Con motivo de la Navidad, deje permear buenos sentimientos para compartir con los demás y disfrútelos... Es un buen tiempo para sembrar cosas buenas.
Hello hello, it's me!
Today I'm here to tell you about each feature of "The Writer's Workbook", which you can download for free.
Note: this workbook has two variations, so you can print it or use it digitally as a PDF.
I designed this workbook in an intuitive way so that the plot progresses as you go further in the exercises. It is divided in six big categories: Idea & Plot, Character Development, World Building, Writing, Journal, and Resources.
Note: feel free to skip exercises or to complete them in any other order than the one suggested by me!
This section is meant to help you develop your idea before you even know who your characters are.
In this part, you will choose the central conflict, write down keywords about your idea, and draw a mind map. Then, you'll proceed to find your voice through different exercises, to then find each key point of the plot, from exposition to resolution.
It's also in this part that you are going to come up with plot twists and the ending of the book.
Here, as the name says, you will completely develop all your characters, from the protagonist to the side characters. You will also have the opportunity to develop their relationships through mind maps and brainstorming processes.
Just like the other categories, worldbuilding is a fundamental step when plotting a novel.
In this workbook, you'll be asked to draw or generate a map of your world so that you always have it near you whenever you need it. There are also some prompts to fill out about it, and locations to create and explore.
In this part, you can also make a timeline for all the main events in your world.
Now that most of your story is planned, it's time to think about writing it!
This section is perfect to come up with the best title for your book, brainstorming and develop the opening scene, and fully developing each key point using the snowflake method.
There's also a place to write down all the scenes and chapters you want to include in your book and check it off as you write it.
This part is for you to reflect on your writing goals, on your ideas, and to see your progress. It's important to check this often and make sure you always have your goals in mind!
Here you will find some useful resources from writing communities to courses and softwares to help you in this process and, hopefully, make it easier!
If you don't have it already grab it now here! It's completely free and I'm sure it will help you develop your new idea <3
The Medusa Type: A woman that uses multiple layers of skills to be none, but just a fake personality, playing with the mind of others using her skills in the field of the mind, without compromising to be herself, because she can not be herself by fear of being herself. Her value is so deteriorated, because she has no definition in herself, and her value is within and through the multiple layers; otherwise she has no value. Rather using cards, than being.
Saber class Medusa for the Mystic Eyes Symphony event in Fate Grand Order.
Illustrator: hotosoka.
Me gustaba su estilo, su elegancia, no cualquier mujer puede tener ese garbo de verse clásica como en el Partenón de Atenas con lineas y figuras estéticas en el vestir, que se complementan con las formas artísticas de su cuerpo. El Partenon de Atenas tenia esa lineas horizontales y verticales enmarcadas en una belleza estética clásica, sin lineas garigoleadas y góticas, sino simples en belleza, para demostrar la grandeza del pensamiento del hombre en lo simple sin perder lo estético, y arrojado en una pieza de arquitectura.
Asi era ella, o quizás asi la construia por el efecto de su belleza en mi corazón.
“Las Mil y Una Noches con Ms Beautiful”. Extracto.
The world of artist management is amazing. It is like being in backstage in a beautiful theatre in New York watching the play of Macbeth. What is right behind the curtain is the most wonderful sight that a student might be able to watch and enjoy. This is exactly what happened with this class in Product and Artist Management. It is that opportunity to see closely how things are done in all the aspects involved in the promotion and making of an artist.
In the light of that, we learn in the course how to plan, because “the difference between success and failure in the promotion of an artist is planning”. Consequently the plan cannot go forward if there is no “organization” to assemble all the necessary resources to achieve that particular plan designed for the artist.
Also, we need to lead and direct people towards the goal and use all those resources at hand to achieve their success.
As the artist's manager, our responsibility is to get the artist to the top of his or her career. In order to do that, we need to follow the plan by controlling the whole process, such as time, people, resources and finances. It is important to do a reality check and see if everything is going according to the plan. If it is not, we need to make some decisions. Do we fire some employees and look for new people that can do the job or change the plan? Would it be worth it? Would it be better to find a new person? How that is going to help us to achieve success?
All these lessons are learned from Paul Allen in his book “Artist Management for the Music Business” that covers all of the aspects in the promotion of an artist.
Personally, I have already applied some of these lessons in real world. We started a project with a couple of friends, and most of those lessons have been applied into this project. We are going step by step, little by little trying to give some shape to this adventure to see it through and successful. For this reason, this project in particular plus the lessons from that book, open our eyes and provide us with the knowledge to deal with these cases at hand at the present time, and indeed will be of great help in the future.
Always
1. Set specific goals: Before each writing session, establish clear objectives for what you want to accomplish. This helps you stay focused and motivated throughout the session. Whether it's completing a certain number of pages, reaching a specific word count, or finishing a particular section, having a goal in mind keeps you on track.
