Anakin03986 - I Like What I Like

anakin03986 - I like what I like

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1 year ago

Pin for survivors

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5 years ago

Only thing I disagree on is tbat your sayimg Amazing Spiderman has more humanity than any raimi film which in my opinion is not true at all

Why Spider-Man Leaving The MCU Is The Best News I’ve Heard In Ages - Quill’s Scribbles

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Oh frabjous day! Callooh! Callay! Did you hear the news? I’d be surprised if you didn’t. EVERYONE has heard the news by now. A couple of days ago it was reported that the deal between Marvel and Sony that allowed the two studios to share custody for the rights of Spider-Man has fallen through. Spider-Man is no longer going to be part of the Marvel Cinematic Universe.

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Speaking as someone who is not only a big Spider-Man fan, but also a very vocal critic of the current state of Marvel and Disney’s cynical and convoluted ‘shared universe’, this caused quite a reaction when I first heard the news. I’m as happy as a man who just found out his high school crush likes him back on the same day he won the lottery. Happy, but not surprised. In fact I’m more surprised that other people were surprised by the news. The deal Marvel and Sony managed to strike was almost unheard of. Two rival movie studios in mutual cooperation. Never thought I’d see the day. But if you thought this was going to be the new norm, then I’m afraid you don’t understand this industry. I knew, or at least suspected, that once Sony had a hit on their hands, they’d cut ties with Marvel and Disney. It was only a matter of time. Now that Spider-Man: Far From Home has made over a billion dollars at the box office and now they have found success with their own non-MCU films, Venom and Spider-Man: Into The Spider-Verse, the simple fact of the matter is they don’t need Marvel or Disney anymore. So they’ve flown the coop. Yes it’s possible they could renegotiate the deal, but given how unlikely the prospect of the initial deal was in the first place, I wouldn’t hold my breath if I were you. It’s more likely they’re going to take their ball and go home. Sony’s Universe Of Marvel Characters (despite its incredibly clunky name) is now going to be firmly built upon and expanded, and I for one could not be more excited.

Of course not everyone shares my excitement. Disney, for one thing, aren’t happy. Nor are the cast. Jeremy Renner has made his views clear, begging Sony to give the rights to Spidey back. (Perhaps he should focus more on his own character Hawkeye, considering what a mess he’s become). Die hard MCU fans aren’t pleased neither. Same goes for ‘celebrity’ fans like Kevin Smith, a filmmaker who preferred to be called a comic book expert on the Venom Blu-Ray bonus features presumably because he hasn’t actually been relevant as a filmmaker since the 90s. (it’s worth reading his thoughts just for a laugh. He honestly thinks Disney aren’t greedy, corporate bastards. ROFL). And of course the so-called ‘professional’ critics, who for years have deluded themselves into thinking the MCU is actually good, have been writing their own little think pieces about what all this means. Can Spider-Man possibly survive without Iron Man and pals to prop him up? To which the answer is obviously yes. Sony had the rights to Spidey for fourteen years before the Marvel deal. They made five Spider-Man movies, four of which were massive box office successes. They also released Venom and Spider-Verse last year. Both hugely successful and the latter even won an Oscar, which is one more Oscar than Marvel Studios have ever won (sorry Black Panther. You were robbed).Can Spider-Man survive outside the MCU? Gee I don’t know. I guess somehow Sony will find the strength to soldier on without them.

Although, that being said, there’s not as many journalists siding with Disney as I thought there would be. There are quite a few articles explaining how this split could help Spidey in the long run, which is both absolutely true and refreshing to see. Hopefully this is a sign that we’re finally turning a corner and critics are starting to use their brains again. Like how everyone worshipped the ground Steven Moffat walked on until Sherlock Series 4 where everyone realised that he’s actually shit and has always been shit. 

Spider-Man leaving the MCU is the best thing you could do for the character at this stage. The way he’s been treated since joining the Marvel clusterfuck has been nothing short of appalling. I’ve made it no secret how much I detest this version of Spider-Man and some might dismiss what I’m about to say out of hand, perhaps claiming I’m biased because I’ve said numerous times that I love The Amazing Spider-Man films starring Andrew Garfield. Two films I will go to my grave defending because they were bloody good movies. People were just butt hurt because it wasn’t Spider-Man 4. Never mind the fact that the original Sam Raimi films were never that good to begin with (seriously, have any of you actually watched Spider-Man 2 recently? Trust me. It’s not as good as you remember it). No, I promise you that if MCU Spidey existed in a vacuum, I would still hate him just as much for the simple reason that he has absolutely nothing in common with the source material. Under the watchful, Orwellian eye of Marvel, they took Spider-Man, a character most famous for being a working class everyman, and turned him into the most spoilt and privileged little bum-balloon I’ve ever seen.

