Sheriff Hoyt - Blog Posts

Happy Valentine's Day I think

He picked wildflowers and roses for u {delusion}

The Hewitts are Hypocritical Religious Cowards - Minor Character Study :)

{Literally just these three but y'know - Monty's sleeping as usual with his lazy ass}

I think Luda Mae fears God; Hoyt doesn't..at least not as much. They were both raised the same, by the same people, in the same environment, of the same religion. But Hoyt was - is, a product of sin, in my interpretation. Hoyt was born of sin and will die of sin; Born to commit the sins of his father. Because of his "predestined" behavior, I think Hoyt views what he's doing as either a form of redemption {for himself and his mother} as well as a final 'fuck you' to God. {Inconsistent ahh religious relationship}

its seems almost as if Charlie views himself as someone who's predisposed to hell. "I was born of sin, I'll die of sin - Might as well have some fun." His experiences in the world most likely drove him away from religion and weakened his faith in God overall - Further fueling this mindset.

In some individuals, religion can develop into a form of psychosis.  I don't think Hoyt has that {on the surface}, but Luda definitely does. I doubt God is going to make you burn for fucking up, Jesus didn't care as long as it was genuine mistake. If he did, everyone would be in hell right now. The only reason Eve was punished is because she prioritized herself and her pleasure over the boundaries of God. That's not the same as messing up, people forget that. But in the case of the Hewitts - They chose the same path as Eve - Just more viciously.

The Hewitts {Hoyt more specifically} prioritized family pride over the lives of other people. They'd rather stay on their land than move away. They'd rather be forgotten by society - Kill and consume outsiders, instead of adapting to another town.

Remember the dinner scene in TCM: The Beginning? Just before Bailey dies, as Chrissie's insulting the family. That right there is the perfect example of the family's philosophy.

C: "I have a question for you, it involves the family tree - the lineage, if you will; So I guess this one's for the table: You guys fuck all your cousins or just the ones you find attractive?"

H: "You blasphemous bitch! This is redemption, lady, that's what this is! Oh, you're all gonna pay for your sins, that's right! And especially you."

Hoyt knows what they're doing is wrong - they all do. Yet they reframe it as "cleansing the world of sin." The mindset "we do what we have to in order to survive."

H: "You starve to death, or survive."

Hoyt views what they're doing as means of survival. They were starving to death - which he explicitly says in the 'first supper' scene

H: "Thanks to the good sheriff here, we ain't gonna go hungry tonight. Matter of fact, we ain't never gonna starve again."

____

Dean deserved to die because he failed his country. His fellow soldiers. Morgan, Kemper, Pepper, Andy, Erin, they all deserved to die for their possession of weed and their disrespect towards the family. Chrissie and Eric deserved it for the same reason. Bailey was with those 'disrespectful draft dodgers.' She was a whore, too - Just as sinful in the eyes of the lord.

stfu Hoyt as if you haven't done worse

Erin and Bailey disrespected Thomas - This would set Luda Mae off so bad. SHE LITERALLY SAID "Get her out of my sight" to Thomas in reference to Erin. She's disgusted by them - Disgusted by anyone who insults her, Thomas, {anyone in the family really}, or God.

L: "I know your kind - Nothing but cruelty and ridicule for my boy, all the time he was growing up. Does anybody care about me and my boy? Huh?"

--

E: "What's wrong with you fucking people?"

H: "Nothing wrong with us..?"

L: "Tommy; Thomas Brown Hewitt, you get in here right now! Get her out of my sight."

--

None of them deserved a second chance. As soon as they stepped onto the property, they solidified their fate. The Hewitts view themselves almost as a necessary evil - Angels of Death, if you will. They kill who they do based on how 'sinful' they are. That includes how they treat the family. {Which I doubt is based on 'respect' being one of God's values - I think it's because of how prideful these people are.}

____

Luda fears God. She fears The Rapture. When Jesus walks the Earth to gather his sheep. The day he waltzes into the Hewitt household taking the form of a 'helpless draft-dodger.' When the molded wallpaper and dusty lace tablecloth aren't enough to hide the rotting carnage, seething beneath the decaying floorboards. As he takes his place at the table, looking down at the family -

"This is redemption, lady, that's what this is! Oh, you're all gonna pay for your sins, that's right! And especially you."

You.

The wailing. The begging. The prayers falsely spoken by your forked tongue.

"I'm not gonna hurt you, honey."

Liar.

A shepherd? No, - Vicious wolves clothed in the skin and cloak of the fallen guardian. Harboring the sheep to their intemperate slaughter - You selfishly feast upon.

Did you feel it?

Do you feel it now?

Whilst the blood spilt from between her legs; Staining your sheets - The same ones Mama's washed over and over for the same selfish reasons.

Rewarding, was it not?

Did the screeches of pain exhort you? - Ravish you. It feels good to take what you deserve.

Except you didn't deserve it; Did you, Charlie.

Not by my teachings - and certainly not by your mother's.

"You poor thing; Sweet mourning lamb. There's nothing you can do - It's already been done."

But she deserved it.

She sinned - Did she not?

And sinners don't deserve patience - Nor do they deserve mercy.

They're vessels possessed by the Devil - You were only doing what's best.

Clearing them out.

And the cowardly - I didn't teach my children to be cowardly, did I? No, I did not. You're not a coward, are you, Charlie? Most certainly not - Not with what you've done to serve your country. No; You're a hero.

Heroes don't rape

Our Hero.

Heroes won't yield

My Hero.

Coward.

And cowards heroes like you deserve a special place in hell Heaven.

____

this is so ass 🙏 #yapville

lore accurate

Also this guy is down BAD in the comics' comment section

Who tf is bro talking to

WHY IS HENRIETTA GIVING BIRTH 🫃💀🙏😭

The TCM comics are sooo good - Top tier /j

Re-Elect Hoyt | Sheriff Of | Travis County, TX

Comics used: The Texas Chainsaw Massacre #3; The Texas Chainsaw Massacre #5

Thinking about the end of TCM 2003

Listening to Televangelism and thinking about the scene from 1:28:10 to 1:19:20 in the 2003 TCM. Man..I know it's supposed to be a victorious moment for Erin, which it absolutely is - But God I can just imagine how stressful it was for the family. Not only did Thomas just lose an arm, but Charlie dies too? Henrietta loses "her" baby?

I can just imagine Luda rushing over to Charlie's body, not fully processing that she just lost her son / brother - Family member nonetheless. Someone she'd already lost him once {the war as well as his 'Hoyt' persona} - Only to lose him again - eternally. And on top of that; Her only surviving son comes home mutilated?? AS WELL AS having to re-home?

Henrietta was evidently attached to that kid; How she got her was wrong, but she loved her nonetheless. Hen has no idea where she is, how she disappeared - Her stress is through the roof when paired with the other tragedies.

What hurts the most is that just before Charlie's death - Just before the baby is rescued - We see a true moment of humanity within the Hewitts. All of them leaning to see the baby - Charlie showing up instead of Hoyt; His calmer, more open and affectionate qualities showing just enough. Henrietta cooing over "her daughter" - All whilst Luda Mae watches over. AND THE BIGGEST THING: We're introduced through a window. Through Erin's perspective. Why is this important? Because we're watching through a barrier. This is something the family is doing behind closed doors. As soon as the truck driver knocks, their expressions change. 'Charlie' turns into 'Hoyt' {via his serious and pestered expression} - Henrietta gets nervous and shields the baby whilst reassuring her - And Luda Mae's kind and patient demeanor immediately replaced by a guarded and defensive shadow.

Where do they go from here? The strongest member of the family is severely injured and with half the resources he previously had - Will likely be bed-ridden for weeks. The second-strongest, protective figure who ALSO went and 'lured' their main food source is dead. The only ones left are semi-mobile and frail. What else is there? And to think Thomas STAYS?? He stays at the house?? {if we go by the deleted / extended scenes.} The entire family dynamic has to be changed now - Most likely with Luda Mae at the top.

"This family has endured through adversity and pain. We have endured; We have prevailed. We will never go hungry again." Just repeating in Luda's mind as she clutches his hat in despair. Thomas finally coming home only to find his father figure, his main support system - dead and gone.

