I hate that no one talks about just how distressing memory loss from adhd actually is. I always see memes that are like “haha I forgot my phone, I don’t remember where my laptop is, etc”, but no one seems to talk about how it can really fuck you up long term to just, not remember things that are completely mundane to non-adhd’ers. The memory loss is, however, so frustrating to us. I cannot physically count how many meltdowns I have had over the sheer mental frustration and torture of not being able to remember seemingly simple things
Hamlet is the character of all time. he’s a trans man. he’s gay. he’s the prince of denmark. he’s non binary. he’s thirty. he’s asexual. he has bad dreams. he’s bisexual. he’s twenty two. he’s a trans woman. he was played by 82 year old Ian McKellen. he’s sixteen. he’s a lesbian. he’s genderqueer. everything is wrong with him
wait a second
oh my god.
I remember seeing them perform this live on my campus.. My jaw dropped within 10 seconds.
Inspired by this old post
Words (and definitions) as text below cut.
Words to Describe a Voice
Adenoidal: pinched and nasal in tone
Alto: a low female voice, or a high male voice
Appealing: evoking interest, desire, or curiosity; attractive
Austere: severe, uncompromising, or strict; sober, or serious
Baritone: an intermediate male voice, between tenor and bass
Booming: a deep, resonant sound; prolonged or echoing
Breathy: audible, or excessive, emission of breath
Coarse: harsh, or grating; vulgar, obscene, or crude
Croaky: low-pitched and hoarse; croaking
Deep: low in pitch; sonorous tone
Ethereal: light, airy, or tenuous; extremely delicate or refined
Falsetto: an unnaturally, or artificially, high-pitched voice
Frail: delicate, weak, or fragile
Grating: irritating, unpleasant, harsh, discordant, or rasping
Gravelly: harsh and grating
Guttural: harsh, or throaty; sounds formed in back of mouth
High-Pitched: high in volume and/or tone
Hoarse: a low, harsh sound; husky; weak intensity and excessive breathiness
Honeyed: pleasantly soft; dulcet, or mellifluous; flattering, or ingratiating
Husky: a somewhat hoarse, semi-whispered vocal tone
Hypnotic: inducing, or tending to induce, sleep; soporific
Lilting: rhythmic; light and tripping
Lofty: elevated; arrogant or condescending
Low: quiet or deep
Luscious: sweet to excess; highly pleasing; satisfying; cloying
Lyrical: enthusiastic; effusive; melodious; musical
Majestic: lofty, imposing, stately, or grand
Mellow: mild and pleasant; relaxed; soft and rich
Melodic: sweet-sounding; musical
Mesmerizing: completely engrossing, captivating, or fascinating
Musical: resembling music; melodious; harmonious
Nasal: sounds, either partly or entirely, form the noise
Orotund: strong, full, rich, or clear; pompous or bombastic
Plaintive: sorrowful; melancholic; mournful
Plummy: rich, or mellowly, resonant
Raspy: harsh, grating, rasping, or irritating
Resonant: deep and full of resonance; reverberating
Rich: full, strong, deep, or vivid
Ringing: clear, resonant; reminiscent of bells
Scratchy: uneven, irritating, or grating
Shrill: high-pitched and piercing
Silvery: having a clear, ringing sound
Small: humble, weak, soft, or of little strength or force
Smoky: hazy, hoarse, husky, or raspy
Soft-Spoken: soft, gentle, or mild; persuasive
Soporific: causing, or tending to cause, sleep
Squeaky: sharp, shrill, high-pitched
Strong: robust; powerful; intense in quality
Sweet: pleasing to the ear; delicate, or agreeable
Tenor: an intermediate male voice between bass and alto
Thick: husky, or hoarse; not distinctly articulated
Thin: lacking fullness or volume; weak, or shrill
Throaty: guttural, husky, or hoarse
Tight: drawn, tense, or taut
Weak: lacking in force; soft, deficient, or quiet
Wheezy: with a whistling sound, and difficulty breathing
Words to Describe Tone of Voice
Affected: false, or feigned; pretending to possess
Arrogant: overbearing, assuming, insolently proud
Authoritative: positive, peremptory, or dictatorial
Bloodcurdling: arousing terror; horrifying
Boisterous: rough and noisy, rowdy, unrestrained; noisily jolly
Breaking: changing, or collapsing, suddenly
Bright: animated, lively, cheerful, clever, or witty
Brittle: fragile, frail, lacking warmth; having a sharp, tense quality
Cacophonous: having a harsh, or discordant sound
Caterwauling: long and wailing; a howl, or screech
Cheery: in good spirits; cheerful, or happy
Delicate: soft, or faint; subtle; tactful, or cautious
Dry: plain, unadorned, indifferent, or matter-of-fact
Dulcet: pleasant to the ear; melodious
Ear-Splitting: extremely harsh and irritating; loud
Enthusiastic: lively, ardent, eager, or passionate
Faint: soft, weak, feeble, or slight; lacking clearness or volume
Feeble: lacking in force, strength, volume, and distinctness
Flat: without modification or variation; without vitality
Forceful: powerful, vigorous, or effective
Frank: direct and unreserved; straightforward; sincere
Gruff: low and harsh; hoarse; rough, brusque, or surly
Hesitant: wavering, irresolute, timid, or unpersuasive
Insincere: lacking sincerity; sarcastic; hypocritical
Irreverent: lacking respect; flippant
Monotone: single tone, without harmony or variation
Patronizing: offensive and condescending
Pedantic: overly concerned with details and rules
Petulant: impatient irritation; annoyed
Piercing: loud, or shrill; sarcastic, or caustic
Pompous: ostentatious display of self-importance
Pontificating: to speak in a pompous or dogmatic manner
Pretentious: making an exaggerated outward show; ostentatious
Raised: increased in volume
Raucous: harsh, strident, or grating; rowdy, or disorderly
Respectful: showing deference; politeness
Rough: harsh to the ear; grating, or jarring
Sarcastic: using harsh or bitter derision or irony
Screeching: harshly shrill
Serious: grave, somber, earnest, or sincere
Singsong: rhythmically monotonous cadence or tone
Smug: contentedly confident in superiority or correctness
Snarky: testy or irritable; having a rudely critical tone
Snobby: condescending, patronizing; snobbish
Soft: low, or subdued; gentle and melodious
Sotto Voce: in a low, soft voice, so as not to be overheard
Stilted: stiffly dignified or formal; pompous
Strangled: choking, or stifled; gradually cut off
Sullen: gloomy, irritated, morose, or malignant
Trembling: shaking, as from fear, excitement, or weakness
Unapologetic: bold, and showing no regret
Upbeat: optimistic, happy, or cheerful
Warbling: with trills, quavers, or melodic embellishments
Wavering: unsteady, shaky, or fluctuating; begin to fail
Whiny: complaining, fretful, or cranky
Whisper: to speak with soft, hushed sounds
The tense changes throughout the piece are noticeable. Louis switches to past tense when talking about the “first time”.
