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El Corazón Terco

Marco A. Romero

Y yo le he dicho al corazón que es un tonto,

que no entiende de razones; 

que no puede querer a quien ingratamente lastima.

Y le doy las razones 

pero es un corazón torpe 

y no entiende; 

sólo entiende que quiere mucho

y deja de lado todo raciocinio... 

Y  lo he acusado de ser tonto,

de no pensarlo bien, 

que debe producir cosas

que razonan

que sus razonamientos

no tienen lógica  

que es infantil, 

que no ha madurado, 

que va a ser lacerado otra vez, 

que asi se ha estancado durante muchos años,  

que asi no llegaría a ningun lado, 

que sus caminos eran torcidos, 

que estaban condenados al fracaso.

Le dije que se callara y que escuchara,

que fuera mas realista:

que la hipotenusa al cuadrado era igual a la suma al cuadrado de los catetos "a" y" b";

que dos mas dos son cuatro

que cuatro por dos son ocho

y ocho dieciséis y

Que brincara la tablita 

(como manera de ajustarse a una realidad objetiva)...

Y después de haber presentado -previamente- la base científica le dije: 

que estaba incapacitado para razonar 

que no conocía la naturaleza de sus acciones,

que me caía MAL cuando no pensaba, 

que sus padres habian vivido la misma situación 

(ya dándole un poco de terapia transaccional,

  y empezándose a acalorar por actitud tan testaruda)

Y el reclamo subió aun mas a tono rojo (o sea enfurecido)

 y le dije que necesitaba terapia, 

terapia de 20 años, y en prision carcelaria

 (para que meditara todo el tiempo)

 y además, sin derecho a libertad condicional 

(para asegurar que repensara doblemente las cosas )

FRENTE A ESTA MI EXASPERACION 

POR ESTA INCOMPRENSION MIA...

Y al quejarme tanto,

al desgañitar mi voz, 

de tanta queja,

me deja escuchar 

como algo allá          p        e       r        d       i       d        o, 

como algo allá       l                    e                           j                              a                                n                  o, 

con esa voz nítida 

y con la sencillez

y discreción 

que el corazón 

tiene:

 "Es que

no

fui hecho,

para 

producir 

frutos, 

ajenos  

al mio".

Con-razón, dije 

 y cerre el pico, 

y ya no dije más.

How to Write Characters With Romantic Chemistry

Writing great chemistry can be challenging. If you’re not super inspired, sometimes the connection between your characters feels like it’s missing something.

Here are a few steps you can consider when you want to write some steamy romantic chemistry and can’t figure out what’s blocking your creativity.

1. Give the Love a Name

Tropes have a bad reputation, but they can be excellent tools when you’re planning or daydreaming about a story. Giving the romance a name also assigns a purpose, which takes care of half the hard plotting work.

You can always read about love tropes to get inspired and think about which might apply to the characters or plot points you have in mind, like:

Friends to lovers

Enemies to lovers

First love

The love triangle

Stuck together

Forbidden love

Multiple chance love

Fake lovers turned soulmates

There are tooooons of other tropes in the link above, but you get the idea. Name the love you’re writing about and it will feel more concrete in your brain.

2. Develop Your Characters

You should always spend time developing your characters individually, but it’s easy to skip this part. You might jump into writing the story because you have a scene idea. Then the romance feels flat.

The good news is you can always go back and make your characters more real. Give them each their own Word or Google doc and use character templates or questions to develop them. 

You should remember to do this for every character involved in the relationship as well. Sometimes love happens between two people who live nearby and other times it happens by:

Being in a throuple

Being in a polyamorous relationship

Being the only one in love (the other person never finds out or doesn’t feel it back, ever)

There are so many other ways to experience love too. Don’t leave out anyone involved in the developing relationship or writing your story will feel like driving a car with only three inflated tires.

3. Give the Conversations Stakes

Whenever your characters get to talk, what’s at risk? This doesn’t have to always be something life changing or scary. Sometimes it might be one character risking how the other perceives them by revealing an interest or new fact about themselves.

What’s developing in each conversation? What’s being said through their body language? Are they learning if they share the same sense of humor or value the same foundational beliefs? Real-life conversations don’t always have a point, but they do in romantic stories. 

4. Remember Body Language

Body language begins long before things get sexy between your characers (if they ever do). It’s their fingertips touching under the table, the missed glance at the bus stop, the casual shoulder bump while walking down the street.