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Spider-Man: Homecoming was a terrible movie. Plain and simple. A cynically produced, written by committee, pile of wank that gets so much of Spidey’s character and story completely wrong, it’s almost impressive. No longer a teenager/young adult struggling to balance his superhero life, his school work, his career and his social life, instead we got a groomed Mary Sue who doesn’t have to fight for anything because everything is basically handed to him on a silver platter courtesy of Iron Man. We never see him struggle. He’s not relatable. He never has to face consequences for his actions. He misses God knows how many classes and debate group meetings and yet he never gets punished for it. Sure he gets sent to detention a couple of times, but we see him leave whenever he bloody wants to. It’s just boring. If there’s no struggle, where’s the tension? And the less said about the villain, the better. Taking an eccentric antagonist like the Vulture and turning him into the stereotypical blue collar dad trying to provide for his family has got to be one of the most uninspired and blatantly lazy bits of characterisation I think I’ve ever seen. And that’s not to mention the supporting cast. Aunt May is youthed for no reason other than to make sexist jokes at her expense with every man that comes within her general vicinity staring at her with their tongues hanging out and eyes as large as saucepans. Minor villains like Shocker and the Tinkerer have their characters reduced to unfunny comedy sidekicks. And then there’s Peter Parker’s gang of racial stereotypes. We have Peter’s best friend, the fat and nerdy Ned who has no real personality other than being fat and nerdy (and is without a doubt the most annoying character in the damn film). Flash has been racebent so now he’s the stereotypical arrogant Asian prick. Michelle has no character other than being the same sassy black teenager who don’t give a shit, a caricature so old now it’s practically been fossilised. And then there’s the love interest Liz, a character so bland and one dimensional that I had to look her name up. Oh and lets not forget that the majority of this Spider-Man’s story was nicked from Miles Morales because people are only going to empathise with his story if it revolves around a white kid, am I right?

You know, I get so frustrated whenever people slag off the Amazing Spider-Man movies and claim that these new movies are better because… well… WHAT THE FUCK ARE YOU TALKING ABOUT?! I’m sorry, but I was much more invested with Peter and Gwen than I ever was with Peter and… what’s her face? Or Peter and Michelle (who I categorically refuse to call MJ because she’s not MJ, is she? They just used the initials to pander to gullible fans. They didn’t have the guts to just make Mary Jane Watson black, did they? Of course not! We don’t want to alienate the casual racists, do we? They’re our main demographic after all). The reason why Peter and Gwen worked is because they’re well-written, three dimensional characters with great chemistry and whom we actually spend a significant amount of time getting to know. So when Gwen dies at the end of The Amazing Spider-Man 2, it becomes a heart wrenching moment because we’ve grown invested in this character and this relationship. If Michelle were to die in a future movie, I honestly wouldn’t bat a fucking eyelid. Even Tobey Maguire and Kirsten Dunst had more chemistry than those two, and that relationship was a total shambles from start to finish.

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It also helps that Peter and Gwen felt like real people. I loved the scene in the first movie where Peter awkwardly asks her out because it reminded me so much of how I asked my first girlfriend out. And that’s why I love the Amazing Spider-Man movies. Because out of all the Spidey films we’ve had over the past 17 years, the Amazing ones are the only ones in my opinion that manage to capture the humanity of the character. As fantastical as the world is, the characters, their relationships and their dilemmas are grounded firmly in reality. Homecoming on the other hand is just embarrassing. Despite casting teenage actors, none of the teenagers actually act like teenagers. They act like five year olds. It’s painfully obvious that the filmmakers are trying to pander to young kids and they clearly don’t know how to write them. Again, this is where the Amazing movies stands head and shoulders above the others. They’re not treated like kids or teenagers. They’re treated like people. Real people. Same goes for the villains. (Yes, even Electro, despite wonky execution).

But the main criticism people have with MCU Spidey is that these films aren’t actually about Spidey. They’re really about the MCU mascot Iron Man.

