DP X DC Writing Prompt #9

DP x DC Writing Prompt #9

"Are you sure about this?" J'onn asks, reading the discontent amongst the Kents. Clark and Lois each have a hand on their teenage son's shoulders, who several weeks prior was aged ten years old.

"We're sure," Clark says. He is not, nor is his wife. But his son is, who lays his hand on his mother's and squeezes. It is that surety that J'onn honors as he delves into the young (but not as young as he should be) man's mind.

The memories are hard to find but not gone, hidden behind what Jon can only see manifested as a glowing green wall. When he raises a tentative hand, the shield sparks green, but does no harm. Pushing through is like wading through the consistency of jello, which he finds an overall unpleasant experience. But he is unharmed as he passes through.

Before J'onn can sort through the memories he is all but sucked into the one at the forefront, where a Jon most similar in visage to the one recently returned perches on the edge of a building. Beside him lies a burger, partially unwrapped though uneaten, and a small soda.

As the memory builds out a sun sets on a small suburban town, and a muscled thigh knocks into Jon's, an older man with a shock of white hair and eyes the same light and color as the shield formed around these memories appearing. He's tall even sitting, likely about as tall as Superman, and looks to be in his thirties. A full body suit comprised of black and silver accents stretches across broad shoulders, a stylized D on his chest. He knocks his thigh into Jon's again.

"You said I couldn't go back," Jon says quietly.

"I lied," the man says lightly.

"You're lying now," Jon says, glaring at him. "I can hear your heart."

"Nice try, kiddo, I don't have a heart in this form," the man says, reaching a hand out, presumably to ruffle his hair. Jon dodges.

"I know you're lying. You would've told me. You would've helped me get home."

"Jon--"

"You're protecting Clockwork, aren't you?" Jon demands, eyes beginning to burn red. "That old coot decided it wasn't enough to play with you, he had to play with me too."

The man slaps a hand over Jon's eyes. "Breathe, like we practiced," he instructs firmly. Steam rises from where his palm meets Jon's eyes, but if it hurts he shows no indication. "In, 2, 3. Out, 2, 3."

Jon whimpers but heaves a breath, and the burst of red light dies down from between the man's fingers. His hand moves down to Jon's shoulder.

"I can't pretend to understand Clockwork's decisions," the man says, as tears begin to pool in Jon's eyes. "Frankly, I don't want to. I suspect they are hard decisions to make, sometimes."

"I don't get why you defend him," Jon says. "Dumbledore acting bastard."

"Language," the man says, lightly bopping him on the head. J'onn notes the boy actually winces, as if the blow hurts.

"I am upset with him, I hope you know that," the man continues. "But at the end of the day I'm also grateful. Because I got to meet you." He hooks an arm around Jon's shoulders, pulling him in. "And now you'll get to see your family again. And Sally, Arnold, and Damian!"

Jon sniffles, rubbing roughly at his face. He leans into the man's bicep. A trusted adult figure, then. One he's described his life to. A life, J'onn is sad to note, he appears to have lived for the past six years, as opposed to a sudden shift in appearance. Jon's next question all but confirm it: "Can I really go back? It's been so long. They'll be all grown up."

"Hey, of course you can," the man says, rubbing his shoulder. "I'm sure they've missed you so much. They'll be so happy to see you again."

Jon starts to smile. "I'm going home."

"You're going home!" The man laughs, shaking him.

"I can finally eat some decent barbecue again!"

"Hey!" the man protests, "The smoker blew up one time!"

Jon continues, beginning to get excited. "And Ma will make her jalapeño cornbread! I never could get it right, I can't wait for you to try it!"

J'onn notes the older man's smile fading, eyes growing sad.

"And Damian will definitely want to spar and oh, oh! With you on our side we can totally prank Batman! I bet Alfred will even help! And Mom gives the best hugs, Pops comes really close but Mom will be really excited to meet you, everyone will."

"Jon," The man says.

"I knew you'd be worried about it, but they'll want to meet you," Jon says, clocking his expression. "They'll be grateful. You, you helped me. You kept me safe and taught me how to be Superman. They'll love you, I promise."

"Jon, I can't go with you," the man says gently.