It’s flushed cheeks, a jealous heart skipping a beat, being tongue tied because one character can’t admit their feelings yet.

If a scene or conversation feels lacking, analyze what your characters are saying through their body language. It could be the thing your scene is missing.

5. Add a Few Flaws

No love story is perfect, but that doesn’t mean your characters have to experience earth shattering pain either.

Make one laugh so hard that they snort and feel embarrassed so the other can say how much they love that person’s laugh. Make miscommunication happen so they can make up or take a break. 

People grow through their flaws and mistakes. Relationships get stronger or weaker when they learn things that are different about them or that they don’t like about each other. 

6. Create Intellectual Moments

When you’re getting to know someone, you bond over the things you’re both interested in. That’s also a key part of falling in love. Have your characters fall in intellectual love by sharing those activities, talking about their favorite subjects, or raving over their passions. They could even teach each other through this moment, which could make them fall harder in love.

7. Put Them in Public Moments

You learn a lot about someone when they’re around friends, acquaintances, and strangers. The chemistry between your characters may fall flat if they’re only ever around each other.

Write scenes so they’re around more people and get to learn who they are in public. They’ll learn crucial factors like the other person’s ambition, shyness, humor, confidence, and if they’re a social butterfly or wallflower.

Will those moments make your characters be proud to stand next to each other or will it reveal something that makes them second guess everything?

8. Use Your Senses

And of course, you can never forget to use sensory details when describing the physical reaction of chemistry. Whether they’re sharing a glance or jumping into bed, the reader feels the intensity of the moment through their five senses—taste, touch, sight, sound, and smell. 

Characters also don’t have to have all five senses to be the protagonist or love interest in a romantic story. The number isn’t important—it’s how you use the ways your character interacts with the world. 

-----

Anyone can write great romantic chemistry by structuring their love story with essential elements like these. Read more romance books or short stories too! You’ll learn as you read and write future relationships more effortlessly.

La gente empezó a enamorarse de los cuerpos cuando las mentes dejaron de valer la pena.

“Jot, Bin, Pants”: An Outline Method to Get Your Writing Back on Track

One of the biggest struggles of being a writer is often feeling like you’re not good enough, no matter how much you’re writing. Today, writer Cassandra Lee Yieng shares an outlining method that’s helped her move past feelings of doubt and create the stories that she wants to write:

Much has been said about conquering the blank page, be it called writer’s block or imposter syndrome. We’re often inundated with brusque advice like “write an outline”, “fake it till you make it”, and “just write” (Reminds me of that Pirates of the Caribbean scene). It’s easy to presume that the people offering that advice have a tough exterior, and nobody likes being intimidated. To counter that, I’d like to shed light on my writing journey, and how I helped get myself out of a writing funk.

My university major was math, but one of my most devastating writing experiences was a Huffington Post piece on the math of snooker. A simple error—an oversight of a miscalculation—stopped my other submitted posts from being published. I could no longer reach the broad readership I once enjoyed, and I stopped blogging for at least a year.

Keep reading

DESCRIBING THE PHYSICAL ATTRIBUTES OF CHARACTERS:

Body

descriptors; ample, athletic, barrel-chested, beefy, blocky, bony, brawny, buff, burly, chubby, chiseled, coltish, curvy, fat, fit, herculean, hulking, lanky, lean, long, long-legged, lush, medium build, muscular, narrow, overweight, plump, pot-bellied, pudgy, round, skeletal, skinny, slender, slim, stocky, strong, stout, strong, taut, toned, wide.

Eyebrows

descriptors; bushy, dark, faint, furry, long, plucked, raised, seductive, shaved, short, sleek, sparse, thin, unruly.

shape; arched, diagonal, peaked, round, s-shaped, straight.

Ears

shape; attached lobe, broad lobe, narrow, pointed, round, square, sticking-out.

Eyes

colour; albino, blue (azure, baby blue, caribbean blue, cobalt, ice blue, light blue, midnight, ocean blue, sky blue, steel blue, storm blue,) brown (amber, dark brown, chestnut, chocolate, ebony, gold, hazel, honey, light brown, mocha, pale gold, sable, sepia, teakwood, topaz, whiskey,) gray (concrete gray, marble, misty gray, raincloud, satin gray, smoky, sterling, sugar gray), green (aquamarine, emerald, evergreen, forest green, jade green, leaf green, olive, moss green, sea green, teal, vale).

descriptors; bedroom, bright, cat-like, dull, glittering, red-rimmed, sharp, small, squinty, sunken, sparkling, teary.

positioning/shape; almond, close-set, cross, deep-set, downturned, heavy-lidded, hooded, monolid, round, slanted, upturned, wide-set.

