More people should read this
Samantha LaRusso and Robby Keene, the fandom may hate you, the writers may hate you, but they cannot stop you from being the most wonderful Legacy your parents could ever dream of. Baby LawRussos of my heart.
THE BEST SHIP IS BACK
Tory calling Robby an idiot and a dumbass... and then both of them calling the people who tried to ruin their relationship "bitch"..... oh keenry how I've missed you!!!!
As if they haven't done enough
Leave my babies alone god dammit!
But seriously haven't they done enough, the leaks, if true(probably are), only show lazy writing, producing a lazy finale.
Mischaracterizing almost all of the characters, an unnecessary SA plot line (especially since they most likely won't adress it), trying to convince me that some scenes happened when they didn't.
if one of the two ships or even both are not endgame, where do we go form here? Like no romance? I wouldn't mind it, but that means that all of those ship related scenes in the past seasons meant nothing? ( just like robby's scene about him being no. 2 always and how he hates it, will probably mean nothing,sorry I just can't get over how bad that was. )
Sorry if this doesn't make sense I am just writing what I feel.
I am reposting it because I added some more opinions that I have
Cobra kai season 6 spoilers ahead
This is me ranting about the season and spoilers
I understand that they want miguel to win because he is like the main character and it started with him and all that.
But, what about robby?
If any of the spoilers and leaks are true then he is fucked.
They kept repeating how this is his last chance at something big, how Robby probably has no future.
He is not applying for college, and the last big thing he can do is the sekai taikai.
the whole plot line of being distracted by tory was valid for like the first two times then it got ridiculous, they were putting robby down just make miguel seem better and stronger, which he may be or is even.
The fact that the whole team kept on talking behind robby's back and insulting and saying Miguel should have been captain is not fair.
We all saw robby win the fight for the right of being captain fair and square, he didn't cheat and miguel was not injured or out of focus, no both were perfectly fine.
Yet the team is acting like robby stole the spot of captain or something.
And then you have spoilers saying he is not winning (which I hope is not true).
Robby deserves much better than this.
They built his character up so well, only for them to humiliate him, make him seem incompetent, that he should not have been captain, all to make miguel seem better?
I don't mind miguel being better, but it doesn't have to be on the expense of robby.
And don't get me started on the zara raping robby because that was so unnecessary and horrible he truly didn't deserve it and the way they made it seem like he was cheating on tory, no he did not!
It is not like he can't fight, robby is one of the best fighters in the show, it would make sense if he won, and it won't be surprising at all.
It is not like axel is a god of sorts, he is not undefeated, he is just really strong and capable, but robby is one of those people who can spot their opponent's weakness, and you can't convince me that axel doesn't have one.
He was raped by zara, and he doesn't even realise that he is a victim.
Zara SA’d Robby and that is a fact. If you want to argue this please do it somewhere else.
Zara has been interested in Robby since day one and has an obvious beef with Tory. The night Robby gets drunk Zara is in the bar the whole time watching him.
We have one character who has zero tolerance to alcohol drinking several strong alcoholic drinks. And we have a second character who is at the bar the whole time watching him drink and waits until he is alone to go up to him. That’s predatory behavior.
They walk back to the hotel so obviously Zara has plenty of time to see just how drunk Robby is, not that it stopped her. They then go back to her room and it is heavily implied that they have sex.
We might not know exactly what happened but I think anyone who thinks Zara didn’t do something is lying to themself, she’s not shown to be a good person at any point and the idea that she would let Robby just sleep in her room is ridiculous. If they didn’t do something she likely wouldn’t have helped him back to the hotel at all and if you’re trying to justify it as some act of kindness she could’ve easily gotten one of Robby’s teammates or coaches to help him. She could’ve gone to Demetri and Hawk who were still in the bar but she didn’t because she wasn’t trying to help.
And we know Robby was too drunk to consent considering he was too drunk to remember and Zara obviously doesn’t find anything wrong with this fact. She acts entertained by Robby’s confusion and doesn’t fill him in, as long as she remembers everything is fine.