"I'm not saying you stay, but you can visit! I'm sure the Justice League can figure out a way to maintain a portal, they're super used to all that multiverse stuff. Once they have the coordinates, you can stop by whenever!"

"I can't go through the portal, Jon," the man says. "To other worlds, I'm a god. And gods can't interfere. The only reason I can continue to live here is because this is the world of my origin."

Jon gapes at him. "But--but,"

"You're going to see your Mom and Dad again," the man says. "And your brother, and grandparents."

"I can come here, then," Jon says desperately, pushing his way out of the man's arms. The man is already shaking his head. "I can!"

"You can't."

"Why, because Clockwork says so? He's a liar!"

"Because multiverse travel is never a good idea. If you got trapped here again--"

"I wouldn't,"

"You belong with your family,"

"You're my family!" Jon cries. The man freezes. "You, and Sam, and Jazz, and Tucker and Val and Ellie and Pops and Mads, you're all my family! I can't just leave you, I won't!"

"Oh kiddo," The man says, eyes wet. "I love you too. We all do."

"So I'll stay," Jon says decisively. "For all we know my world is a wasteland. Gramps wasn't exactly right in the head when I left. It's better to stay here."

J'onn notes a green vine unwinding from a nearby trellis. It slides down the eave towards the pair.

"You don't mean that," the man is saying.

"I'm sixteen. I can make my own decisions. I'm staying."

The man cups Jon's face. "Your parents did not have a choice in losing you. I'm willing to bet they're devastated. Because I'd be devastated, losing a kid as great as you."

"Maybe they're not even there," Jon says, but the words are half-hearted, and it clearly hurts him to say them.

"I know I seem like a pushover, but if I thought Clockwork was sending you back to anything less than your loving family, I'd destroy him first. And he knows that. They're going to be there, I promise."

"I don't want to go," Jon says. Behind him, the vine rises from the eave of its own will, poised like a cobra enchanted by a snark charmer.

"I know," the man says, eyes drifting to the vine. "I'm so sorry, Jon."

"For what?" Jon asks, as the vine attaches itself to the nape of his neck. His eyes roll back as he collapses into the man's arms. The man hugs him tighter than is strictly necessary.

J'onn expects the memory to now end, alongside Jon's consciousness. To his curiosity, it does not.

"For what it's worth," a young woman spits bitterly, vines supporting her weight as she slips over the side of the roof. "I still think this is horrible." Her eyes are red and miserable.

"Seriously, team punching Dumbledore in the face," A young black man says, appearing in the air supported by a woman almost identical in appearance to the man holding Jon, down to the suit colors. They land on the rooftop.

"Are you sure about this," the dark haired woman with powers over plants asks. "Because to be honest, Danny, I'm five seconds away from punching you in the face."

"Jazz won't speak to you for months," the girl, likely his sister, points out.

"Make it a year," the man says, crossing his arms.

The man, Danny, ignores them all. He cards a hand through Jon's hair. "He'll retain the experience, but not the memories?"

"Yes, he'll be a perfect little superhero, just as you taught him," the woman says, vines twisting agitatedly around her, wrapping around her thigh, wrists and neck almost punishingly.

"Sam," the man says. "He needs to go home. All of you know that."

"He doesn't have to forget us to do so!" the sister bursts, eyes flashing green.

"Remembering would be a torment," Danny says. "He'll know he was loved. That's enough."

"Danny," the plant woman says, sitting beside them both. She puts a gentle hand on his, both on Jon's back. "This is just a different torment."

"And if someone finds out?" Danny asks. He has been patient amidst their scorn, but now a tiny edge ekes into his voice. "A god's child, unprotected? Threatened? He would never stop looking for a way back, and being vocal about it could get him killed."

The others are silent.

"He'll be home. He'll be happy," Danny says. More powerful than a prayer. A directive. He raises his head past the child slumbering in his lap, past them all, face hardening, and says to J'onn: "And you will say nothing."

J'onn takes a step back, fear so thick he could choke on it flooding his very being. Thismanwillkillhim, thismanwillkillhim.

This man will reach through dimensions and kill him.

"Now, get the fuck out of my kid's head," Danny snarls. J'onn is pushed back with enough force he enters his own mind in a vicious whirl that leaves him physically on the floor, gasping.