“Met you at your doorstep
Remember how we tasted
Looking into your eyes
Baby, you were still high
Never coming down with your hand in mine”
This is repeated the next time it rolls around. But the third time it changes:
“Met you at your doorstep
Remember how we tasted
Looking into your eyes
Baby, and we're still high
Never coming down with your hand in mine”
This suggests that Louis and the other person making up this “we” I wonder who are still together and still making it. It brings their relationship from past tense, memories of college and band days to today.
Is it just me or does this sound like a coming out song?
NOT in the sense of Hi My Name Is Gay, but in the sense that the person who’s been by Louis’ side since he was dreaming about the success that he has now. From Uni days. Someone who was and is still apart of his life. And they are walking forward together or as Louis says:
Never coming down with your hand in mine
I just saw a story on AO3 tagged "pet p!ay"
TIK TOK MUST BE STOPPED BEFORE IT DESTROYS LANGUAGE
Note: this is regarding the lore made up by tumblr collaboratively about a fake Martin Scorsese film. See the post that started it all and fake poster.
Goncharov was released in 1973. It was written by Matteo JWHJ 0715 and directed (?) and/or possibly co-written by Martin Scorsese. Scorsese’s big name helped popularize the film, but as a result JWHJ 0715’s significant contribution is often overlooked
Goncharov was forgotten and was actually difficult to acquire for many years. This may have been due to corporations hoarding rights and access, the actually mafia targeting distribution of the film, other factors, or a combination of these. This led to pirating of the film, which allegedly led to pirating discourse surrounding the film
There are talks of a Goncharov II or remake
Goncharov is a mafia boss in Naples of Russian origin. His wife/fiancée is named Katya, also of Russian origin. Goncharov may or may not have fled Russia, and may or may not have been pursued by someone trying to get him back to Russia, possibly to face legal justice. One such person trying to do this could be Valery Michailov
Valery Michailov in Katya’s sister. He may resent Goncharov due to his relationship with his sister and due to Goncharov being wanted by the Russian government. He is somewhat patriotic, possibly a former government worker or soldier.
Katya’s last name is either Michailova or Goncharova (although possibly with the wrong suffix). Her relationship with Goncharov is strained, tense, and possibly loveless. She ends up betraying him in the end. This is often seen as a subversion on the typical tropes for women in mafia movies.
At some point, Katya is on a bridge with Goncharov. At some point, Katya points a gun at Goncharov. At some point, Katya is injured on a boat/in a boathouse.
Katya is amicable with someone named Sofia, who has brown hair. She also has subtextual homoerotic tension with her
Sofia may be working class/poorer than many of the other characters are.
Goncharov has subtextual homoerotic tension with someone named Andrey. Andrey is Goncharov’s old friend/best friend/nemesis/enemy/competitor. There is at least one instance of one of them trying to kill the other.
Ice pick Joe is played by John Cazale, making this his 6th movie. He has a famous 10 minute scene with Katya, and at some point dies, also possibly at the hands of Katya.
Mario Ambrosini works with Goncharov, possibly as a lackey or number two. At some point in the middle of the story, he betrays Goncharov and Goncharov tells him that he “never wants to see [Mario] again”. It is unclear what happens to him after that. Mario also has a relationship with Andrey that some have described as “fascinating”. It is unclear how.
There is a clock motif in Goncharov, and a general theme regarding “running out of time” before death. There are a few characters who seem at the very least subconsciously aware of the fact that they have little time until their death. The film also deals with the theme of fate, of death and tragedy being and inevitable thing for these characters.
Goncharov dies at the end of the movie, due to someone’s betrayal.
Goncharov (1973) was heavily influenced by the American Cold War propaganda of the time. Some argue that it plays right into the stereotypes of Russians, others say it is a clever subversion of the propaganda and stereotypes of the time.
Feel free to add more/expand/add alternative information!