She kisses him, again I think it would be ridiculous to assume that was their first kiss, and he walks away looking pretty horrible. Even the kiss we do see I wouldn’t really consider consensual, Robby is basically unresponsive and his expression when he turns around is not happy.
Robby tries to bring up his concerns and how sick he feels but she just brushes him off and kisses him again. Everything Zara does in that episode is calculated and manipulative, there really isn’t another way to spin it.
And if this doesn’t bother you because Zara is a girl and Robby is a guy or because Zara is pretty or because there isn’t enough evidence I genuinely don’t know what to say.
A pen sketch of zuko!
The broadswords that Zuko uses are niuweidao (牛尾刀) or “oxtail sabers”. Niuweidao are characterized by their flat and wide blades, flared tips, rounded cutting sections, and noticeably bent hilt; all characteristics present in Zuko’s swords.
The niuweidao actually has a rather unique history compared to other Chinese weapons. Whereas most Chinese weapons were adapted to be used by the imperial troops, the niuweidao was created and used exclusively by civilians. The primary reason for this was that their design was optimized to efficiently cut through flesh rather than harder surfaces; making them impractical for slashing through armored soldiers on the battlefield but perfect for petty robbery and common street violence. Unsurprisingly, these 19th-century swords came to be associated with rebels and criminals.
That Zuko chooses to wield niuweidao as the Blue Spirit is yet another example of his intelligence. After all, no one would expect the Prince of the Fire Nation, with a ship full of military-grade tools at his disposal, to utilize a weapon wielded by the lowest levels of society.
The niuweidao being the weapon of thugs also explains why that one Earth Kingdom jerk had a pair on him as well. In fact, you’ll notice that Zuko only ever uses his broadswords when he’s behaving criminally or rebelliously. Even his dual-wielding breaks from typical sword-fighting convention. The swords are the embodiment of his innate brashness.
This also provides a unique foil to Sokka and his sword. Sokka is often dismissed as a “peasant” and many characters simply write him off as dimwitted goofball. Yet his sword, the jian, is an ancient weapon dating back to 500 BC and is considered to be the weapon of scholars and gentlemen. Sokka’s sword embodies all of his most overlooked qualities: His intelligence, creativity, and honorable nature.
Zuko, by contrast, was seen as the elitist prince obsessed with honor and maintaining the Fire Nation’s imperial legacy. Yet his swords of choice, the niuweidao, are a relatively new kind of weapon from the fringes of society. Their entire purpose is to undermine the established power structure. Zuko’s swords embodies all of his most overlooked qualities: His boldness, his cunning, and his willingness to break from tradition.
Like what I’m doing? Tips always appreciated, never expected. ^_^
https://ko-fi.com/atlaculture
Hiya!! 👋🏼😄 How's it going? Your fashion taste for Zuko in a Modern AU seems to be artsy, or maybe "formal" is the word. That shirt he wore when he gave Sokka romantic song advice looked Versace🧐. Anyway, I was wondering how you came up with it, he always struck me more as the type that didn´t care much about fashion, so I'm curious about other´s opinions and heacanons about it. And do you have any other fashion headcanons for the rest of the GAang? Also, their music tastes. How did you come up with them? Especially Katara's! 😍
Hello! As it happens, I have a lot of Thoughts and Feelings™ about this, so I'm leaving these over here, and the rest of my ramblings down below the cut!
Let us begin with the Gaang, shall we?
SUKI always struck me as that Pretty Girl from the Gym. She is so incredibly fit it isn't even funny. She could kick anyone's ass, and we'd all thank her. She has this casual gym style that somehow always looks glorious on her, as it should! Comfy yet fashionable clothes for a nice workout or a day in town.
Her music tastes are basically any and all power songs from the eighties and nineties. (Eye of the Tiger, anyone?) She also enjoys metal via Toph, and bands like BSB, NSYNC, or Boyz II Men with Katara. My girl has a very eclectic Playlist and we all love her for it.
