to rain -- more than anything I had ever wanted before. I felt like I would have done anything then, given anything, if only it would rain. By the end, I knew it would. It had to.”

In Videha, Sita had walked as ritual. She had lived in times of plenty.

In Kosala, there is a drought. She has seen with her own eyes the shrunken bodies of villagers who have no food. Whose voices are raspy with thirst. Together they had collected all the water they had left and had Sita sit, cross-legged before them as they washed away the dust of the road. Sita’s husband has promised that she will be his wife even if she proves a woman after all, but suddenly she knows why the rain fell. Her father too had known; in his own way, he had even tried to tell her.

In Kosala, Sita wants. She is a woman, and in this moment she wants as she never has before. She wants it to rain, more than anyone ever has wanted anything anywhere. More even than her father must have wanted because she wants not only for herself and her people but for her husband as well. Perhaps for him most of all, whom she has seen wrack his mind for weeks. Who has defied what convention or good sense would tell him and instead placed his faith in his wild wife, bringing her to the outskirts of his kingdom in hope of a miracle. Far from the palace, Sita knows herself. She knows what she wants. She knows now, with blinding certainty, what will be.

She wants to be loved, and she wants to love in turn. She wants it to rain, and so it will.

She walks until her body fails, certain in her knowledge that the rain will come. It has to. She trips, and suddenly she hears the gasps of the crowd that has kept vigil at the sides as they did in the time of her father before her. She trips, she falls, and just as she loses consciousness she hears the impossible roll of thunder on a cloudless day.

Sita hits the ground, and it begins to rain in Kosala.

---

coda. (2, 3, 4)

It is late when Sita wakes, eyes opening to the ceiling of a small hut as the raindrops patter against the roof. Outside she can hear shouts of glee, the beat of drums, the exultant songs of villagers who know that they can soothe their hoarse throats with water.

“Was it always like that?” Sita looks down to the foot of her bed where her husband kneels, hands gently rubbing ointment into her wounds before wrapping them with strips of his upper cloth. She hums in question, uncertain of what he means. “When you would walk in Videha,” her husband clarifies, eyes never leaving his self-appointed task, “was it like it was today?”

She could say yes, and imply that this is what goddesses do. Raghuvanshis do not lie. “No,” she says, and marvels at what a struggle it is to even speak. “Never.”

He nods, as if this was the only answer he expected. “Then it really was you,” he says softly, and suddenly Sita notices his hands are shaking as he winds the last of the cloth around her left foot. “You walked, and the gods answered your call.”

“Yes,” Sita says in a whisper. It is a thought too large to bear. He must have questions, she knows, and she owes her husband an explanation. She wants to tell him everything she remembers, everything she now understands, but in this moment there is nothing she can bring herself to say.

Finally, he looks away from her feet, shifting so that it is easier for Sita to look and see his red eyes.

“You cried,” Sita says inanely, stupid again but now in shock.

Her husband laughs, the sound just on the verge of being a sob. “It rained.”

He looks away.

“Before I found your pulse, I thought you had died.”

---

They leave in the morning once more on horseback, Sita clutching her husband’s waist and content to expose her aching, bandaged feet to the elements having long lost her shoes. The villagers offer breakfast, but Sita and her husband communicate wordlessly like she has seen other married couples do, and say together that they must respectfully decline. It will take another cycle for the crops to truly flourish, and there is more food than anyone can eat at home.

For a moment, Sita is jarred at the realization that Ayodhya is what she means when she thinks now of “home.” Mithila, of course, is home always -- but it is different now. Sita’s father called down the rain in Videha, but it was Sita alone who split the sky for her home last night.

After about an hour her husband brings the horse to a halt and jumps down, walking until they reach a lush orchard. Sita swings her right leg around and falls into his arms. For a moment she feels him lower her before he remembers that she cannot walk and shifts his grip, left arm grasping under her knees as Sita wraps her arms around his neck.

“You like jamun fruits, no? You keep them in our bedroom sometimes.”

Yes, Sita does. “Do you?”

Her husband shrugs. “I like these jamun fruits.”

“And where are we?”

“The crown plants orchards at places along the main roads so that travelers might find some respite.” He smiles, looking up at one of the trees. “This is the one with the best jamun fruits in Kosala. And this,” he lowers Sita to the ground underneath the tree and she lets go obligingly, “is the best tree of the orchard.”

It is a romantic claim to make, that there is a single tree that produces the best fruit in the land, but Sita’s husband does not say it as one might when repeating a fancy. Intrigued despite herself, she asks: “How do you know?”

He palms the bark, fingers searching for something that he finds in a particular divot. “A few years ago a squadron of warriors tested the fruit of every tree. This was the one they liked best.”

Sita is skeptical. “And you believe them?”

“Well,” her husband amends, that same mischief he had shown Antara in his eyes, “this is certainly the one I liked best, and the rest agreed as well. It might not be to your taste, given that you are a woman of refined taste in this sphere and I merely a man who prefers mangos.”

“We shall see,” Sita laughs, bedraggled and thirsty and tired. Still, she feels like she has never laughed like this before. In her past she has certainly felt joy and found laughter, but in her happiness now she floats. She had always felt so heavy before. “Let me have my breakfast, and I will be the judge of that.”

Her husband is graceful in victory -- it is not perfectly the season, but Sita swears she has never tasted so sweet a fruit.

---

“Her feet are bandaged,” Kaikeyi observes when the cacophony that accompanies their return to the palace dies down to a dull roar. It is an easy thing to notice when Sita is being carried in her husband’s arms. Kaikeyi was always the quickest of Dasaratha’s queens and proves herself to be the one best informed when her beautiful face twists in withering disgust. “You cannot possibly think that your wife ended the drought by walking.”