Y'all I kid you not I have so much going through my mind about this scene

°❀⋆.ೃ࿔*:･

As Thomas' chainsaw collided with the car side, he noticed "SHERIFF" printed on the side doors. Hoyt wouldn't have given up his car - or left the keys in a vulnerable location. Did she steal it? She had to - Hoyt wasn't that clueless. But how? He would've seen it, wouldn't he?

Thomas continued his sluggish walk to the community center; He would've lost so much that day - Mentally preparing to be scolded about "letting Erin get away" - Hoyt would glare upwards at Thomas as he did.

"How the fuck could you let her go?! You see what you've done, Thomas? Now where the hell are we s'posed to go?"

But that scolding never came. Banshee wails and hoarse cries flooded the asphalt road, growing louder as Thomas drew near. A semi-truck was blocking the back road, but not enough to cover Thomas' vision. As he landed closer he saw three silhouettes: One scrawny, mid-height woman clutching her chest as she sobbed near the community center door. Another woman, this time much older, hunched over a figure in the road - the source of the wails. It was his mother.

Her already disheveled appearance deteriorated in the shivering rain - Watered-down and streaky red pigment stained her fingers, which bled onto the sheriff's hat encapsulated within her hands. Though Thomas couldn't make out the wails, he deciphered "Charlie" a few times. Thomas was so perplexed - Charlie what? As he peered down, all confusion was plagued by a sense of shared torment.

Charlie's "uniform" was always covered in blood - But it was never his. Not until today. It had been ironed that evening - Crisp and warm underneath his raincoat. Instead of a dusty blue, his raincoat bled crimson - and mahogany.

Thomas would've taken a scolding over losing Charlie any day. He would've much preferred if Erin had killed him instead. Seeing his mother in hysterics - pleading with God to bring him back. Suddenly, Charlie was overseas again - And Thomas was checking everyday to see if he'd come home. He'd point to Charlie's picture then to his chair in the dining room: "When is Charlie coming home?"

Instead of the expected yelling - The screaming-vomit erupting from Hoyt - Thomas was met with Hoyt's silence. Instead of his furious eyes burning invasively into Thomas' skull - Thomas was met with empty, soulless eyes lost within the asphalt and glazed over with a garnet hue.

"Come on, Tommy, ain't no different than the slaughterhouse. Meat's meat; Bone's bone. Get it done."

°❀⋆.ೃ࿔*:･

.🫀.

The TCM comics are sooo good - Top tier /j

Re-Elect Hoyt | Sheriff Of | Travis County, TX

Comics used: The Texas Chainsaw Massacre #3; The Texas Chainsaw Massacre #5

Dumb, dumb, dumb-ish, and dummer

Does the fit go hard

That latest post you answered about the family's takes on racism got me wondering, would the family even consider/let Thomas keep a reader that isn't from the Christian faith? I'm mainly thinking about the other two Abraham religions (Judaism & Islam), or would they just kill them off for being different?

How the Hewitts Would React to Someone of Different Faith

I actually haven't thought about this! I think it really depends on the reader / individual as well as their relationship with the family {though mostly their relationship with Thomas.} If it's another Abrahamic religion, I think the family would be much more accepting than if it was something like Paganism. If it was something Pagan, Agnostic, or Atheist, be prepared for religious lectures and sermons about "Devil talk." Hoyt will most definitely call you a "blasphemous bitch" or something of that sort - Something to insult your faith will be likely. This'll mostly occur during arguments - Predominantly religion-related. You'll need to pray with them during dinner, they do not give a fuck what religion you are - Even if you aren't religious - Just pray. It's what's best for your survival honestly.

They'd probably try to convert you {and by they, I mean Luda Mae} - no matter the religion. "But it's basically the same thing; Why not become a Christian?" "Y/N, we just want whats best for you. You don't want to end up in hell, do you?" If you dare remind them that they're all going to hell, expect major offense and an obstreperous argument involving Luda Mae and Hoyt. Those two against you? Yeah..not gonna end well. And trust me when I say Thomas won't be any help - He knows when to intervene, and he will ONLY when and if it gets violent.

It'll die down with time, especially if Thomas likes you {romantically or platonically.} The family {Luda Mae especially} prioritizes Thomas' happiness in the little things - Meaning they'd leave it be after a while. As long as you treat them well {specifically Thomas}, contribute to the family, respect their beliefs {even if they won't respect yours...} and earn their trust, you'll be alright {in time}!

Thank you for the ask ! 🫀

OKOKOK super random but how do u think each of the TCM ppl (either OG or 2003 remake) would be like if they met a latino? I know for a FACT that Luda Mae would be sweet AF, and hoyts deffo being racist af lmao. I think Tommy would be neutral thru pure ignorance?

Hi! I actually had a post coming up that discussed the family's views on race and racism in general: Hope this works 🫀

The entire Hewitt family {besides Thomas} are racist in some shape or form. Monty would just mumble slurs under his breath like the coward he is - I doubt he'd spew insults at someone like Hoyt would. Speaking of Hoyt; He would not ONLY vomit insults and slurs, this ho would actively side-eye and avoid people he didn't like. I'm gonna be slightly controversial and say he wouldn't be outwardly racist to the majority, but I have an inkling he'd be real racist to East Asians and Latinos. Koreans especially, considering his previous trauma as a POW.

Henrietta and the Tea Lady {and slightly Luda Mae} would be racist in the "People in your culture" type of way. Like the type of people who say "y'know, I heard in x country, they did yz" or "Do your people do xy like us?" and so forth. 'Innocent' questions that have racist undertones if you get what I'm saying. Luda Mae's still sweet, don't worry, but considering the time period she not only resides in, but grew up in, there's underlying racism somewhere. I think there's a lot of misinformation and racist things that weren't 'considered' racist at the time which the family would say; Excluding Thomas for obvious reasons.

In all actuality, I don't think Thomas is a racist guy. Ignorant, maybe; But not racist. I don't think he focuses on race / ethnicity simply because he has other things to worry about. He's weary of everyone for self-preservation purposes. Like I stated earlier, he's probably heard racist things from the family *cough cough* Hoyt and Monty - But I doubt he agrees or even really processes them fully. He wouldn't treat someone any differently; Maybe a bit curious but never derogatory or fetishizing. LUDA MAE ON THE OTHER HAND...{sorry, I know this post is all over the place} would have some {minor} fetishizing. Not because she's a bad person {in this scenario} but because she's ignorant. There's a post by BOOdalinski that goes into wonderful detail about the family's racism {both intentional and unintentional.} She'd stop once she's informed of how dehumanizing it can be, and how generally uncomfortable her comments are. Thomas is her son for Christ's sake, she'd never try to make someone feel dehumanized after what it put Thomas through.

And I'll be honest - Hoyt would warm up to you / anyone close to the family. He has his views, sure, but he'd still respect the qualities a person has over their unchangeable characteristics. He'd be the type to say "Y'know, you're one of the good ones" or some bullshit like that. Monty would calm down a bit once he's put in his place {but expect him to whine and bitch about it when he can.}

Anyway - I don't have too much to add to this, but if I come up with more I'll reblog / edit :) 🫀

making a post about this later lmao

CHARLIE (R LEE ERMEY) IS SO HOT I CANT HIDE IT ANYMORE🤰🤰

I mean..at times

Thoughts on how the TCM (2003 & 2006) guys would react to going to kill a cockroach and it starts flying?

I know for a fact hoyt would be all macho and pissy and yelling at everyone for not being man enough to kill it and then he screams and runs away as soon as that shit starts flying

TCM {2003 / 2006} Men Reacting to a {Flying} Cockroach

Jedidiah seems like a kid who would love observing creatures and wildlife but would be terrified as soon as that thing started flying. ESPECIALLY if it flew towards him or got on him unexpectedly.

Monty would probably just get his dog to eat it or something - or call Thomas to catch / release it.

Hoyt's is hard to imagine considering this guy is so different depending on the situation - But you're right; He'd most definitely groan about "just kill it - it's a harmless bug, ect." up until it starts flying. He'd probably try to avoid the roach whilst yelling at "someone" to get it out of annoyance and slight discomfort.

Thomas would just kill it. He'd be walking to catch / squish it and be a bit startled once it starts flying - but he'd still get it either way. Working in a slaughterhouse - There's flies, larvae, gnats, roaches, rats, spiders, mice, wasps, maybe larder beetles; All sorts of pests and unpredictable creatures which he'd probably be used to.

