Anyone Else Rewatching This Clip And Feeling Fucked Up About It Now

anyone else rewatching this clip and feeling fucked up about it now

More Posts from Aro-in-danyl and Others

2 months ago
Voldemort Cowlick Manifesto

voldemort cowlick manifesto

1 year ago

Radiohusk Analysis: Alastor Cares or Nothing Makes Sense (Part 1)

In the pilot, Alastor needs to bribe Husk to work as the bartender for his new fun project, Hazbin Hotel (HH)! However, as we're told in season 1 episode 5, Alastor has Husk's soul, and therefore, can make Husk do whatever. So why the fuck does Alastor need to bribe him? What reason would he feel compelled to do that if he already has the power to make Husk to anything he wants? Let's discuss some possible options.

A) Alastor feels as if he needs the extra incentive to get Husk to do his job.

This argument has no substance to me because we see in season 1 episode 5 that Alastor has no quelms with putting Husk (or anyone) in their place. If Alastor needed Husk to be obedient and to attend the bar for the hotel, Alastor could have just threatened Husk and reminded him that he has no choice, considering he has his soul.

Radiohusk Analysis: Alastor Cares Or Nothing Makes Sense (Part 1)

B) Vivziepop forgot that in the canon pilot that she wrote Husk as needing to be bribed in order to work the bar.

This is very possible, considering Vivziepop did not write or create the dynamic and most of the interactions that makes Husk and Alastor's relationship. That being said, it is possible that she wouldn't remember the details of their dynamic/interaction from the pilot, but also not understand the characters and their relationship.

Radiohusk Analysis: Alastor Cares Or Nothing Makes Sense (Part 1)

C) Alastor cares.

Alastor wants Husk to be satisfied under his care. It is the only narrative that makes sense, whether it was Viv's intention or not. Alastor gives Husk a choice to work at the hotel. It is why Alastor decides to bribe him instead of using his power and authority to do make Husk work the bar.

Alastor also listens to Husk's concerns about Mimzy and considers him. Alastor also trusts Husk enough to let him know his secret involving being on Lilith's leash.

Radiohusk Analysis: Alastor Cares Or Nothing Makes Sense (Part 1)

THERE IS RESPECT AND TRUST THERE! He even lets Husk put a finger on him (making their argument physical!)

Radiohusk Analysis: Alastor Cares Or Nothing Makes Sense (Part 1)

I mean, Alastor could have easily ripped Husk a new asshole for putting hands on him and verbally attacking Alastor by weaponizing the fact that he also has a leash around his neck, but he didn't.

Let's not forget that Alastor has 'killed' for less! He attacks Sir Pentious for tearing a piece of his coat!

You might be thinking something along the lines of If Alastor cares, why did he threaten Husk?

Nothing is black and white, the least of all relationships, especially relationships in Hell. Alastor isn't exactly a good guy. You can still care about someone and hurt/lash out at them. Also, Husk said something that was aimed to hurt Alastor. It's like if someone you trusted one day said, "That's why your dad left" in the middle of an argument. I'd be pissed too! I wouldn't fucking put a finger on them or threaten them (because I'm not made up of the same stuff a sinner in disney hell is), but it's understandable Alastor would BECAUSE IT'S HELL. Also, the fact that Alastor didn't even hurt Husk during this scene is proof enough that Alastor cares deeply and evidence that the pushing of Angel-Val parallels on this duo is absolute bullshit and makes no sense.

Whether Vivzie forgot or not, what is important is that her perspective of the story is not the only one that matters. A writer can have a specific vision in mind for their story and the characters in it; however, the viewer has the liberty to interpret the text however they want based on their imagination, experience, and relationships. Viewer interpretation helps to broaden perspectives and open up potential interpretations that differ from the writer's original perspective.

1 year ago
I Made Another Thing.

I made another thing.

With apologies to Neil Gaiman.