Face

descriptors; angular, cat-like, hallow, sculpted, sharp, wolfish.

shape; chubby, diamond, heart-shaped, long, narrow, oblong, oval, rectangle, round, square, thin, triangle.

Facial Hair

beard; chin curtain, classic, circle, ducktail, dutch, french fork, garibaldi, goatee, hipster, neckbeard, old dutch, spade, stubble, verdi, winter.

clean-shaven

moustache; anchor, brush, english, fu manchu, handlebar, hooked, horseshoe, imperial, lampshade, mistletoe, pencil, toothbrush, walrus.

sideburns; chin strap, mutton chops.

Hair

colour; blonde (ash blonde, golden blonde, beige, honey, platinum blonde, reddish blonde, strawberry-blonde, sunflower blonde,) brown (amber, butterscotch, caramel, champagne, cool brown, golden brown, chocolate, cinnamon, mahogany,) red (apricot, auburn, copper, ginger, titain-haired,), black (expresso, inky-black, jet black, raven, soft black) grey (charcoal gray, salt-and-pepper, silver, steel gray,), white (bleached, snow-white).

descriptors; bedhead, dull, dry, fine, full, layered, limp, messy, neat, oily, shaggy, shinny, slick, smooth, spiky, tangled, thick, thin, thinning, tousled, wispy, wild, windblown.

length; ankle length, bald, buzzed, collar length, ear length, floor length, hip length, mid-back length, neck length, shaved, shoulder length, waist length.

type; beach waves, bushy, curly, frizzy, natural, permed, puffy, ringlets, spiral, straight, thick, thin, wavy.

Hands; calloused, clammy, delicate, elegant, large, plump, rough, small, smooth, square, sturdy, strong.

Fingernails; acrylic, bitten, chipped, curved, claw-like, dirty, fake, grimy, long, manicured, painted, peeling, pointed, ragged, short, uneven.

Fingers; arthritic, cold, elegant, fat, greasy, knobby, slender, stubby.

Lips/Mouth

colour (lipstick); brown (caramel, coffee, nude, nutmeg,) pink (deep rose, fuchsia, magenta, pale peach, raspberry, rose, ) purple (black cherry, plum, violet, wine,) red (deep red, ruby.)

descriptors; chapped, cracked, dry, full, glossy, lush, narrow, pierced, scabby, small, soft, split, swollen, thin, uneven, wide, wrinkled.

shape; bottom-heavy, bow-turned, cupid’s bow, downturned, oval, pouty, rosebud, sharp, top-heavy.

Nose

descriptors; broad, broken, crooked, dainty, droopy, hooked, long, narrow, pointed, raised, round, short, strong, stubby, thin, turned-up, wide.

shape; button, flared, grecian, hawk, roman.

Skin

descriptors; blemished, bruised, chalky, clear, dewy, dimpled, dirty, dry, flaky, flawless, freckled, glowing, hairy, itchy, lined, oily, pimply, rashy, rough, sagging, satiny, scarred, scratched, smooth, splotchy, spotted, tattooed, uneven, wrinkly.

complexion; black, bronzed, brown, dark, fair, ivory, light, medium, olive, pale, peach, porcelain, rosy, tan, white.

Unfortunately, the real world isn't the same as a fairytale.

Well, that's why we're here! To make it better.

But...life isn't like a fairytale...

That's right! It's up to you to make things better...

Isn't it?

Absolutely fascinating read on why “psychological androgyny” is key to creativity 

A World Intellectual Property Day Quiz

Do you know what you need to know in order to preserve and maintain your intellectual property?

"I don't believe very much in the hedonics argument about wealth - that the more you have, the more money you need to maintain a certain level of happiness. Happiness has mostly to do with relationships and the quality thereof. I doubt that it's a metric that can be measured effectively by economists to come to a conclusion." —

J.C. Hewitt

Share with someone who brings a smile to your face! 😊 Help us count down to PEOPLE’s World’s #MostBeautiful cover reveal on April 20—and remember to #saysomethingbeautiful every day!