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Now to be clear, I don’t necessarily have a problem with the idea of Iron Man being a surrogate father figure to Spidey. It could work. Captain America: Civil War, despite the clunky and contrived way in which Spidey was introduced to the MCU (oh you just happened to know about a masked vigilante we haven’t seen or heard of until now Tony? Okay. What about Daredevil and Luke Cage?… What do you mean they’re not in the movie?), did a good job of setting up the dynamic. Namely that Tony doesn’t actually care about Peter or his well being, merely using him for his own ends. Unless Americans have some kind of ‘Bring Your Child To A Warzone Day’  I don’t know about. 

Despite its flaws, Civil War was good because it gave us an unsettling look at the characters we’ve been watching for years. We see Captain America consumed by his own naivety and idealism to the point where he can no longer see the bigger picture and we see Iron Man go from being an industrial capitalist to an authoritarian fascist. Homecoming could have followed up on that. Have Spidey realise that Tony doesn’t have his best interests at heart, reject him as a father figure and grow into his own man. Instead the movie seems to go out of its way to undo all the interesting things Civil War brought to the table. Of course Tony cares about Peter! Oh and his relationship problems with Pepper Potts have been magically fixed off screen and now they’re getting married! Relax people, it’s okay! Nothing morally complicated going on here! We apologise for assuming you’re actually intelligent and promise never to make you think about anything ever again!

Not only is this quite insulting to the audience, it also negatively impacts Spidey’s arc. Turns out the movie isn’t about Spider-Man becoming his own man. It’s about him proving he can be an Avenger. He’s constantly in the shadow of Iron Man and, more to the point, we’re supposed to be happy that he’s in the shadow of Iron Man.

Again, this is where the Amazing Spider-Man gets it right. The first movie is very much about father figures. Uncle Ben, Curt Connors and Gwen’s dad all play a role in Peter’s growth and development over the course of the film. He’s able to take all the lessons and advice he gets from the three and use them to become his own man. As director Marc Webb so eloquently put it, ‘it’s a story about a kid who grows up looking for his father and finds himself.’ Compare that to the current iteration of Spidey where Uncle Ben doesn’t even appear to exist in this continuity because he’s been completely supplanted by Iron Dad. Remind me again why people think the Amazing movies are shit?

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The latest film, Spider-Man: Far From Home, is no better. Same problems as before only this time Mysterio gets MCU’d to death. Instead of the pathetic loser trying desperately to receive recognition for his talents, we basically get a rehash of the plot from Iron Man 3, which in turn was a rehash of the plot from The Incredibles. Mysterio is basically trying to supplant Iron Man because he got screwed over when he used to work for Stark, and it’s up to everyone’s favourite wall-crawler to stop him because there’s only room in this universe for one Iron Boy. Even when Iron Man is dead, he’s still front and centre of the fucking narrative. Here’s a bright idea. How about we make a Spider-Man film that’s actually, you know, about Spider-Man? (Oh yeah, spoiler alert, Iron Man dies in Avengers: Endgame. Not that it’s really spoiling anything because Endgame is a big piece of shit).

Here’s the thing. Everyone is blaming Sony for the deal breaking down, and okay, I’m not going to pretend that Sony aren’t cynical. As much as I love The Amazing Spider-Man movies, I’m well aware the only reason they exist is because Sony desperately wanted to keep the rights. They spent a stupid amount of money on The Amazing Spider-Man 2 to the point where it needed to make a billion dollars at the box office in order to make a decent profit (a feat only achieved at that time by Batman with The Dark Knight and The Dark Knight Rises) and they crammed loads of characters and plot points into an already overstuffed movie in order to rush out their own shared universe to compete with Marvel. When that didn’t work, they went crawling to Marvel and Disney in the hopes that the MCU could bail them out of the shit. I get it. There’s plenty to criticise. But for the likes of Kevin Smith and other idiots to only blame Sony and defend Marvel is really quite galling to me because Marvel and Disney are just as cynical, if not more so.