Thank you for the ask 🫀 I think I got everyone on the list? If I didn't, I'll update the ask if you'd like me to!

So..I was listening to Ethel Cain {as always} specifically Strangers and may or may not have thought about this franchise again..whoops. Here's a complete list of Ethel Cain songs + lyrics that I feel reflect the franchise ++++ an analysis of each one ! 🫀 I'd also like to preface this by saying I understand the meanings behind each of these songs are not what is reflected in this analysis, this is simply just finding connections.

I might make this a series, who knows?

TW: SA / Rape, Strong Language, Self-Harm, Self-Mutilation, Gore, TCM-Canon-Typical Violence / Topics, Animal Abuse?, Hoyt being Hoyt {boo lame boo, I know}

Family Tree

"I'm just a child, but I'm not above violence My mama raised me better than that When the preacher talks, that man demands his silence And daddy said, "Shoot first, then run and don't look back"

So take me down to the river And bathe me clean Put me on the back of your white horse to ride All the way to the chapel, let you wash all over me"

-

"These crosses all over my body Remind me of who I used to be And Christ, forgive these bones I've been hiding Oh, and the bones I'm about to leave, yeah"

____

Right off the bat "I'm just a child but I'm not above violence" throws me right back to the introductory credits in TCM:TB 2006. Thomas' self-harm, killing and skinning animals, all the violence he was subjected to at a young age. He was young sure, but he was willing to be violent. Not necessarily to other people, but animals. Maybe he viewed himself an animal; Something to skin and use. Following that line "My mama raised me better than that." We know the relationship between Thomas and Hoyt, but we just barely scratch the surface of Thomas and Luda Mae's relationship. I'm sure Thomas was raised to fight back, especially considering Hoyt's background.

"When the preacher talks, that man demands his silence And daddy said, "Shoot first, then run and don't look back." This is just self-explanatory. Hoyt, in this case, is 'the preacher.' He's a man who provides and dictates his family {at least that's what he thinks.} He demands silence; The family listens to him without interruption. Now, this also applies to Luda Mae. She doesn't demand silence, but she is the one who 'preaches.' Whether it be religious ideals, scoldings, or general guidance to the family. The continuation of this line reminds me of what I previously discussed: Encouraging self-defense as well as dividing yourself socially from the opposing side. In this case, it's the 'city-slickers' Hoyt preaches about.

"So take me down to the river And bathe me clean Put me on the back of your white horse to ride All the way to the chapel, let you wash all over me"

"These crosses all over my body Remind me of who I used to be And Christ, forgive these bones I've been hiding Oh, and the bones I'm about to leave, yeah"

These lyrics are just so reminiscent of the first supper scene. That scene has always come across as the family killing off who they were. Consuming the final ounce of humanity within the town and fully transforming into the killers they portray in the 2003 film. I find this to be especially prominent during this segment:

"Thanks to the good sheriff here, we ain't gonna go hungry tonight. Matter of fact, we ain't never gonna starve again." Followed by "Charlie, say grace." It seems almost as if Luda Mae is encouraging Charlie / Hoyt to 'say grace' similarly to how Ethel writes "Christ forgive these bones I've been hiding - and the bones I'm about to leave." She's asking for forgiveness not only for herself and the remaining members of the family, but especially for Charlie. The 'bones' he's been hiding are the sadistic tendencies he gained over the war. The 'bones' he {and the family} are about to leave are the carcasses of the people they once were. The kind receptionist at the community center. The mechanic. The veteran farmer. The butcher.

____

Ptolemaea

"I followed you in and I was with you there I invited you in twice, I did You love blood too much But not like I do Not like I do

Heard you, saw you, felt you, gave you Need you, love you, love you, love you"

-

"You'd do well to say yes to me"

-

"Even the iron still fears the rot Hiding from something I cannot stop Walking on shadows, I can't lead him back, uh Buckled on the floor when night comes along Daddy's left and momma won't come home, oh, uh

You poor thing Sweet, mourning lamb There's nothing you can do It's already been done

What fear a man like you brings upon a woman like me (show me your face) Please, don't look at me I can see it in your eyes, he keeps looking at me Tell me, what have you done?

Stop, stop, stop, make it stop Stop, make it stop, make it stop I've had enough"

____

This song reminds me a lot of Hoyt {for obvious reasons which we will get into} but also Thomas. This specific set: "I followed you in and - I was with you there - I invited you in twice, I did - You love blood too much - But not like I do - Not like I do" reads to me as a subconscious urge of Thomas'. His urge to destroy and abuse. To tear into and become. It's almost as if the sadistic and animalistic side of him coaxes him. This could also apply to Hoyt; How hist trauma began to whisper urges into his ears. How the sadistic desire dripped into his mind, forming puddles until it flooded. The next segment: "Heard you, saw you, felt you, gave you Need you, love you, love you, love you" - "You'd do well to say yes to me" is SO reminiscent of Hoyt. It feels like him talking to a victim. ESPECIALLY when he was talking to Bailey. "Don't you think you're gonna go any place, huh? - I love you." And his moans just felt so..selfish. So primal and inhumane. It's so reflective of the constant 'I love you"s in Ptolemaea. Such a demonic and contradictory statement that festers within the background of the song. This song continues to reflect Hoyt within the lines: "Hiding from something I cannot stop - Walking on shadows, I can't lead him back, uh - Buckled on the floor when night comes along - Daddy's left and momma won't come home, oh, uh." Each victim may try to hide from the family, but their fate is inevitable. Hiding in the shadows whilst figuratively being in the shadow of the family. By this I mean, they will never be seen as human by the family. Never considering more than a meal and a puppet of pleasure by their captures. Their humanity consistently overshadowed by the family's primal hunger. "Buckled to the floor as night comes along - Daddy's left and momma won't come home" Essentially reads as being trapped in the rotten walls of the house. No one is there to help you, no one there to comfort you. It also describes the physical conditions: Being buckled to the table in the basement, hung on a meathook, tied to the chairs, wrapped to a bedpost, ect.

"You poor thing - Sweet, mourning lamb - There's nothing you can do - It's already been done." This segment just reminds me of Luda Mae, Kathy / The Tea Lady, and Henrietta. The three women of the household seem to be the only ones attempting to cover-up their malice with maternal reassurance and comfort. It's not like they care about the victims, at least not anymore. All they care about is the family. All they can trust is the family.

"What fear a man like you brings upon a woman like me (show me your face) - Please, don't look at me - I can see it in your eyes, he keeps looking at me - Tell me, what have you done?" You cannot TELL ME that listening to Ethel sing "Tell me, what have you done?" Doesn't slightly sound like "Tommy, what have you done?" It's at 3:32 in the song, please someone tell me they hear it too 😭. Anyway, this entire segment feels like an outside perspective of how terrified the victims {and people in general} are of Thomas. I'm sure even Luda Mae was terrified and just extremely worried when she found Thomas mutilating himself {which is where the "Tell me, what have you done?" and "Show me your face" comes in.}

"What fear a man like you brings upon a woman like me" Is also just, EXTREMELY reminiscent of Hoyt. Cmon now. As well as the repeated "Stop", "Make it stop", "I've had enough."