Sita cannot tell if the emphasis is on the words “your wife” or “walking.” Both, she thinks, offend the very marrow of an Ayodhyan sensibility that has spent half a year shoving gold at pandits to fund a sacrifice that will finally please Indra.

This is what Sita, married into a family that does not lie, plans to say: “We are glad to see the rain.”

This is what her husband, whose words at 18 already carry more weight in this family than those of his father, says instead: “She did. I saw it with my own eyes.”

Drabble: Sita

@puppyloveblog24 requested Sita, anything.

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Prompt Fluff: “Are you flirting with me?” “You finally noticed?” - Ram x Sita - High School AU

!!!! this was so fun!!! short and sweet lol (sorry!) but thank u so much for the prompt hope u like it!! 

--

“Are you flirting with me?” 

Sita looks up from the book she’s pretending to read, sitting across from Rama as she always has when he chooses to study in the library during their shared lunch period. Her foot rests against his sock-covered ankle, as it has the last twelve times they have been here. Rama, hair slightly ruffled after nearly half a day of class, tie slightly undone under his vest and school blazer on the table to discourage others from joining them, is staring at Sita as if for the first time. 

It isn’t scandal, Sita decides after a minute of observing his expression, nor is it disgust. Just surprise. 

So: “Yes,” she says, shrugging, “I am. You finally noticed?” 

His eyes widen. “Finally? Has...” Rama swallows. “Was this not the first time?” 

Sita would laugh if she didn't know that the Head Librarian was just waiting for an excuse to finally toss her out, Sita’s study partner being the son of a major school donor notwithstanding. She smiles. “It’s been a few months,” she admits, trying to be kind. It wasn’t like she hadn’t known that he would be obtuse after so many years of watching him accidentally reject the offers of other girls, not even realizing he was doing so when he walked past them to sit next to Sita on school trips, trade books with her in the hallways, drive her home after school. 

“Months!” Now Sita hears the scandal, and begins to blush. 

“It’s ok if you don’t like me back,” she mumbles, watching her fingers trace the lettering on the spine of her book. “I just thought --” 

“Not like you back?!” Sita’s eyes snap up in alarm because Rama sounds as near hysterical as she’s ever known him to be. He’s raised his voice in the library of all places! “Sita,” he leans back, chair scraping as he stands up, towering over her as he makes his confession. “I’m in love with you!” 

“What?” Sita stands up so quickly she gets tangled in her chair, tripping slightly as it moves back. Rama’s hand shoots out to grab hers as she flails back, and when she’s steady enough to look at his face again he’s smiling gently, eyes fond as if he really is in love. 

But wait -- “You always look at me like that,” she accuses. 

“Like what?” 

“Like you love me! I just thought you looked at all of your friends like that.” Or well, she’d hoped, which was why she had spent the last few months trying to get his attention, but she hadn’t known.

Rama’s brow furrows. “I don’t have any other friends,” he says honestly as if that doesn’t break Sita’s heart every time she thinks too hard. But in a way, that’s kind of her point. 

“How do you know it’s love then, and not just....heightened friendship?” 

His face relaxes back into the smile. “How do you?” 

“I....” So many things, Sita thinks, but none that can be said in the middle of the library on a Wednesday. Especially not when she knows that the Head Librarian is undoubtedly creeping the stacks, trying to listen to their conversation so that she has something good to pass on at the next faculty meeting. Sita bites her lip. “Because of this,” she decides, left hand reaching out to grab him by the tie, right hand tangling in his hair. 

Their first kiss is a mash of noses and lips, and the rim of Rama’s glasses biting just slightly into the skin of Sita’s cheek. He’s leaning awkwardly over the table, hands planted like trees at the edge of the table, and Sita realizes very quickly that neither of them has ever done this before -- and she knows that the only movies he sees are the once he watches with her. 

Still: “Good?” she asks when they split apart. 

“We’ll practice,” he says dazedly, eyes roaming the contours of her face as one hand coming up to wipe what she assumes is spittle at the edge of her lip. “But yes, I’d say so.” 

Sita smiles. “Good.” She leans in to peck him quickly on the cheek. “I love you too.” 

5 AU Headcanons: Rama Accompanies Sita Into Exile

For @marauderstar!

1. There are more than a few similarities between Rama’s first exile and his second.

Sita’s presence at his side is, of course, the most important: a constant of the universe save for those terrible months when it hadn’t been. Even now his stomach rebels at the remembrance; even now he reaches unconsciously for her hand to reassure himself she hasn’t somehow been stolen away once more.

The second is this: the aching, burning necessity to flee before he can be stopped. Before it had been Father’s men and the subjects of Ayodhya. Now it is no less than his own brothers. Already Lakshmana has protested loudly at not being allowed along, but Rama cannot do Urmila such injustice twice. And should he be persuaded to allow her presence, why, then there were Bharat and Shatrughan already cross at having been once left behind, along with their their wives—which didn’t even begin to account what their mothers might say. Before he knows it, Rama is sure, he would find himself housing his entire family in the woods and he doesn’t even want to begin to speculate how enormous a cottage that would require. Surely more than he and Lakshmana could assemble in a single afternoon.

No, Rama decides, and a faint smile flickers across his face (as has been the case every other time he happens to remember the swell of his wife’s stomach; a cottage for three will so quite well enough.

2. So long as he remembers he has wanted to be King.

Wanted, perhaps, is not the right word; expected is better, and expected by everyone else better still—and yet even that doesn’t explain his readiness to give it all up for a single rumor.

Ravana, he knows with bone-deep assurance, had both wanted and expected to be King, craved it to maintain his conception of the world. All too easily Rama could become much the same, and he recoils from it. Ravana was a monster for many reasons, least of which was his ancestry; and Rama would not become his shadow, not for a kingdom that turned on his wife for no fault of her own. 

Not for a kingdom that wants him but does not need him, not the way it believes it does. 