Does anyone here actually know what the deal was? Basically the agreement was that Kevin Feige would get lead producer credit for any solo Spider-Man films and Marvel and Disney would get five percent of the cut. Meanwhile Spider-Man would be allowed to appear in any MCU film. Also, because Sony still hold the rights to the character, they get the final say on any creative decision regarding Spider-Man. Or at least that’s the theory anyway. In reality that wasn’t the case. Reportedly Marvel and Disney were so anal about keeping the plot of Avengers: Endgame a secret that they didn’t tell the screenwriters of Spider-Man: Far From Home what happens in the bloody film. And considering that the film follows directly on from Endgame, that’s quite a problem. Sony may have creative control over Spider-Man, but Marvel and Disney can still call the shots, deliberately sabotaging Sony in order to boost hype for their own films. Also Sony are actually worse off in this deal because Marvel and Disney are the ones making all the money. Spider-Man has appeared in three MCU films. Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame. All three of these films made Marvel and Disney over a billion dollars at the box office. Sony meanwhile have only made two Spidey movies, Homecoming and Far From Home, only one of which has made over a billion and both of which Marvel and Disney get five percent of the profit. Now that Sony have finally got their billion dollar Spider-Man movie, Marvel and Disney had the cheek to propose that Sony share fifty percent of the profits with them. Because it’s not enough for Marvel and Disney to be making shit tons of money off their own films. No. They also want as much money as they can get out of films made by other studios that are only tangentially related to their’s. God forbid a movie studio should be allowed to keep all the profits from their movie.

So yeah, I’m glad Sony have split and are free to make their own movies again. Because Disney have got such a strangle hold on the entire industry that I’m always happy to see any studio or IP slip through their fingers. And I’m not the only one who thinks this. Do you know who else agrees with me? Stan Lee’s own daughter.

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In an interview with TMZ, Joan Lee slammed Disney for their lack of compassion when her father passed away:

“When my father died, no one from Marvel or Disney reached out to me. From day one, they have commoditised my father’s work and never shown him or his legacy any respect or decency. In the end, no one could have treated my father worse than Marvel and Disney’s executives.”

She then went on to support Sony’s decision to break the deal with Marvel, saying ‘whether it’s Sony or someone else’s, the continued evolution of Stan’s characters and his legacy deserves multiple points of view.’

And do you know what? She’s right. She’s absolutely right.

While people were celebrating when Disney bought 20th Century Fox because the X-Men and Fantastic Four were finally going to be part of their precious shared universe, I was watching in absolute horror because nobody was actually talking about the ramifications of this. Disney serves as a cautionary tale of what happens when capitalism goes unchecked. Seeing this mega-corporation consume and absorb other major studios like some Lovecraftian monster is both frightening and heartbreaking for me because the industry is going to be so much lesser for it. Less studios means less movies are going to be produced. It also means less variety in the entertainment we consume. Marvel and Disney have already done their utmost to homogenise and dumb down every MCU film to the point where most of them all feel the same, look the same and have nothing unique or creative about them whatsoever. And now we’re on the cusp of seeing that potentially happening to my most favourite superhero in the whole wide world:

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Thanks to the Disney buyout, plans for X-Force and Deadpool 3 have been placed on indefinite hold with people reckoning we won’t see the Merc with the Mouth again until Phase 5 (Christ, give me strength) of the MCU so that Marvel and Disney can work out exactly how to fit him into their shared universe. Naturally the R rated nature of the character makes him difficult to integrate into the PG-13 MCU. Some have suggested toning down the character. Even David Leitch, the director of Deadpool 2, said they could make a PG-13 version of the character, which just feels like such a massive betrayal. After literally years of Ryan Reynolds, director Tim Miller, screenwriters Rhett Reese and Paul Wernick, and the fans fighting tooth and claw to get an R rated Deadpool movie green-lit, it sickens me whenever I see people discussing how a PG-13 Deadpool wouldn’t be so bad and that they just want to see him pop up in an Avengers movie.

Here’s a suggestion. If you can’t make someone like Deadpool fit into the MCU, STOP TRYING TO FUCKING DO IT! Let him be his own separate thing! I’ve got no problem with that! But no. Everything has to be connected to this idiotic shared universe, but here’s the thing, I really don’t fucking care. I couldn’t give two shits if Deadpool and Captain America were to meet in a movie. I just want to see X-Force and Deadpool 3. I just want some good fucking movies. Is that really too much to ask?