____

Gibson Girl

Speaking of Hoyt; Gibson Girl. That's it. That's the post. Nah I'm kidding but hear me out:

"Says he's in love with my body, that's why he's fucking it up And then he says to me

"Baby, if it feels good, then it can't be bad" Where I can be immoral in a stranger's lap And if you want it good, downright iconic Something they all want that only you can have

You wanna fuck me right now You wanna see me on my knees You wanna rip these clothes off And hurt me

And if you hate me Please don't tell me Just let the lights bleed All over me"

____

You COULD NOT convince me this song doesn't reflect Hoyt. ESPECIALLY "Says he's in love with my body, that's why he's fucking it up - Baby, if it feels good, then it can't be bad." Cmon now. He doesn't seem to want his female victims to be dead, but his behavior often results in extreme injury. Specifically gynecologic bleeding / tearing, bruising, cuts, ect. So he really is "fucking up" their bodies. {If you're experiencing sexual abuse of any kind, contact RAINN or the local authorities.}

____

Strangers

"I tried to be good, am I no good? Am I no good? Am I no good? With my memory restricted to a Polaroid in evidence (oh, oh)

I just wanted to be yours, can I be yours? Can I be yours? Just tell me I'm yours If I'm turning in your stomach and I'm making you feel sick (sick)"

____

Alright, let's just state the obvious: This is Thomas' subconscious. At least how I interpret it. He craves praise, he needs it. And I'm not taking about "you're so good to me; You did so good, ect." I mean reassuring him he's not just a destructive brute. Praising his strength, giving him patience and space when it's needed. Providing and acknowledging opportunities where he can do more than just butcher. Providing new ways to communicate whilst trying to understand his current communication skills. Reassuring him that he doesn't make you feel sick. Understanding that his hygiene is poor for a few reasons {I.E; Depression, exhaustion, fear of looking at himself, disgusts, ect.} and not shaming him but simply encouraging self-care. Praise his accomplishments, even small ones. Reassure him that he doesn't scare you; That his physical state isn't revolting. And especially that he's worthy of love, that he won't be abandoned; "Can I be yours - Just tell me I'm yours." This is the type of praise Thomas needs. Something that helps him grow as a person whilst fulfilling his needs. He needs specifics, and genuine interest in what he's doing. But remember, give him space :) We all need it. Getting into specifics within the lyrics:

"I tried to be good, am I no good? Am I no good? Am I no good? With my memory restricted to a Polaroid in evidence (oh, oh)"

This reminds me of when Thomas burnt and destroyed his childhood pictures. To his family, those are memories of him, his childhood, their time spent together. To Thomas, those are his childhood. The childhood that was full of ridicule, disgust, trauma. I doubt he wants to remember that; Hell, I don't remember some of the things that happened to me as a kid because they were traumatic and upsetting. The memories of pain aren't usually remembered by the perpetrator. The only recollection of Thomas' insulting memories are "restricted to a polaroid in evidence." The memories that made him doubt himself.

____

Inbred

I did my analysis on Inbred here :)

____

Onanist

Listen..I know this song is about masturbation; I just think some of the lyrics OUT OF CONTEXT could fit a narrative found in TCM. Hear me out PLEASE

"Witness to such agony but there, - before the grace of god go I - I want to know love - I want to know what it feels like"

"it feels good "

"it feels good"

"it feels good"

"it feels good"

____

Okay..this may seem way out in left field but this almost reads to me {In the context of TCM} like a semi-sexual experience for Thomas. LISTEN. Just hear me out. I know the masks are a way for Thomas to hide himself, to present as someone else; I just can't help but imagine how intense putting on his first human mask felt. I know it just looks like a normal day for him in the scene, but I just have this inkling that this felt so intense for Thomas. I've discussed Thomas' sexuality before in this post, just for extra details. Sometimes experiences that aren't inherently sexual feel sexual, y'know? Just this intense build-up that feels pleasurable once it climaxes. Thomas had finally found his craft. This feeling of intense accomplishment. Almost an 'a-hah' moment. It was the first time Thomas could fully take on the appearance of another person; Truly transform himself into an 'alternative mind' if you will. He's still him, obviously. I don't think he 'transitions' between persona's like Bubba Sawyer does, but I still think his masks are influenced by how he wants to navigate the moment. During such an intense moment of agony, Thomas found himself in the grotesque. His image stitched into the face of another. There was no longer an 'Eric', only Thomas. Eric was 'consumed' by Thomas, if you will. Both literally and figuratively {assuming the family ate Eric's body afterward.} Idk, I could be talking out my ass rn but for some reason I could imagine this being mentally stimulating in the same way sex is {for him.} Definitely a source of pleasure, maybe just a form of catharsis.

____

It feels good.

It feels good.

Does it not?🫀{GOD THE WAY HIS BICEPS LOOK IN THIS RAFGHFHAH}

Half-Cocked {WIP} Snippet / Synopsis

No, the title is not a sex-pun {but it could be}

TW: SA/Rape, Groping, Extreme Language, TCM-Canon-Typical Violence, Gore, Period-Typical Racism + Sexism {No slurs}

Here's a snippet of the fic I'm working on. This is essentially a draft so feedback is completely fine! I have no idea how this will go nor when it will be done, I do apologize. Reader is gender-neutral + race-neutral. {THIS IS NOT THE FULL THING; Will most likely be heavily altered once the final product is published} 🫀

____

Not much was left of that forgotten town. The funding was gone, as were the people. After the meat plant shut down, residents lost their purpose in Fuller. It was a shadow of the life previously flourishing there - something only the wildlife could frolic in; Which is exactly why you were here. Miguel, a childhood best friend of yours, wanted to enlist near Dallas. He’d brought you and some mutual friends along promising tickets to a music festival, which you had accepted on the means of exploring the state. It had seemed ideal then but the overwhelming heat of the Texas sun proved otherwise. As you leaned your head on the window; August, who had been sitting in the passenger seat, began to mumble - Something about “needing to fix the air conditioner.” He always was one to complain; Miguel often joked about his ‘particularness’, saying he was a primma-donna at times. Though, he wasn’t too annoying; Not today anyway. A sweet guy with a kind smile, a bit too kind at times. Theia, Miguel’s sister - and mutual friend of yours, had her hair entangled in the wind with her head out the back-passenger window; Flowing in deep curls and coils. 

Driving through the backroads wasn’t too entertaining, requesting a scenic route didn’t make it any better either. You fussed with the lace of your shoe - bending and untying, bending, untying, bending, untyi- 

“Hello, did you hear us?” 

You quickly turned your head, releasing the worn laces from your hands. You felt a small tap on your bicep - It was Edith. Edith was a classmate-turned-girlfriend of August’s, one of Miguel’s friends. She was nice, just a bit impatient, which had been amplified by the unforgivable heat. 

“We’re gonna stop at a gas station in about 3 miles, okay?” 

“Yeah..that’s fine. I needed a break anyway.” You said; Your legs had been feeling a bit numb from the lack of use. Sure would be nice to get your blood flowing. And Lord, did it do just that.

__

It had been hours since that drive; Since you’d made it to the community center; Since you’d felt safe. August was long gone; last you saw of him was his spotted blood-trail leading to the basement. The harsh screeching of that steel door sliding open, paired with the hiss of August’s nails as he dug them deep into the walls, attempting to prolong the inevitable torture. Edith; Dearest Edith. Her throat hoarse as she wailed, bleeding through the walls of the decaying house. Miguel, sweet Miguel. He was tied down the chair beside you, half-conscious. Dried blood painted his right temple, flowing down from the gash which plagued his hairline. His lips looked so mundane, as did his usually deep complexion. His head was tilted towards you, clouded eyes staring weakly. As your head lay defeatedly against the crest rail, the beaded eyes of a deer - long dead, glared. It scowled at the two of you from its head bust, nailed to the middle wall. Below it, two windows and a thin table dressed with picture frames and a cloth suffocated by years of dust and dirt. As you tried to think clearly, a pair of footsteps stuttered behind the walls. Strong and angered footsteps pounded the withered wooden floors, followed by frantic and unsteady ones. The sheriff - pseudo-sheriff - forced Theia into the dining room, her wails of protest filling the already claustrophobic atmosphere. As he threw her into the chair opposite of Miguel, another set of footsteps followed in. The ‘barbaric, chainsaw-wielding psycho,’ as Edith had called him, approached Theia. His swole hands took the rope from the sheriff’s aged ones, binding Theia’s wrists and ankles to the chair limbs. 

“There you go, that wasn’t so hard, now was it?” The sheriff taunted, his perverted eyes traveling down her form. “I tend to prefer blondes but, hell, I know a pretty thing when I see one.” 

The sheriff cupped Theia’s shoulders as he forced his lips upon her head. His lecherous movements didn’t go unnoticed by anyone; Especially not Miguel. Even in his weakened state, he spat at the sheriff, his eyes filled with contempt.

“Get the fuck off her, you fucking whore!” He screamed - The sheriff immediately turned to Miguel, his eyes filled with slight shock. That shock was quickly overturned by indignation. 

“Now who put you the fuck incharge?” He mockingly questioned as he walked over to Miguel, grabbing his hair and shoving his head into the table; “Last time I checked, this badge is the authority around here. I make the demands; I challenge the rules, not candy-ass hippie soy-boys like you.” The sheriff retorted as he let go of Miguel’s head, leaning his arms against the crest rail; “Get a grip on yourself, son; This shit don’t fly in out here, you got that?”

