this post's hypothetical by itself is already ridiculous but the thing that gets me is how the wording implies two very funny things that become funnier in tandem
1. "Accidentally, the pitcher tosses a Christian baby" means this is a mistake on the pitcher's part. i imagine the pitcher is breastfeeding on the field and they pitch and they look down at their hands and they see the ball still in the glove and they go "fuck"
2. hitting the baby will still win you the game
hello???
That cursed cat Alastor thing going around is too good, it has me posting messy meme pseudoWIPs like I’m not a chronic perfectionist
Anyway, I’m desperate to know if cursed cat Alastor still owns Husk’s soul and if so, how he holds his cane? A close second was gonna be the microphone dangling from around his neck like a cowbell, but readable silhouettes won out
I love hermes and Apollo hc's. They hurt so much
rrverse! Hermes being bitter that his 'stealing-apollo's-cattle' story is his most well-known account ; because his most famous incident involves apollo, ofcourse it does. Nothing hermes does is ever good enough. It always has to be apollo, apollo, apollo. Because that's what apollo does - steal the spotlight.
What was once an iconic anecdote is now nothing more than a bitter taste in his mouth.
Favorite Hazbin Au
More of the Role Reversal AU where Charlie and Vaggie mentor Alastor feat. some changes to “Ready For This”
me when bad things happen to adrien agreste in the Bad Things Happening To Adrien Agreste Show
Apollo is always trying to get the other gods to visit their children and one of the ways he does that is by threatening adoption if they don’t visit often enough
Arguments. The conversations that contain yelling, screaming, insults, hurting, frustration, and occasionally…humor.
If you are uncertain how to write one, I have a few tips for you.
A Reason:
Perhaps the frustration has been building in one of your characters for days, weeks, and in extreme cases, years. When the emotions build up so does the level of the argument.
Emotions that has been strengthening for hours compared to minutes will blow up in a more dramatic way.
So there are many reasoning for the argument. Maybe what the discussion is about isn’t actually what the person is upset about. Two characters may be fighting over who ate the last muffin but in reality one of the characters have been feeling left out and has taken their frustration on a muffin.
Maybe the characters simply hate each other and look for any reason to get under the others skin. There are so many reasons and its all determined on your characters.
Serious vs Trivial:
The serious arguments compared to trivial disagreements have much more emotion behind it. There has to be pain, mixed with other emotions creating a complicated mess.
Most quarrels are minor, (usually not unimportant), but not consequential. Serious arguments can include physical fighting, hateful words, and revealing feelings they have never shared before. But not all significant disagreements are relationship ruining. In fact it can strengthen the bond.
Trivial- Develops the situation
Serious- Develops the characters
(Note: This isn’t correct all the time. Serious can develop the situation as well as trivial developing the characters)
Development:
I just touched on it but most if not all arguments should be impactful in some way. Minor or Major.
Maybe it should foreshadow something that’s going to happen or dawns realization on a character. It can destroy or build relationships, or bring the problems up. They can also show the contrasts between characters.
Anyway that’s all I got! Have a FANTASTIC day, and have fun writing!
CAS: Sam, may I ask you a question? SAM: Hah! You just did! CAS: *exasperated* Can I ask you another question? SAM: Well, technically you--*sees the murder on Cas's face* — Yeah, go ahead. What's up?
Real dialogue from 9x11, of Cas trying to have an important conversation with Sam and encourage him to talk to his living family. Reminding him that family chooses each other even when the chips are down.
Annoying Sam coming in with the steel chair tho
In the scene that follows Cas is like, "Nothing is worth your life" and "isn't it amazing I've developed empathy now" blahblahblah.
But he still wants to kill Sam sometimes. Both can co-exist.
Trans, Aroace, He/Him, Autistic, Artist, Writer. Lover of one-sided ships
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