imo the absence of a feeling in writing is more powerful than directly describing it. people comment about how i do this a lot in writing so i thought i’d share what i mean and how i do it
so basically i’m trying to articulate a feeling without actually acknowledging it in the writing. when people avoid a thought or a feeling they don’t give it a name. it’s like touching around a bruise, you feel a little around it but avoid fully touching it because it hurts. that’s what i mean
in practice i think i have a couple ways of doing this:
1/ does, doesn’t, would, could: even if a character doesn’t take an action or acknowledge a feeling, the possibility is there in the story and i like drawing attention to that, it addresses the periphery of an emotion in an interesting and internal way, examples:
Erik raises the visor of his helmet. A soft summer breeze hits his face, catching on the sweat and cooling him ever so slightly. He feels Istvan’s eyes on him but doesn’t meet them.
Ryunosuke faces forward, letting his hand drop from the hilt of the sword. He takes a short breath. He tries not to focus on the dust.
2/ flat description of actions: you can describe an action without describing the emotion attached to it. i feel this is more impactful than doing both at the same time, or just choosing to focus on an emotion. there is emotion in the action, the reader can decide which one, examples:
“Kate,” he says, a little too sharply. “Be very careful there. Be very careful.” His hands are shaking again. He crosses his arms and shoves his hands under his armpits.
His computer gives a soft chime. An email. A new lead, but the stories are safe and tame, nothing like the danger he was used to. He shakes his wrists again, warding off carpal tunnel for another day. Another chime sounds. He looks out the window again.
3/ bury emotion in metaphor: this one i do constantly, i’ll just go off on a tangent about something else and the emotion will come through, kind of like how a character will try to distract themselves when faced with an emotion they don’t quite know how to process, example:
Sunlight trickles in through the dense tree cover, like water. A ray touches Hans’s golden hair. Henry watches the light play on the yellow strands. His hair is combed back but a few strands fall onto his forehead, pushed around by some invisible wind. They could be harp strings, or silk threads. Something delicate and fine. Another ray of sunlight falls over Hans’s hair and it seems almost to glow.
He unclenches his hands one finger at a time. The stress of muscles tensing no longer exists, not here, but the ghost of tension still lingers, the memory of it, over his knuckles and in his wrists. He wishes he could just have this. Just the pain in his joints of holding onto something too tightly for too long.
Is it just me or is this piece of advice from Mia, "for a lawyer, the worst of times are when you have to force your biggest smiles", really sad?
Don't get me wrong, there's nothing inherently sad about it. I get that it's about not giving up, pushing through impossible odds and rock bottom for your client. Because for most people, being a lawyer is a just a profession.
But for someone like Phoenix? Someone who hides their pain behind saving others, who never talks about their trauma, who (subconsciously or not) considers being a lawyer not just a job but their entire identity...? All of a sudden, Mia's advice isn't just about the courtroom anymore, because for Phoenix being a lawyer was always about being good enough and able to save people. To Phoenix, Mia's advice is about pretending you're fine, not letting anyone see how you truly feel or else you can't save anyone.
thanks for the tag!!
Favorite color: forest green and light greenish teal (honestly any green + blue combination)
Last song: I love you by EXID
Currently reading: A Crack in the Marble by Steerpike13713 (Ace Attorney fanfic, 3-1 retelling with Bratworth early redemption! It's really good, I recommend it)
Currently watching: Nothing. Well technically the last thing I watched was Better Call Saul but I'm not committed to it.
Currently craving: Bread, like really good European bread
Tea or coffee: Tea 🍵 <3
Tagging (no pressure of course): @shrimppishh @azalawa-scroggs @huldraism @evelinessa @kobitoshiningneedle
Thank you P @jessicamdawn for the tag!
Fav color: White
Last song: A Thousand Years by Christina Perri
Currently reading: 'And here I thought it was me saving you' by @imogenegomi
Currently watching: The Eclipse
Currently craving: Alone time.