Miguel was now barely breathing, his eyes were glossed over and almost completely closed. 

It hurt so much to see him fade. The light which was once rampant within him had disappeared. He weakly opened his eyes, their lids fluttering under the warm lights. You thought maybe he had gained the strength for something. Just do something. But he couldn’t. His eyes inevitably shut again as he steadied his breathing. 

“Goddamn it..” You defeatedly whined. Your wrists struggled between the rope as it dug into your already stripped skin. 

The brutish butcher had been standing in the corner of the room; Observing. He didn’t seem enthusiastic or encouraging of the matter; Rather - dissociated. His hands grasped onto the strings of his apron, bending and untying, bending, untying; Just as you had earlier. It was an intricate silence between the five of you; The sheriff had already gone back to leeching off Theia, and you couldn’t bear to look. Soon enough, the elderly woman from the community center presented a covered pot amongst the few of you; Placing it down on the aged lace that blanketed the old wooden table. 

“Tommy, set the table for us, dear.” She said as she looked over towards Theia and the sheriff. “And you, give her some room! Don’t want to spoil dinner with your whirlwind of trouble.” 

The sheriff lightly scoffed, but left Theia to rest. He stood behind ‘his’ chair at the head of the table, opposite to you. He mumbled a soft “No need for bellyachin’..” before adjusting his back. 

As ‘Tommy’ returned with the plates, an elderly man appeared behind him. He approached the empty spot at the table and positioned his wheelchair accordingly; His expression often seemed dull and exhausted - That is until he saw a woman he fancied. His smug and slimy eyes would wander up and down as his body heat heightened. It was revolting. Luckily, he had no interest in Theia - he had voiced that many times. 

“Where’d you put that other one? The blonde.” He impatiently asked. The sheriff scoffed in reply, turning his head unamused. 

“In my room, that’s where. Ain’t none of your concern, now is it?”

“What? But you have that one right over there! You know I don’t like ‘em like that-” Monty protested, only to be cut off.

“Watch your mouths! I will not have any fighting at this table, do you understand me?” Luda Mae declared. She wasn’t one for unnecessary confrontation; Especially not over ‘ungodly’ topics such as these. 

Both of them rolled their eyes, parting ways as they sat back. Thomas was sitting beside Theia, though he seemed uncomfortable. He kept staring between you and Miguel, only looking away during conversation. You were terrified to say the least; How could you not be? Your friends, your only support system, murdered in front of you. And now you’re forced to eat with the perpetrators? Tears you didn’t recognize fell from your eyes - mixing with blood and dirt to create a streaky film over your cheeks and neck. You tried to control your breathing, attempting to draw as little attention to yourself as possible. Nothing could’ve prepared you for this. Nothing. You hopelessly looked around the room, gravitating towards Thomas. He was still staring at you. Though his body language portrayed his enervation; His muted blue eyes looked consistently curious, and crazed. The staring continued for some time until the sheriff - Hoyt, interrupted:

“Bow your heads - Let's give thanks for the bounty that's been given us.”

___

This is so ass I'm sorry lmao {Again, NOT THE FINISHED PRODUCT} :)

I'll go back to serious posts tomorrow I swear 😭

The Hewitt Family Tree {Potentially Canon?}

So..it's very obvious that the Hewitt family tree is..more than complicated. The ages and the relations between the seven members can be perplexing. I attempted to be as canon as possible, but there's always room for criticism and changes :)

Here's an *attempt* at a family tree {Click for better quality, I do apologize.}.

Luda Mae, Montgomery, and Katherine are the children of an unknown woman and Charles 'Charlie' Hewitt. Charles 'Charlie' Hewitt Jr. {Hoyt}, is the child of Luda Mae and Charles Hewitt {nonconsensual}. Thomas is the child of Sloane {factory worker} and an unknown father. Henrietta is the child of Katherine and an unknown father. Jedidiah's origins are unknown; But he is the grandson of Luda Mae Hewitt.

Luda Mae appears to be the eldest; Marietta Marich, the actress which portrayed Luda Mae, was quoted saying "Whenever I do a part, I like to get into the character — just become the character — and make her as real as possible. So I figured Luda Mae was dirt poor and probably one of four or five kids, and the oldest, so she's like the momma." According to the official Texas Chainsaw Massacre Wiki on Fandom, Monty is around 70 years old, born in 1903; Making him 66 in the 2006 prequel, and 70 in the 2003 remake. On Hoyt's wiki page, he was born in 1914; Making him 55 in the 2006 prequel, and 59 at the time of his death during the 2003 remake. The Tea Lady, dubbed 'Kathy', has no official age or date of birth, but many speculate {based on her appearance as well as her actor, Kathy Lamkin,} that she is in her late-forties to mid-fifties. Henrietta also does not have an official age nor date of birth; Many speculate {based on her appearance as well as her actor, Heather Kafka,} that she is in her early-to-mid-thirties. Jedidiah's wiki page reveals no age nor date of birth, but speculates he was born in the late 1960's, making him around 5-9 years old. David Dorfman, the actor that portrayed Jedidiah, was 10 at the time of filming the 2003 remake. Thomas was born in August of 1939; Making him 30 during the 2006 prequel, and 34 at the time of the 2003 remake.

Hope this clears things up for some!

Much love, 🫀

Disgusting shitposting autism moment

All gross disgusting revolting images made by me {thank you Picsart} Throw up on me Thomas /J

Every time I listen to Inbred by Ethel Cain I think of TCM; Specially the 2003/2006 franchise but I guess the others work just as well. Especially:

"You get off on innocence, so you savor this Does your baby know her daddy's a rapist? He hates the way you look at me You're already dead, you're already dead

If he wakes up, he'll show you what I'm talking about

You can't win 'em all Who knows how much longer I'll lay on the floor? Touch me 'til I vomit I'm not scared of God, I'm scared he was gone all along (oh, oh)

Who will take the fall? Who of us is stronger? You'll just want it more If you could, you'd have fought it, but you know you're not From the start, they knew you were wrong, you were wrong"

____

IS THIS NOT TCM?? HELLO?? DOES THIS NOT AUTOMATICALLY REMIND YOU OF HOYT AND THOMAS??

The section mentioned above really really reminds me of Hoyt. The line "If he wakes up, he'll show you what I'm talking about" reminds me of the distinction of Hoyt versus Charlie. @demphen hints at this in their fic, Darkest Hour {which is phenomenal, it's a good read🫀,} Hoyt and Charlie are almost two "entities" living in one vessel. Charlie's vessel. I like to think Charlie was permanently altered after the war; As would anyone after experiencing such trauma. I think the town dying, Thomas losing his job, and killing the sheriff was what finally did it. What finally "killed" Charlie. Charlie was hanging by a thread; clawing at the shell which once was his, desperately trying to restore the lifeline only to be shut out and 'killed' once the sheriff was too. The one thing keeping the town inline; Keeping Charlie inline, was gone. Hoyt realized {and maybe always knew} that the "protectors" never cared about his family. Back to how this relates to the Inbred lyrics; It almost feels like Hoyt waking up within Charlie. Charlie is in there, we can see "him" when he talks to the family. But as soon as things go rogue, Hoyt 'awakens.' If he = Hoyt; Wakes up, he'll show you what I'm talking about = someone gets hurt. This is LITERALLY like the hitchhiker scene in the 2003 remake !! "He's a bad man, he's a really bad man -- you're all gonna die."