8 months ago
A digital sketch for Adventure Time depicting three little blue squares laid out in a row. In these squares are sketchy depiction of objects made to represent characters; in the first square, there is a purple Walkman with headphones lying down beside them mostly out of frame. This represents Betty Grof, who is seen with the same Walkman in Fionna and Cake. The second square shows Hambo, a purple, patchwork bear-like doll with long limbs. This represents Marceline, who was given the toy by Simon/Ice King. The last square shows a purple 00's era phone, with a phone charm in a shape reminiscent of Fionna's white bunny happy. This represents Fionna, who uses this phone throughout Fionna and Cake. Above the squares is written in purple 'who can say if i've been changed for the better but' and inside each of the squares is written in white 'because i knew you' and below the squares is written in purple 'I HAVE BEEN CHANGED FOR GOOD' (lines are from the song 'For Good' from Wicked).
A digital sketch that consists of two rectangles. The top rectangle shows Simon/Ice King (left) meeting Marcy (right) (as shown in the episode 'I Remember You') from a profile angle and wiping away her tears; most of his face is hidden, but he is smiling; his skin is a dull blue and his bears is grey. The background is a brown and blue with simple and loose white lines representing the buildings and street. At the bottom of this rectangle is written 'there is no tears without joy'. The bottom rectangle is almost a reverse of the top, with Simon on the right and Marcy on the left. Simon's skin is bluer, and his beard more white, and his hand is now sharper on Marcy's cheek. He is wiping away her tears, but has left a red scratch on her cheeks (as seen in the episode Everything Stays). Marcy is looking at him with her mouth open in distress, just like him (though his eyes are once again hidden out of frame). The background is blue and greys with simple loose white lines representing the ruins and snow. At the bottom of the rectangle is written 'there is no joy without tears' (finishing the quote by Shlomo Carlebach).
A digital sketch depicting Shermy and Beth from Adventure Time. Beth (a yellow dog with a horn on her head) is lying on the ground, eyes closed in contentment and her right arm resting on her chest. Her belly buttom is open into a portal, through which Shermy (a white cat with an orange shirt and brown messenger bag) is jumping down into, with his legs visible from the bottom portal. The other portal--the one from which Shermy is jumping--is above the belly button portal, and has a blue jagged ring around it; it is implied that Shermy is falling constantly through the portals. The background is green grassy hills, with grey snow-capped mountains in the distant left, and a grey clouded sky making up the top part of the background. Written on the right side of the image, in a yellow font ressembling the Adventure Time logo, are the words: NOW YOU'RE THINKING WITH PORTALS.
A digital collage of sketches. In the top left corner, is a drawing of Fionna wearing a blue checkered dress with long white socks with two blue stripes are the top, and red shoes; the outfit is reminiscent of the one Dorothy wears in the Wizard of Oz. Behind Fionna are the words 'there is no place like home'. To the bottom right of her are three circles; in the pink one is a drawing of Ice King excitedly wearing the Wicked Witch of the West's black outfit. The blue circle to his left says 'just happy to be included' with an arrow pointing to him. Below this is a light blue circle with a drawing of Simon as the Scarecrow. To the top right of Fionna is a postcard depicting Sydney Harbour, with the words 'AUSTRALIA: UNDOOM YOUR YURI TODAY*' written on it, with a yellow circle below is reading '*may doom the future of humanity'. To the right of this is a depiction of Betty and Simon sitting at a table doing taxes and laundry respectively, with the words 'In another life, I would have really liked just doing laundry and taxes with you' above them. On the table is a white line that divides into two, with the words 'the road not taken' written along it. One of the lines leads to the right where an older Simon watches the scene; his head is haloed by the Earth (within which is written 'je t'aime, je t'aime') and the Moon's orbit. To the right of him is a scene inspired by Eternal Sunshine of the Spotless Mind's cover, with a young Betty and Simon lying on blue, cracking ice. Under them is written 'I hear thee, view thee, gaze o'ver all thy charms, And round thy phantom glue my clasping arms'. Underneath these three scenes is a sketched 'photo' of Prismo, Ice Thing/Gunther (who is waving happily at the viewer) and Golbetty (of course, being so big, we see only their hand doing bunny ears over Ice Thing) all posing with Simon, who is standing awkwardly. An arrow is pointing at him, and under the photo is written 'PRIMORDIAL BEINGS' FAVOURITE LITTLE MEOW