This!! I Do Get Why Slow Burn Wrightworth Is So Popular And I Personally Prefer Them Getting Together

Something I'm fond of saying is "The villain drives the plot but the hero sets the tone." Something that's very important about this is that the resolution to the conflicts presented need to match the hero's tone. If your story doesn't believe problems can be solved the way the hero wants to solve them... why is this the hero?

If you want your problems to be solved with brutal catharsis, then your hero should be someone who believes in brutal catharsis.

If you want your problems to be solved with forgiveness and reconciliation, then your hero should be someone who believes in forgiveness and reconciliation.

They don't have to begin there. This can be something they come around to over the course of the story, as they grow and change per their character arc. But by the time of their ultimate encounter with the villain, their values should be the values that drive the story forward.

There's this thing in D&D that some DMs do. Where, when you roll enough damage to deplete the monster's hit points, they'll turn to you and say, "That's a kill. Describe for the group how you take the monster down." And you're allowed to come up with some cool maneuver or something that your character did in order to deliver the finishing blow.

The hero's ultimate triumph over the villain is a lot like this. More than any other part of the story, this moment is their apotheosis. It should be a celebration of everything they are and everything they stand for.

You have defeated the villain; Now describe for the group what form that victory takes.

Honestly, to me Manfred seems like he would be too rational to spend time on hating a group of people like that. He's extremely obsessed with "perfection" and looking back on Turnabout Goodbyes, he's also ruthlessly efficient. He prides himself on finishing trials in mere minutes and when Phoenix exposes his crime, all he does it tell the judge to hurry up with putting him away. He only acts irrationally when his "perfection" is threatened, namely when he shot Gregory over a penalty. And he puts a lot of effort into regaining his composure (taking the only vacation of his career after his crime). And adding all that on top of everything OP said about him raising Franziska... Manfred being misogynistic just doesn't seem very consistent with canon.

It's really easy to hate Manfred if you love Miles or Franziska and there is nothing wrong with interpretations, but I would recommend taking a good look at the evidence in canon.

Kinda scared to post this, but this has been on my chest for years and I finally have a platform to air it out. I don’t understand people who think that manfred is misogynistic. I know it’s like the cool thing to do in the aa fandom to hate manfred for fanon reasons, but I think manfred being misogynistic is one of the most unrealistic ones for me. Especially since Franziska turning out to be, well, Franziska, indicates otherwise. Like, Franziska is a loud, outspoken, confident, man-hating lesbian with anger issues that scares tf out of people. Basically everything that men hate. If manfred was misogynistic he would’ve snuffed that out as soon as he could. But he doesn’t. Bc he lives for that shit. I highly doubt he would try to constantly bring her down bc she’s a woman and “manfred wanted a male heir” (a fanon idea I also don’t understand since the competition that she and miles had together was started between them, and not directly initiated by manfred at all). Franziska being the way the she is literally can’t be more fitting of Manfred’s ideal of a von karma.

I just think it’s funny that manfred raised an angry lesbian daughter, is supposedly a wife guy (aai2), and overall has never said anything directly misogynistic in the games and the aa fandom chose him to be the misogynist of all people just bc he’s a villain. Really feels like the only reason people do that is bc they hate him so much they pile quite literally every horrible human trait they can think of onto him, and not bc it’s actually justified based on his character….

thanks for the tag!!

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Tagging (no pressure of course): @shrimppishh @azalawa-scroggs @huldraism @evelinessa @kobitoshiningneedle

Thank you P @jessicamdawn for the tag!

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+ an open tag!

That’s precisely why Farewell My Turnabout is so so important to their relationship. It’s the case where Miles saves Phoenix <3

I cannot overstate how important Phoenix and Edgeworth are to each other’s lives. There is something so beautiful about Edgeworth’s walls crumbling before the man who picked up his father’s legacy where he couldn’t. There is so much care in the fact that Edgeworth returns to guide Phoenix when duty versus personal circumstances shake the latter’s principles to their core.

