Kindness, A Positive Feeling To Emulate.

Can we talk? Language, society, and consciousness

The story of human evolution does not end with the appearance of Homo sapiens in Africa 200,000 years ago, or with the subsequent migrations to Europe, Asia and the rest of the world. Our curiosity about our origins demands that we try to explain why it is this particular species that goes on to dominate the planet.

The answer, of course, is our particularly human form of consciousness, the development and use of language and the growth of complex social structures. The evidence suggests that these developments were intimately linked, driven by feedback loops. The FOXP2 gene may be responsible for literally wiring the brain for the capability of language, among other things. It encourages the growth of interconnections between neurons which, when combined with a larger frontal lobe and the anatomical changes necessary for vocalizing speech, make the human instinct for language inevitable.

British evolutionary psychologist Robin Dunbar argues that language allowed us to socialize, to build relationships with each other through gossip, and one-to-many bonding through the telling of stories and jokes. As social interactions became more complex, neural capacities expanded in response.

The result is the Great Leap Forward, the transition to behavioural modernity and the emergence of modern humans, which is thought to have occurred about 50,000 years ago.

Image: Etologic horse study, Chauvet cave, by Thomas T. CC-BY-SA-2.0 via Flickr.

Reactions to... getting betrayed

"So that's how it is."

"No. This can't be right!"

"Why am I not surprised?"

"I thought we were friends!"

"Are you for real?"

"No! No, please, not you."

"You would never do this to me. Right?"

"Oh, I was so naive to believe you."

"You promised to be by my side!"

"No, I refuse to believe that you would do that to me."

"Tell me why! I hope you have a good reason."

"Why? Why did you have to do this?"

"How can you look me in the eyes and betray me?"

"What have I ever done to you to deserve this?"

"I don't know if I want to cry or strangle you."

"It was all just a sick game to you!"

"Why did it have to be you?"

"How dare you betray my trust like that!"

"You have hurt me like no one has ever hurt me before."

"I never thought it could be you."

"How could I ever believe another word you say?"

"You taught me a valuable lesson today. Trust no one."

More: Betrayal Dialogue Prompts + How to write betrayal

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Music is one of the other key elements from Coca Cola to create its own brand. The stories around the music are families together, joy, love, Christmas time, dreams, Santa Claus, and all of the other key values that we already talked about. The same values, the same stories will be presented in every aspect of advertisement, marketing promotions, ads, brochures and commercials. Coca Cola stays Focused Focused and Focused. In this sense, the company creates its own brand and differentiate from the other competitors. Stay focused, focused, and focused is a key element of branding, according to Marty Neumeier.

Share with someone who brings a smile to your face! 😊 Help us count down to PEOPLE’s World’s #MostBeautiful cover reveal on April 20—and remember to #saysomethingbeautiful every day!

Plasma treatment being tested in New York may be coronavirus 'game changer'

En los talleres se trabajan las esculturas, se dan bosquejos, a veces riman otros no, a pulir de nuevo, a sacar ideas desde otras perspectivas, y asi son los talleres. Lugares donde se trabajan ideas. Y a reemplazar, reeditar y asi. Darles nuevas luces al trabajo y asi, la idea es ciertamente empezar a escuchar el mercado por donde las ideas y los trends van, para tener un producto ajustado a una necesidad, y donde las ideas personales se ajustan, y complementan con los demás, para tener un producto que llame la atención.

Reeditar es importante , sobre todo cuando no se le quiere poner mucha mermelada a un sandwich, que después desparrame todos sus elementos y se están engolosinados, echando a perder la obra. La obra debe tener un equilibrio en sus plots, en sus caracteres, en sus world views para hacer un edificio elegante que guste su presencia por lo que ofrece. 

Los amores en los plots no hacen nada, a menos que no estén rodeados de una historia convincente, que mueva los caracteres hacia un propósito central concentrado y desparramado en toda la obra.