MEOW MEOW' and in smaller text underneath '(and honourary god and dad to a whole universe)'. To the left of the photo is a small sketch of Simon holding a pink dandelion (Fionna's World) with 'do you think a depressed person could make this' written above his head. To the left of this is a scene of a grump Fionna wearing her canon blue shirt, dark blue shorts outfit, but now the shirt says 'I MET GOD AND ALL I GOT WAS THIS STUPID SHIRT'. Cake is wrapped around behind her and is looking very happy. To the left of this Prismo and Simon are drinking alcohol, below which is written '(the gods in question)'. Above this is a Fionna-version of the 'I'm Thinking of Ending Things' poster, with Fionna wearing her work uniform in front of a background made of ice mountains and Ice King's crowns.
A digital sketch of a smiling Ice King waving around an asexual flag (black, grey, white, purple stripe) in one hand, and holding a disgruntled Gunther (penguin) to his chest in the other. Behind Ice King is written 'ACE' (horizontally, top of frame) and 'KING' (vertically, to the right of the frame), therefore in full saying 'Ace King', a pun of his name 'Ice King'. There is a purple hue over everything, giving Ice King's infamous blues an almost purple look to them.
A digital sketch depicting a four-panel comic. In the top left square, we are in Marceline's house, with the background made up on her pink and blue living room (angled so that we see the front door). We see Simon with his hair tied back and wearing a white vest and pants over a black sweater (an outfit seen in the Marcy and Simon comics). He has his knees to his chest, and is excitedly saying something to Marceline, who is the right corner of the frame. In a light blue speech bubble, in the font used in the Adventure Time comics, Simon is saying: 'And in that universe, I was in the body of this little cat called Shermy who had a friend named Beth. She was really wise and insightful, and she could make portals!'. The square to the right of this (still in Marceline's house, now from a new angle, so that we see the door to her kitchen) now focuses on Marceline, who is also sitting with her knees to her chest; her black hair is short, cut to the chin, and she is wearing a blue ghost earring, a light blue sweater over a yellow collared shirt, and purple-blue jeans. Simon is the corner of the frame to the left. In a light red speech bubble, Marceline is saying 'Aw dang, Shermy and Beth sound really cool. I wish I could have met them. It sucks that they're in an alternative universe I can never go to'. In the bottom left square panel of the comic, there is a brown banner in the top left corner that says '1000 years later'. The background is now they grey cloudy skies and green hills of 1000+ era Ooo. To the left of the panel stand Shermy and Beth, with Marceline standing on the right, her hair now longer and wearing a brown robe. In a yellow speech bubble, Shermy is saying 'Hey! It's nice to meet you! My name is Beth, and this is Shermy.'. The last panel focuses on Marceline, who is staring up at Beth (who is standing mostly out of frame along with Shermy on the left side of the panel) speechless; the background, however, is covered with her internal monologue in a pink-hued white thick text, most of which is covered by Marceline, Shermy and Beth. The parts that can be seen read: 'WHAT THE FUCK SHERMY AND BETH?? --D SIMON FUCK-- --TIME TRAV-- NT AN AL -- WAIT CO-- --SEE-- --AGA' Beth is also saying something, but all the can be seen in her small yellow speech bubble is the last word 'rebellion?'
A digital sketch that is cut in half by a line; above the line is 1000+ era Ooo, distant grey snow-capped mountains, and dull green hills, with two meeting just to the right of centre of the image. In the top left corner is a distant snippet of the 1000 year old Treehouse ascending into the clouds; in the top right corner, is the tree line of the forest. At the centre, above the line, Marceline floats; she is wearing a long brown jacket, a dull red shirt, ripped blue jeans and black shoes. She has her eyes closed, and she is hugging Shermy to her chest. Shermy also has his eyes closed, his arms resting on Marceline's shoulders. Along the line, rocks jut out. The part of the image of the image below the line is a blue-hued reflection of everything above, with one exception; in the place of Shermy, Simon is the one being hugged (as this is Simon in the body of Shermy, just as he was in Fionna and Cake), his eyes closed as he rests his chin on Marceline's shoulder, and arms hidden in a hug behind Marceline's back; his feet are cut off by the top of the reflection. In the top part of the artwork, written across the background in an old-fashioned cursive font, are the words 'one last goodbye', with Marceline and Shermy floating between 'last' and 'goodbye'. In the reflection, and upside down, is written 'for old friends', with Marceline and Simon standing between 'old' and 'friends'.