The MCU, and by extension Disney, are slowly ruining the industry with this shared universe crap and I’m getting so bloody sick of this. Not only does the premise have absolutely nothing new to offer at this point, it’s also ruining the quality of standalone movies. Instead of telling compelling stories with likeable characters, they’re just adverts for more movies to come with nothing unique to offer. Oooooh, can the Avengers stop Thanos and unkill everyone who we know aren’t really dead because they all have fucking sequels planned? Tune in next week to confirm what you already bloody know! I don’t give a fuck what you’ve got planned for me down the road in ten or fifteen movies time. Right now I’m stuck here at a service station and I’ve got no fucking sandwiches.

Off the top of my head, the only MCU films I can think of that I’ve watched in recent memory and I’ve actually enjoyed are Captain America: Civil War and Black Panther. And do you know why? Because they actually have something to say. They’re not focused on teasing the next bullshit spinoff movie. Black Panther in particular has little to no connection with the rest of the MCU. It works as its own standalone piece and has its own unique voice, commenting on how black people are viewed in society. Civil War takes elements from previous films and goes in an entirely new direction with them, exploring the faults in our beloved Avengers and questioning their role as superheroes. It offers something beyond a tease for the next film. It poses thought provoking questions about the characters and forces us to confront some harsh truths about them. But in an environment like the MCU, where everything is pre-planned by committee, there’s no room for creativity or expression, which means the few good movies get stifled. It’s impossible to continue the themes of Civil War because Homecoming exists to contradict everything. Black Panther is an amazing and impactful movie, but its impact is lessened thanks to Infinity War where we see the Wakandans reduced to little more than cannon fodder so that the real heroes can fight the baddie.

It’s frustrating to see people blindly accept and support the poisonous business model of Marvel and Disney because it’s not normal, it’s not benefiting the industry at large and it’s not even financially viable in the long term. Marvel Studios’ success revolves around one franchise. What happens when the shared universe/comic book movie bubble bursts and people eventually stop watching these films? (and it will happen because it always happens. That’s how trends work). They’re going to be up shit street, aren’t they? At least Warner Bros have Harry Potter and Lord of the Rings to fall back on. Their future isn’t entirely dependant on the success of the DCEU (thank God, some might say).

Also it’s worth noting that studios are slowly starting to move away from the shared universe format. Before the buyout, 20th Century Fox were taking risks with smaller budget, standalone movies like Deadpool and Logan. After the disaster that was Justice League, Warner Bros and DC have recently started focusing more on standalone movies to great success. Aquaman and Shazam, while still part of the DCEU, work as their own independent films. We’ve also got Joker being released in a couple of months time, which I think everyone should be paying really close attention to, because if Joker is critically and commercially successful, it could very well serve as the death knell for the concept of a shared universe. Definitive proof that you don’t need twenty movies and interconnecting stories with massive budgets to be successful. All you need is a very good idea.

Even Sony have finally learnt their lesson. They’ve taken a risk with Into The Spider-Verse and received an Academy Award for their trouble. As for Sony’s Universe Of Marvel Characters, they’re already off to a strong start with Venom. And mercifully they’re not making the same mistakes they did with the Amazing Spider-Man 2 or Ghostbusters. They’re not spending ridiculous amounts of money with unrealistic expectations of success and they’re no longer putting the cart way before the horse. They’re focusing on making a good movie first and worrying about potential expansion later. Venom may not be a masterpiece, but it’s a hell of a lot more entertaining and fulfilling than the majority of MCU films because it tells a complete story with a beginning, middle and end and it has well developed characters that we actually like and grow attached to. And if worst comes to the worst and Sony’s next film, Morbius, doesn’t do well, then they have Venom 2 to fall back on. And if that doesn’t work, they’ll still have Spider-Verse. They are no longer putting all their eggs in one basket and that’s good. That’s the smart thing to do.

Can you imagine something like Venom in the MCU? Of course not! Because Venom has its own unique tone and vision. That’s why it was so successful with audiences. Its mix of dark comedy and campy sci-fi horror made it stand out from the crowd. Marvel and Disney want us to believe that there’s only one way to make a superhero movie, when that’s simply not true. And now that Spider-Man is free to find his own unique voice again, hopefully people will begin to see just how creatively limiting and damaging the MCU truly is.