2. Create a conducive writing environment: Find a quiet and comfortable space where you can minimize distractions. Eliminate clutter, turn off notifications on your electronic devices, and set up a writing area that inspires creativity. Some people find instrumental music or ambient sounds helpful for concentration, so experiment to find what works best for you.
3. Develop a routine: Establish a regular writing schedule and stick to it. Consistency builds momentum and makes writing sessions feel more like a habit. Whether you prefer to write early in the morning, late at night, or during specific time blocks throughout the day, find a routine that aligns with your energy levels and other commitments.
4. Use productivity techniques: Explore different productivity techniques to enhance your focus and efficiency. One popular method is the Pomodoro Technique, which involves working for a concentrated period (e.g., 25 minutes) followed by a short break (e.g., 5 minutes). Repeat this cycle several times, and then take a longer break (e.g., 15-30 minutes). Other techniques include time blocking, task prioritization, and setting deadlines.
5. Minimize self-editing during the drafting phase: When writing your first draft, try to resist the urge to constantly edit and revise. Instead, focus on getting your ideas down on paper without judgment. This allows for a more continuous flow of thoughts and prevents self-censorship. Save the editing for later drafts, as separating the drafting and editing stages can lead to increased productivity and creativity.
I bet! if it is not happening right now. Always improving, aways creating lights in supposedly dark times for others.
Inciting incidents hook readers. They take stories in an entirely new direction or get the plot moving faster.
It’s the moment when Lucy discovers Narnia in the wardrobe or Gandalf introduces the thirteen dwarves to Bilbo.
Every great story has a fascinating inciting incident. Here are a few tips to come up with your own.
An inciting incident is an event that causes chaos or change in the protagonist’s life. It kickstarts the story’s plot by compelling the protagonist forward. This can happen in the first chapter of a novel or the first few pages of a short story.
There are also three types of inciting incidents:
Coincidental: an event that’s unexpected or accidental. (Someone finds gold in their backyard or crashes their car into another vehicle and finds out their best friend was the other driver.)
Causal: an action or event the protagonist chooses to do. (Your protagonist files for divorce or gives in to their lifelong urge to start a restaurant.)
Off-page: an event that happens before the story starts or outside of the protagonist’s experience. (A country drops a bomb on the protagonist’s hometown while they’re at work one day or the protagonist’s best friend goes missing ten years before your story starts.)
Now that you know the two types of inciting incidents, use these tips to create plot-activating moments that make your audience buckle in for a long night of reading.
A great inciting incident causes a significant imbalance in your protagonist’s life. They should start making decisions or changes they wouldn’t have before as they respond to the incident.
Consider the almost-car-crash in Twilight. Sure, you could argue that moving to Forks is the inciting incident for Bella. It’s definitely the first incident that gets the plot going, but the story only shifts into vampire mode when Edward saves her from getting hit in the school’s parking lot. She notices his insane strength and speed, so she starts questioning who he is.
The inhuman features that intrigue Bella also hook the reader. You keep reading to find out how she discovers he’s a vampire and when/how the big reveal happens.
Her discovery that vampires exist also changes how she interacts with and understands her world. It radically alters her life path, well before she gets to know his family or the other supernatural beings in Forks.
Sometimes major life moments happen and we don’t realize how significant they are. You could bump into a person at the grocery store, only to recognize them at a farmer’s market a week later and start a conversation. That person might be your future romantic partner who changes your life, but you don’t realize that while you’re standing between shelves of pasta and spaghetti sauce.
Don’t be afraid of leaving your inciting incident a mystery to your protagonist. Moments of excitement or terror can be great for starting your plot, but sometimes a hint of mystery intrigues readers too.
You might know what your character is going to experience on their journey to the plot resolution but have no idea what your inciting incident should be.
If you can’t think of something, consider your theme. What event or circumstance would start your protagonist on a learning journey that exemplifies your theme?
Let’s imagine a scenario where you’re writing a coming-of-age story. Ultimately, you want your protagonist to recognize they have no control over their lives and find security in the community they build around themselves.
To make that initial loss of control happen, you could pick an inciting incident like someone breaking into their home. During the robbery, the criminal accidentally sets the house on fire. Your protagonist’s family loses everything and has to start over.
This event would align with your protagonist’s inner conflict. Focusing on inner conflict can be another perspective if you’re unsure what your theme is.
Let’s say your protagonist wants to go to college to provide for their family, but they get kicked off of their soccer team for cheating on a test. A soccer scholarship is the only way they could to college, but that chance disappears forever. They have to make a series of choices after that to find a new way to pay for college, which is the rest of your plot.
-----
Inciting incidents are important, so try thinking about yours apart from your stories. When they carry thematic weight or flip your protagonist’s world upside down, you’ll know you’ve created an incident that will hook your readers.
Here you will find some of the things that I really like. I like writing, music, poems, and producing any idea that comes to my mind. I hope you like it!
288 posts