My brain got absolutely infested with art ideas this last week so now it's ✨sketch dump time✨

1 year ago
Drarry Where Harry Becomes Snape’s Apprentice

Drarry where Harry becomes Snape’s apprentice

⚡️ ao3

2 years ago

Every writing advice thing ever: Don’t get bogged down in details on your first draft. Just write! ☺️

Me: How I begin this scene hinges on whether cheese sandwiches were served with mayo in the 50’s.

1 year ago

DCxDP Fic Idea: The Contact, the Butler and the Sly Time Lord

Martha accidentally engaged Bruce to a higher being when he was two.

It sounds terrible, but she hadn't thought that the man wearing the Time ghost costume at her husband's Halloween Gala wasn't wearing a costume and was actually the physical embodiment of Time.

She just thought he took Halloween very seriously.

Mr. Clockwork was charming and didn't care that she had married from the lower level of first class. Her parents were rich, of course, but they weren't old money, and they certainly didn't have a lot of power to speak of.

Because of that, the elites of Gotham thought she wasn't good enough to be in a family such as the Waynes. It was so lovely not to be dragged into conversations that were thinly concealed insults.

Everyone else at the Gala thought Martha had no right to be there with them. Why was she just a few zeros off from being middle class, and wasn't it just so sad that Thomas would stain his family with her?

Secertly, Martha prayed Bruce would do something wild, like marry a girl from Crime Alley or even adopt kids in lower classes to make them all choke on their pearls.

Her son would be one of the most powerful men in a few years, and she couldn't wait to see what kind of hell he would unleash upon them. She would never push, of course, but it would be a nice fantasy to have every time she had to face passive-aggressive comments from ladies told by their fathers they would be a far better Mrs. Wyane.

" Why, hello there. Aren't you the cutest little thing?" Mr. Clockwork coos, smiling down at Bruce. He clung to his mother's skirt, his matching cowboy costume a miniature version of what she was wearing.

The boy had wandered over in the middle of their conversation once he was bored of coloring at his table. Martha couldn't blame her poor baby. There really wasn't much to do for those his age here.

Thomas had stated that children were usually not brought along due to being loud and distracting.

Martha wouldn't hear any of it, insisting her son would be going with them at the party or there would be no party. The majority of the elites believed children should be seen, not heard, and that boiled her blood something fierce.

Thomas had thankfully known when to pick his battles, so he allowed his wife to drag him to a costume store for a family costume to wear. He currently chatting with a group of investors in all his cowboy glory somewhere on the other side of the gala.

"Say thank you, Bruce," She tells her boy, but he only hides his face more, causing the two adults to chuckle. "Do you have kids, Mr.Clockwork?"

"Yes. Two daughters and a son" The man chuckles "All three are a handleful but I love them dearly."

"Oh, how wonderful. Bruce is my only son, but I want to give him siblings," she tells him warmly. She can picture Bruce chasing after his younger siblings dressed up as the Grey Ghost he loves.

She knows Thomas was worried about their chances of having a second child. He was informed not too long ago that he may suffer from secondary infertility. She didn't mind. If they couldn't have a child of their own by blood they could easily adopt.

Martha worked long and hard to provide good orphanages to the city. Maybe one day, a child from there could be her own. She'll have to speak to her orphanage managers- those in charge of the kids- to see if they could help her find one.

They have successfully been getting kids into good homes (At least she thought the number of children constantly changed, and the kids were never seen again, meaning the families that adopted them loved them enough to never return!)

Mr. Clockwork hums "how about giving him a spouse instead? My girls or boy could be a good partner"

Laughing, she assumes he meant her work on bettering the lives of the gay community- in honor of her brother who passed during the AIDs epidemic. "I'm sure Bruce would be happy to hear Mommy found him a husband."

"Is that a yes?" Clockwork eyes' flashed with an emotion that was gone too quick for her to identify.

"Yes, of course. If that is what they both want, I wouldn't mind their marriage at all."

Mr. Clockworks red eyes - contacts? A medical condition?- gleam, and his voice takes on a strange rhythm. "Then so shall it be, my son Danny Fenton shall be married to Bruce Wayne per their Blood Mother and Core Father deal."

Huh. Maybe Mr. Clockwork is a nutcase. Suddenly, she thinks back to her father, who would often tell her that she lived in a delusion because he did not want her to see the horror that Gotham truly is.

Even when you think you're doing good, Gotham has a way of making your work into nightmares.

Was Mr. Clockwork one of those people he warned her about?

Thankfully, he leaves not long after that. He claims he must return to work before his co-workers notice him gone. She doesn't see him for the rest of the night and half wonders if she had been speaking to one of the wait staff they hired as extra help.