This song also reminds me of Thomas; Specifically:

"Older brother made a name for himself with the cops Scumbag fuck, but I swear that he's not He's so good to me and to nobody else So you should watch yourself

Mama's comatose, she can't leave the bed Something smells rotten and it starting to spread I'm bad, he's worse, we're already dead We're already dead"

____

"Older brother made a name for himself with the cops - Scumbag fuck but I swear that he's not" reminds me of Hoyt and Thomas' relationship. For one, Hoyt not only "became" part of law enforcement, he was a POW. Now, a POW is not someone who gets "involved with the cops" per se, but he did get involved in serious warfare which for some reason reminds me of this line. The following line "Scumbag fuck but I swear that he's not" reminds me of the intense family pride. I think Thomas knows Hoyt is a bad person. Hell, aren't they all? But at the same time he loves his family; They're all he has. Continuing with this narrative; "He's so good to me, and to nobody else - So you should watch yourself." We know Hoyt cares for Thomas, but he's definitely 'tough-love' and judgmental. So this line reminds me of them more because of the essence: He treats us {the family} well, no one else gets that privilege. Watch yourself :)

Now, the line "Mama's comatose, she can't leave the bed" reminds me of Monty, as opposed to Luda Mae. Monty really can't do anything anymore. He used to help tow the victim's cars and help with mechanic repair; But he obviously can't do that now. So it's more the essence of the line as opposed to the line itself. Following up with "Something smells rotten and it's starting to spread" has always reminded me of Thomas' skin condition. His condition caused his skin to rot to such an extreme that he amputated his nose. His condition obviously spread throughout his face, causing him to cover it fully. I guess the anxiety of "it's starting to spread" reminded me of Thomas in a way. How anxious he must've felt seeing his condition worsen over time; Taking more and more of him until it's all he was. His one defining feature.

"I'm bad, he's worse, we're already dead - We're already dead"

We're already dead.

"Anyway, staying around this town, there's no more jobs, no more money, no more food. It's down right suicidal."

We're already dead.

"You can't have a creature like that around normal folk, that's what I'm saying."

I'm bad, he's worse, we're already dead.

"People may not remember what we say here tonight, but they sure as shit gonna remember what we do. Thanks to the good sheriff here...We ain't gonna go hungry tonight. Matter of fact, we ain't never gonna starve again."

More TCM 2003/2006 Analysis because why not

TW: Yapping; Rape/Sa, Groping, Strong language, Gore, TCM-Canon-typical Violence

So I recently found deleted / extended scenes {Part 1 / Part 2 of 2006, 2003} which gave me more inspiration to write again! Analysis time 😈

_____

I first want to talk about the most forgotten member of the Hewitt family: Jedidiah. Poor sweet little Jedidiah, probably the most underrated and least-considered member of the Hewitt ‘clan’. From the clips shown in the video and the movie itself, we can infer that Jedidiah is left alone quite often. He’s also very aware of what goes on both in and outside the walls. Either the family doesn’t try to hide it from him or they’re doing a shit job at it. Even then, it’s kinda hard to hide things from independent children anyway. Jedidiah’s a very empathetic and artistic child who understands the Hewitt family values. I.E; the scene where he helps Erin and Morgan escape. Especially when he goes:

“Don’t hurt her! Please, Grandma!” - 2003, 1:06:48 

He looks so defeated after..poor baby. 

At around 1:12:40 when he’s urgently trying to get Erin and Morgan out of the basement via the tornado shelter exit {I think that’s what the structure is?}

“Go - Go now! Run! Faster, hurry! - Come on, don’t let him get you!”

“Go! I’ll be fine!” - 2003, 1:12:45 - 1:14:05 

And when he tries to bite Thomas’ hand to hold him back?? Poor baby. I’d also like to acknowledge how Thomas didn’t get physical with him , simply just shoved him off his hand and onto the sandbag. In the deleted scenes for 2003, he seems much happier when he gets to show Pepper his drawings; It seems he really needs attention that he isn’t getting at home. Maybe this is similar to how Thomas was raised, though I'm not sure. This is even more apparent when he says “You sure you’re not just saying that?” after Pepper compliments his drawing. He very clearly needs a form of guidance and support; Not only for his development but for his confidence. As I discussed in a previous post, Thomas also really enjoys praise, which he gets mainly from Hoyt. Speaking of Hoyt, there’s two possibilities {that I’ve come up with} for how Jedidiah came to be. 1.) Jedidiah is the product of rape, most likely the child of Hoyt and a victim. 2.) They ‘adopted’ him from a victim or some similar situation. Not much evidence as to his origins, but we can theorize. 

____

Moving on to Hoyt; the ‘head’ of the family. In the extended scenes for The Beginning 2006, we get to see an even more aggressive and short-fused side of Hoyt. He yells more often, he’s more violent, and he’s definitely more ‘hands-on’....yay for us. At around 3:20 in this video, as he’s going to ‘attend’ to Bailey’s injuries, he discreetly gropes her, specifically groping her breast whilst repeating ‘I ain’t gonna hurt you.” Yeah, okay, pal.  And then he LICKS THE GLASS HE JUST PULLED OUT OF HER?? He also really doesn’t like the victims; Like. At all. He’s definitely lustful over Bailey, but he doesn’t like how ‘smart’ she gets at times. I.E; “Is having a dead biker chick ride shotgun proper police procedure, sir?” Now, in this video we get to see the more hostile version of Hoyt. Imagine his regular persona x2. At around 0:45 he pulls Dean’s head up by his hair and starts yelling is his face;

“You fucking idiot! I just told you we had to eat! Ain’t you listening to me?” 

This tells us two things: One, Hoyt really doesn’t like when his authority is challenged via questions, lack of interest, or defiance. Two, he really doesn’t like talking about his time in the war. It’s a traumatic near-death experience which is definitely a soft spot for him. I doubt having to dwell on it, much less repeat it over and over again to someone he already hates is easy. Following that tangent, he quickly switches to his condescending ‘I’m just trying to help’ bullshit. Specifically at 1:09;

“Now what happens if you kids drive all the way up to Austin just to find out that you don’t even qualify to be in the Army? I’m concerned about your physical fitness here.”

I’ve also noticed that Hoyt gets real up-close n’ personal when he’s being condescending. Connect this with the moment he ties up and chokes Bailey; We can see Hoyt really likes showing not only his mental dominance, but his physical as well. Now, Hoyt is 6 feet, that’s tall. Compared to Thomas? That’s 5 inches shorter, and at maybe half or ⅗ of the weight. {I headcanon Thomas at around 330/320.} Hoyt sure as hell feels intimidated by Thomas physically. Mentally? Nah, probably not. He knows he could manipulate Thomas one way or another. 

Now; I’d like to focus on how Hoyt treats the family. He rarely if ever gets fussy with them to the extent of the victims. In the 2006 deleted scenes, at around 5:54 - 6:20, Hoyt never yells at Luda Mae and corrects himself when she scolds him. As she raises her voice, he gets fed up but never yells, only says;

“God damnit, Momma, let me handle this.”

He’s stressed, she’s most definitely stressed, and he feels the need to control everything to manage it. His speech at 2:01 of the 2006 extended scenes part 1 is very loving coming from him. He’s trying to reassure his family that everything will be fine whilst also shit-talking the ‘enemy;’ Further isolating them from civilization which they’ve only known to be a negative. He also calmly tries coaxing / ordering Thomas in for supper as opposed to yelling at him. He definitely switches between Hoyt and Charlie around his family; Even though he keeps Hoyt as the ‘default’ to remain in power {which is his source of comfort}, he lets Charlie slip through when it’s needed. 

____

Now for everyone’s favorite big boy; Thomas <3. The extended scene in part 2 {0:00 - 0:30} when Bailey see’s him and just starts screaming {rightfully so, she’s terrified}. Thomas is just standing there, fidgeting with his hands like 🤨/😐 - I know bro was reliving some school / work trauma. Seeing him fidget and doing what’s called ‘T-rex arms’ makes me think he’s neurodivergent. Obviously that’s not the only thing, I’ve been thinking he’s autistic specifically for a while now {Me pushing my autism onto a character} but it fits, no? {Maybe I'll do a post talking about his neurodivergence, idk} And he looks so overwhelmed during the dinner / Hoyt’s speech scene {In the extended scenes part 1.} OH! And ESPECIALLY when Hoyt brings him down to the basement at 37:40 in The Beginning 2006. He looks so overwhelmed and possibly terrified? When you brighten the scene, his expression is much easier to see {I’ll put a picture / gif below}. I think it’s safe to assume Thomas was a bit reluctant to continue as Hoyt had to coax him;

“Come on, Tommy, ain’t no different than the slaughterhouse. Meat’s meat; Bone’s bone. Get it done.”