1 year ago

When I see anyone on tumblr today

When I See Anyone On Tumblr Today

Boop

4 years ago

Hello notice your reply but TCW is mostly handled by Dave Filoni not George and not to mention George oversaw some of the sources I mentioned and the relationship was never toxic until he turned and that is a fact before TCW everything before TCW never showed it being toxic until Anakin turned evil. My argument is that Anakin even though he was selfish was not an abusive person or some sort of monster before TCW showed up and basically tried to make it look like Anakin was always a bad person

Just thinking about how… 

When you take a step back and look at the Star Wars universe as a whole, it gets really hard to defend Padmé and Anakin’s relationship. 

A common criticism against the Jedi Order is that they stood between Anakin and the love of his life, and that it tore him apart. And yeah, I guess that’s fair - if you ignore that Anakin was absolutely free to leave, that Padmé being a senator was as much of a problem as Anakin being a Jedi (which she states herself in AotC and RotS), and that Jedi weren’t even forbidden to have sex or to be in love (as explicitly stated by Lucas and Obi-Wan respectively - the problem with marriage was commitment; commitment to your spouse over commitment to your duty).

Except it wasn’t the secrecy that made Anakin fall. He would have reduced the Galaxy to ashes to save Padmé even if he’d been free to be married to her openly. And when you look at the fate of the universe? At what Anakin allowed to happen for Padmé? It’s not just the Clones whose identity and free will were ripped from them, not just the Jedi who were slaughtered by their best friends. 

The Lasat were exterminated, the Wookiees enslaved, the Geonosians wiped out, the Mandalorians hunted down, the Force-sensitives children kidnapped. Worlds like Lothal were reduced to starvation. Alderaan was destroyed - billions of people, dead. Thousands of worlds were occupied and stripped of their resources. 

When you need more than one hand to count the number of genocides the Empire committed, the scale of the horror is just too great to fathom. 

So from that perspective - taking a step back, setting aside Padmé’s and Anakin’s feelings, understanding what was a stake - I say who cares. Who cares that Anakin was in love and that he felt he couldn’t live without Padmé. The priority was never “let Anakin Skywalker have everything his heart desires” - the priority was the billions of lives that were between him and his dreams. 

That’s Jedi philosophy (except they are more compassionate that I am here). That you can’t place your emotions, your relationships, your loved ones above everything and everyone else. That’s selfish and that’s evil. Anakin’s tale was never that of a star-crossed lover who tried to break his bonds and love despite his cold, unfeeling Masters’ rules. 

Anakin’s tale was that of a man who loved selfishly. (”There’s nothing more important to me than the way I feel about you” - Padmé isn’t even the most important thing - the way he feels about Padmé is. “You turned her against me! You will not take her from me!”)  Who loved violently. (*after beating the crap out of Clovis* Anakin: “I know I went too far. It’s just… It’s just something inside me snapped.” Padmé: “I don’t know who’s in there sometimes. I just know that I’m not happy anymore. I don’t feel safe. I think it’s best if we don’t see each other anymore. At least not for a while.”) (*later strangles his pregnant wife*) 

He loved selfishly and violently and for the sake of one man’s feelings, one man’s heart, evil like nothing seen before was unleashed.

AAYLA: I can still sense your worry for Anakin, your attachment to him. AHSOKA: It’s just… I get so confused sometimes. It’s forbidden for Jedi to form attachments, yet we are supposed to be compassionate. AAYLA: It is nothing to be ashamed of, Ahsoka. I went through the same process when I was your age with my own master. AHSOKA: Really? You? AAYLA: He was like a father to me. I realized that for the greater good, I had to let him go. Don’t lose a thousand lives just to save one.

Don’t lose a thousand lives to save one. 

That’s it, that’s what letting go was about. And Anakin didn’t even try. 

Of course Palpatine was the instigator of all this death and misery, of course it was his plan, his design, his fault. But Anakin was the catalyst. And Anakin stood by and let it happen, and then picked up a lightsaber and started slaughtering his way to what he imagined was a “happy ending” with Padmé.

Looking at the big picture, looking at all the suffering and loss and the hard struggles of people like Hera and Kanan, like the Rebels who had to sacrifice everything for the freedom of others, it seems absurd, ridiculous, blatantly unfair that this all came to pass become of one’s man love. 