SOKKA is That Guy™. Loose T-shirts and shorts everywhere he goes, no matter the weather. He's stupidly into fashion but it doesn't show! At all! And everyone teases him about it. His closet is about 90% Cactus Juice merchandise, hence the "it's the quenchiest!" shirt.
His fashion and music tastes are pretty much the same. He loves poetry but isn't really into lyrics. He'll misinterpret just about anything you place in front of him. His Playlist is mostly vibes and tiktok songs he kind of enjoys. He isn't really into music...at least not as much as his sister.
AANG owns exactly one hoodie, one pair of shorts, and one beanie (THE beanie). Oh, and the crocs—don't forget the crocs. Somehow, he's always wearing the exact same outfit. Every. Single. Day. Ancient Gaang lore suggests that the day Aang goes out without his beanie, it's the end of the world.
His Playlist is the poppiest, most bizarre thing ever. Every single song is Happy by Pharrell Williams levels of happy. Yet sometimes, among the bouncy dance-to songs, you'll find the strangest of things... (He does know what Good Day by Twenty One Pilots is about. That's the reason he likes it so much, actually. And it's so weird.)
KATARA is all about sundresses and loose pants. The epitome of comfortable loveliness. Light fabrics in blue shades, careful embroidery, delicate shoes, and little to no accessories—hers is a simple, yet quite adorable, style. She just needs to add more colors to her usual palette...
She is, first and foremost, a Florence + The Machine girl. It's the Dark Goddess of the Sea vibes, to be honest. Florence Welch is her idol and yes, she will fight you about lyrics interpretation, and win. It may not seem like it, but her music tastes are also very varied.
She draws a little from each member of the Gaang, so you'll hear her humming along to Gorillaz (where did you even find out about them, Aang?), The Weeknd (I...don't think this song means what you think it means, Sokka...), and Hozier (Zuko why did you dedicate Talk to me, Zuko WHAT DID YOU MEAN BY THAT).
TOPH...ah, lovely girl. I'll summarise everything about Toph’s fashion sense in two words: comfort and rebellion. Stuffy dresses forced on her by billionaire parents? No thank you! Give her tank tops with loose shirts and short pants. Bandaids shared with Aang, bracelets from Katara, and even piercings she got in tandem with Sokka. Shoes? What even is that?
Something I love about this fandom is our collective agreement that Toph is into the dirtiest, heaviest, most ear-splitting and soul-crushing death metal of all times. Her Playlist is full of the most obscure names to ever exist, and she can and will blast through your walls with the sheer volume of her speaker.
Zuko. ZUKO.
Even in a modern AU my boy must suffer. That being said, I envision Tales from the Couch as—well, exactly what it is: an ATLA modern AU. While there is not a war to fight, and a lot of plot lines are discarded or expanded upon, much about the core story remains the same.
This is my way of saying that Zuko still goes trough his redemption arc, and it reflects on his fashion choices.
The way you described it works perfectly because of one single reason: in this AU, Zuko is an artist. He had to suppress his love for writing and drawing because of his background and the expectations Ozai had for him (taking over the family company), and a very large part of his redemption arc directly affects his relationship with art.
In the Couch equivalent of S1, Zuko has fallen out of Ozai's graces, and is desperate to protect his place in the company and the Kasai household. He's pretending to be someone he isn't and trying to live up to his Father's image of a perfect heir while still being somewhat cut-off financially, and it shows.
He's all about imposing long coats and a semi-formal style, imitating what he knows Azula and Father would respect. He's striking and sharp and dark. But no matter how he dresses or carries himself (that air of cold superiority and arrogance)—it won't help him when he needs it the most.
In S2, Zuko has hit his lowest point. He's officially disinherited and tossed away by his father, and would be out in the streets if it wasn't for Uncle Iroh. He goes from sharp, high-tailored outfits to old second-hand clothes that hang loosely on his frame. He starts smoking and cuts his hair off, forgoing the undercut for the first time in years.
But then...Father accepts him back. When Zuko returns home, it's with respect to his name and a very high position in his father's company. He's finally the perfect Kasai heir, dressed in overly expensive suits and finery, even at home... But Father forbids him from wearing Lu Ten's earring, and Zuko can no longer recognize himself without the familiar glint of gold dancing on his peripheral vision.