3. As it happens he doesn’t need to build any sort of cottage at all. Rama, who is guiltily remembering that Lakshmana was far more successful at the brothers’ architectural ambitions he last time around is not a little relieved when they stumble, almost literally, upon the hermitage of a worn wary man who calls himself Valmiki.

“I am afraid,” Rama feels the need to confess, almost as soon as Valmiki’s invitation to stay is spoken, “that we—we come bearing scandal.”

Valmiki’s mouth quirks into a sudden grin, one that was once (as Rama will discover) the terror of travelers passing alongside this road. “Rest assured,” he replies, with such good humor Rama cannot refuse him, “that I am no stranger to scandal myself.”

4. Their warm welcome, it soon turns out, is due as much to their host’s kindness as to the fact that he is composing an epic on Rama’s exploits. Rama flushes to hear of it, and all the more to listen to line after line of his supposed virtues, but Sita laughs outright–and takes impish delight in suggesting all the more wilder exaggerations when asked by Valmiki to confirm the facts as she knows them.

“This bow,” Valmiki says, “by which your husband won your hand–”

“Six feet long,” Sita replies promptly, sketching out unrealistic dimensions with her hands, “and twice a man’s weight to draw.”

Rama groans. “Half a man’s. If that much.”

“Did I say six feet?” Sita very nearly manages not to giggle. “Surely I meant eight.”

“Eight?”

“Perhaps, dear daughter,” says the poet, straight-faced; “you might be mistaken. Ten seems far more likely.”

By the time that afternoon’s composing is complete, the bow is twelve feet and Rama utterly mortified–but Sita is laughing, and Valmiki humming with satisfaction, and Rama can bear a bit of mortification for that.

5. There are two boys, not one; the first already boasting a head of dark hair that stands upright like spikes of kusha grass, the second golden and grasping for his father’s finger.

Rama reels with the wonder of it, and all the more with the knowledge that he has a lifetime with them, years to watch them grow into the men they are meant to be. This must be what his father had always wanted for him, Dasharatha who had performed a thousand prayers for just that life. He would give up a hundred kingdoms for that, a thousand; he is certain–no matter how much news might trickle out from Ayodhya that its citizens still mourn their lost son, that its King swears to perform the Aswamedha Yagna in twelve years’ time, should he be reunited with its brother by its end. 

There are two boys, not one; and they are both perfect. Sita is well, and happy, and they have a home. 

Rama wants nothing more.

Ram/Sita + spy au+ friends to lovers + “you know i’ll do anything for you”

lol this…AGAIN….spun out of my control…..and is apparently 6020 words while still having massive massive holes in characterization and plot and …general stuff..lol. anyways hope u like it? it ended up being way less Spy Spy and more ….arranged marriage au…… because everything i’ve written has basically been that now lol and raazi is the only spy movie i could think of that works bc rama and sita dont have mr and mrs smith vibes to me. love u!!!!!!

—-

“Are you serious?” 

The face on the screen is somehow almost as familiar as Sita’s own – she’s never been one for the gossip rags, but at some point, it’s almost harder not to know the features of someone who’s been famous since his parents announced his conception. 

“You know him, then.” Sita’s handler Kaikeyi seems remarkably even-tempered for a woman charging Sita, her top recruit, to attach herself to the arm of Kaikey’s stepson – a boy that the papers seem to believe Kaikeyi prefers even to her own Bharata. Sita raises an incredulous eyebrow before realizing that Kaikeyi does actually expect Sita to recite what she knows about her newest target. 

“Ramachandra Raghav,” Sita recites from memory, “but the papers call him Ram. Only son of Dasaratha and his first wife Kausalya, sole presumptive inheritor to the Kosala industries fortune. Dasaratha Raghav and his wife publicly struggled to conceive and adopted a daughter, Shanta, nine years before they had Ram whose birth coincided with the release of Dasartha’s final film and his entry into politics.” Sita purses her lips, unsure if she should continue, but Kaikeyi remains impassive. “Dasaratha and Kausalya divorced when Ram was five, and three months later Dasaratha married you.” Judiciously Sita chooses not to include the fact that Kaikeyi, who during her acting days had only been paired with the already greying movie star, reportedly delivered her eight-pound son Bharata three months early. 

Kaikeyi rolls her eyes, still the same striking green that had made her first film such a hit. “Of course I was pregnant when we got married. What else.” 

Sita racks her mind. “The custody case was unusual – Kausalya shifted to America with her children, but Dasaratha petitioned for them to stay with him in India. Shanta was 16 and decided to finish school abroad with Kausalya, but the courts decided that Ram would spend alternate years with each parent until he reached his majority.” It was the oddity of the arrangement that kept the Indian public so desperate for news about what otherwise might have been just another star-turned-politician’s son: pictures of Bharata, who was constantly being presented at building openings, movie premiers and other assorted Party functions went for nearly a quarter of the price as those of Ram whose arrival at the Delhi airport became more and more of a national event in sync with his father’s increasing political power. The exoticism of his American English was viewed with as much pride as his unaccented Hindi which the Party often used to great effect, having him canvass his father’s constituents on camera the year Dasaratha was put forward as the party’s candidate for Chief Minister and releasing them online. 

But it has been a few years since Ram was last in India for more than a month or so’s vacation – at 16 he graduated from school and sent the Indian media into near paralytic shock when he decided to attend university in Delhi. Not even three years dimmed the public’s fascination, which quickly turned into genuine discontent when it was announced that Ram had accepted an offer to do his doctorate in California and had barely been seen in India since. 

“You want me to investigate a Chief Minister’s son?” Again, Sita leaves unsaid the rumors that swirl even in headquarters – that Dasaratha’s relative competency at state-wide management has made him a viable candidate for even higher office. That after the last election’s dismal results, it is apparent that Dasaratha might be the only remaining Party figure popular enough to lead a coalition that would bring them to power in the Centre after nearly a decade at the periphery. 