Not that she minded, but it made her think his name might not even be Clockwork.

She tells Thomas the story hours after Bruce is put to bed with a candy bucket and the last guests have all slipped home. Thomas is exhausted, having been playing host longer than her because Martha had left around eight to take Bruce trick and treating. Then she got home and put him down for his bedtime.

She got back to the party around eleven but it was a much-needed break from all the hostility that Thomas had been forced to face alone.

"WHAT!?" Thomas booms when she finishes the story. They had just crawled into bed, and Thomas had been rolling to his side for sleep before her words flung him back. "Clockwork!? You're sure you spoke to Clockwork!?"

"Yes, I'm sure."

"What did he look like?"

"Um well he was in costume, but red eyes, blue skin, and he was wearing purple robes." She watches as the blood drains from her husband's face. "What is it darling? Who was he?"

"Oh, this isn't good....Alfred! Alfred!" Thomas frantically calls as if the devil had appeared in their bedroom.

Their servant and sometimes lover comes racing into the room, carrying a loaded shotgun. Ever since Thomas had met him overseas when he hired the British man as a personal bodyguard, he fell hard and fast for Alfred but he still deeply loved Martha.

He had sent Martha a letter detailing his feelings for his guard, and only after she had given him permission did he pursue the butler. Alfred had insisted on meeting Thomas' wife to prove that she was okay with him having a lover, so he had followed Wayne back home.

Then he simply never left.

Maybe because he was the best butler Wayne ever had, with his regal training and service in her royal highness' army, but she thinks that her own developed feelings for Alfred convince him to remain.

Alfred insisted that he was only a servant and thus could not be added to their marriage besides a bed partner occasionally. Still, Martha hoped one day they could convince him otherwise.

Bruce already saw him as a second father.

He looks at the pair, dressed in their nightwear in a rather enticing position (Thomas had grabbed Martha by her shoulder, to look into her eyes but that left them rather entangled on the bed) with no visible threat, and raises one brow.

Before he can say anything Thomas is all but rolling out of bed in a frantic leap. He tangles up in the blankets, falling gracelessly over the edge in failing limbs "Martha made a deal with Clockwork!"

At once, Alfred's handsome face drains of blood. "Oh dear, Martha darling, you made a grave mistake."

She can only blink at the men in confusion. "Who is Clockwork?"

"He has many names, but I knew him as Merlin," Alfred informed her evenly. He took her hand in his, the tremble in his fingers revealing his unease. " He had shown interest in Master Thomas before and was the one I protected him from. I barely fought him off and only due to outsmarting him. I would not be able to do it again a second time."

What?

"He is also known as a Fae or incubus in some circles. The kind that steals you away for fun." Thomas babbled from where he was pacing next to the bed, eyes franticly glancing about as if the bogggie man was about to leap out at him from the shadows.

For a moment, Martha wondered why her husband, a man of science and medicine who had never been superstitious, believed this Clockwork was some...some creature of myths.

"Martha, love, what did he ask of you?" Alfred questioned, bringing her hand to his lips as though kissing them would confirm she was safe before him.

"He asked for Bruce to marry his son."

"Oh, gods!" Thomas fretted, speeding up, his long strides becoming far more frantic. "Please say you didn't say yes."

"I-thought it was a joke, I didn't see anything wrong with it, I- said yes."

Alfred closed his eyes, looking like a man who had just been informed his death sentence had been signed by the Queen. "Then all we can do now is pray."

Years later, as Alfred is dusting the portrait of his deceased loves. He allowed his hand to trace the cover of Martha's painted smile and Thomas' strong jaw, mind filled with stolen kisses and sweet nothings that were ripped away that fateful night.

He is still struck by their loss. Every now and then, the knowledge of their death creeps in during his most mundane activities. It's like a kick to the chest every time.

Oh, how he misses them.

Ding Dong

The front doorbell jolts him out of his memories so violently it takes the aged Butler a moment or two to get a hold of his senses. He puts down the duster, climbs down the latter, and quickly makes his way to the door.

Stopping to fix his suit coat, he throws it open with a prepared smile. He expects extra help from the catering company Master Bruce hired for Wayne's annual Halloween Gala.

He was not expecting the two men, one looking nervous around Master Bruce's age and the other sly. His age is hard to gauge, but it may be due to time not affecting him as it did mortals.