Coffee or tea: tea
No pressure tag!
@imogenegomi @midnights-dragon @quillswriting @oregano-gremlin @ririnya7
@theliteraryarchitect @zackprincebooks @randomia-in-wonderland @marlowethelibrarian @rose-coloured-windows
@raeality @dreaminghour
+ an open tag!
free my girl. she did all that but so did a male character and nobody cared
perfectionist (pt. 2)
1 | 3
tag as ship for an instant block theyre siblings you freaks
I feel very strongly about Recipe for Turnabout, but I don’t think it’s a very good case. I just think it has so much potential to be amazing.
Trials & Tribulations’ running themes are deception (personas and disguises) and the lengths people will go out of devotion (usually in romantic relationships but Bridge deals with familial). And there’s so much that could have been said about identity, self worth, and being so devoted to someone that you lie to yourself in Recipe.
If Furio Tigre's impersonation of Phoenix was actually really good (and not played off as a joke), it could have done so much to explore Phoenix's identity surrounding being a defense attorney. I mean think about it, Phoenix lives for other people, he doesn’t seem to know what to do with himself when he’s alone, and became a defense attorney to save people. And Furio Tigre ripped that away from him by pretending to be him and getting an innocent person locked up. Everyone thought Tigre was Phoenix. Maggey thought he failed her. It feels straight out of one of Phoenix's worst nightmares. Seriously, why is this plot point only used for laughs?
Viola Cadaverini is probably the most intriguing new character in 3-3 but she’s completely brushed aside. She's a perfect parallel to Phoenix himself. Viola tries to convince herself that Tigre truly loves her, rather than confront the truth that he is paying for her bills and being so kind to her because he's terrified of her mafia boss grandfather. To the point where she stays by his side and becomes an accomplice to his crime. Similarly, Phoenix believed that Dahlia truly loved him. And while Phoenix wasn’t a willing accomplice to Dahlia’s crime, he still hid evidence for her and ate the necklace out of belief in her.
The game itself even acknowledges this connection briefly.
This is what Phoenix thinks after breaking Viola’s psyche-locks. He was scared of her at first but now he sympathizes with her and is filled with new determination to take Tigre down. Phoenix chooses the drink the espresso she prepared, effectively trusting her not to poison him too.
Also side note: Phoenix is really sensitive to betrayal. And it’s really interesting that he seems to hate it because it’s cowardly. Phoenix seems to hate the deception involved in poisoning and betrayal. He’s is terrified of his believing in someone so much, only to be hurt and left alone. (… eyes Phoenix’s reaction to Edgeworth’s note). Yeah it definitely stems from Dahlia.
Now imagine if Viola was the defendant instead of Maggey. That would mean Tigre, the person she convinced herself truly loved her, disguised himself in order to use her as the scapegoat for his crime. Does that sound familiar? Phoenix would probably be scared of Viola at first too. Maybe she reminds him of Dahlia. But slowly come to trust her.
Viola as the defendant would also continue T&T's pattern of guilty or questionable defendants (Ron DeLite being Mask DeMasque, Terry Fawles being in a relationship with 14 y/o Dahlia, and Iris being an accomplice). No case after 2-4 ever critiques Phoenix's misbeliefs as a defense attorney again (that being an attorney is not about saving people but fighting for them, and they everyone deserves a proper defense). But 3-3 could have done that, because Viola was still an accomplice and would have to go to jail for that. Phoenix could have continued to learn that he doesn't have to save everyone, that he has to fight for them and for the truth.
Do you see my vision? Do you see the potential? Recipe for Turnabout could have been a top tier case.
Oh and here's my collection of Recipe's most... memorable quotes. (Aka why is 3-3 like that??)
I haven’t been in the ATLA fandom long enough to know how popular this opinion is, but I think at her core, Azula wants to be accepted, to be loved, to belong.
I think you can tell a lot about a character by finding out what breaks them. Looking at goals can be helpful, but a lot of the times goals can mask true desires.
