Amonrawya - Amon Rawya

Shout out to all the Black ppl that can no longer participate directly in the fandom they love because of the stresses of racism 👍🏾 you contain multitudes of value and I'm sorry that the color of your skin and the power of your voice makes people not want to acknowledge that.

A character concept that I'm actually surprised I haven't seen more, now that I think about it:

A character with a tragic past who's beautiful in an unthreatening, pitiful sort of way, who goes "wait hold on, people think I'm cute?" and immediately goes drunk with power. Having a whole villain arc getting corrupted by the power of being just so tragic and pathetic that people can't be mad at them. Someone who's been accustomed to always being the one who's blamed and punished no matter whose fault the problem was suddenly discovering that actually they could get away with murder by being so big-eyed and sad.

And once they figure out that they can just Poor Little Meow Meow their way out of anything, they do. Going from being genuinely skittish and timid into pretending to do so merely as an act, manipulating the shit out of everyone and avoiding all suspicion because Look How Sad And Wet And Pathetic I Am, of course they couldn't do any harm to anyone ever.

And if one person finally does see right through that act and puts puzzle pieces together of how there's been just too many suspicious coincidences and accidents that only one person would actually benefit from, they confront the Tragic Little Act directly, one-to-one, to say "I'm fucking onto you and your shit"

And suddenly they completely snap out of their timid, pathetic presentation to give a big, wide, sickening smile like "no-one's ever going to believe you."

to the great western wood (3/4)

Nobody:

JD Vance:

accidentally just showed my drawing instructor a folder full of bagginshield porn i have to drop off the face of the earth change my name and move to switzerland goodbye yall it was nice knowing you

I took a little journey into the unknown

meet me in the woods - lord huron

The tapestries made by the Aubusson manufacture based on the art of JRR Tolkien are currently exhibited at the Collège des Bernardins in Paris until May. @actual-bill-potts and I went there yesterday, they're so beautiful!!

These are all handmade tapestries, each is based on a Tolkien artwork (the Rivendell one has the facsimile on the right for scale).

Under the cut: group ID and bonus details

ID: 7 photos of the tapestries, which are each about 3m high, located in a 13th century monastery. The first is the map of middle earth, the others are illustrations Tolkien made of his books. The bonus photos below are details of the tapestries.

Even the Raven King - who was not a fairy but an Englishman - had a somewhat regrettable habit of abducting men and women and taking them to live with him in his castle in the Other Lands.

I am Obsessed with this sentence.

- this is one of the first real pieces of information that we are given about the Raven King. Before this, we know 1) he's a magician who lived centuries ago and 2) he's associated with Newcastle. You know, basic stuff. And now we get 'Oh yeah and he used to kidnap people sometimes.'

- it's incredibly creepy, actually. And I think it's quite significant that we get this so early on, that as you go through the book and learn more about the Raven King you've always got the knowledge in the back of your head that this is a man who randomly abducts folks when he fancies it.

- 'who was not a fairy, but an Englishman'. I mean, yeah. Nothing so far to suggest that he might be. All the magicians we've seen and heard of have been human. But the very fact that the author makes a point of telling us this plants the idea that there might *be* reason to mistake the Raven King for a fairy, that maybe he *isn't* quite human.

- he takes them not to his home in Newcastle but to Faerie (or possibly Agrace? I think that also counts as the Other Lands). That's very... well, *fairy* of him. And also ensures that it will be extremely difficult for them to escape and get home (do they want to get home?)

- the fact that we still know so little. Why does he take these people? Is it a romantic thing? Is it for their skill in magic? Something completely different? How willing are they? Does he ever let them go? The footnote ballad gives suggestions but I feel like there's still an awful lot left up to interpretation.

- 'A somewhat regrettable habit' like he tracks mud through the house or something. I'm dying this is so funny 'ah yes this is john uskglass. nice guy. Shame about the whole abduction thing, but hey, nobody's perfect.'

This image, that’s it, that’s the post

listening to strange trails is not enough. i need all that shit to happen to me.