Alfred's blood freezes at the sight of those cunning red eyes and smirk. "Merlin."

"Alfred Pennyworth." The demon chuckles. "I prefer Clockwork, as you know, but it's good to see you remember me. Most humans are prone to forgetting in their limited age."

"What are you doing here?"

"Why I came to fulfill the deal between Martha Wayne nee Kane and I"

"Martha is dead. Your contact is void."

Clockwork chuckles again, the sound as deadly as poison. "The contact lives as long as all those involved in it live. You know this."

Alfred presses the panic button on his wristwatch, knowing it sends a message to everyone in the manor to evacuate immediately. He will not live through this battle, but hopefully, it will give Master Bruce time to escape. "You will not lay a hand on Master Bruce."

"Come now, Alfred. We are to be in-laws. Our sons are joining in holy matrimony. Why the hostility-"

"Excuse me what?" The other man-demon? Ghost? Higher-being? cuts in, looking at Clockwork with brows knitted into a frown. "What did you mean holy matrimony?"

"Danny, you're getting married," Clockwork says with a cheerful wave.

"The hell I am!" The man barks, flushing red with anger. Alfred can hardly believe he just yelled at the monster. "I am not marrying some random guy!"

"It is the way things must go for the good of mankind-"

"Oh, go suck on a lemon! We both know that whole "this is fate" is bull!"

"You are embarrassing me in front of our new in-laws, younn man" Clockwork actually waves a finger at the fully grown human. "This is my one chance to marry you off to a good man. We both know that you can't attract a mate on your own."

"What!? Yes, I can! I've had girlfriends and boyfriends before!"

"And yet, no spouse! No wedding! Not even a ring!"

"Moby Dick, I knew this bonding fishing trip was a lie! You can't make me get married because of some contact you made when I was three!"

"It's not permanent! Martha Wayne said If that is what they both want, I wouldn't mind their marriage at all. This means you both must want to be together after one year of marriage. See if you like it, and if you don't, I can always find you a new husband."

"This isn't returning a jacket to a store! I can't just see if I like being married Clockwork!" The man hissed running a hand through his hair. "We're going home. I'm so sorry for bothering you today Mr. Alfred."

Alfred blinks at the young man's sheepish smile, wondering if ti's a trick. "No bother at all."

"Danny, if you leave without marriage, Bruce Wayne will die in an hour due to breaking our contract," Clockwork says, crossing his arms. "Honestly, your sisters were far more mature regarding their marriages."

Danny punches him in the face with a glowing hand. The higher being falls like a sack of bricks.

"Right, I'm going to drop this one off at a nursing home, and then I'll return to marry Bruce. Only so the contact doesn't kill him, and I swear I'll only visit every once in a while until our year is up." Throwing- Merlin, holy shit- over his shoulder as if though he weighed nothing, Danny waves at Alfred and scurries away, vanishing into a green portal.

Alfred is left standing at the doorway, utterly flabbergasted. Distantly, he wonders if the hollowing wind is actually Martha laughing herself silly in the afterlife.

Carefully, he reaches up for his com, switching it on to the sound of his family's frantic bickering. They were all worried about him since he sent the alarm and were fighting about following policy or saving him.

"Master Bruce," He says faintly silencing the coms "Please come to have your suit fitted as soon as you can."

"What for?" His son asks, likely looking for a coded message, but Alfred doesn't have the mental capacity to make one.

"Your wedding, sir. It's tonight, courtesy of your mother."

The coms explode into chaos.

2 months ago
Go Read High Hawk Season RIGHT NOW Please And Give It Some Love, I Love The Characterization In It
Go Read High Hawk Season RIGHT NOW Please And Give It Some Love, I Love The Characterization In It

go read High Hawk Season RIGHT NOW please and give it some love, i love the characterization in it <3

6 months ago

I know everyone's already said this, but Vox is so funny because he's quite literally the most competent and professional Vee.

EXCEPT for when it comes to Alastor.

Like, HE’S the one who had to calm down Valentino and keep him from making a scene. (Especially because, yes, it looks bad if they can't control their employees, but - even in hell - it looks even worse if their top pornstar has to be dragged to the studio vs walking in on his own).

Velvette doesn't give a shit about professionalism. Like, Vox wanted to talk to Carmine about Angelic Security, and you think THAT'S how he wanted Velvette to treat her to try to guarantee them working together? Absolutely not.