EL PUBLICO

Otras cosas a considerar es que la obra, o el publico al cual se dirige la obra es a las parejas de recién casados, jóvenes que fluctúan entre los 16 a los 24 anos, (representan el mayor segmento de matrimonios) con sus castillos de ilusiones, y cuando sus percepciones todavía no llegan a la madurez de parejas entre los 40 y 50 (cuyas pasiones, e intereses y emociones y situaciones variarían diametralmente). Esta obra esta dirigida a D’Bodas & XV Anos, en sus contenidos (por ahora) y sus publicaciones están enmarcadas dentro del espacio de D’Bodas & XV Anos para su distribución y venta por capítulos. La dinámica de valores, conceptos, situaciones para recién casados difiere de los adultos, por lo que los temas también difieren. Creo que la idea es darles a los recién casados ideas de mas o menos lo que pasa en las relaciones, pintarlas, y darles más o menos como una oleada de situaciones -entre aventuras- que se presentan en pareja. Me pregunto en voz abierta, si pudiera traspasar esas fronteras de edad y dejar una obra que pudiera meterse en todo publico, pero siento que perdería el propósito de una obra, porque toda obra debe tener un propósito dado que se invierte mucho tiempo y esfuerzo en su conjugación para perderlos sin un sentido y un propósito, y finalmente si vamos a ser algo, que finalmente sea de valor.

Still working in my shop. Getting ideas.

How can we develop a plot, mixing real young couple dynamics, into the story. That would be the greatest asset!

VALENTINE SCHLEGEL & IRIS MURDOCH

El arte dice la única verdad que en definitiva importa. Es la luz por la cual las cosas humanas pueden ser enmendadas. Y más allá del arte no hay, se lo aseguro a ustedes, nada.

-Iris Murdoch, El príncipe negro. Ed: DEBOLSILLO. Traducción  de Camilla Batlles Vinn.

- Valentine Schlegel, Primera escultura de yeso, taller de Sète, 1955.

novlr.org

Character Archetypes and How to Use Them in Your Novel - Novlr

There are twelve character archetypes split into four motivations at the heart of every story. Learn about archetypes and how to write them.

The idea of the twelve character archetypes was suggested by the Swiss psychiatrist Carl Jung. His theory on basic human personalities suggests that each human is led predominantly by one of four motivations during their lifespan, split into three separate character traits. These archetypes are now often used by writers as a basis for their characters.

The "Provide Structure" trait includes:

The Caregiver

The Creator

The Ruler

The "Spiritual Journey" trait includes:

The Innocent

The Explorer

The Sage

The "Leave a Mark" trait includes:

The Hero

The Outlaw

The Magician

The "Connect With Others" trait includes:

The Everyman

The Lover

The Jester

THE WRITER'S WORKBOOK - free

Hello hello, it's me!

Today I'm here to tell you about each feature of "The Writer's Workbook", which you can download for free.

Note: this workbook has two variations, so you can print it or use it digitally as a PDF.

I designed this workbook in an intuitive way so that the plot progresses as you go further in the exercises. It is divided in six big categories: Idea & Plot, Character Development, World Building, Writing, Journal, and Resources.

Note: feel free to skip exercises or to complete them in any other order than the one suggested by me!

IDEA & PLOT

This section is meant to help you develop your idea before you even know who your characters are.

In this part, you will choose the central conflict, write down keywords about your idea, and draw a mind map. Then, you'll proceed to find your voice through different exercises, to then find each key point of the plot, from exposition to resolution.

It's also in this part that you are going to come up with plot twists and the ending of the book.

CHARACTER DEVELOPMENT

Here, as the name says, you will completely develop all your characters, from the protagonist to the side characters. You will also have the opportunity to develop their relationships through mind maps and brainstorming processes.

WORLDBUILDING

Just like the other categories, worldbuilding is a fundamental step when plotting a novel.

In this workbook, you'll be asked to draw or generate a map of your world so that you always have it near you whenever you need it. There are also some prompts to fill out about it, and locations to create and explore.

In this part, you can also make a timeline for all the main events in your world.

WRITING

Now that most of your story is planned, it's time to think about writing it!

This section is perfect to come up with the best title for your book, brainstorming and develop the opening scene, and fully developing each key point using the snowflake method.

There's also a place to write down all the scenes and chapters you want to include in your book and check it off as you write it.

JOURNAL

This part is for you to reflect on your writing goals, on your ideas, and to see your progress. It's important to check this often and make sure you always have your goals in mind!

RESOURCES

Here you will find some useful resources from writing communities to courses and softwares to help you in this process and, hopefully, make it easier!

THE WRITER'S WORKBOOK

If you don't have it already grab it now here! It's completely free and I'm sure it will help you develop your new idea <3

#Frasescelebres

I bet! if it is not happening right now. Always improving, aways creating lights in supposedly dark times for others.