"I'm sorry," he says as Superman rushes to lift him, and he's not sure who he's apologizing to. Green eyes will pierce his dreams. Vines will crush his throat in his nightmares, screaming silence, silence.

You will say nothing.

"I'm sorry," J'onn says, politely pushing Clark's hands away as he rises. He's already beginning to calm, because he understands. Those are consequences he will not face. He will do as directed. He looks at Jon Kent, bewildered but unharmed, clutching his mother's hand.

J'onn reaches down and dusts at his pants. "I'm sorry," he says evenly, ready to spin his tale. Perhaps the Kents will continue to seek their answers. Perhaps not. He will stay out of it either way. He has been warned.

You were loved by gods. And to keep you safe, they would quiet us all.

More Posts from Aro-in-danyl and Others

3 years ago

I just got into adventure time and as a fellow rumple fan that was one of my first thoughts. I want to see a fic portraying Rumple with the same sympathy AT treats Simon and how stark the difference is between pre and post Dark One Rumple. 

(If this already exists please share fic recs)

So it’s 3am and I’ve just come to a conclusion…

Simon from Adventure Time and Rumple from OUAT… are basically the same character in terms of backstory.


Tags
1 year ago
Imagine You're Living In The Post Apocalypse And Your Adopted Dad Still Makes You Do Homework
Imagine You're Living In The Post Apocalypse And Your Adopted Dad Still Makes You Do Homework
Imagine You're Living In The Post Apocalypse And Your Adopted Dad Still Makes You Do Homework

imagine you're living in the post apocalypse and your adopted dad still makes you do homework

2 years ago

I will read a thousand fics with this trope. It’s hilarious every single time. My favorite has to be Dermabrasion by pennydaniels

have a silly drabble since I’m still unsure if the tags work properly yet ~

The idea of adult Dabi actually meeting Shoto is so insanly funny to me, like;

Dabi’s had Shoto built up as this perfect Enji 2.0 in his head his whole life, a cocky little shit who’s insanly powerful and pretty and popular and better than him in any way, and god he hates him for it!

But, they somehow meet, and somehow they have to work together for something, (let’s say it’s a league as vigilantes au or smt), and Dabi is like, side-eyeing him super hard, being short and harsh towards him, expecting Shoto to do the same, but no

Sweet, dense Shoto doesn’t even pick up on it, he’s just like

«yes, yes, I heard you are my brother and I must say it is nice you are not dead after all, now, shall we do what we need to do?»

and Dabi is just like…

«is this motherfucker being funny? is he trying me???»

Shoto is, of course, just doing his thing, and Dabi slowly realizes as they go, and while they do the mission they’re supposed to, Dabi is slowly coming to terms with the fact that he’s spent the last 16-17 years feeling threatened by this unaware little bean of a boy, and it is leading him to a full blown existentional crisis.

Shoto, however. just thinks they had a nice time together ☺️🥰


Tags
1 year ago
Harry Uses AK 4 Times And Becomes Haunted By A Young Tom Riddle
Harry Uses AK 4 Times And Becomes Haunted By A Young Tom Riddle
Harry Uses AK 4 Times And Becomes Haunted By A Young Tom Riddle
Harry Uses AK 4 Times And Becomes Haunted By A Young Tom Riddle