Kaikeyi laughs. “Not quite,” she says, still perfect red lips twisting in a faint smile, “Ram is in New York now working for the UN, and it seems that he will have a long and illustrious career in diplomacy which will bring him into contact with all sorts of people of interest to our national security agencies. We need someone at his side to make sure that those contacts are being utilized to their full potential.” 

Sita frowns. “He’s too young to need a trusted aide or a secretary.” 

“Correct. That’s why we’re sending you to New York as his wife.” 

– 

When Sita is 18, a woman comes up to her on the street asking if she’d like to be a model. As a laugh Sita shows up at what the woman’s business card says is the head-hunting agency’s main office only to be quickly moved to a backroom, divested of her backpack, phone and shoes and investing her with a new lifelong wariness of strangers with offers too good to be true. Her father is the aging yet venerable University President – they don’t have the money for ransom, but Sita just as quickly rules out potential trafficking since her father has one or two connections that would raise quite the fuss if he informed them that his daughter was missing. But before she can think of another reason behind her apparent kidnapping, the door opens, and Sita’s life changes with the incoming rush of bright light into the dark room. 

“You’re..” she splutters, eyes raking up and down the perfect figure of the woman in front of her. 

“Yes,” Kaikeyi Raghav says, sunglasses perched delicately at the top of her head as she adjusts the pallu of her elegant chiffon sari. “I’m sorry for all the confusion, but we really needed to get you alone before we could try and talk to you.” 

“Talk,” Sita rasps, suddenly hyper aware of her own dry throat. Kaikeyi sighs, clapping her hands once before taking a bottle of water that appeared almost instantly at the door’s threshold, opening the cap and offering it to Sita who gulps it down. “Talk about what?” Sita asks. 

“One of our associates brought you to our attention about a year ago thinking that with some work you could be turned into something quite extraordinary.” Kaikeyi brings up her right hand to pull down her hair from its updo, the cascades only making her more breathtaking to Sita, whose father always had a soft spot for the old Dasaratha-Kaikeyi films. “I’ve been observing you ever since, and recently came to the same conclusion.” 

Sita can’t help but glow at the praise, even as she tries to keep her sense of rationality – she’s been kidnapped after all, even if by one of the nation’s most illustrious figures. First: “Are you trying to traffick me into sex work?” 

Kaikeyi laughs, and the sound is clear and captivating like a bell. The more Sita watches, the smaller details begin to stand out – a mole just slightly to the right of Kaikeyi’s collarbone, the green of the embroidery that brings out those colors in her eyes, the red fingernails that perfectly match Kaikeyi’s lips. 

“Do I look like a pimp?” Kaikeyi’s tone is one that does not truly seek a response, though Sita is not sure she even has one. The proclivities of the rich and powerful are rumored to skew to the truly scandalous, and there is no reason that an elegant woman could not be the front for the procurement of such services. 

“Then is this supposed to be recruitment for politics?” Sita has never thought herself particularly gifted at deception, which seems to be the first requirement for a fruitful career of public service. 

“No,” Kaikeyi laughs again, “but I find it interesting that you didn’t consider that I might be signing you on as a heroine.” 

“I don’t have a face for film,” Sita says, “and I have no intention of leaving Delhi.” 

“You have exactly the face for film,” Kaikeyi counters, “but I agree – your mind would be as wasted as mine in Bombay.”  

“Then politics?” Sita, who was born and brought up in Calcutta before her father was given a position in Delhi had never given much thought to the Raghav’s stronghold Ayodhya – she can’t imagine what Kaikeyi could possibly see in her. 

Kaikeyi shakes her head. “What do you know about this country’s intelligence services?” 

Sita blinks. “You want me to be a spy?” 

– 

Five years after their first meeting, Sita has learned how to handle all sorts of weapons including her own body, how to speak a dozen languages, how to scope out a room. In some strange way, Kaikeyi seems to have filled the gaping hole left behind by Sita’s long-dead mother Sunaina, who Sita is not entirely sure would approve of what her daughter decided to make of her life. There isn’t quite a bond of affection, but there is loyalty beyond even what Sita would have given her own mother – no better proof than the fact that here Sita is agreeing to marry Kaikeyi’s stepson entirely because Kaikeyi demanded it, where Sunaina would have had quite the shock if she had tried to suggest a man for Sita to wed. Sita had dreamed of marrying for love, but loyalty she reasons is close enough. 

Ostensibly, Sita has finished her MA with high honors and works at an NGO that enjoys Kaikeyi’s patronage – this, they decide, is how the papers will be told Kaikeyi knows Sita. There are a few strategically leaked photos of Kaikeyi first paying the NGO a visit, then taking Sita out for a series of lunches. Sita finally travels to the ancestral Raghav mansion in Ayodhya for Diwali, bringing along her father to meet and pay his respects to his favorite screen star. 

“You must be Sita’s father,” Dasaratha booms when they approach, somehow brimming with the same vitality and presence that drew such crowds to the theater in his youth. He grins, left arm wound around Kaikeyi’s waist at his side as he turns to speak to Sita. “My wife has grown old and taken up matchmaking to pass the time, but from what I have seen you would be a fine choice for my Ram.” 

Janaka stiffens at Sita’s side, hearing about such an arrangement for the first time, but Dasaratha’s charisma pulls him into its orbit as Dasaratha reaches out his hands. “I confess that I was never well educated myself, but I believe it would only bring me and my family honor to be able to call someone as learned as yourself ‘Brother.’” 

Janaka is sold. Sita, who has never been quite sure about the real dynamic between Kaikeyi and her husband, realizes with some relief that there is genuine fondness, even love, in the smile she flashes her husband. Perhaps there might be hope for Sita herself. 