When Zuko leaves the Kasai name behind him and goes back to living with Uncle Iroh...he's finally at peace with who he is, and what he wants in this life. The sharp edges aren't gone (they'll always be a part of him, after all), but now they're dulled by looser clothes and softer hairstyles.
He's an artist, and for once in his life, he is determined to pursue his own ambitions. Zuko's outfits may not be designer-made anymore, but he takes what he has and makes himself look like he wants to look, like the person he wants to be.
He doesn't read fashion magazines or keeps up to the latest trends like Azula does. He's just...Zuko. And his newfound confidence makes everything he wears look like it belongs on him.
As for music...well, Ursa raised a literature boy.
He loves lyric-heavy music and natural voices, be they soothing or powerful. Dissecting song meanings and possible interpretations with Katara is one of his favorite parts of the day. They're both very passionate and strong-minded individuals, so it stands to reason that their debates can get quite...heated.
Zuko's Playlist is both incredibly eclectic and somehow very...him. There's a common thread that binds together every song and artist he likes, and he's hilariously unaware of this. To take a look into his Playlist is a higher honor reserved only for those closest to him.
In the wide spectrum of things, it is no wonder that Zuko is, first and foremost, a Hozier man. But though Andrew is his God in all aspects of this life, there's someone else that has had a huge impact on him...
Two someones, actually.
Zuko refuses to tell anyone how he got into Twenty One Pilots, but it's kind of a moot point when the beginning of his obsession is nothing compared to everything that came after. They have just about the right amount of everything that makes Zuko...well, Zuko. The poetic lyrics, the soothing or raging music, the heavy, intensely resonant themes...
Up there, in the second artwork, I placed an album cover behind each period of Zuko's life. The election of these records is intentional, as I feel like their general themes work incredibly well with Zuko's arc and growth.
Blurryface in S1. For the demons within us. For giving a name to our fears and shame.
Trench in S2. For escaping the confined walls of a depression city, and fighting to understand the depths of the map of your mind.
Scaled and Icy in the first half of S3. For returning to places you had left behind. For convincing yourself and everyone around you that you're fine, that you're perfect, even though everything is crumbling inside...
Clancy in S3. For recognizing that you can backslide, that you can have fears and shame and pain—but you're shaping yourself with each step you take. For knowing that seeking help from others is okay. Nobody learns to walk on their own.
(And, in the end, you'll always be better than the person you were yesterday. If only because you're still here. You're still alive. You're still yourself.)
.
Overall, I rambled a bit too much, don't you think?
If you made it all the way down here—thank you so much for reaching out and being interested in this crazy AU! I hope you enjoy these ideas and tell me some of your own ❤️
You either die a protagonist, or live long enough to see yourself become the npc.
where's that masterpost of quotes that have no right going as hard as they do. I'd like to submit "Protagonism is best left to teens and the insane"
You know, I just realised that the reason I defend robby so much, especially in the aspect of his father being there (at least in the past season or two) but not really doing anything for robby, is because Johnny reminds me of my father.
My father is here,unlike Johnny he never left, but for some reason we have no connection most of the time, he supports my siblings just fine and asks them about stuff, but he rarely does it with me.
This is a random personal lore drop lol.
(of course my relationship with my father is more complicated than what I wrote here, and better than the one robby and Johnny share, but there are aspects that remind me of my own relationship with my father.)
✭𝐒𝟏𝐄𝟐𝟎: "𝐈'𝐯𝐞 𝐚𝐥𝐰𝐚𝐲𝐬 𝐡𝐚𝐝 𝐭𝐨 𝐬𝐭𝐫𝐮𝐠𝐠𝐥𝐞 𝐚𝐧𝐝 𝐟𝐢𝐠𝐡𝐭, 𝐢𝐭'𝐬 𝐦𝐚𝐝𝐞 𝐦𝐞 𝐰𝐡𝐨 𝐈 𝐚𝐦" - 𝐙𝐮𝐤𝐨✭
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