Harry uses AK 4 times and becomes haunted by a young Tom Riddle

Read more

1 year ago
Title card reading [Storyboarding Techniques: A Sequel to "Storyboarding Basics". Brought to you by NU Animation Club, Nov 2023]. A chibi drawing of Feeb holding a stylus waves in the bottom right corner.
Text reads: [Boarding Action Tip: Move characters in Z-space! Beginners have a bad habit of boarding in x and y only. Don't neglect moving in z-space! It can be dynamic and exciting!] A drawing of an axis sits above the text, showing a green arrow pointing up for Y (symbolizing moving up and down), a red arrow pointing right for X (symbolizing moving left and right), and a blue arrow pointing forward (symbolizing moving forward and back). Two examples are shown on the right, depicting Vash from Trigun Stampede drawing his gun. The first one shows him running to the left and drawing his gun, moving in X-space. It is more static and plain. The second one shows him running towards the viewer, drawing his gun when he gets close, moving in Z-space. It is more engaging.
Text reads: [Boarding Action Tip: Go close, then far. Bring the camera close to the character. Pull back without cutting. Moving the camera allows the viewer to feel like they're fighting, too.] The example shows Finn from Archmage Ascending holding up their magic staff, the camera close to where their fist grips the weapon. The second shot shows that the camera has pulled back to have Finn's whole body in view as they swing their staff downwards, causing an explosion.
Text reads: [Boarding Action Tip: lead the eye. Inevitably, action scenes have many moving parts. Use the composition & camera movement to guide the viewer's eye in the direction of the main motion.] The example shows Juri and Utena from Revolutionary Girl Utena engaging in a sword fight. As they move from the left to the right of the arena, the camera tracks their movement. Another smaller set of boards beside the example shows how the camera's view moves to the right, following the duelists.
Text reads: [Boarding Conversations: Perspective is power. The angle/perspective of the camera implies power dynamics. Low looking up: the depicted character has power over the viewer. High looking down: the depicted character is under the viewer's power.] There are two examples, both showing Makima from Chainsaw Man having a conversation with Denji. The first shows two over-the-shoulder shots, both characters on equal level, and is marked [NEUTRAL]. The second example shows Makima from the perspective of a low-placed camera looking up, so she looms over the viewer; and Denji from the perspective of a high-placed camera looking down, so he cowers under the viewer. The example is marked with a checkmark and the note [stronger sense of power imbalance].
Text reads: [Boarding Conversations: 180 Rule. The viewer must stay on the same side of the scene at all times. A way to test this is to make sure the character faces the same side of the screen (left or right) in every shot.] There are two examples, an incorrect one and a correct one, both depicting Dani and Dorian Wytte from Hooky having a conversation. The first example shows Dani on the left facing right, with Dorian on the right facing left. A small top-down diagram below shows that the camera sits on the right side of the twins. In the next shot, Dorian is now on the left facing right, and Dani on the right facing left. The diagram shows the camera has jumped to sit on the left side of the twins; this is incorrect. The correct example starts the same, showing Dani left facing right and Dorian right facing left. In the next shot, Dani is still facing right and Dorian still facing left. The diagrams show that the camera has changed its angle and position, but has remained on the right side of the twins.  This is correct.

some storyboarding techniques as a sequel to my storyboarding basics presentation. I focus specifically on tips for action and conversation scenes!

as always, these are general tips and tricks, but rules can always be broken. happy boarding! ✍️✨

2 years ago

9 technically? But also 4 or 3 or even an only child. The joys of being adopted but still having a relationship with my divorced birth parents

Pls reblog if u vote :)

6 months ago

My favorite appleradio dynamic is prejudiced Lucifer x sassy bitch Alastor.

In Dad Beat Dad, Alastor may have started the passive aggressive jabs, but Lucifer escalated to death threats (Alastor's head on a plate) with shocking ease.

Like: "Okay, Luci. You're at a 10 and I need you at a 2." Man literally needed less than half a reason to start that Loony Tunes bout.

I like to imagine it's a side effect of his need to control everything. Like he was fighting both sides of the argument rapid fire in his head and was then meeting the escalation of an imaginary Alastor.

Sort of like how he answered for/with Charlie when she thanked him mid-song for offering his help free of charge.

It's the type of overreaction that someone that aggravates others for fun would love! Enter Alastor, Certified Public Troll with only a passing acquaintance with self-preservation.

New Mission: How far can I go before this could be considered self-destructive tendencies?

Alastor unintentionally disproving Lucifer's "All sinners are the same" philosophy by just being the worst... and then Lucifer has to face the horrifying realization that he likes the bastard. XD

Lucifer: All sinners are bad.

Alastor: *being the absolute worst person Lucifer's ever met*

Lucifer: You know what, maybe other Sinners aren't that bad actually

But yes, prejudiced!Lucifer x sassybitch!Alastor is my bread and butter. It's so good. They clash so much and that's what makes it fun.

