Rooftop Pool / Step by step đ
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if ur ever feeling bad about your art just remember your twelve year old self would think it was soooo cool
I think the most heartbreaking thing isâŚwriting does take practice. Youâre probably not going to be at your best when you start out. The worst part about writing is that youâre going to be very shaky and probably pretty bad before you can get pretty good. Writing, like all forms of art, takes practice and discipline and willingness to try and keep going, no matter how difficult it may seem. And it can suck! We all know that! Creative ruts and writers block are tough but inevitable aspects of the process of writing. But just know that if youâre not satisfied with your work now, it only means that youâre going to be even better in the future. One day youâll be able to look back at your work and go, âwow this kinda sucks, but that just means that Iâve gotten better now!â Writing takes time. Youâre not gonna get good overnight. So keep going! Keep pushing! You only get better from here :)
Made this lil thing to celebrate hitting 1500 followers on twitter.
hehe
monkey brain like round number Â
This is just a reference of what the most complicated parts of the TF look like.
There is not and will not be a step-by-step drawing here, because you have to figure out for yourself how this or that part of the robot works just by looking at the drawing.
If you found this post helpful, well, good for you)
did you know moa (the hatoful boyfriend creator) has a blog page solely for references of hands?
well now you do, and here it is!
Iâve seen mystery/thriller authors use the same handful of red herrings too many times to count. So here are some (hopefully not as common) red herrings for your writing.Â
Your narrator can play favourites and scheme and twist the way your readers interpret the story. Use this to your advantage! A character portrayed as untrustworthy can really be someone innocent the narrator framed, vice versa.Â
A character with a history of betrayal or questionable loyalty is an obvious suspect. They did it once, they could do it again, right? Wrong! Theyâve actually changed and the real traitor is someone you trusted.Â
An expertâlike a detective, scientist, or historianâanalyses a piece of evidence. Theyâre ultimately wrong, either due to bias, missing data, or pressure to provide quick answers.
You know that one sidekick or ally whoâs somehow always ahead of the curve? Theyâre just really knowledgeable, your characters know this, but it makes it hard to trust them. Perfection is suspicious! But in this case, theyâre actually just perfect.Â
Maybe one of your characters is seen crying, angry, or suspiciously happy after xyz event. Characters suspect them, but turns out theyâre just having a personal issue. (People have lives outside of yours MC smh). Or it could be a cover-up.Â
At first this characterâs alibi seems perfect but once the protag digs into it, it has a major hole/lie. Maybe they were in a different location or the person they claimed to be with was out of town.Â
Have a seemingly significant patternâsymbols left at crime scenes, items stolen in a specific order, crimes on specific dates. Then make it deliberately planted to mislead.
A character was secretly close to a victim/suspect, making them a suspect. Turns out they were hiding a completely unrelated secret; an affair, hidden family connection, etc.
Create a grudge or past feud and use it to cast suspicion on an innocent character. Introducing an aspect of their past also helps flesh out their character and dynamics as a group + plant distrust.Â
Luke Castellan, need I say more (I will)? A supposedly innocent character dies, but turns out they faked it and were never a victim in the first place. They just needed to be out of the picture.Â
A character overhears a threat, argument, etc. They suspect B based on this convo, but turns out they just came to a false conclusion. (Or did they?)
Someone confesses to hearing/seeing a clue, but turns out they were mistaken. Maybe they thought they heard a certain ringtone, or saw xyz which C always wears, but their memory was faulty or influenced by stress.
Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!
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Here it is, my long winded tutorial, complete with some step by step action. I see a lot of people talk about wanting to diversify their artwork but not knowing how. This is my help to you. You really should take the time to invest in learning diverse eye shapes as diverse artwork always makes you a better artist. And frankly Iâm really tired of drawing tutorials that talk up character diversity but only have the stereotypical âone Asian eyeâ.
I did some step by steps for those three diagrams, but I actually got them from this blog which has 14 of those examples! (Bonus: itâs a makeup blog so if you need help with that or want some idea of how to shade these eyes, there ya go)
Repeat after me:
The first draft just needs to exist
The second draft needs to be functional
The third draft needs to be effective
Remember, the second and third can't happen if you don't have something to work with. Your first draft will always be shit compared to your third, but at least it exists. The worst first draft is an unfinished one. The best first draft is a just completed one.
You read books/stories not in their first draft form-- only in their finished form (third, fourth, sometimes fifteenth draft). So stop comparing your first draft with a final one.
So, just write--you can make it better later. Perfectionism is the greatest weight a creator can carry.