3 years ago
A gif of Satine and Padme from Star Wars: The Clone Wars. They are in a white hospital.
A gif of Yoda, Obi-Wan and Bail Organa from Revenge of the Sith. They are walking in a white hallway.
A gif of Obi-Wan Kenobi from Attack of the Clones. He’s talking to two Kaminoans in Kamino. The room is white.
A gif from Star Wars: The Clone Wars. Anakin is lying on a hospital bed. He props himself up on his elbow and starts talking to Rex and Ahsoka. Ahsoka is wearing a tube top. The room is white.
A gif of Riyo Chuchi from Star Wars: The Clone Wars. She is blue. She’s speaking in a place where it’s snowing so much that the background looks nearly completely white.
A gif of Darth Vader from Star Wars: The Clone Wars. He’s standing in a snowy terrain. He turns on Ahsoka’s lightsaber, which is blue.
A gif from The Empire Strikes Back. Three AT-AT Walkers walk forward while shooting in a snowy terrain.
A gif of Luke Skywalker from Revenge of the Sith. He is riding a Tauntaun. The terrain is snowy. He looks through a binocular.
A gif of Han Solo and Leia Organa from The Empire Strikes Back. They are in Cloud City. Han kisses Leia on the forehead.
A gif of Leia Organa from A New Hope. There are several storm troopers standing behind her. She is speaking.

Star Wars + the color white

Image description in alt text

3 years ago

What is your opinion on Kanera?

I like them they were a nice couple in Rebels one of my biggest highlights in the show actually

1 year ago

reblog only if you’ve received less than 1000 boops! we can all get each other to “max”

Reblog Only If You’ve Received Less Than 1000 Boops! We Can All Get Each Other To “max”

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7 months ago
So I Was Digging At My Old Files And I Found A Christmas Short Story That I Wrote Long Ago But Never

So I was digging at my old files and I found a Christmas short story that I wrote long ago but never post anywhere (don’t even ask why 😂). So that gave me the inspiration to wrote a short story - based on this one - in the spy x family universe.

The story is going to be 4 chapters and I am planning to publish the first chapter near Christmas (don’t know the exact date right no but we will see I guess).

Let me know your thoughts. Should I give it a try, although I am sucking at writing fluff? 😂

UPDATE: Prologue is up ❤️


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4 years ago

I interpret it more as SWTOR trying to make it seem like that not all sith are good but fail do to the so many evil things the sith hell the sith were invented to be a corrupt the point of balance in the force is to get rid of the dark side because it's basically a cancer I won't deny there a few good apples but the grand majority as in 99% are evil. Last I checked the Jedi didn't try to murder billions of people out of spite, caused supernovas killing billions, would give anything for power including killing your loved ones (looking at you Malgus) and hurt people to fuel their own power (looking at you Nihilus). The sith's way of gaining power is killing your loved ones for self hatred, draining the life of people to gain more power, torturing people(for example the oh so good Marr threatened to do while Satele tried to not do and be more gentle), relish in the fact of who they killed, backstab one another the moment they get the chance, are obsessed with killing Jedi constantly, prioritise killing them over almost anything else, many dark side choices are torturing or killing in the game while light side is not killing people most of the time. It's hard to find a good sith who didn't turn to the light side or was using the good to benefit their side. A sith will almost always try to hurt others to get their way while the Jedi will usually show compassion to help others. Sure the Jedi are sometimes questionable but I would prefer a side that wasn't supporting genocide, planetary destruction, mindless violence, gaining power for power's sake and fascism. There is reason why one is an empire and to gain support and become a leader you must be powerful while the other is a democracy where anyone can have a voice. And for last nail in the coffin here is one passage from Sorzus Syn one of the sith and founder of the sith code:

"The sith purebloods require no mantra to remind them how to live. They simply take what they can, kill what they don't need and use everything to it's fullest. They are ruled by the fittest and are a model of what the dark side can achieve"

One more thing: please spare me this “all Sith are evil and self-serving and only care about themselves” nonsense. In the pre-Darth Bane era that’s ridiculous, as much as it is to say all Jedi are good.  This is the Sith code. There’s nothing here about being selfish, racist or not caring about others. Peace is a lie, there is only passion. Through passion, I gain strength. Through strength, I gain power. Through power, I gain victory. Through victory, my chains are broken. The Force shall free me. It’s notable that there seems to be some leave in Sith society for Sith to interpret the Code as they will - there is a scene in the Inquisitor story where Ashara Zavros is frustrated with that lack of a unified philosophy. This isn’t “self serving,” in real-world religions there are often those who question, study and interpret differently.  This is the Jedi code. There’s nothing here about being selfless, being nice or caring for others. There is no emotion, there is peace. There is no ignorance, there is knowledge. There is no passion, there is serenity. There is no chaos, there is harmony. There is no death, there is the Force

From what is said, there’s less leave for Jedi to question and interpret the Code as they will, and more of a unified message. We see this in major world religions too.  Neither one is wrong.  We meet plenty of Sith who are horrible people, but the stories also show us numerous examples of Sith busting their asses to protect the Empire or the galaxy.