I think Thomas really only got comfortable with the new lifestyle after he used it as an artistic outlet. Especially when he got to ‘experiment’ on Eric. I’ve seen multiple people use this scene as a means to say Thomas is gay. And listen, I don’t necessarily disagree, I don’t think he’s completely straight either {Reminder, any character that’s sexuality isn’t confirmed means that labeling them as ‘straight’ is a headcanon too!} I just think there’s more to work with here. I myself have struggles with my sexuality, specifically with how I view women. I’m not trying to push this onto Tommy, I just see potential similarities. I think Thomas was definitely envious of Eric, therefore, taking his face and ‘becoming’ something similar to him was a way to hide himself and present in a more ‘attractive way.’ I think he’s attracted to men, but his attraction is either masked or based on the idea of being like them. Eric has a life with such intense purpose. An army veteran {returning as well} with a partner, good family dynamic, and a friend group? ONTOP of being attractive and fit? Oh, hun, you know Thomas was yearning right there. He just wants to be good enough. I mean, really really, good enough. I don’t know why, but my brain automatically went to ‘he wants to become and consume Eric.’ As in, he’s attracted to the idea of being {like} Eric; As well as being attracted to Eric. I don’t know how to communicate this properly so I hope you get what I’m putting down.

___

Again, apologies for my long incoherent rants; I have so many ideas that I want to share

Much love, 🫀

TW: Strong language, gore, self-depredation, TCM-related topics

This is so cringe I'm sorry

I don't remember the last time I felt competent; Worthy of anything really. Kill or be killed; Work 'till you drop, son. That's what uncle Charlie Hoyt told me. Not much I can do anymore. The meat plant closed almost four years ago and yet I still yearn for it. How I felt when I finally had a place to feel 'normal.' I felt like a freak, sure, but at least I had a purpose. Momma was happy, I was bringing in money, food; Something beneficial to the family name. Now, all I have is the basement. It's the only place that feels like my own. Everything else is either taken from me or shared with the family. I don't understand; Other families get to live peaceful lives. I don't know, what did we do? Why aren't I good enough? Momma tells me I'm good enough but I could never forget the horror painted on her face when she saw the wounds on my face years back. She was so worried, so angry with me that I would ever make her worry like that. When she first saw the masks; She always fostered my creativity but all that support decayed the moment she saw that mask. I remember his blood staining my face; It felt good. I wish it didn't, but it did. The way my sweat mixed with his blood felt like I became someone new. He was handsome, from somewhere with a purpose. Uncle Hoyt said he was reenlisting in Vietnam before he came here. I never knew too much about those things but I remember how I felt when Uncle Charlie left me. He never did come back. There was something different about him; That became especially clear that night when he killed the Sheriff. The day I got fired; The day that whore insulted my family. Maybe he was right. Maybe I am an animal. Momma tries to reassure me I'm not, but what if I am? What if that's all I'm meant to be. A dumb animal scurrying around with his dumb chainsaw-toy for food. Playing with his dolls and playing 'make-believe' just to feel special. I'm a failure, that I know for certain. But I know that if I leave; If I die then Momma and them will die too. I could never let that happen; Not when they're all I have. I need to fix things. I'll keep Momma happy, I swear I will. I'll make my uncles proud of me. I have to. I-

"Thomas! Thomas Brown Hewitt, you get up here right now!"

I hate to admit it, but I don't really like the dinners we have. I've gotten used to them; bland and unfulfilling, but it's all we have. Tonight was no different. Into the dining room where the remaining family members were seated, the "Sheriff", God I wish Uncle Charlie came back, was standing behind 'his' chair at the head of the table, leaning on his arms for support as they held the chair crest. Uncle Monty remained in his wheelchair, looking down at the table with his tired and unimpressed expression, opposite of Hoyt's deadpanned countenance. I know they're unimpressed with my disheveled appearance; I know I should be better.

"Sit down, son. Momma and I got a few things we have to discuss with you." Hoyt's voice spewed with condescending hues.

"You've done nothing wrong, hun, The Lord's just..challenging a bit extra us this month." Said Momma.

__________

Okay yay! You made it to the end again. I wrote this through Thomas' perspective as well as minor aspects of third-person. I was listening to 'Family Tree' and 'Hard Times' {Ethel Cain reference?} again and felt like yapping via Thomas. I'm open to feedback as I am on every post!

Much love, 🫀

{Thomas} Hewitt Family Dynamic/Psychology Analysis

TW: Canon-related dynamics/activities, Incest, Rape/SA, Pedophilia, Abuse {Mental, Psychical, Emotional}, Discussions of mental health, extreme language, Usage of R!slur, War, Hoyt {Biggest warning of them all}

Yapping session again, I apologize {Wrote this whilst listening to Preacher's Daughter, GOATED ALBUM} Poorly edited, a bit more coherent than the last post 🩷

The family dynamic seems to be very..unconventional yet unsurprising. It’s a family of traumatized, traumatizing, enablers who’re struggling to survive both in spirit and in actuality. This post was intended to focus mainly on Thomas but I dove deep into Hoyt and the other family members as well because I feel they have such a big impact on Tommy:(

___

Thomas is obviously a very closed-off and introverted individual. His childhood was full of ridicule, cruelty, and abuse. His main father figure was and still is Hoyt - Charlie, but his biggest influence is his Momma, Luda Mae. I’ve seen multiple people paint Luda as a saint when in all actuality, she’s not. Although she may not be as malicious, she’s an enabler with intense family pride and protectiveness. Her automatic dislike of Erin is proof of this. She assumes Erin {and her friends, brother, boyfriend} are judgemental and arrogant ‘city-slickers’ who’re out to get Thomas. In all actuality, Erin never comments on Thomas’ looks besides her small conversation with Henrietta: “I couldn’t, I couldn’t look at him.” Even in this segment, she never says anything bad about Thomas except warning Henrietta and the Tea Lady {we’ll just call her ‘Kathy’ based on her actor} of his arrival. During this segment, we learn additional information about how the family views Thomas, as well as his general behavior. Dialogue from family members include:

“He knows better than to be messing around here…Poor Sweet boy--He’s no harm; Always keeps to himself.” - Henrietta, Texas Chainsaw Massacre 2003--1:02

“I know your kind--Nothing but cruelty and ridicule for my boy, all the time he was growing up. Does anybody care about me and my boy?” - Luda Mae, Texas Chainsaw Massacre 2003--1:06

“He ain’t retarded; He’s misunderstood.” - Sheriff Hoyt / Charlie, Texas Chainsaw Massacre: The Beginning 2006--16:30

“You don’t like playing with me anymore because I’m a pussy, that’s what you said. Well, my nephew Tommy ain’t no pussy; Maybe you’d like to play with him for a little while.” - Sheriff Hoyt / Charlie, Texas Chainsaw Massacre: The Beginning 2006--51:35

“You beautiful bastard, you!” {Honestly this entire scene could be used here} - Sheriff Hoyt / Charlie, Texas Chainsaw Massacre: The Beginning 2006--1:01:21 - 1:02:40

“Thomas, quit playing with your fucking dolls and get up here!..Hmm, I like your new face.” - Texas Chainsaw Massacre: The Beginning 2006--1:06:15 - 1:06:35

“There you go, nice work, Tommy.” - Texas Chainsaw Massacre: The Beginning 2006--1:09:55

“There’s a time when every boy becomes a man.” Texas Chainsaw Massacre: The Beginning 2006--1:17:53

As you can see, most of the praise Thomas gets is from Hoyt. Honestly, reviewing Hoyt’s character on his own, this may seem surprising, but diving past face-value, this isn’t surprising at all. Hoyt is a sadistic, impulsive, traumatized veteran who very clearly values his family. I think both Thomas and Hoyt have the same thought{s}: “Family is all I’ve known, family is all I have consistently. Therefore, I need to protect it.” This is very apparent in Hoyt’s speech in The Beginning 2006: “Us... we're staying right here. The ashes of six generations of Hewitts have been tilled into the soil of this farm. We will never abandon the place of our birth. We're on our own now, people. And alone... we will rise above it all.” Both Hoyt and Thomas value family so much, and this is apparent in their immediate protection of them; As well as how violent they get once the family's safety is in jeopardy. The family also heavily depends on both of them, Thomas more than Hoyt. Luda Mae immediately calling out for Hoyt once Eric throws a brick through their window {48:25}, relying on Thomas to chase down Chrissie, ordering Thomas to ‘wrap things up’ after Monty’s amputation, Thomas being the main source of income prior to the meat plant shutting down, Hoyt Charlie being the one to protect Thomas from the original Sheriff Hoyt, the deleted scene where Charlie protects Thomas from malicious classmates, Thomas protecting Hoyt by killing the biker {1:01 - 1:03}. 