They spend their lives reciprocating each other’s acts of kindness, and it is in this eternal dance that they find comfort, trust, and love in one another.

Send Me a Character

And I will tell you my:

First impression

Impression now

Favorite moment

Idea for a story

Unpopular opinion

Favorite relationship

Favorite headcanon

Actually, “Feenie” Makes Perfect Sense as a Backstory for Phoenix (+ 3-1 Initial Thoughts)

I've decided to start a series where I record my thoughts and analysis as I play through the Ace Attorney games for the first time. I'll try to post these as soon as I finish a case so that my thoughts are fresh.

Phoenix Wright/"Feenie"

I've noticed critiques in this fandom that "Feenie" from Turnabout Memories is too different from Phoenix in the trilogy or that the backstory is poorly inserted. But, honestly I disagree. It's easy to treat Phoenix and Feenie as different people because of their different outfits and mannerisms, but I think the characterization is consistent (despite "Feenie" being exaggerated sometimes for comedic effect).

I've seen the fandom portray "Feenie" as a sweet pushover. But if anything, his belief is extremely stubborn and strong-willed. Phoenix believed in true love and fate which was why he accepts that necklace in the first place. He also never relents to Dahlia (or should I say Iris) when she asks for the necklace back.

He’s only able to be used and manipulated by Dahlia because his own goals and beliefs aligned with the facade she presented to him.

Phoenix literally shoves a guy so hard that he fell onto his back because he badmouthed Dahlia. I think one constant of Phoenix's character is that he cares too deeply and is protective over the people he loves.

There's also the part where Phoenix mocks Doug for being British? or wearing the British flag (I didn’t take a screenshot of it). “Feenie” is just as sassy and judgmental as Phoenix is. He might be a lot more naive and immature but he's still Phoenix.

Oh Phoenix... back when you believed in people saving you... before you bottled up your problems and refused to let anyone help you...

To be fair he is the defendant here but still. He doesn't ask for support after Edgeworth disappears, he doesn't ask for help at first when Maya is kidnapped.

I think, unfortunately, this incident with Dahlia is what kickstarted a lot of his trust and abandonment issues. His overwhelmingly strong belief and trust in Dahlia backfired in the worst way possible. It’s not a stretch that this made him too terrified of betrayal to open up to anyone in the trilogy.

So I know this is for comedic effect, but it’s also really good proof that Phoenix heavily idealizes the people he gets super attached to.

(Coughs in Edgeworth and Justice for All)

… I mean he’s not wrong! But he’s also being delusional

This is one of the first things Phoenix says after finding out he was betrayed. He doesn't spend much time acknowledging his feelings of hurt. He just goes into denial.

(COUGHS IN EDGEWORTH AND JUSTICE FOR ALL)

This is just further proof for me that Phoenix’s coping mechanisms are suppression and delusion.

And then Phoenix immediately he moves on to saving Edgeworth! He just shoves all that trauma aside to fixate on saving someone else... to cope by giving himself more control. Phoenix's savior complex stems from abandonment issues.

This trial doesn't give Phoenix the idea to save Edgeworth, it solidifies it.

After being reminded by Mia of his belief that a defense attorney saves people, Phoenix firmly sets himself on this path.

There it is. Phoenix says it himself... he suppressed these memories. That's why he never brought it up in the last two games. I know the real reason is because the creators didn’t plan it, but it also makes sense narratively.

I mean, Phoenix hides the class trial story until Turnabout Goodbyes. This man does not like to talk about his problems or trauma.

Mia Fey

Damn Mia is so brutal. Is this where Phoenix gets his sass from?

Mia is also not how I expected her to be. I mean whenever she gets channeled to help Phoenix out, she's in the role of the wise mentor. But here? She's a nervous wreck, cynical of romance, and full of trust issues.