Dasaratha insists that the informal engagement is enough to justify Sita and her father’s extended stay at the mansion. After one day, he calls Ram himself informing his son that Dasaratha has found him a wife. Within a week, the news reports that Dasaratha’s eldest son has found himself back on Indian soil. 

Sita finally leaves the mansion two weeks after Diwali with the instruction that she must treat the property as her own home whenever she returns to India – after all, Dasaratha booms, she is his beloved Ram’s wife now, and Dasaratha’s daughter now as much as Janaka’s. 

– 

“So,” Sita says on their first night, sitting on what’s supposed to be their marital bed,  “what name should I call you?” 

Her husband raises an eyebrow, silent just as he has been for almost the entire week since he was called home. Kaikeyi, when Sita asked for details, had not elaborated on the character of her stepson nor had she offered details about how Sita might best seduce him. 

“Follow your instincts,” Kaikeyi had said, smiling at Sita’s frustration. “You’ll know what I mean when you spend time with him.” 

Well, Sita thinks perversely, her instincts are telling her to confess everything to the man she has promised herself to in front of her father, and God almighty. Somehow, she is meant to maintain a lifelong relationship with a man she is only now speaking to, and to mine his contacts for information to send back to her handler, his stepmother. 

“The papers call you Ram,” Sita says, only a little sullen at the thought of the task ahead of her, “as does your family. Is that what you prefer to go by?” 

“My father’s family,” he corrects mildly, and Sita immediately flushes at the mistake. Kaushalya and Shanta had of course come, but arrived only the night before the wedding – Sita had met them both the morning of, but only enough to touch their feet and have Kaushalya cluck, teary-eyed, over the beauty of Sita in her wedding sari. 

“Of course,” Kaushalya had said off-handedly to Shanta standing at her side, “Kaikeyi has always had excellent taste.” Sita had not trusted herself to answer. 

“Will we live with your mother in America?” Sita has been provided with what she considers shockingly little information regarding her future living situation – Kaikeyi insists that, largely, this assignment requires Sita to effectively live her own life and as such being more information than provided a new wife would only detract from her performance. 

He shakes his head. “My mother and Shanta live in New York too, but Shanta needed to be closer to Columbia and…” he looks away, suddenly just slightly awkward. “Things changed so much for Mother throughout my life that I think she was finally able to find some type of stability when I was away at university. When it turned out that I was moving back, I didn’t want to be the one to throw her life back into flux.” 

Sita nods. “Are you close?” 

Her husband hums, fingers of one hand slightly worrying at the hem of a blanket. “As much as I can be, having spent every other year away.” 

Sita can’t imagine – for years, the story of the boy caught so explicitly between two worlds has always been interesting or amusing, but now that she’s confronted with him in the flesh she knows that it must have been sad, too. She tries to imagine a mother committing to the notion that the child she waves off at the airport gate would not be the one who returned, and finds that it’s impossible. 

“It must have been difficult,” she offers, not elaborating on whether she is speaking of her husband’s family, or himself. 

He nods. “Father and Mother Kaikeyi always had Bharata, and the Party. I was glad when Mother found Sumitra and the boys.”

Sita’s eyes widen. “A friend?” 

He turns his body to look at her for the first time head-on. “No,” he says, eyes boring into Sita’s, exuding the same gravitational force as his father. “Her wife. The boys are my Father’s during a…period of disagreement with Mother Kaikeyi, and when Sumitra decided to keep them Mother brought her to New York to have the children. They fell in love.”

This is a test, Sita realizes, and for the first time, she realizes the wisdom of Kaikeyi’s lack of preparatory material even as she curses Kaikeyi in equal measure. She would have liked to have not been blindsided, but there is a truth to her reaction she could never have mimicked so effectively. Her mind roils with the amount of information relayed in such few sentences – Dasaratha, already so old, still fathering sons. Kaikeyi and her husband having a disagreement so strident it sent him into another’s arms. Kausalya, raising more of Dasaratha’s children as her own. Kausalya, in love with a woman. 

Her silence has drawn on too long during her contemplation, and her husband’s eyes have gone cold as he leans away from her. 

“You call her Sumitra,” she decides on, “but if she’s your mother’s wife, should I call her mother in law as well?” 

Her husband is wide-eyed himself for a moment, but then his face cracks into a smile just dripping with sudden, unexpected delight. Sita’s heart skips a beat at the sight. 

“It would make her very happy if you did,” he says. “And as for me, my mother has always insisted on calling me Ramachandra and none of my siblings use my name at all. You can call me whatever you’d like.”  

—

“Rama!” Sita exclaims, trying to rise from the chair behind her desk and managing to trip on the hanging sleeve of the sweater she had been sitting on. She laughs, picking herself up off the ground. “Oh, and you brought the boys too!” 

It’s been a year since Sita moved to New York, a year in which she’s found fulfilling work at a South Asian women’s shelter, learned how to navigate herself via subway to find the best of ten different cuisines in New York, read three books related to Shanta’s new area of interest, featured in the boys’ Instagram Lives over 20 different times, and found herself a best friend in the form of her husband. 

Ram, she had decided, was how the public knew him even if his father’s family chose the same. Ramachandra was much too long. Rama was short, sweet, vowels easy in Sita’s mouth. 

“No one calls me that,” he’d said when she’d first used the name, his tone again one of unexpected delight. “I’ve always thought it was strange that they never did.” 

Sita’s due a lunch break, but she’s always been prone to eating at her desk unless she’s eating out – a budgeted, once weekly expense she keeps track of after the humiliating exorbitancy of her first month’s bill. 