What truly begins to break Azula is the betrayal from Mai and Ty Lee. She's also strangely bothered by the belief that her mother thinks she's a monster. In the scene where she hallucinates her mother, Azula only breaks down and shatters the mirror when her mother says she loves her. As if Azula desperately wants it to be true but can't believe it, so she lashes out.
In the finale when Ozai leaves her behind to go destroy the earth kingdom, she says: “I thought we were going to do this together” and “you can’t treat me like Zuko”. She’s desperate to belong, to be accepted by her father. And even though she’s had his approval for her entire life, she’s immediately afraid of being cast aside.
While she is pretty obsessed with succeeding at everything she does and doing things perfectly (ie “almost isn’t good enough”), I think the real reason she’s so obsessed is because she believes she must earn her worth in order to be accepted.
Azula hasn't had many experiences with healthy relationships as a child so she makes people stay by instilling fear and proving her worth. Power and success aren't what she truly desires. They are more so a means to an end.
I also think in the last Agni Kai, she breaks down not just because she's defeated, but because Zuko and Katara defeat her together. A painful reminder that other people have support they can rely on, but she has no one.
It's also really interesting to compare her to Zuko because I don't think Zuko has the same motivation at his core. Yes Zuko became obsessed with chasing the Avatar to be accepted by his father, but really it was about his honor. Zuko saw acceptance in the Fire Nation as a means to an end for his own worth and honor.
And that's the reason Zuko isn't satisfied when he's back to belonging in the Fire Nation again in season 3. And he's not satisfied in the Earth Kingdom with his uncle's support, nor satisfied being accepted and trusted by Katara in that cave.
I'm not saying Zuko doesn't care about or want acceptance from people, just that there is something deeper motivating him.
When Azula pushes people away, it's defense mechanism. When Zuko pushes people away, he's yearning for something more.
One thing I love about Miles Edgeworth is how realistic and practical he is, more than he is moralistic. As much as Miles cares about justice and doing what he thinks is right, he’s not fueled by belief the same way, for example, Phoenix is. And this is one of the things I feel like gets ignored or brushed aside when Miles's character is softened too much.
Both pre and post redemption, Miles puts a lot of emphasis on reality and the bottom line of what people can do in a situation.
In Turnabout Goodbyes, the first thing Edgeworth says in response to Phoenix asking him why he became a prosecutor instead of a defense attorney is: "… I couldn't let myself deny reality like you."
He also doesn't truly believe that every defendant he prosecutes is guilty, contrary to popular belief. In Turnabout Sisters, he says this: ""Innocent"…? How can we know that? The guilty will always lie, to avoid being found out. There's no way to tell who is guilty and who is innocent! All that I can hope to do is get every defendant declared "guilty"! So I make that my policy." Miles is disillusioned with finding the truth and trusting people that he settles for doing all he can hope to do.
And when you think about it, his motivation of finding the truth is an extension of his realism. After all, the truth is quite literally the most objective, realistic thing ever. In 1-3, after helping Phoenix convict Dee Vasquez, he says: "Will Powers was innocent. That he should be found so is only natural… not a miracle." The truth as a motivation is probably a grounding force for him.
When Miles comes back in Farewell My Turnabout, he calls out Phoenix's flawed motivations for becoming a defense attorney by offering realism: "We aren't some sort of heroes. We're only human, you and I. You want to "save someone"? That's something easier said than done, wouldn't you say? You are a defense lawyer. You can't run away from that. You can only fight. That's all you can do." Miles isn't saying Phoenix can't "save someone". Miles is saying that Phoenix shouldn't be so focused on saving someone that he forgets that his job as a defense attorney is only to fight for them.
Side note, I love the way Miles comforts people, he isn't exactly "nice" but he's incredibly kind. His blunt honesty digs at the heart of the matter, and he gives them an extra push because he respects them enough.