(Also, Vox being able to immediately turn the tide of the paparazzi harassing him about news that JUST broke? Granted, he did use his hypnosis, but it wouldn't have worked if he didn't immediately come up with something on the fly. He knows how to keep his company running AND looking good, as WELL as being innovative enough to create new things with little to no notice.)

The other two Vees? I would not trust either of them to be the public speaker or the face of the company the way Vox is. Do you think either Velvette or Valentino would have been able to come up with a solution to the moved-up Extermination date in a way that pleased the general public?

But then. Some old timey radio deer shows back up and he immediately breaks down and can't plan for shit.

He sings a silly little song and immediately gets owned to the point he loses power to the entire city.

He plans to break in using a dude they KNOW is incompetent, and his only response when it (obviously) fails is to fucking gamer anon hate with "hahaha kys loser!" and the second he is confronted with Alastor’s face he can't do anything. He doesn't even try a single other thing after this point, cutting his loses entirely.

And THEN he avoids the meeting sending Velvette instead, potentially fucking up their ability to collaborate because he can't handle seeing Alastor.

This bisexual wreck of a television doesn't fucking leave his gamer dungeon once since Alastor is back, doing everything he can to avoid seeing him in real life.

Like, imagine what dealing with Vox is like from Alastor's perspective. HE never sees the professionalism or competence - he ONLY ever gets the pathetic mew-mew Vox!

Alastor is constantly being told how competent Vox is with his company and shit, but the second he's in the same room with him Vox is glitching and can't walk in a straight line without running into a wall or something. If I were Alastor, I'd have fun teasing the television too, because, like, what's wrong with him? It's funny!

Like, does Alastor register that this treatment is only for him, or does he think the rest of hell is pathetic enough to not notice or to just accept it? Does Alastor think Vox is like this all the time, and he's using his hypnosis to make everyone else forget about it?

Vox is just such a funny man, he has one weakness and it's just Alastor - and Alastor isn't even doing anything, he's just nearby minding his own goddamn business, lmao.

1 year ago

Helluva ships - featuring Radioapple

Mammon does in fact tattle to Lucifer about Asmodeus and Fizz's relationship. Let's say the Helluva timeline lines up with Lucifer and Alastor getting closer sometime after season 1.

Lucifer doesn't know why Mammon bothered, even if Lucifer didn't have whatever was going on between him and Al -- he still wouldn't give a fuck. And he'd give even less of a fuck considering Mammon was still committing copyright infringement for his park, the audacity of that man was astronomical.

Still, Mammon calls a meeting to spill the tea because even he knows Lucifer is a hermit who does not keep up with the drama of Hell's so-called elite.

Asmosdeus finds out and therefore Blitzø finds out. So they all crash the meeting to give Mammon what-for. Fizz and Blitzø because they've never met Lucifer and think he's going to be pissed. Moxxie and Millie because Blitzø lied about where they were going and refused to let them leave. Stolas for moral support (and he's also never met the King, sue him, he's excited despite the circumstance) and Ozzie because he couldn't stop them so he might as well join them.

Following multiple very unnecessary pit-stops and shenanigans, they finally arrive at the palace---and it's too late.

Alastor has already kicked Mammon out and now he and Lucifer are doing paperwork, gossiping, and fighting over the (according to Alastor) tacky interior design of the palace.

The Helluva gang bust in (Blitzø is on a horse for some reason, he's very happy about this) and it's very anti-climatic.

Asmodeus: so you...don't care that I'm in love with an imp?

Lucifer, dad mode: You're in love? I'm so proud of you!

Blitzø: Just to be clear, I'm fucking this bird, there's nothing you can do about it

Lucifer: Okay??

Alastor: Darling, they think you care about hell's hierarchy

Lucifer: Oh! Yeah, uh-no. That'd be pretty hypocritical of me considering [gestures to Alastor]

The Helluva crew leave the palace once Lucifer and Alastor start bickering again looking like they've escaped a hurricane, wondering if they should be sending the King of Hell a 'Congratz on the Divorce' card.

Moxxie: ...does this mean we have two Kings now?


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aro-in-danyl - Sarcasm is my name. Sincerity is my game.
Sarcasm is my name. Sincerity is my game.

Send me asks about Headcanons. I'll talk your ears off.

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