“We have money,” Rama had said, bemused at Sita’s profuse apologies. “I’ve got a trust fund, but my salary certainly pays well enough for this.” He’d glanced at the bill Sita had handed him as she had wrung her hands in front of him, so unsure of how she’d managed to spend so much. “It looks like this is mostly just restaurant charges anyway, and,” he’d looked up at Sita with a smile, rising to hold her hands before she could twist them again, “you live in New York now. I’m glad that you’ve spent the last month trying all sorts of the things the city has to offer. It’s exactly what I did when I moved back, except I probably spent twice as much.” 

Sita had felt the first of many twin pangs at his kindness – one pang of joy, at being with someone so well suited to herself, and another of sorrow when she thought of how their relationship was founded on a lie. Kaikeyi had told Sita that there was no need to actively seek out contacts for at least the first year, and so the extent of her real work was having regular conversations with Kaikeyi that easily blurred the line between professional and personal relationships. 

“Is he any good at sex,” Kaikeyi had asked one day after asking for a report about Rama’s “family situation” which Sita found distressingly similar to the inquiries of a second wife wondering about her husband’s former paramours. Sita had hung up. 

“Sita?” Sita starts, bringing herself out of her reverie and smiling. 

“Sorry,” she says, grabbing her coat. “I was just thinking about something.” 

“Something interesting?” He takes the coat and holds it out for Sita to slip her arms into, smoothing down the lapels when she turns around. “I spent the whole morning stuck in the single least productive set of meetings, and knowing them they’re probably arguing about what appetizers to get for lunch. I’ve never felt as lucky as I did when I told them all that, unfortunately, I’d already logged that I was taking a half-day to take care of my brothers.” 

The boys scowl. “We’re thirteen years old,” Lakshmana says. Shatrughana nods in agreement. “We could have gone home by ourselves!”

Sita flashes Rama a smile, leaning down with an expression as if in deep thought. “That’s true enough – if you’d like we can send you home and just join you after I finish work, but aren’t your moms on a health kick right now?” 

Lakshmana, always the more suspicious of the pair, crosses his arms. “And?” 

“Well,” Sita drawls, hearing Rama snort softly next to her, “your brother and I were thinking of taking you to the greasiest joint we can find in walking distance, and then to 7/11 after to find you both snacks for when you spend the weekend at our apartment. But if you’d rather not, that’s totally ok too!” 

The boys fall for the line, hook and sinker. 

“Oh,” Lakshmana says, voice suddenly a pitch lower than usual as he squares his shoulders in what Sita doesn’t think any of the three recognize is his best imitation of Rama, “that’s ok.” He looks over at Shatrughana, who nods. “Family is important. Let’s go eat!” 

“Thank you,” Rama says softly after they’ve finally decided where to eat and are walking in the correct direction. Sita raises an eyebrow. “You’re good with the boys,” he explains, shrugging his shoulders. “I was expecting to have to take them out on my own, and stay at my mother’s when I wanted to spend time with them but –” 

Sita interrupts him before he says something truly embarrassing about what she only sees as a pleasure. “It’s easy when they’re such good kids,” she says, “and I would have done it even if it was harder. It’s the least I could have done for you, after everything.” 

Everything being the credit cards he’d given her when they landed, his insistence that he wouldn’t monitor her spending and would set up a bank account for her that he would periodically transfer money into but not be able to access. Everything being the books he shared with her and the books he read on her recommendation, in turn, the concerts they’d attended together, the plays and musicals and movies and street festivals. Everything being the conversations they’d had on the couch until late at night, the meals he learned to cook because they reminded her of home. 

The one similarity underlying all others between them, Sita realized one day, was that they had both grown up lonely, without anyone person, they could claim truly, entirely understood them. Neither of them had had a best friend until they met the other. By unspoken agreement, they had not consummated their marriage that first night, nor during the first few hectic months of Sita’s acclimation to New York. Eventually, it became easier to simply maintain things as they were and to enjoy the novelty of a companion before things became … complicated. 

If a part of Sita insisted that she hold off from sex so as to not build even more on an inherently unstable foundation – if that same part screamed that her husband had given her trust beyond all else and she squandered the gift every day she didn’t tell him who she really was – then that was something for Sita, and only Sita, to think about.

— 

“Oh,” Sita hears from the bathroom threshold, glancing through the mirror at the figure Rama cuts in his tailored tuxedo. It’s been nearly a year and six months since their marriage, and what Sita thought of as friendship has since bloomed into a wild, uncontrollable love. Yet, she keeps her love to herself, knowing that it would be cruel to offer him fruit with a rotted core. 

He cares too, she knows – only a fool could willingly ignore the little signs of it he offers so freely, long and lingering looks, kisses to her cheek, forehead, the corner of her lips and the edges of her knuckles. She knows that her resistance to further intimacy must confuse him, perhaps even hurt him, but still, she can’t help but think that things would be worse if she gave in only for him to find out later. Sometimes, she wonders if Dasaratha knows about Kaikeyi – if Lakshmana and Shatrughana owe their existence to a revelation of the truth which so discomfited their sire that he sought another woman to drown in. 

Sita is selfish, far too much so, to allow the truth to poison what she now has, half-life as it is. So she smiles over meals Rama cooks for her, meets the contacts Kaikeyi has started sending her way during lunch breaks she takes less frequently at her desk and begins preparing her heart for when things will inevitably fall apart. Today, she and Rama will attend a gala meant to raise funds for refugees which will double as a drop-point for some dissident’s data collection from the last five years on the inside of their regime’s surveillance operation. 

“You look beautiful,” Rama says, walking in. Sita’s hands, haphazardly smoothing down the last wisps of hair that refuse to curve to her skull in their updo, pause when he places his own over them. “Is that my mother’s sari?” 

Sita nods. “The style has come back,” she says, reaching out to the counter for the strand of jasmine Sumitra had sent to their apartment to be paired with Kausalya’s sari. “Even Kaikeyi approved, which means that this outfit technically has the approval of all three of your mothers, and your sister as well.” 