I’d also like to add; As someone with multiple military family members, the military changes you. War changes you. Considering Charlie is a POW, his trauma has to be so deep. {I’d like to make this clear: !!I’M NOT DEFENDING NOR SYMPATHISING WITH HOYT!!} His lust for violence, domination, control, and protection is most likely a combination of his personality, growing up dirt poor, his relationship with Luda Mae + other family members {which I’ll talk about below}, the war, and their current situation. He definitely gets defensive of his country, the military in general, the South, and his family. I.E: “Ain’t nothing I hate worse than a draft-dodging hippie protester.” - The Beginning 2006--40:30. He most likely has the same views on “City-slickers” as Luda Mae, just more extreme. In fact, I think it’s safe to assume the entire family has that view, maybe even Thomas. {Though his would be more protection-based as opposed to politically divided.} *cough-cough, Hoyt*

Going back to Thomas’ “father figures”, Monty and Hoyt were the only men in the house for Thomas to look up to. Hoyt was gone when Thomas was around 13, meaning during his very “experimental” years, he only had Monty to look up to. Both Monty and Hoyt are sexual deviants with no shame at all; Monty very openly gropes Erin in the 2003 remake whilst calling her a “Good girl.” {I almost turned off the movie, I kid you not} Whilst Hoyt very openly gropes Bailey multiple times, and even toys with Erin. It’s also heavily implied he raped Bailey {poor girl, this entire movie was so poor to her and Chrissie.} And whilst Luda Mae does get Hoyt to calm down with Erin, she still actively enables this behavior and completely ignores it. Now, I don’t think Thomas would replicate this {fingers crossed}; I’m sure Thomas has ‘urges’ but he has so much to do, such little extra energy, and a shit ton of {religious} trauma which would most likely coerce him away from sexual activity. He also very obviously wants praise. The more Hoyt praises and encourages Thomas, the more sadistic he gets. And yes, Thomas is sadistic. Sure he’s trying to survive, protect, and feed his family, but he also actively tortures his victims. I.E; skinning Eric’s arms, bathing Andy’s amputation in salt, ect. And I don’t wanna blame this on his ‘mental deterioration’, because that’s not it in my opinion. Thomas has crossed the threshold of  “I’m doing this to protect my family / because I’m forced to.’ No, he’s violent and angry. He’s so done with everything. He needs an outlet to take his anger from him, and the victims are practically begging him with how infuriating they can be. Also, wearing Kemper’s mask to catch Erin??? Jesus Christ, Thomas, that’s traumatizing. And he knows he’ll get away with it. The law enforcement is gone, Hoyt has done worse, Momma doesn’t seem to speak on it, why not continue? And I’m sure he feels powerful when he finally gets the chance to bite back. This is exactly the kind of manipulation Hoyt did to get Thomas fully on board with this killing-spree shit; “It’s one of those assholes who used to fuck with you in the schoolyard, Tommy!” - The Beginning 2006--1:01:40. This brings me to my next point - 

The family is immensely good at manipulation. Kinda by default, too. I know Southern hospitality can be viewed as passive aggressive and unnecessary depending on where you’re from, especially if you’re from up North; And I can’t disagree in some instances. Luda Mae is the MOST likely to use her ‘Southern hospitality’ as means of manipulation. Her little coo to Bailey about “We got to get you cleaned up, you don’t want to look dirty for company, do you?” at around 42:30 {Which by the way, was Marrietta Marich’s [Luda Mae’s actress] idea apparently.} It was not only a way to distract Bailey from the torture below them, but to indoctrinate herself into believing everything was fine. This was their life, and Charlie Hoyt knows what’s best, doesn’t he? I’m sure this was really difficult for her; Truly seeing who her son was and how the war affected him so deeply. Her seeming so closed off to Bailey and Chrissie at the community center was a result of the intense lifestyle change. Hoyt is EXTREMELY manipulative as well. I mean, he was a POW, you need a lot of skills in pattern recognition and psychology to survive such things. The way he speaks to everyone; Beginning slightly rational and neutral, only to quickly be angered and intimidated by his lack of power in the situation. This is especially prominent when he speaks to Morgan, Erin, and Pepper; But mostly Morgan. In the first movie, when the car breaks down and he tries to “calm Erin down” only to scold all of them for possession of drugs and such; Trying to convince Erin that Kemper killed the hitchhiker when he knew what really happened; Making Morgan reenact the scene whilst threatening him with an unloaded gun, pressuring him into “shooting” whilst taunting about how they’ll be “accomplices to murder.” Smashing the bottle in Morgan’s face when he says Hoyt can have the Skynyrd tickets. The way he kisses and rubs on Bailey during the dinner scene in The Beginning?? How he coos and taunts Erin once she wakes up from the poison?? He’s a master in manipulation and puts on a damn good show at that. Henrietta and the Tea Lady / Kathy are also extremely manipulative. When they force Erin to drink the tea, blame her for the baby crying, saying that she “looks tense” and “needs to relax”?? Yeah, this family is full of manipulative and emotionally abusive cycles. Anyway, back to how this affects Thomas.

Thomas was most definitely manipulated in multiple ways. I’m sure Luda Mae has manipulated him into ‘doing what's best for the family’ and all that bullshit. He definitely has some religious trauma and sure as hell has endured abuse of many kinds.

To tie this all together, I present to you: The Family Dynamic. 

I saw a post by I believe Scrapnick?{Their art is so so appealing} Anyway, someone had asked why Thomas and Hoyt are both “brothers and uncle/nephew.” They responded with something like: “Luda Mae most likely got assaulted by her father as a child.” Their post was more detailed than that but that was the main point. And honestly, I agree. At first I thought Hoyt was Luda Mae’s husband, and then I heard him refer to Thomas as his “nephew”, and then I heard him call Luda Mae “mama.” I went researching on wikis and such only to find results such as “he doesn’t view Thomas as a real brother, therefore he uses uncle/nephew.” Whilst this may be true, Hoyt and Luda Mae only have at MAX a 15 year difference. The actors {Marrietta Marich, R. Lee Ermey} only had a 14 year difference. Considering he also calls Monty his uncle, I think it's safe to assume Luda experienced assault from her father during her teens, resulting in pregnancy. Tying this back to religious trauma, I think this fact really upsets Hoyt. He loves his family, obviously, but I think the idea of him being ‘born of sin,’ I.E: Out of wedlock, incest, pedophilia; most likely affects him. I wonder if he ever thought “Well, I’m going to hell anyway, might as well sin.” I’m rambling right now, I apologize; Welcome to my blog {Yappville.}

Now, this dynamic obviously affected his relationship with Luda Mae. I doubt she loves him any less, but I think it was definitely difficult considering A.) Growing up religious; B.) Being such a young mother; And C.) Growing up and continuing to be excruciatingly poor. I think Hoyt gets a bit jealous of Thomas, surprisingly. He’s jealous of how much Luda Mae adores him; How he really gets to have a mother instead of a struggling sister/mother who was trying so hard to get by. Hoyt seems to have a closer {yet still distant} relationship to Monty than Thomas does. I think Monty is just a distant, miserable old man whose patience is low and tiredness is high. He’s worn out, especially after the amputation. The entire family is worn out; Slowly losing their grip on humanity with each passing day. The only consistent thing they have is each other, and yet still their relationships escape them. I think everyone, but especially Thomas {and Jedidiah, poor baby} just want a home to feel safe in. Really, just a stable income, stable food supply, and the ability to rest both physically and mentally. He wants to be able to have a purpose; To work again without needing to worry if his family will be okay. Being able to walk around the house without having to shut himself in the basement to avoid scoldings, demands, or endless calls. This entire family is really fucked up and in need of some rest, family therapy, maybe some physical therapy, and some damn prozac. 

Okay, yay!! You made it to the end; I apologize for the long post again, I get so into analyzing things and I couldn’t resist looking into the Hewitts. Tommy needs some prozac and some Southern cooking {He’s just like me fr}

Love you all, thank you so much for the support on the previous post 🫀