Spring Awakening - Blog Posts

ive barely been on here lately but i just want u all to know that i love moritz stiefel

that part in touch me where everyone is singing and it crescendos super fast like “where I go whErE i Go TOUCH MEEEEEEEEE” reblog if you agree

i’ve been a fool

spring awakening aesthetics // melchior gabor

Those You’ve Known - Deaf West’s Spring Awakening

youre not a real spring awakening fan unless youve been sent to a reformatory for getting a girl pregnant and subsequently causing her death

whenever i try to explain bare i end up being like “think modern au spring awakening with melchior and moritz’s choreography during touch me turned up to 11″

Krystina Alabado and Jennifer Damiano singing Mama Who Bore Me and Mama Who Bore Me (Reprise) from the 9:30 American Psycho Sings Duncan Sheik show on Saturday, August 13th

this has to be what heaven sounds like

*talking abt melchior*

Wendla: So wonderful...

Martha: But, not SO wonderful...

Wendla:......

Martha: Like really. He's a dick, and u could do so much better

@springbway: We are slowly going insane. @alexboniello

Mama who Gabor me

tell your children about sex before melchior does 

(ohhh ohhHH OHHHH OHHH) WHERE I GOOOOOOOO WHEN I GO THER E NO MORE SHadoooooows anymore only you there in the kiss and nothing missing as your'e drifting to shore (ohhh) where i goooo when i go theeere no more weeeeping anymore (ohh ohhh) only iii iiin and out your lips the broken wi shes washing wi th h tme mmm to shore (touch me) touch me (all silent) all silent (baby just tell me) tell me please all iS for give n (touch ohhh) consu me my wine consume m y mind (ohhhhh ohhHHHhhhhhH) WHERE I GO WH ER WEI GO TO U CH M MMMEMEE OH H HHHHHh juSTR TRY II IITTT JUST TRYYY It N OW THA TS IT no w thATS IT OHH HHHH GODDDD OH TH AT S HE A VENN N NN TO UC H OH H HI LOVEYO UR LIGH T LI I IiiiiiIIIIIG HH HT WE'L L WAN DER D OO OW N WHE E E RRE THE SI NSCRY TOU C HC Mmm mMEEEEO H H HH HHHHH J UST LIKE THAT OH H H HHHH H H H H HHHHHHHHHhhhH HhhhNNOW LOWER DOW NO AHH HH H Hhh hHhh hhhHHHHHH LOVE M E E EHEHYEYEYEHAHHHHAHH WAND E ROD WN WHE RE ETHE WI NDS SIG HHho ooooooooooooh where the winds sii i igh whe re teh te winds s igh ghhhhg hhh hwhehre the winds si ghghhhhh

Sutton Foster sings “Left Behind” from Spring Awakening at the New York City Center’s Off-Center Jamboree on July 16, 2016

Patrick Hoffman Director of film archive for new york public library: Seeking the release of Deaf West Spring Awakening Broadway show from NY archive room

Deaf West Spring Awakening began in LA and during its run there it managed to win many awards for their performance; several Ovation awards as well as Broadway World LA awards and they are expected to make a splash at the Tonys for their Broadway run. This production brought a level of diversity and inclusion never before seen on Broadway before. Once on Broadway, the show received unanimous critical reviews from all over the US as well as a British review. New York Times, LA times, Wall street Journal, American Theatre and multiple more publications gave it must see praise. When all was said and done they were listed on 16 publications as a top 10 show of 2015 and had 2 performers listed in the top 10 individual performances of 2015 in the Huffington Post. Throughout the run the positive reviews and awards were seemingly never ending. Historically they brought many firsts to Broadway including the first wheel chair bound broadway performer, the first performer to both sign and voice his role, the first lottery conducted in sign language and english simultaniously. There was much history made with their performance and it was fortunately preserved by the New York Pulbic Library Theatre Archives. While this production won many awards, received much critical acclaim, and made multiple historical Broadway firsts; those amazing accomplishments alone are not enough to seek release of the archived film in my opinion. The run on Broadway coincided with the 25th anniversary of the American with Disabilities Act and it is because of that coincidence that i can think of no better way to honor it then to expand on what Deaf West accomplished on Broadway by taking accessibility to a new level never before seen. Any deaf theatre goer on Broadway was able to see a broadway show any night they wanted to without worrying if it was a captioned performance. Now for the hoped for result of this petition. It is my upmost hope that the director of film archives, Patrick Hoffman, will see the importance of this film being accessible to all and not just people that are in New York. I am formally requesting , along with all those that signed this petition and countless others, that copies of this film be given to every deaf school across America as well as every deaf library in America. Additionally, i would ask that for those that would wish to see this historical event that copies of the film would be available for purchase or rent. Think of the students in deaf schools, up to now they can be told that they can do anything they wish, that there are no limits. Imagine, though, how much better it would be to be able to show them the truth to that. Thisis very personal to me as i am the father of a deaf girl. Yes she was in the show but i remember when she was in school and i told her that she could do anything but the idea of being able to show her would have made it so much easier to believe. I sincerely hope you can see the importance of this request.

Sign this petition if you want Deaf West’s ‘Spring Awakening’ video footage that the New York Public Library has in the Archives. 

A releasing of this video, would make this video accessible for everyone on to see. This version of Spring Awakening is so important, more than just telling the story of miscommunication between adult & children, and languages. It’s also important because of the ability for anyone to watch it.

Please Sign.

Listen/purchase: The Guilty Ones by Leslie Odom Jr.

ok… shit

pokemon trainer moritz!!! please dont hurt him or his pokemon

his team: angel (froslass), scrappy (scrafty), sleepy hollow (pumpkaboo), melchi (vivillion), multum ille (mimikyuu), agatha (phanthump)

ah yes the scent of shady abortions and promiscuous german teenagers

What she says: I'm fine.

What she means: Why does everyone forget that Martha was the one who called Moritz a sad soulful sleepyhead? Why does no one think about the fact that Martha understood and appreciated Moritz most while everyone else ignored him? Why don't we talk more about the fact that Martha Bessel would like a boy like Moritz? A boy who's nice and sad and sweet. All the other girls like Melchior because he's dangerous and rebellious and vibrant and angry. But Martha already has enough dangerous and angry men in her life, and she isn't looking to escape a sheltered life like all the other girls, she's looking to feel safe and protected and maybe find someone who she can sympathize with? Why does no one talk about Martha and Moritz taking care of each other, and reminding each other that they're worth so much more than their parents think, planning to build a new world just like Wendla and Melchior? Is any one else disturbed by the fact that Martha and Moritz don't get to rebel, because they won't make it that long?

br,o ur art style is so cute ?? if u have time u shld totally draw melchi n moritz aka The Bfs™

tysm!!! and i love melchritz so much u dont even know,,,

My dead boys

*Needs headphones to work*

Left: OBC

Right: ASL Revival

Note: Sometimes the right side will sound kind of weird, that’s bc the revival goes just the tiniest bit faster and there were times where I had to move parts of the audio so the rest of the song would match.

This is the first time I’ve ever done something like this so I guess it’s not that bad

Spring Awakening act 1: High school crushes and puberty Spring Awakening act 2: Suffering ™

I dont care what anybody has to say , spring awakening deserved SO MUCH more.

The stars, too, they tell of spring returning. (insp)

That time Jonathan Groff and John Gallagher, Jr. confirmed Melchior/Moritz.