Rama smiles softly, taking the jasmine and pinning it up with a deft hand that speaks of experience. “I’ve never been one to keep up with fashion trends, but I think you wear it very well.” 

“Kaikeyi says it makes me look like a movie star.” In order for the drop to be successful, Kaikeyi had demanded Sita pull out all the stops possible within the relatively demure confines of charity-wear. Sita’s blouse plunges at the back, skin unobstructed by a pallu or bra, and she shivers slightly when Rama’s left-hand traces lines. 

“I suppose she would know,” he says absently, eyes raking up and down at Sita’s reflection in the mirror they both face, passing over her eyes rimmed with kohl and her dark red lips. His right-hand falls to his pocket, searching for a moment before he finds what he needs, pulling out a pair of beautiful earrings Sita hadn’t known he had. 

“Mother Kaikeyi had me get these from storage a few weeks ago, but I wasn’t sure if they would suit what you were planning on wearing.” They look at the pieces in his hands, realizing together how well the earrings will look with Sita’s sari. 

“Will you put them on me,” Sita asks, voice thin and breathy despite herself. His hands are gentle, just slightly cool to the touch as they gently thread the earrings into her lobes, tightening the screws and caressing her ear before moving to ghost over Sita’s hips. If Sita moved into his touch, allowed him to grasp her body so hard that she bruised if she turned her face just slightly and brushed her lips against his – her entire body is one flame, but even now she is attending this gala with her own motive, even has a small gun she plans on holstering to her left leg as insurance. She can’t. 

She can’t. Sita takes one step forward, Rama’s hands falling back to his own sides. 

“We’ll be late,” Sita says, moving them back into purgatory instead of choosing heaven or hell. 

Rama shakes his head slightly, taking a breath. “Yes,” he replies, tone never betraying a sense of the frustration he must feel. He smiles again, holding out a hand. Sita will tell him one day, she tells herself. He deserves that much. 

“Let’s go.” 

– 

One day, it seems, will be sooner rather than later. Sita’s very first drop of this assignment, after nearly two years of prep, and it seems like she’s going to end up just another statistic, shot in the head for all her efforts. 

Worse, she thinks, she’s going to break Rama’s heart. The dissident was less careful than they’d thought, trusted someone they shouldn’t have, and now they’re both being held up against a wall and being told to recite any final prayers for their souls. Sita’s single measly gun at her hip wouldn’t change the odds of 10 against 2, especially since no amount of physical training will significantly change the realities of her smaller physique going up against larger numbers of even better-trained muscle. 

She only wishes that she’d thrown caution to the wind once, had told Rama the truth and let the cards fall where they may. She wishes she could see him one more time and apologize, reassure him that her love was true even if her initial motives weren’t. 

“Hey,” she hears from somewhere in the distance, away from their cluster of a firing squad. Her heart simultaneously sinks and soars to realize that the voice is Rama. “That’s my wife!” 

The leader laughs, just as the dissident sobs. Sita clutches their hand tighter. “Then I’m sorry to say that she hasn’t been much of a wife,” the leader sneers, “just another one of Kaikeyi’s little rats meddling where they’re unwanted.” 

“Run!” Sita screams, deciding that she’d rather Rama be alive than hear her confessions before he too is killed. “For my sake run, before they decide to kill you too!” In the back of her mind, she knows that it’s already too late – people are executed for far less than what Rama is doing, which is continuing to walk forward. 

He sighs audibly, not even pausing his forward momentum. “I’m sorry,” he says, and for some reason, Sita genuinely believes that he is. “You know I’d do anything for you, but there’s something I haven’t told you yet about me.” 

Shouldn’t that be Sita’s line? “What,” she croaks, captivated by how he’s somehow holding the group hostage, each of them curiously watching as he walks right up to wear Sita and her companion stand against the wall. “Please,” she sobs, breaking her own vow to face death with dignity, “if you’ve ever cared about me, you would leave.” 

Rama’s fingers come up to trace Sita’s bruised eye, her puffy lip, the cut at her cheekbone. “Concussion?” he asks, completely ignoring Sita’s plea. 

“It hardly matters,” she says, “when I’m going to die in about five minutes. Just like you will if you don’t leave right now.” 

Rama hums, right hand shifting down to her thigh, where her gun is strapped. Sita’s eyes widen as though the fabric he seems to be easing the gun out and up to where the fabric wraps around her waist. Left hand still caressing her cheek as the right holds the gun in place against her stomach, he leans in to gently kiss Sita’s forehead. 

“All three of us are going to live tonight,” he says, so confident that it seems as if it would be absurd for Sita to think anything else as if even three against 10 the odds are stacked firmly in their favor. “Hold this for me?” 

Sita’s hand shifts down to the gun still hidden in the fabric as Rama steps away and turns, his hands now busy divesting himself of his tuxedo jacket and the bowtie Sita had so painstakingly learned how to tie for him earlier. 

“Now,” he says casually, as everyone watches him worry at his cufflinks, dropping them in the pile now at Sita’s feet, later followed by his wedding ring. “Unfortunately for you all this means that you will not be surviving this encounter. Do you have any last words?” 

The leader laughs. “Are you fucking kidding me?” 

Rama’s left-hand reaches out behind him. Sita, as if in a trance, dutifully fishes out the gun and places it in his hand before realizing that she has something she needs to say before it’s too late. His own confidence gives her some of her own, but still how could he possibly win? How will they possibly survive – and if, against all odds they do, what on earth is she going to say?So: “I love you,” she blurts out, smiling slightly when Rama’s head twists to look at her, incredulous, but before he can respond the first bullet fires and he explodes into action. 