And literally, Alastor may have been passive aggressive first, but the way Lucifer ramped it up was impressive. I made a post before going over the scene when they officially met, and, like, Alastor's comments overall? Not very antagonist. Or, the words at least. Passive aggressive, sure, but the most outright antagonistisitc he got was when he called Lucifer short.

Whereas it was immediate dislike on Lucifer's side.

All Alastor said was (both in response to Lucifer's reaction to his bar and the very first time they spoke to each other): Just some of the renovations we had done. Adds a bit of color! Don't you think?

And THIS was Lucifer's face ⬇️

My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.

"And you are?"

Like, Alastor didn't even sound that passive aggressive. The most I could give him was the smirky little face he gave Lucifer

My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.

(god, why is Alastor so pretty right here though??? maybe that's why Lucifer was so mad. Boi turn down those bedroom eyes, Luci can't think. That was Alastor's first plan. He was going to seduce the king of Hell, but then Lucifer insulted his bar, and he decided they were throwing hands instead).

I'm of the opinion that Lucifer was antagonist towards Alastor first and Alastor was just matching his energy (albeit very readily LMAO his eye was twitching the moment Lucifer walked through the door).

Also, yes, thank you for bringing up Lucifer answering for Charlie, cuz I think that's something a lot of people overlook.

Well, maybe he didn't answer for her exactly. I imagine it's just what he wanted her to say, but still, look at Charlie's face ⬇️

My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.

She doesn't look very comfortable.

In fact, she looked awkward, annoyed, frustrated, and uncomfortable throughout most of her interactions with Lucifer in this episode.

My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.
My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.
My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.
My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.

(there's a lot more but tumblr has a picture limit)

Wheras, this is what she was like with Alastor:

My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.
My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.
My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.
My Favorite Appleradio Dynamic Is Prejudiced Lucifer X Sassy Bitch Alastor.

like

DAMN

Okay Luci, I see why your insecurities were firing on all cylinders.

We all know that Alastor wasn't genuine about being a father figure to her, but there has to be something to his and Charlie's relationship if she's looking at him like this. Especially in front of Lucifer.

I'm getting off topic though, I could do a WHOLE other post on my thoughts about Charlie's relationship with Lucifer VS Charlie's relationship with Alastor, and why it is the way that it is.

Anyway, yes, I agree with you. Lucifer 100% escalated the fight between him and Alastor. He went from zero to sixty with no hesitation, and he wasn't even AWARE of Alastor and Charlie's relationship yet. Essentially, the way I see it, he was acting that way toward Alastor for the sole reason that he's a Sinner which is the definition of prejudice.

And I want to clarify to anyone reading this, this isn't me hating on Lucifer. I love Lucifer. I love his character and his flaws and his insecurities. I love the way it all affects how he interacts with other characters, both negatively and positively. This is what makes him so interesting to me.

He holds so much capacity for love while also being so heavily flawed and it is 😙👌 delicious.

2 years ago

Bleeding Out, Bleeding In - the Start

This is the start of the resulting fic from the winning poll option of 'Crime Boss is a Dangerous Job'. And boy did it go places.

A solid 40 of you wanted to wait for ao3, but the other 59 are feral gremlins who want a part now! Those who want to wait, don't feel pressured to read. This might be up on ao3 this week or if not then next week! (Yes, that doesn't add up to 100, one vote is me so I can see the poll results.)

wc: 1059 Content Warnings: canon typical violence, blood, blood drinking, mentions of death and dying, brief mentions of human tracking, so much cussing.

-

Brainless motherfuckers.

Every single one of them, brainless motherfuckers.

One would think that eight heads in a duffel bag would have been enough.

One would think that people would learn his fucking rules. They were easy rules. Don’t hurt kids. Don’t sell to kids. Don’t hurt sex workers. Don’t traffic people. Don’t fuck with him.

And these motherfuckers had fucked with him. They had fucked with his rules.

Red Hood stared down at the lifeless eyes of the traitorous lieutenant.

Ex-lieutenant.

Brainless motherfucker.

Hood was insulted that someone that incompetent had managed to make him bleed, even if it had been eleven against one. And fuck if he wasn’t bleeding badly. Hood pressed his hand tighter to his wound with a hiss and let himself slump back against the grimy wall of the ally that he had slunk into. His hand became wet with warmth.