And then there's, possibly, my favorite Miles Edgeworth line: "It doesn't matter how many underhanded tricks a person uses… The truth will always find a way to make itself known. The only thing we can do is to fight with the knowledge we hold and everything we have. Erasing the paradoxes one by one… It's never easy… We claw and scratch for every inch. But we will always eventually reach that one single truth. This I promise you." This directly parallels the line he says in 1-2, and it makes me emotional every time I think about it.
The fact that Miles Edgeworth never lost his unwavering realism, in both quotes he acknowledges how untrustworthy people can be, but gained a new purpose.
I'm revamping my intro post because it's been a few months since I started this blog and some things have changed.
Hello! My name is Jen and welcome to my fandom blog :) Feel free to DM me to talk about any of my interests!
I'll mainly be posting analysis/meta about whatever my main obsession is...
Ace Attorney ⚖️
Favorite characters: (1) Miles Edgeworth, (2) Phoenix Wright, (3) Franziska von Karma, (4) Manfred von Karma
Favorite ships: (1) Miles/Phoenix (Mitsunaru), (2) Manfred/Gregory (Shingou)
Favorite game: Justice for All <3
I am also a fan of over-villainized/neglected characters, like: Franziska von Karma, Manfred von Karma, Dahlia Hawthorne, Larry Butz, Viola Cadaverini.
My AA related tags:
#jen's aa rambles (just me ranting or gushing about ace attorney)
#jen's aa analysis (actually formatted analysis/meta/arguments about ace attorney)
Other Interests :)
Typology! mainly MBTI (cognitive functions!!) and enneagram
The Legend of Korra (Kuvira, Baatar jr, Baavira)
Avatar The Last Airbender (Azula, Katara)
Genshin Impact (Kujou Sara, Arlecchino, Raiden Shogun)
Other fandoms I'm in (feel free to talk to me about these but I doubt I will post anything about them in the near future): Kpop (but mainly Dreamcatcher), The Hunger Games, Divergent, Six of Crows.
His Trust...
#i feel like i'm gonna get thrown tomatoes for this but#he's terrible for that but honestly i get it #it's the courtroom. not a therapy session #on my replay #i got to that part yesterday and i thought it would make me mad but as someone who's similar to adrian... #being slapped with reality like that works in waking you up sometimes #like yes it deeply hurts when things like that get unearthed but by ignoring it and refusing to talk about it........ it's more damaging yk #but ofc it's different for everybody #idk man.... bc considering he's also suicidal.... well. Well. it has certain implications #and imo he didn't mean it......he just wanted the truth out of her rather than telling it himself i guess #not defending him tho. irl that's unredeemable in my eyes lol <-- previous tags
No, no, you're right! And that's pretty much what I was trying to say. Ruthlessness is not inherently a good or bad trait. What Miles did was hurtful... but it was necessary in the end. And I truly love this part of his character, how he's so adamant about dragging the truth out and dismantling people's delusions. I wish this side of him was acknowledged more in the fandom.
(tw: mention of suicide) Did we, as a fandom, just collectively forget how ruthless Miles Edgeworth can be sometimes? And I’m not just talking about his demon prosecutor era, I mean also after his redemption arc. Because I was just playing through Farewell My Turnabout and watching him reveal Adrian Andrews attempted suicide in court after she begged both him and Phoenix not to… I was sitting there with my mouth open thinking: damn Edgeworth, was that really necessary??
And you know what, I love it. I love how he was ruthless in getting a guilty verdict in the past, and now he uses that ruthlessness to find the truth. Because I'm not just here for the traumatized, socially awkward, emotionally constipated, caring Edgeworth. I'm also here for the ruthless, intimidating, competent, morally grey Edgeworth. I'm not here for a watered-down version of Edgeworth. He wouldn't be my favorite character if he didn't have this nuance.
Jen || she/her || 20 I write analysis and meta about my favorite pieces of media! — mostly an Ace Attorney blog [playing AAI2-2]
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