- Satele Shan accuses Scourge of helping defeat Vitiate for “selfish reasons.” She never gives any indication what these reasons are, of course. Scourge sacrificed everything to help defeat Vitiate. He had a position of extreme power in the Empire - not even the Dark Council could stop him, and he answered only to Vitiate. He gave that up to help the Jedi that wanted his people dead, made himself a traitor to his own faction, and was risking his own immortality. That doesn’t seem at all selfish to me.   - Darth Marr volunteers his own resources defeat Revan in a Coalition with the Republic to save the galaxy. He later leads another coalition into Wild Space with the same goal. And when the ship goes down he doesn’t save his own ass, he’s running around literally trying to put out the fires himself.     - Lana Beniko risks her neck multiple times to save the Empire and later to save the Alliance, to the point of literally jumping in front of the player to take a blaster shot in the stomach. There are several occasions in KOTFE and KOTET where she offers to sacrifice herself so the PC can get away.  -  The Sith Empire led by Acina puts themselves on the line to support the Alliance against Zakuul, when they could have easily sat back like the Republic. Defying Zakuul could have brought the Eternal Fleet down on their heads, and they did it anyway.   - Khem Val, while technically not a Sith but still ‘dark sided’ literally sacrfices himself to stop Darth Zash from hollowing out the Sith Inquisitor and taking their body. If the Inquisitor died, he would have been free.   - Darth Silthar on Tatooine doesn’t send his men out into the dangerous field, he does it himself, and uses his last breath to utter a warning to the PC.   - When the Sith Empire realizes that releasing the Dread Masters was actually a very, VERY bad idea, they clean up their own mess and devote their own troops to it. The Sith commander on Oricon is on the surface, doing everything he can to shield everyone else, even at his own expense.   So where is this “all Sith are selfish and care only for themselves” thing coming from? Maybe the answer isn’t in the Sith, but with the Jedi and how they operate.   The Jedi serve the Republic for life. In SWTOR you are told that they serve the Republic even if they don’t agree. They are not given a choice. In the newest update there is talk from General Daerunn of tracking down Jedi and making them come back to fight for the Republic even if they don’t want to. The Jedis’ duty is to serve, without question. The Sixth Line even puts this ethos into their modified code: There is no contemplation, but duty. The Jedi hammer this philosophy into their recruits from a young age: they are there to serve unquestionably. The Jedi’s duty is to do the Republic’s bidding. They are expected to forego love, relationships, families or their own personal lives to fulfill this mandate, and it is seen as noble and good.   What about anyone who doesn’t want to do that? What about anyone who wants to have some life of their own? Easy! You make emotions and dissent “the dark side.” You make the dark side evil. You make it a Very Bad Thing for a Force sensitive to have any other goal in life than to unquestioningly serve their government. There’s no other way to preserve the status quo of the Jedi as the Republic’s eternal unpaid servants. If they go off and do what they want, or get to think about it, they might leave!   Hammering this point home, the Jedi consider any other Force creed to be dark-sided, which isn’t unlike some evangelical religions that think that they are the only ones going to Heaven. For example, there are a few exchanges in the Jedi class stories where Satele makes this claim about the Voss. The Voss, who use their Force sensitives to heal others through self-sacrifice in the Shrine of Healing (watch the Sith Warrior story - the Mystic takes her own strength and gives it to a sick person, and it’s painful enough to make her cry), have precognitive visions and interpret them to help their people. There really doesn’t seem much that is evil about that.  Satele Shan says nothing about the Voss’s practice of apartheid against the Gormak, but she’s concerned about their use of the Force. 

Point being, claiming that every action taken by a Sith is for their own benefit is as silly as saying that every action taken by a Jedi is out of the goodness of their own heart or free will. 

5 years ago

It does matter

You're all right...

It's my fault... It's all my fault... I don't reach out... Maybe I do but no one answers... But that doesn't matter...

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