He must have already bled through the hasty field bandage that he had slapped on the wound.

Numbers slipped through Red Hood’s foggy mind as he tried to calculate about just how bad of a fact that was— about how heavily he must be bleeding out. Fuck if he wasn’t bleeding out.

Could he make it to his safe house in time? No. Could someone make it to him in time? Maybe, but who could he call? He wasn’t going to turn around and let another lieutenant stab him in the other side. B— maybe it would be better to just bleed out than deal with B and another lecture. As if this hadn’t been in self defense. As if he hadn’t acted to stop kids from being sold. As if a moment of hesitancy about killing a man he’d been working closely with for a year had been what got Hood in this spot.

And Dick was off world.

Dick was always off world when he needed him.

That wasn’t fair. What did Dick owe him? It’s not like they had ever been family. Dick had never wanted him. The last person who had wanted him didn’t even want him enough to stay sober.

Blood loss made him maudlin, apparently.

Dying by explosion had been easier.

“You know, not what I expected to find dumpster diving tonight.”

Hood’s hand dropped to brush over the grip of his gun. It was up and aimed before his head even had time to lull towards the voice. The hand holding the gun was steady even as his vision swam staring down the sight.

“Not that I’m doubting you can use that, Boss, but would rather you didn’t,” the stranger said, hands up in the air. One large duffel sat at their feet. Another smaller duffel was slung over their back. A hoodie at least three sizes too big swamped the slim figure— hiding both their form and face. The steel toed boots looked comically large at the end of stick thin legs.

Hood knew better than to think they weren’t a threat.

Anyone could be a threat in Gotham.

“Really, Boss, I’m just out here dumpster diving for supplies,” they continued, motioning to the warehouse district around them. “Not going to lie and say I won’t happily loot your corpse if you keel over right there, but would rather you stay breathing. I can help with that, if you let me.”

“And if I say no?” Hood asked, his voice a breathless rasp even through the modulation of the helmet.

“If you say no to the help, I’ll just be on my way. There are other dumpsters to go through like the feral raccoon that I am.”

His arm dropped down to hang limply at his side. He didn’t take his finger off the trigger. He shouldn’t trust this stranger. “Look more like a street rat to me.”

“We’ll compromise to possum then,” they said, slowly lowering their arms.

He shouldn’t trust this stranger. Did it mater if he did?

He was bleeding out.

The gun slotted back into its holster.

“There you are Boss, we’ll get you patched back up.”

Hood blinked. They were tucking themselves under his shoulder, leaning him up off the warehouse wall.

Hood blinked. They were disabling security on a heavy, cast iron door set into a concrete floor.

Hood blinked.

“Not going to lie, Boss, you’re in a bad way.” The words were distant— like listening to them through a thick wall. Static ran under the words. Static that burrowed under his skin and into his blood.

Static that burned at a part of him he tried to ignore.

“Think they got something pretty vital with that knife.”

He didn’t want to burn.

“Stitched you up but…”

He didn’t want to die.

“Oh Boss.”

Not again.

“I know, Boss.”

A cold hand brushed over his temple and he couldn’t hold back the whine at the sensation. He strained to arch up into the touch. He wanted it. He wanted to feel. He didn’t want to slip away again. He didn’t want that void of death. He didn’t want to die again.

The voice shushed him. “I know.”

He trembled. The static sang in his veins.

“There’s something I can try, Boss, but it will change thing.”

Things were always changing.

“Not like this. You’re not on the knife’s edge yet. You’re still living. If you die you right now you tip over to the other side.”

He’d done that before.

“I know, Boss. But if we do this, you’re not going to tip over anymore, you’re going to balance on that knife’s edge. Not dead but not alive. It’s a fine line to walk.”

Everything in his life was a tightrope: hero, villain; son, enemy; brother, stranger. What was one more thing? Alive, dead.

He didn’t want to be dead again.

“Okay, Boss, okay.”

The hand pulled a whine from his throat as it moved away. A soft coo hushed him quiet again. The sound rumbled in with the static untill the soothing noise sat inside him.

His head tilted up as something slid under his neck. Hands guided his head to lay back down onto a soft surface.