Speaking of trust issues... I unfortunately did not take a screenshot of this but as soon as Mia finds out Phoenix has lying to her, she reacts very strongly with distrust. She also has to convince herself multiple times to trust in him again. Believing in people or trusting them doesn't seem to come easy to Mia. Which is super interesting because her advice is to always believe in your client. Maybe Mia eventually got used to trusting her clients but... she also never tells Phoenix about her investigation in Redd White. I don't think Mia is as trusting as she presents herself as.

Azula's Motivations in ATLA

I haven’t been in the ATLA fandom long enough to know how popular this opinion is, but I think at her core, Azula wants to be accepted, to be loved, to belong.

I think you can tell a lot about a character by finding out what breaks them. Looking at goals can be helpful, but a lot of the times goals can mask true desires.

What truly begins to break Azula is the betrayal from Mai and Ty Lee. She's also strangely bothered by the belief that her mother thinks she's a monster. In the scene where she hallucinates her mother, Azula only breaks down and shatters the mirror when her mother says she loves her. As if Azula desperately wants it to be true but can't believe it, so she lashes out.

In the finale when Ozai leaves her behind to go destroy the earth kingdom, she says: “I thought we were going to do this together” and “you can’t treat me like Zuko”. She’s desperate to belong, to be accepted by her father. And even though she’s had his approval for her entire life, she’s immediately afraid of being cast aside.

While she is pretty obsessed with succeeding at everything she does and doing things perfectly (ie “almost isn’t good enough”), I think the real reason she’s so obsessed is because she believes she must earn her worth in order to be accepted.

Azula hasn't had many experiences with healthy relationships as a child so she makes people stay by instilling fear and proving her worth. Power and success aren't what she truly desires. They are more so a means to an end.

I also think in the last Agni Kai, she breaks down not just because she's defeated, but because Zuko and Katara defeat her together. A painful reminder that other people have support they can rely on, but she has no one.

It's also really interesting to compare her to Zuko because I don't think Zuko has the same motivation at his core. Yes Zuko became obsessed with chasing the Avatar to be accepted by his father, but really it was about his honor. Zuko saw acceptance in the Fire Nation as a means to an end for his own worth and honor.

And that's the reason Zuko isn't satisfied when he's back to belonging in the Fire Nation again in season 3. And he's not satisfied in the Earth Kingdom with his uncle's support, nor satisfied being accepted and trusted by Katara in that cave.

I'm not saying Zuko doesn't care about or want acceptance from people, just that there is something deeper motivating him.

When Azula pushes people away, it's defense mechanism. When Zuko pushes people away, he's yearning for something more.

That’s it. THAT’S what SOTR should’ve been.

As someone who has spent way too much time thinking about Haymitch, I always suspected that the first sparks of resistance started around the 50th (mostly based on the symbolism of Maysilee being established as the OG owner of the mockingjay pin, really). The Capitol suddenly reaping double the amount of kids? That’s majorly pushing the boundaries of what even the most oppressed districts would accept. People are angry. People are restless.

Then, out of nowhere, comes this kid from the most underprivileged loser district of them all, and he has no qualms about announcing that he doesn’t give a shit about their games. Instead of dying a quiet and swift death like he was supposed to as a D12 tribute, he then proceeds to use his sheer force of will, an outrageous amount of audacity and his own intelligence and wits to crawl his way to the biggest fluke victory ever, ruining their grand quarter quell.

That’s it. That’s enough to inspire resistance, wouldn’t you think?

The force field thing was bad, but not kill your entire family bad. I think the killings would’ve happened in response to rising unrest post 2QQ in district 12 and perhaps even other places - know where your place is, or you’ll end up like Haymitch.

We did not need a contrived plot to blow up the arena. We just didn’t. And the evidence of what she originally intended is still right there in the text. I think so, anyway.

something's gone terribly wrong

(you're all i wanted)

free my girl. she did all that but so did a male character and nobody cared