For the first two minutes, the fight is 10 against 1 and still, Rama makes it look like child play. Weaving in and out, every shot he fires taking down at least one if not more of the men against him. At some point, he grabs another gun and tosses it in Sita’s direction, whose entrance into the melee serves to turn the tide even further. At least she’s always been a good shot, she thinks to herself, taking a man out even when her head rings with what she knows her husband accurately diagnosed as the beginning of a concussion. Part of her can’t do anything but watch as her studious, gentle husband breaks someone’s nose before shooting them through the heart. 

Within five minutes, it’s over. Just like Rama said, all ten men are dead at their feet. The gun drops out of his hand, slippery now with other people’s blood. Sita’s kill count is 2. He’s just killed eight men. 

“I…” Sita starts, realizing she doesn’t know what to say. She swallows, looking at the carnage around her and tries again to reconcile the sight with Rama’s soft sweaters, old fashioned glasses, and aversion of horror films. “How?” 

Rama purses his lips. “Same as you,” he says, wiping his hands on his pants with a grimace. “Mother Kaikeyi trained me, and while I was in India I was sent on assignment.” 

Sita pauses. “You’re a spy?” Even as she says it, she knows that she’s in no position to speak with such scandal in her voice – yet, she thinks, she had thought she knew him, that he had trusted her. 

Rama laughs as he never has: short, hollow, bitter. “No,” he says, “not anymore. And even when I was, I was more of a hitman than anything else. I quit and moved away, and I assume that’s why Mother Kaikeyi sent someone to make sure I didn’t step too far out of line as a rogue element.” 

Somehow, Sita thinks, this is worse than she imagined. “No,” she says, rushing forward, hands wringing as if he’s looking again at her first credit card bill. “I asked at the beginning. It was never about you.” 

Rama is silent for a moment that seems to stretch endlessly as the adrenaline wears off for Sita, and her aches start to make themselves known. Her face throbs, her head spins, and there’s something in the vicinity of her ribs that twinges while she stands still – not broken, she doesn’t think, but maybe bruised? Rama’s hands, almost as if it were against his mind’s will, come to stop her hands and tangle his fingers in his own as they do nothing but stare into the darkness over the other’s shoulder. “I’m glad that that’s what you were told,” he says eventually, and Sita suddenly realizes that there is an entire lifetime’s worth of complication she hadn’t known existed. 

“I wasn’t told anything,” she says, sure now that Dasaratha knows at least part of Kaikeyi’s truth, because why else would Kaikeyi have made sure that Sita walked into her relationship as transparent as possible. “Everything we shared was real.” She pauses, uncertain. “At least from my end.” 

Rama’s hands are like vices, clutching Sita’s fingers so hard it feels like he’s cut her circulation. “From mine as well. So when you just said–” 

“Yes,” Sita says, unable to say now what fear of imminent death had so successfully inspired. “Before, I was afraid of you finding out about me, but yes of course.” 

Rama exhales. “I’d hoped that’s what was stopping you, but I was never entirely sure that you really were one of Mother Kaikeyi’s recruits,” he smiles with a hint of self-deprecation. “You’re a good actor, you know.” 

“No,” Sita says, bringing her hands up to cup his face, finally deciding to be brave. “I’m really not.” She leans in. 

Their first kiss is gentle, tastes just slightly like blood, and ends quickly when Sita’s lip is irritated and makes itself known. It’s perfect. 

“I love you,” Rama breathes into the sliver of space when they part, one hand drifting to hold her at the waist, another rubbing small circles into the nape of her neck. Sita’s head spins, and not only from the concussion. 

“Hey,” she hears from somewhere behind. “I’m glad you two seem to have made up…and also …. that we’re all alive. But can we go now?” 

Sita laughs, and then immediately regrets doing so. “Yes,” she says as Rama holds her still, “let’s go.” 

First post on my art account.

A storyboard project from my digital art class. We had to choose a scene from a public domain media. I chose the opening scene in The Jungle Book novel where Shere Khan confronts Rama and Raksha for Mowgli.

Before kidnapping Sita, Ravana raped Rambha, Queen of the apsaras, and her husband Nalkuber cursed Ravana that if he ever raped another woman, his head would split in seven. This curse later protected Sita from the worst of Ravana’s torments. So I’d like a fic where Nalkuber goes off on Rama that if Ravana has raped Sita, his curse would have taken effect, and how dare Rama disregard a god’s curse, and what did Rambha suffer for then?

It lingers in Nalkuber’s memory, later; after all is said and done.

Keep reading

Top five underrated characters from the Ramayana?

1. Urmila is by far, in my opinion, one of the most underrated characters in the Ramayana. Everyone talks about the sacrifices made by Rama, Sita and Lakshman and everyone knows about them but Urmila is generally forgotten. She willingly allowed Lakshman to leave her behind so he could serve Rama and Sita and then gave up fourteen years of her life so he could fulfil his duty properly. She is regarded as a forgotten heroine by Tagore because of her immense duty. 

2. Shatrughan. He governed Ayodhya in Rama’s absence in terms of administration whilst Rama and Lakshman were in exile and Bharat was living like a sage. He also slew Lavansura, Raavana’s nephew, and is mostly forgotten in comparison to Rama, Lakshman and Bharat. 

3. Mandodari because she always strove for good and is again for the most part forgotten. She suffered for being Raavana’s wife and yet she still tried to persuade him to return Sita as well as saving Sita from death and rape. She is generally overlooked.

4. I think one of my favourite lesser known events is between Rama and Lakshman where Lakshman claims that as he is the younger brother of Rama he has to serve him which was unfair. It is said this is why he was reborn as Balarama on the Mahabharata so that he could have a chance to be served. I’m not entirely sure how accurate this is but I can certainly imagine it.

5. The birth of Sita is one of the most interesting stories I think. She was found in a field and hence Janak named her Sita but there are different stories about who her birth parents were. The most common is that she is the daughter of Bhumi Devi but other stories suggest that the apsara Menaka was her mother or even that she was the daughter of Raavana and was abandoned because she would cause his death.