Something wet dripped against his lips. Spice bloomed across his tongue.

“There you go, Boss,” the voice soothed. The coo rumbled in his chest like a fluttering bird. “Drink up.”

Cold skin and wet warmth pressed against his lips.

Jason drank.

6 months ago

The way you draw fem vox and alastor is so pretty I love them

The Way You Draw Fem Vox And Alastor Is So Pretty I Love Them

thank you!

Loading...
End of content
No more pages to load
  • lovebirz80
    lovebirz80 liked this · 1 month ago
  • ouransisters
    ouransisters liked this · 2 months ago
  • greatgalaxyhologram
    greatgalaxyhologram liked this · 2 months ago
  • snowravine
    snowravine liked this · 2 months ago
  • bulbasaur-2
    bulbasaur-2 liked this · 2 months ago
  • didntwantanaccount-appmademe
    didntwantanaccount-appmademe liked this · 2 months ago
  • luckyluminarynight
    luckyluminarynight liked this · 3 months ago
  • moriana-hallow
    moriana-hallow liked this · 3 months ago
  • yaelbec
    yaelbec liked this · 3 months ago
  • warsawmouse
    warsawmouse liked this · 3 months ago
  • white-flutterby
    white-flutterby reblogged this · 3 months ago
  • white-flutterby
    white-flutterby reblogged this · 3 months ago
  • lei-reyes
    lei-reyes liked this · 3 months ago
  • firequeensposts
    firequeensposts liked this · 3 months ago
  • hereisntthere
    hereisntthere liked this · 3 months ago
  • franklymydearidontgiveadam
    franklymydearidontgiveadam liked this · 4 months ago
  • grandhairdozipperflower
    grandhairdozipperflower liked this · 4 months ago
  • samsamtoa
    samsamtoa liked this · 4 months ago
  • ruby-the-papillon
    ruby-the-papillon liked this · 5 months ago
  • kokoroluna
    kokoroluna liked this · 5 months ago
  • mxclovers
    mxclovers liked this · 5 months ago
  • hauntedbreadpanda
    hauntedbreadpanda liked this · 5 months ago
  • alice-anon
    alice-anon liked this · 5 months ago
  • diktynnar
    diktynnar liked this · 5 months ago
  • erebondraug
    erebondraug liked this · 5 months ago
  • just-a-madderslife
    just-a-madderslife liked this · 5 months ago
  • legendarybasementthing
    legendarybasementthing liked this · 5 months ago
  • 01aquariusangel30
    01aquariusangel30 liked this · 5 months ago
  • fandom-explosions-posts
    fandom-explosions-posts liked this · 5 months ago
  • thatmadscientistbitch
    thatmadscientistbitch liked this · 5 months ago
  • binery-code
    binery-code reblogged this · 6 months ago
  • im-trapped-in-reality
    im-trapped-in-reality reblogged this · 6 months ago
  • im-trapped-in-reality
    im-trapped-in-reality reblogged this · 6 months ago
  • sagehills
    sagehills reblogged this · 6 months ago
  • sagehills
    sagehills liked this · 6 months ago
  • insaneseeker
    insaneseeker liked this · 6 months ago
  • zack-creeper
    zack-creeper liked this · 6 months ago
  • bowlofworms
    bowlofworms liked this · 6 months ago
  • binery-code
    binery-code reblogged this · 6 months ago
  • binery-code
    binery-code reblogged this · 6 months ago
  • im-a-lil-bitch-boi
    im-a-lil-bitch-boi liked this · 6 months ago
  • gongora-03
    gongora-03 liked this · 6 months ago
  • lainey8532
    lainey8532 liked this · 6 months ago
  • sleepcakemew
    sleepcakemew liked this · 6 months ago
  • aki-sss
    aki-sss liked this · 6 months ago
  • aly-cat-universe
    aly-cat-universe liked this · 6 months ago
  • dely-pilar-99
    dely-pilar-99 liked this · 6 months ago
aro-in-danyl - Sarcasm is my name. Sincerity is my game.
Sarcasm is my name. Sincerity is my game.

Send me asks about Headcanons. I'll talk your ears off.

349 posts

Explore Tumblr Blog
Search Through Tumblr Tags